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Hong Kong screenscapes [[electronic resource] ] : from the new wave to the digital frontier / / edited by Esther M.K. Cheung, Gina Marchetti, and Tan See-Kam
| Hong Kong screenscapes [[electronic resource] ] : from the new wave to the digital frontier / / edited by Esther M.K. Cheung, Gina Marchetti, and Tan See-Kam |
| Pubbl/distr/stampa | Hong Kong, : Hong Kong University Press, c2011 |
| Descrizione fisica | 1 online resource (315 p.) |
| Disciplina | 791.43 |
| Altri autori (Persone) |
CheungEsther M. K
MarchettiGina TanSee Kam <1958-> |
| Soggetto topico |
Motion pictures - China - Hong Kong
Motion pictures - History - 20th century |
| Soggetto genere / forma | Electronic books. |
| ISBN |
988-220-699-9
988-8053-54-X |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Contents; List of Illustrations; Acknowledgements; Contributors; Hong Kong Screen scapes: An Introduction; Part I: Voices of the Hong Kong New Wave; 1. Do We Hear the City?: Voices of the Stranger in Hong Kong Cinema; 2. Surfing with the Surreal in Tsui Hark's Wave: Collage Practice, Diaspora Hybrid Texts, and Flexible Citizenship; 3. Ann Hui at the Margin of Mainstream Hong Kong Cinema; 4. Interview with Ann Hui: On the Edge of the Mainstream; 5. Urban Nomads, Exilic Reflections: The Cine-Modernism of Patrick Tam; Part II: Independent Connections
6. Performing the Margins: Locating Independent Cinema in Hong Kong 7. Re-imagining Hong Kong-China from the Sidelines: Fruit Chan's Little Cheung and Durian Durian; 8. Alternative Perspectives/Alternative Cinemas: Modern Films and the Hong Kong Experimental Scene; 9. Specters of Memory: An Artist Statement (Displaced); 10. Documenting Hong Kong: Interview with Tammy Cheung; 11. Between Times and Spaces: Interview with Evans Chan; 12. Hong Kong Cinema and the Film Essay: A Matter of Perception; Part III: Sex in the Asian City; 13. Between Comrade and Queer: Stanley Kwan's Hold You Tight 14. Interview with Yau Ching: Filming Women in Hong Kong's Queerscape 15. On Isaac Leung, Cyber Sex as Pseudo-Science: The Artist's Search for Sex Spaces in Hong Kong (and Beyond); 16. The Mistress and Female Sexuality; 17. Reimagining the Femme Fatale: Gender and Nation in Fruit Chan's Hollywood Hong Kong; Notes; Index |
| Record Nr. | UNINA-9910464698603321 |
| Hong Kong, : Hong Kong University Press, c2011 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Hong Kong screenscapes / / edited by Esther M.K. Cheung, Gina Marchetti, and Tan See-Kam
| Hong Kong screenscapes / / edited by Esther M.K. Cheung, Gina Marchetti, and Tan See-Kam |
| Edizione | [1st edition.] |
| Pubbl/distr/stampa | Hong Kong, : Hong Kong University Press, c2011 |
| Descrizione fisica | 1 online resource (296 pages) |
| Disciplina | 791.43 |
| Collana | Gale eBooks |
| Soggetto topico | Motion pictures - China - Hong Kong |
| ISBN |
988-220-699-9
988-8053-54-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Contents; List of Illustrations; Acknowledgements; Contributors; Hong Kong Screen scapes: An Introduction; Part I: Voices of the Hong Kong New Wave; 1. Do We Hear the City?: Voices of the Stranger in Hong Kong Cinema; 2. Surfing with the Surreal in Tsui Hark's Wave: Collage Practice, Diaspora Hybrid Texts, and Flexible Citizenship; 3. Ann Hui at the Margin of Mainstream Hong Kong Cinema; 4. Interview with Ann Hui: On the Edge of the Mainstream; 5. Urban Nomads, Exilic Reflections: The Cine-Modernism of Patrick Tam; Part II: Independent Connections
