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Environmental sound artists : in their own words / / Frederick Bianchi, V. J. Manzo
| Environmental sound artists : in their own words / / Frederick Bianchi, V. J. Manzo |
| Autore | Bianchi Frederick |
| Pubbl/distr/stampa | New York, New York : , : Oxford University Press, , 2016 |
| Descrizione fisica | 1 online resource (233 p.) |
| Disciplina | 534 |
| Soggetto topico | Sounds |
| Soggetto genere / forma | Electronic books. |
| ISBN | 0-19-023463-6 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
COVER ; Environmental Sound Artists In Their Own Words; COPYRIGHT; CONTENTS ; FOREWORD ; PREFACE ; ACKNOWLEDGMENTS ; Introduction ; Chapter 1: Sonifications of Global Environmental Data ; Heat and the Heartbeat of the City ; N. ; Chapter 2: Sewer Pipe Organ ; Chapter 3: Biophonic Sound Sculptures in Public Spaces ; Chapter 4: A Philosophical Report from Work-in-Progress ; Means and Mechanisms ; Sound Monitoring ; Non-Linear Chaotic Circuits ; Compression of Time and Space ; Pinion Engraver Beetle ; A Further Metaphor ; Chapter 5: Listening to the Earth ; Earth Sound
Deep Earth Dome (2006-2008) The Significance of Listening to the Earth ; A Farewell to Wilderness? ; Chapter 6: The Place Where You Go to Listen : An Ecosystem of Sound and Light; Mapping the Terrain; The Colors of Noise and Tone ; "An Orchestration of Untouched Material" ; Chapter 7: Meltwater ; January 9, 2009 ; A Sense of Wonder; Antarctica: Music from the Ice; Meltwater ; Chapter 8: Hearing Curved Space ; Hearing Curved Space ; Midsummer Celebration, Kökar, Åland, Finland, Sunday, June 26, 2005 ; Outcome ; Chapter 9: River Listening ; Chapter 10: Sun Boxes Chapter 11: Bridge Music and Tower Music Bridge Music; Tower Music; Chapter 12: Data as Music; Audio Information Design Issues; Chapter 13: Sonic Landscapes (finding a sense of place with my ears); DAY 0: Sidney International Airport-Arrival in a Non-Place; DAY 1: Western Riverina-Hearing the Old Birrego School; DAY 2: An open field-Listening to the Song of the tree; Day 4: The Murrumbidgee River-Mapping the mental soundscape.; Day 6: A nearby water hole-In search of the "kinda-blue-bird."; Day 7: The Old Birrego School-The ears warn, the eyes confirm. Day 9: The Strong's Farm-The ears inform. Day 12: How to save 100,000 on sensors (or how to open a window and listen). ; Epilogue ; Chapter 14: Sonic Migrations ; Migrations ; Sounding Underground ; Listening and Remembering -Networked Improvisation for Four Commuters ; Networked Migrations : Listening to and Performing the In-Between Space ; Final Reflection; Chapter 15: Sound Architecture ; Chapter 16: The Sonic Ecology of Structures ; Chapter 17: Why Bring Nature into Your Music? ; Chapter 18: The Dawn Chorus ; Chapter 19: Bivvy Broadcasts Chapter 20: A Philosophy of Eco-acoustics in the Interdisciplinary Project "Fragments of Extinction" Statement and Project Background ; Fragments, One Installation/Performance ; Part I: The Immersive Experience ; Part II: Nature Explained ; Part III: Nature Integrated ; Conclusions and Current Developments ; Coda ; Chapter 21: Towards Activist Sound ; Chapter 22: The Listening Experience of Paramnesia ; Paramnesia ; Daytime in Promenade ; Night-time in Repose ; Flashbacks ; Cadence ; Chapter 23: Musical Heuristics in Six Ecoacoustic Quintets |
| Record Nr. | UNINA-9910464973403321 |
Bianchi Frederick
|
||
