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John Huston as adaptor / / edited by Douglas McFarland and Wesley King
| John Huston as adaptor / / edited by Douglas McFarland and Wesley King |
| Pubbl/distr/stampa | Albany, New York : , : SUNY Press, , 2017 |
| Descrizione fisica | 1 online resource (328 pages) : illustrations, photographs |
| Disciplina | 791.430233092 |
| Collana | SUNY Series, Horizons of Cinema |
| Soggetto topico | Film adaptations - History and criticism |
| ISBN | 1-4384-6374-X |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Aesthetics and textuality. A passing node: The asphalt jungle / Murray Pomerance -- Adapting addiction: modernist aesthetics in Under the volcano / Douglas McFarland -- Taking Gabriel at his word: narration and Huston's The dead / Robert L. Colson -- On beams and birds: John Huston's adaptation of The maltese falcon / Steven Rybin -- A screenplay-centric analysis of Huston's The man who would be king / Jonathan c. Glance -- History and social context. Proceed with the execution: casting, convention, and the diminishment of Rose in The African queen / Wesley King and Douglas McFarland -- John Huston and postwar Hollywood: The night of the iguana in context / R. Barton Palmer -- This has got to be a masterpiece: John Huston's mangled adaptation of The red badge of courage / Dale M. Pollock -- Shadowboxing in the sun: fighters, their bodies, & their spaces in Fat city / Tom Dorey -- Prizzi's honor: greed and gender in the beginning of the neoliberal era / Betty Kaklamanidou -- Hints of modernism, shades of noir: Huston's Maltese falcon as transitional text / Alan Woolfolk -- Of borders and bandits: The treasure of the Sierra Madre / Camilla Fojas -- The thing behind the mask: period, pacing, and visual style in John Huston's Moby dick / Nathan Ragain -- Theory and psychoanalysis. Huston's Freud: adapting the life of psychoanalysis / David Sigler -- Queer movements: color, performance, and rhythm in John Huston's Reflections in a golden eye / Kyle Stevens -- Flannery O'Connor's symbolic motif and the psychoanalytic objects of John Huston's Wise blood / Wesley King. |
| Record Nr. | UNINA-9910162945503321 |
| Albany, New York : , : SUNY Press, , 2017 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Patricia Highsmith on Screen / / edited by Wieland Schwanebeck, Douglas McFarland
| Patricia Highsmith on Screen / / edited by Wieland Schwanebeck, Douglas McFarland |
| Edizione | [1st ed. 2018.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2018 |
| Descrizione fisica | 1 online resource (299 pages) : illustrations |
| Disciplina | 810.9928709045 |
| Collana | Palgrave Studies in Adaptation and Visual Culture |
| Soggetto topico |
Motion pictures
America—Literatures Adaptation Studies North American Literature |
| ISBN | 3-319-96050-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1. Introduction: Patricia Highsmith on Screen, Douglas McFarland and Wieland Schwanebeck -- 2. The Dark Side of Adaptation, Thomas Leitch -- Section I: Doubles, Copies, and Strangers -- 3. “I Meet a Lot of Guys--But Not Many Like You”: Strangers and Types in Highsmith’s and Hitchcock’s Strangers on a Train, Bran Nicol -- 4. Strangers on a Park Bench: From Highsmith to Alfred Hitchcock to Woody Allen, Klara Stephanie Szlezák -- 5. Tom Ripley’s Talent, Murray Pomerance -- 6. Ripley Under Ground and Its Illegitimate Heirs, Wieland Schwanebeck -- Section II: Queer Encounters -- 7. Queer Ripley: Minghella, Highsmith, and the Anti-Social -- David Greven -- 8. The Price of Salt, Carol, and Queer Narrative Desire(s), Alison L. McKee -- 9. “Easy Living”: From The Price of Salt (78) to Carol (EP), Robert Miklitsch -- Section III: Aesthetic, Mythic, and Cultural Transaction -- 10. Adapting Irony: Claude Chabrol’s The Cry of the Owl, Douglas McFarland -- 11. With Friends Like These: Wim Wenders’ The American Friend as Noir Allegory, Christopher Breu -- 12. Hans Geissendörfer’s Psychological Noir: West-German Adaptations of Patricia Highsmith Novels, Erin Altman and William Mahan -- 13. Authorship and Scales of Adaptation in Chillers, Kristopher Mecholsky -- 14. The Two Faces of January: Theseus and the Minotaur, Catherine McFarland -- Section IV: Adapters in Conversation -- 15. Memories of The American Friend, Wim Wenders -- 16. "Highsmith really writes films", Hans W. Geißendörfer -- 17. “An interesting lack of sentimentality", Hossein Amini -- 18. “Highsmith was the queen of guilt", Phyllis Nagy. |
| Record Nr. | UNINA-9910300007503321 |
| Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2018 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||