6. Performing the Margins: Locating Independent Cinema in Hong Kong 7. Re-imagining Hong Kong-China from the Sidelines: Fruit Chan's Little Cheung and Durian Durian; 8. Alternative Perspectives/Alternative Cinemas: Modern Films and the Hong Kong Experimental Scene; 9. Specters of Memory: An Artist Statement (Displaced); 10. Documenting Hong Kong: Interview with Tammy Cheung; 11. Between Times and Spaces: Interview with Evans Chan; 12. Hong Kong Cinema and the Film Essay: A Matter of Perception; Part III: Sex in the Asian City; 13. Between Comrade and Queer: Stanley Kwan's Hold You Tight 14. Interview with Yau Ching: Filming Women in Hong Kong's Queerscape 15. On Isaac Leung, Cyber Sex as Pseudo-Science: The Artist's Search for Sex Spaces in Hong Kong (and Beyond); 16. The Mistress and Female Sexuality; 17. Reimagining the Femme Fatale: Gender and Nation in Fruit Chan's Hollywood Hong Kong; Notes; Index |
| Record Nr. | UNINA-9910789484703321 |
| Hong Kong, : Hong Kong University Press, c2011 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Hong Kong screenscapes / / edited by Esther M.K. Cheung, Gina Marchetti, and Tan See-Kam
| Hong Kong screenscapes / / edited by Esther M.K. Cheung, Gina Marchetti, and Tan See-Kam |
| Edizione | [1st edition.] |
| Pubbl/distr/stampa | Hong Kong, : Hong Kong University Press, c2011 |
| Descrizione fisica | 1 online resource (296 pages) |
| Disciplina | 791.43 |
| Collana | Gale eBooks |
| Soggetto topico | Motion pictures - China - Hong Kong |
| ISBN |
988-220-699-9
988-8053-54-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Contents; List of Illustrations; Acknowledgements; Contributors; Hong Kong Screen scapes: An Introduction; Part I: Voices of the Hong Kong New Wave; 1. Do We Hear the City?: Voices of the Stranger in Hong Kong Cinema; 2. Surfing with the Surreal in Tsui Hark's Wave: Collage Practice, Diaspora Hybrid Texts, and Flexible Citizenship; 3. Ann Hui at the Margin of Mainstream Hong Kong Cinema; 4. Interview with Ann Hui: On the Edge of the Mainstream; 5. Urban Nomads, Exilic Reflections: The Cine-Modernism of Patrick Tam; Part II: Independent Connections
6. Performing the Margins: Locating Independent Cinema in Hong Kong 7. Re-imagining Hong Kong-China from the Sidelines: Fruit Chan's Little Cheung and Durian Durian; 8. Alternative Perspectives/Alternative Cinemas: Modern Films and the Hong Kong Experimental Scene; 9. Specters of Memory: An Artist Statement (Displaced); 10. Documenting Hong Kong: Interview with Tammy Cheung; 11. Between Times and Spaces: Interview with Evans Chan; 12. Hong Kong Cinema and the Film Essay: A Matter of Perception; Part III: Sex in the Asian City; 13. Between Comrade and Queer: Stanley Kwan's Hold You Tight 14. Interview with Yau Ching: Filming Women in Hong Kong's Queerscape 15. On Isaac Leung, Cyber Sex as Pseudo-Science: The Artist's Search for Sex Spaces in Hong Kong (and Beyond); 16. The Mistress and Female Sexuality; 17. Reimagining the Femme Fatale: Gender and Nation in Fruit Chan's Hollywood Hong Kong; Notes; Index |
| Record Nr. | UNINA-9910809173503321 |
| Hong Kong, : Hong Kong University Press, c2011 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The Palgrave Handbook of Asian Cinema / / edited by Aaron Han Joon Magnan-Park, Gina Marchetti, See Kam Tan
| The Palgrave Handbook of Asian Cinema / / edited by Aaron Han Joon Magnan-Park, Gina Marchetti, See Kam Tan |
| Edizione | [1st ed. 2018.] |
| Pubbl/distr/stampa | London : , : Palgrave Macmillan UK : , : Imprint : Palgrave Macmillan, , 2018 |
| Descrizione fisica | 1 online resource (742 pages) |
| Disciplina | 791.43095 |
| Soggetto topico |
Motion pictures and television
Ethnology—Asia Screen Studies Asian Culture |