| New York, New York : , : Oxford University Press, , 2016 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Environmental sound artists : in their own words / / Frederick Bianchi, V. J. Manzo
| Environmental sound artists : in their own words / / Frederick Bianchi, V. J. Manzo |
| Autore | Bianchi Frederick |
| Pubbl/distr/stampa | New York, New York : , : Oxford University Press, , 2016 |
| Descrizione fisica | 1 online resource (233 p.) |
| Disciplina | 534 |
| Soggetto topico | Sounds |
| ISBN |
0-19-023464-4
0-19-023463-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
COVER ; Environmental Sound Artists In Their Own Words; COPYRIGHT; CONTENTS ; FOREWORD ; PREFACE ; ACKNOWLEDGMENTS ; Introduction ; Chapter 1: Sonifications of Global Environmental Data ; Heat and the Heartbeat of the City ; N. ; Chapter 2: Sewer Pipe Organ ; Chapter 3: Biophonic Sound Sculptures in Public Spaces ; Chapter 4: A Philosophical Report from Work-in-Progress ; Means and Mechanisms ; Sound Monitoring ; Non-Linear Chaotic Circuits ; Compression of Time and Space ; Pinion Engraver Beetle ; A Further Metaphor ; Chapter 5: Listening to the Earth ; Earth Sound
Deep Earth Dome (2006-2008) The Significance of Listening to the Earth ; A Farewell to Wilderness? ; Chapter 6: The Place Where You Go to Listen : An Ecosystem of Sound and Light; Mapping the Terrain; The Colors of Noise and Tone ; "An Orchestration of Untouched Material" ; Chapter 7: Meltwater ; January 9, 2009 ; A Sense of Wonder; Antarctica: Music from the Ice; Meltwater ; Chapter 8: Hearing Curved Space ; Hearing Curved Space ; Midsummer Celebration, Kökar, Åland, Finland, Sunday, June 26, 2005 ; Outcome ; Chapter 9: River Listening ; Chapter 10: Sun Boxes Chapter 11: Bridge Music and Tower Music Bridge Music; Tower Music; Chapter 12: Data as Music; Audio Information Design Issues; Chapter 13: Sonic Landscapes (finding a sense of place with my ears); DAY 0: Sidney International Airport-Arrival in a Non-Place; DAY 1: Western Riverina-Hearing the Old Birrego School; DAY 2: An open field-Listening to the Song of the tree; Day 4: The Murrumbidgee River-Mapping the mental soundscape.; Day 6: A nearby water hole-In search of the "kinda-blue-bird."; Day 7: The Old Birrego School-The ears warn, the eyes confirm. Day 9: The Strong's Farm-The ears inform. Day 12: How to save 100,000 on sensors (or how to open a window and listen). ; Epilogue ; Chapter 14: Sonic Migrations ; Migrations ; Sounding Underground ; Listening and Remembering -Networked Improvisation for Four Commuters ; Networked Migrations : Listening to and Performing the In-Between Space ; Final Reflection; Chapter 15: Sound Architecture ; Chapter 16: The Sonic Ecology of Structures ; Chapter 17: Why Bring Nature into Your Music? ; Chapter 18: The Dawn Chorus ; Chapter 19: Bivvy Broadcasts Chapter 20: A Philosophy of Eco-acoustics in the Interdisciplinary Project "Fragments of Extinction" Statement and Project Background ; Fragments, One Installation/Performance ; Part I: The Immersive Experience ; Part II: Nature Explained ; Part III: Nature Integrated ; Conclusions and Current Developments ; Coda ; Chapter 21: Towards Activist Sound ; Chapter 22: The Listening Experience of Paramnesia ; Paramnesia ; Daytime in Promenade ; Night-time in Repose ; Flashbacks ; Cadence ; Chapter 23: Musical Heuristics in Six Ecoacoustic Quintets |
| Record Nr. | UNINA-9910798448303321 |
|
Bianchi Frederick
|
||
