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Japanese horror cinema / / edited by Jay McRoy
| Japanese horror cinema / / edited by Jay McRoy |
| Autore | McRoy Jay |
| Pubbl/distr/stampa | Edinburgh : , : Edinburgh University Press, , 2012 |
| Descrizione fisica | 1 online resource (xviii, 220 pages) |
| Disciplina | 791.4361640952 |
| Collana | Traditions in World Cinema : TWC |
| Soggetto topico | Horror films - Japan - History and criticism |
| ISBN | 1-4744-7093-9 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- CONTENTS -- ACKNOWLEDGEMENTS -- PREFACE: JAPANESE HORROR CINEMA -- CONTRIBUTORS -- INTRODUCTION -- PART I HISTORY, TRADITION AND JAPANESE HORROR CINEMA -- INTRODUCTION -- 1. AESTHETICS OF CRUELTY: TRADITIONAL JAPANESE THEATRE AND THE HORROR FILM -- 2. THE NIGHTMARE OF ROMANTIC PASSION IN THREE CLASSIC JAPANESE HORROR FILMS -- 3. CASE STUDY: NAKATA HIDEO’S RINGU AND RINGU 2 -- PART 2 GENDER, TERROR AND THE ‘AVENGING SPIRIT’ MOTIF IN JAPANESE HORROR CINEMA -- INTRODUCTION -- 4. JAPANESE HORROR UNDER WESTERN EYES: SOCIAL CLASS AND GLOBAL CULTURE IN MIIKE TAKASHI’S AUDITION -- 5. ANIME HORROR AND ITS AUDIENCE: 3X3 EYES AND VAMPIRE PRINCESS MIYU -- 6. CASE STUDY: ISHII TAKASHI’S FREEZE ME AND THE RAPE-REVENGE FILM -- PART 3 NATIONAL ANXIETIES AND CULTURAL FEARS IN JAPANESE HORROR CINEMA -- INTRODUCTION -- 7. METAL-MORPHOSIS: POSTINDUSTRIAL CRISIS AND THE TORMENTED BODY IN THE TETSUO FILMS -- 8. CULTURAL TRANSFORMATION, CORPOREAL PROHIBITIONS AND BODY HORROR IN SATO HISAYASU’S NAKED BLOOD -- 9. PINNOCHIO 964, DEATH POWDER AND THE POST-HUMAN CONDITION -- 10. CASE STUDY: BATTLE ROYALE’S APOCALYPTIC MILLENNIAL WARNING1 -- PART 4 JAPANESE HORROR CINEMA AND THE PRODUCTION AND CONSUMPTION OF FEAR -- INTRODUCTION -- 11. ARASHI GA OKA (ONIMARU): THE SOUND OF THE WORLD TURNED INSIDE OUT -- 12. RINGING THE CHANGES: CULT DISTINCTIONS AND CULTURAL DIFFERENCES IN US FANS’ READINGS OF JAPANESE HORROR CINEMA -- 13. CASE STUDY: CINEMATIC HYBRIDITY IN SHIMIZU TAKASHI’S JU-ON: THE GRUDGE -- FILMOGRAPHY: JAPANESE HORROR FILMS AND THEIR DVD AVAILABILITY IN THE UK AND US -- BIBLIOGRAPHY -- INDEX |
| Record Nr. | UNINA-9910794169603321 |
McRoy Jay
|
||
| Edinburgh : , : Edinburgh University Press, , 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Japanese horror cinema / / edited by Jay McRoy
| Japanese horror cinema / / edited by Jay McRoy |
| Autore | McRoy Jay |
| Pubbl/distr/stampa | Edinburgh : , : Edinburgh University Press, , 2012 |
| Descrizione fisica | 1 online resource (xviii, 220 pages) |
| Disciplina | 791.4361640952 |
| Collana | Traditions in World Cinema : TWC |
| Soggetto topico | Horror films - Japan - History and criticism |
| ISBN | 1-4744-7093-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- CONTENTS -- ACKNOWLEDGEMENTS -- PREFACE: JAPANESE HORROR CINEMA -- CONTRIBUTORS -- INTRODUCTION -- PART I HISTORY, TRADITION AND JAPANESE HORROR CINEMA -- INTRODUCTION -- 1. AESTHETICS OF CRUELTY: TRADITIONAL JAPANESE THEATRE AND THE HORROR FILM -- 2. THE NIGHTMARE OF ROMANTIC PASSION IN THREE CLASSIC JAPANESE HORROR FILMS -- 3. CASE STUDY: NAKATA HIDEO’S RINGU AND RINGU 2 -- PART 2 GENDER, TERROR AND THE ‘AVENGING SPIRIT’ MOTIF IN JAPANESE HORROR CINEMA -- INTRODUCTION -- 4. JAPANESE HORROR UNDER WESTERN EYES: SOCIAL CLASS AND GLOBAL CULTURE IN MIIKE TAKASHI’S AUDITION -- 5. ANIME HORROR AND ITS AUDIENCE: 3X3 EYES AND VAMPIRE PRINCESS MIYU -- 6. CASE STUDY: ISHII TAKASHI’S FREEZE ME AND THE RAPE-REVENGE FILM -- PART 3 NATIONAL ANXIETIES AND CULTURAL FEARS IN JAPANESE HORROR CINEMA -- INTRODUCTION -- 7. METAL-MORPHOSIS: POSTINDUSTRIAL CRISIS AND THE TORMENTED BODY IN THE TETSUO FILMS -- 8. CULTURAL TRANSFORMATION, CORPOREAL PROHIBITIONS AND BODY HORROR IN SATO HISAYASU’S NAKED BLOOD -- 9. PINNOCHIO 964, DEATH POWDER AND THE POST-HUMAN CONDITION -- 10. CASE STUDY: BATTLE ROYALE’S APOCALYPTIC MILLENNIAL WARNING1 -- PART 4 JAPANESE HORROR CINEMA AND THE PRODUCTION AND CONSUMPTION OF FEAR -- INTRODUCTION -- 11. ARASHI GA OKA (ONIMARU): THE SOUND OF THE WORLD TURNED INSIDE OUT -- 12. RINGING THE CHANGES: CULT DISTINCTIONS AND CULTURAL DIFFERENCES IN US FANS’ READINGS OF JAPANESE HORROR CINEMA -- 13. CASE STUDY: CINEMATIC HYBRIDITY IN SHIMIZU TAKASHI’S JU-ON: THE GRUDGE -- FILMOGRAPHY: JAPANESE HORROR FILMS AND THEIR DVD AVAILABILITY IN THE UK AND US -- BIBLIOGRAPHY -- INDEX |
| Record Nr. | UNINA-9910812274503321 |
|
McRoy Jay
|
||
| Edinburgh : , : Edinburgh University Press, , 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||