Russian émigré culture : conservatism or evolution? / / edited by Christoph Flamm, Henry Keazor and Roland Marti |
Pubbl/distr/stampa | Newcastle upon Tyne, England : , : Cambridge Scholars Publishing, , 2013 |
Descrizione fisica | 1 online resource (353 p.) |
Disciplina | 780.947 |
Soggetto topico |
Music - Soviet Union - History and criticism
Russians - Foreign countries |
ISBN | 1-4438-6366-1 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
TABLE OF CONTENTS; PREFACE; "MY LOVE, FORGIVE ME THIS APOSTASY"; SECTION 1; THE PARTICIPATION OF RUSSIAN PRE-REVOLUTIONARY DIPLOMATS IN THE CULTURAL LIFE OF THE RUSSIAN EMIGRATION; [WHAT IS IT THAT THE EMIGRATION ENGENDERED?] -ANDREY BELY, VIKTOR SHKLOVSKY AND ALEKSEY TOLSTOY IN 'RUSSIAN BERLIN'1921-1923; UN ENFANT PRODIGE; SECTION 2; WHAT IS ARTISTIC FORM?MUNICH - MOSCOW 1900-1925; EL LISSITZKY, HIS BEAT THE WHITESWITH THE RED WEDGEAND THEIR JEWISH INSPIRATIONS; RUSSIAN ÉMIGRÉ ARTISTS IN SERBIA(1920-1950); IDENTITY-SHOCK; SECTION 3
RUSSIAN COLLECTIVE IDENTITY IN EXILE AND MUSIC IN BERLIN 1917-1933 RUSSIAN MUSIC INSTITUTIONS IN BERLIN IN THE 1920's; "SLAVIC CHARM AND THE SOUL OF TOLSTOY"; STRAVINSKY'S SVADEBKA (1917-1923)AS THE QUINTESSENCE OF THE TECHNIQUE OF "BUILDING BLOCKS"; EURASIANISM IN PERSPECTIVE; MUSICAL MODERNISM IN THE MIRROR OF THE MYASKOVSKY-PROKOF'EV CORRESPONDENCE; VANKA THE HOUSEKEEPER BY NIKOLAY TCHEREPNIN AND LADY MACBETH BY DMITRY SHOSTAKOVICH; "I HAVE NO COUNTRY, I HAVE NO PLACE"; CONTEMPORARY ÉMIGRÉ COMPOSERS; ABSTRACTS; CONTRIBUTORS; INDEX |
Record Nr. | UNINA-9910791162603321 |
Newcastle upon Tyne, England : , : Cambridge Scholars Publishing, , 2013 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Russian émigré culture : conservatism or evolution? / / edited by Christoph Flamm, Henry Keazor and Roland Marti |
Pubbl/distr/stampa | Newcastle upon Tyne, England : , : Cambridge Scholars Publishing, , 2013 |
Descrizione fisica | 1 online resource (353 p.) |
Disciplina | 780.947 |
Soggetto topico |
Music - Soviet Union - History and criticism
Russians - Foreign countries |
ISBN | 1-4438-6366-1 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
TABLE OF CONTENTS; PREFACE; "MY LOVE, FORGIVE ME THIS APOSTASY"; SECTION 1; THE PARTICIPATION OF RUSSIAN PRE-REVOLUTIONARY DIPLOMATS IN THE CULTURAL LIFE OF THE RUSSIAN EMIGRATION; [WHAT IS IT THAT THE EMIGRATION ENGENDERED?] -ANDREY BELY, VIKTOR SHKLOVSKY AND ALEKSEY TOLSTOY IN 'RUSSIAN BERLIN'1921-1923; UN ENFANT PRODIGE; SECTION 2; WHAT IS ARTISTIC FORM?MUNICH - MOSCOW 1900-1925; EL LISSITZKY, HIS BEAT THE WHITESWITH THE RED WEDGEAND THEIR JEWISH INSPIRATIONS; RUSSIAN ÉMIGRÉ ARTISTS IN SERBIA(1920-1950); IDENTITY-SHOCK; SECTION 3
RUSSIAN COLLECTIVE IDENTITY IN EXILE AND MUSIC IN BERLIN 1917-1933 RUSSIAN MUSIC INSTITUTIONS IN BERLIN IN THE 1920's; "SLAVIC CHARM AND THE SOUL OF TOLSTOY"; STRAVINSKY'S SVADEBKA (1917-1923)AS THE QUINTESSENCE OF THE TECHNIQUE OF "BUILDING BLOCKS"; EURASIANISM IN PERSPECTIVE; MUSICAL MODERNISM IN THE MIRROR OF THE MYASKOVSKY-PROKOF'EV CORRESPONDENCE; VANKA THE HOUSEKEEPER BY NIKOLAY TCHEREPNIN AND LADY MACBETH BY DMITRY SHOSTAKOVICH; "I HAVE NO COUNTRY, I HAVE NO PLACE"; CONTEMPORARY ÉMIGRÉ COMPOSERS; ABSTRACTS; CONTRIBUTORS; INDEX |
Record Nr. | UNINA-9910820989303321 |
Newcastle upon Tyne, England : , : Cambridge Scholars Publishing, , 2013 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|