| New York, New York : , : Oxford University Press, , 2016 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Environmental sound artists : in their own words / / Frederick Bianchi, V. J. Manzo
| Environmental sound artists : in their own words / / Frederick Bianchi, V. J. Manzo |
| Autore | Bianchi Frederick |
| Pubbl/distr/stampa | New York, New York : , : Oxford University Press, , 2016 |
| Descrizione fisica | 1 online resource (233 p.) |
| Disciplina | 534 |
| Soggetto topico | Sounds |
| ISBN |
0-19-023464-4
0-19-023463-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
COVER ; Environmental Sound Artists In Their Own Words; COPYRIGHT; CONTENTS ; FOREWORD ; PREFACE ; ACKNOWLEDGMENTS ; Introduction ; Chapter 1: Sonifications of Global Environmental Data ; Heat and the Heartbeat of the City ; N. ; Chapter 2: Sewer Pipe Organ ; Chapter 3: Biophonic Sound Sculptures in Public Spaces ; Chapter 4: A Philosophical Report from Work-in-Progress ; Means and Mechanisms ; Sound Monitoring ; Non-Linear Chaotic Circuits ; Compression of Time and Space ; Pinion Engraver Beetle ; A Further Metaphor ; Chapter 5: Listening to the Earth ; Earth Sound
Deep Earth Dome (2006-2008) The Significance of Listening to the Earth ; A Farewell to Wilderness? ; Chapter 6: The Place Where You Go to Listen : An Ecosystem of Sound and Light; Mapping the Terrain; The Colors of Noise and Tone ; "An Orchestration of Untouched Material" ; Chapter 7: Meltwater ; January 9, 2009 ; A Sense of Wonder; Antarctica: Music from the Ice; Meltwater ; Chapter 8: Hearing Curved Space ; Hearing Curved Space ; Midsummer Celebration, Kökar, Åland, Finland, Sunday, June 26, 2005 ; Outcome ; Chapter 9: River Listening ; Chapter 10: Sun Boxes Chapter 11: Bridge Music and Tower Music Bridge Music; Tower Music; Chapter 12: Data as Music; Audio Information Design Issues; Chapter 13: Sonic Landscapes (finding a sense of place with my ears); DAY 0: Sidney International Airport-Arrival in a Non-Place; DAY 1: Western Riverina-Hearing the Old Birrego School; DAY 2: An open field-Listening to the Song of the tree; Day 4: The Murrumbidgee River-Mapping the mental soundscape.; Day 6: A nearby water hole-In search of the "kinda-blue-bird."; Day 7: The Old Birrego School-The ears warn, the eyes confirm. Day 9: The Strong's Farm-The ears inform. Day 12: How to save 100,000 on sensors (or how to open a window and listen). ; Epilogue ; Chapter 14: Sonic Migrations ; Migrations ; Sounding Underground ; Listening and Remembering -Networked Improvisation for Four Commuters ; Networked Migrations : Listening to and Performing the In-Between Space ; Final Reflection; Chapter 15: Sound Architecture ; Chapter 16: The Sonic Ecology of Structures ; Chapter 17: Why Bring Nature into Your Music? ; Chapter 18: The Dawn Chorus ; Chapter 19: Bivvy Broadcasts Chapter 20: A Philosophy of Eco-acoustics in the Interdisciplinary Project "Fragments of Extinction" Statement and Project Background ; Fragments, One Installation/Performance ; Part I: The Immersive Experience ; Part II: Nature Explained ; Part III: Nature Integrated ; Conclusions and Current Developments ; Coda ; Chapter 21: Towards Activist Sound ; Chapter 22: The Listening Experience of Paramnesia ; Paramnesia ; Daytime in Promenade ; Night-time in Repose ; Flashbacks ; Cadence ; Chapter 23: Musical Heuristics in Six Ecoacoustic Quintets |
| Record Nr. | UNINA-9910825135903321 |
|
Bianchi Frederick
|
||
| New York, New York : , : Oxford University Press, , 2016 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||