| ISBN | 1-349-95822-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1. Introduction: “Asia” and Asian Cinema, Aaron Han Joon Magnan-Park, Gina Marchetti, and Tan See-Kam -- Section I: Defining Asian Cinema in the 21st Century -- 2. The Desire for a Continental Poly-Asian Cinema Movement, Aaron Han Joon Magnan-Park -- 3. Cinema and Development: Towards an Ideological History of Asian Cinema as “World Cinema”, Derek Lam -- 4. Theorizing Other Asian Cinemas: The Sensorium of Transcaucasia, Anne Ciecko -- 5. East Asia’s Film Business, Ruby Cheung -- 6. Alibaba Goes to the Movies, Mark Gallagher -- 7. New Media/New Asia: Dominant and Residual Geographies of Emerging Media Arts, Stephanie DeBoer -- Section II: Locating the New Asian Cinema: Changing Aesthetics, Distribution Networks, and Global Connections -- 8. Locating Turkish Cinema: Traditional Eastern Aesthetics to Western Modernity, Murat Akser -- 9. The Asian Documentary Connections: From the Yamagata International Documentary Film Festival (YIDFF) to the Asian Network of Documentary (AND), Ma Ran -- 10. Small Asias Outside of Asia—Asian Film Festivals in Europe, Eija Niskanen -- 11. Distributing and Marketing Asian Cinema: Definitions from DVD Labels, Jonathan Wroot -- 12. Contemporary Japanese Viewership: Revisiting the Cinema, Jennifer Coates -- Section III: Asian History in the Making -- 13. Peace Before the Storm: Japanese Cinematographers and Their Asian Imagination in the 1920s-30s, Daisuke Miyao -- 14. Reframing Loss: Japanese Cinematic Melancholia in Inter-Asian Contexts , Earl Jackson, Jr. -- 15. Mao and Gandhi in the Fight Against Corruption: Popular Film and Social Change in China and India, Krista Van Fleit Hang -- 16. Colonial Censorship and the Cultural Politics of Chinese-language Cinemas in the Cold War, Kenny K. K. Ng -- 17. The Long Roads to Global Hollywood: Shaw Brothers, Golden Harvest and Dalian Wanda, Tan See-Kam -- Section IV: Remaking Asia and the Asian Diaspora—New Tales of an (Un) Common Past -- 18. Martial Arts Fantasies in a Globalized Age: Kung Fu Hustle and Kung Fu Panda, Jing Yang -- 19.Taipei and Tokyo: Turf Wars Over Identity, Yun Xia -- 20. Aspirationally Yours: Pan-Asian Cinematic Convergence, Staci Ford -- 21. Transnational Asian Cinema through the Lens of Cinephiles and Transmedia Fans, Wikanda Promkhuntong -- 22. Two “Asian” Stories in New Zealand Cinema, Elena Kolesova -- Section V: Questioning Asian Bodies -- 23. The Asian Wave: Three Asian Male Superstars in Hollywood, Valerie Soe -- 24. War Movies and Fractured Notions of Masculinity, Minoo Moallem -- 25. Reconfiguring Confucianism and Filial Piety in Contemporary Korean Cinema: Mother-son Bonding inMother and The Peter Pan Formula, Jason Ka-hang Ho -- 26. Unbecomings in East Asian Women’s Cinema: Naomi Kawase, Yim Soon-rye, and Li Yu, Mila Zuo -- 27. Between Real and Unreal: Representability and Auteurship in Queer Hong Kong Cinema, Zoran Pecic -- 28. Exploring the Dolphy Bakla: Queerness in Philippine Cinema, Mikee Inton -- Section VI: Politics in Asian Film -- 29. Policies and Film Content in South Korea, Japan, and China: What Stories Do Their Films Tell?, Bruno Lovric -- 30. Recalibrating Modernity: East Asian Socially Engaged Documentary and the Evocation of Another World, Dan Edwards -- 31. For Some Dreams a Lifetime Is Not Enough: Popular Bombay Cinema and Its Anti-capitalist Time Consciousness, Jyotsna Kapur -- 32. Local Stories, Global Catastrophe: Reconstructing the Nation, Asian Cinema and Asian Eco-Consciousness in Japan’s 3.11 Films, Winnie L. M. Yee and Kiu-wai Chu -- 33. Clara Law, Asia and World Cinema, Gina Marchetti. . |
| Record Nr. | UNINA-9910300013303321 |
| London : , : Palgrave Macmillan UK : , : Imprint : Palgrave Macmillan, , 2018 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||