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Bach Perspectives, Volume 3 : Creative Responses to Bach, from Mozart to Hindemith
| Bach Perspectives, Volume 3 : Creative Responses to Bach, from Mozart to Hindemith |
| Autore | Marissen Michael |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Champaign : , : University of Illinois Press, , 2025 |
| Descrizione fisica | 1 online resource (164 pages) |
| Disciplina | 780.92 |
| Altri autori (Persone) |
ChristensenThomas
FinscherLudwig FrischWalter HintonStephen KindermanWilliam MarshallRobert L |
| Collana | Bach Perspectives Series |
| Soggetto topico |
Music - History and criticism
Music theory - History |
| ISBN |
9780252048074
0252048075 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Cover -- Title Page -- Copyright -- Contents -- Preface -- List of Abbreviations -- Bach’s Posthumous Role in Music History -- Bach among the Theorists -- Bach and Mozart’s Artistic Maturity -- Bachian Affinities in Beethoven -- Bach, Brahms, and the Emergence of Musical Modernism -- Hindemith, Bach, and the Melancholy of Obligation -- Contributors -- General Index -- Index of Bach’s Compositions -- Back Cover |
| Record Nr. | UNINA-9911011767303321 |
Marissen Michael
|
||
| Champaign : , : University of Illinois Press, , 2025 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The social and religious designs of J.S. Bach's Brandenburg concertos [[electronic resource] /] / Michael Marissen
| The social and religious designs of J.S. Bach's Brandenburg concertos [[electronic resource] /] / Michael Marissen |
| Autore | Marissen Michael |
| Edizione | [Course Book] |
| Pubbl/distr/stampa | Princeton, : Princeton University Press, 1995 |
| Descrizione fisica | 1 online resource (163 p.) |
| Disciplina | 784.2/4 |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-4008-0510-4
1-4008-2165-7 1-282-75220-0 9786612752209 1-4008-1260-7 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- Acknowledgments -- INTRODUCTION. Bach's Musical Contexts -- CHAPTER ONE. Relationships between Scoring and Structure in Individual Concertos -- CHAPTER TWO. The Six Concertos as a Set -- CHAPTER THREE. Lutheran Belief and Bach's Music -- Appendix 1. Text-Critical Notes on Early Copies of the Sixth Brandenburg Concerto -- Appendix 2. Notes on Bach's Notation of the Gamba Parts in the Margrave of Brandenburg's Dedication Score -- Works Cited -- Index |
| Record Nr. | UNINA-9910455501903321 |
|
Marissen Michael
|
||
| Princeton, : Princeton University Press, 1995 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The social and religious designs of J.S. Bach's Brandenburg concertos [[electronic resource] /] / Michael Marissen
| The social and religious designs of J.S. Bach's Brandenburg concertos [[electronic resource] /] / Michael Marissen |
| Autore | Marissen Michael |
| Edizione | [Course Book] |
| Pubbl/distr/stampa | Princeton, : Princeton University Press, 1995 |
| Descrizione fisica | 1 online resource (163 p.) |
| Disciplina | 784.2/4 |
| Soggetto topico | MUSIC / History & Criticism |
| ISBN |
1-4008-0510-4
1-4008-2165-7 1-282-75220-0 9786612752209 1-4008-1260-7 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- Contents -- Acknowledgments -- INTRODUCTION. Bach's Musical Contexts -- CHAPTER ONE. Relationships between Scoring and Structure in Individual Concertos -- CHAPTER TWO. The Six Concertos as a Set -- CHAPTER THREE. Lutheran Belief and Bach's Music -- Appendix 1. Text-Critical Notes on Early Copies of the Sixth Brandenburg Concerto -- Appendix 2. Notes on Bach's Notation of the Gamba Parts in the Margrave of Brandenburg's Dedication Score -- Works Cited -- Index |
| Record Nr. | UNINA-9910780055103321 |
|
Marissen Michael
|
||
| Princeton, : Princeton University Press, 1995 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||