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Art history and its institutions : foundations of a disciple / / edited by Elizabeth Mansfield
| Art history and its institutions : foundations of a disciple / / edited by Elizabeth Mansfield |
| Pubbl/distr/stampa | London ; ; New York : , : Routledge : , : Taylor & Francis Group, , 2002 |
| Descrizione fisica | 1 online resource (344 pages) |
| Disciplina | 709.034 |
| Altri autori (Persone) | MansfieldElizabeth |
| Soggetto topico |
Art, Modern - 19th century - History
Art, Modern - 19th century - Societies, etc |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-134-58502-0
1-134-58503-9 1-280-13851-3 0-203-99509-0 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Book Cover; Title; Contents; List of illustrations; Notes on contributors; Introduction; Art history and modernism; Hearing the unsaid: art history, museology, and the composition of the self; From Boullee to Bilbao: the museum as utopian space; Marburg, Harvard, and purpose-built architecture for art history, 1927; Viollet-le-Duc and Taine at the cole des Beaux-Arts: on the first professorship of art history in France; Colonizing culture: the origins of art history in Australia; Deep innovation and mere eccentricity: six case studies of innovation in art history
The taste of angels in the art of darkness: fashioning the canon of African artTradesmen as scholars: interdependencies in the study and exchange of art; How canons disappear: the case of Henri Regnault; Using art history: the Louvre and its public persona, 1848-52; Silent moves: on excluding the ethnographic subject from the discourse of art history; Art history on the academic fringe: Taine's philosophy of art; ""For Connoisseurs"": The Burlington Magazine 1903-11; Photographic perspectives: photography and the institutional formation of art history Instituting genius: the formation of biographical art history in FranceA preponderance of practical problems: discourse institutionalized and the history of art in the United States between 1876 and 1888; Emancipation and the Freed in American Sculpture: race, representation, and the beginnings of an African American history of art; Art photography, history, and aesthetics; Index |
| Record Nr. | UNINA-9910457618403321 |
| London ; ; New York : , : Routledge : , : Taylor & Francis Group, , 2002 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Art history and its institutions : foundations of a disciple / / edited by Elizabeth Mansfield
| Art history and its institutions : foundations of a disciple / / edited by Elizabeth Mansfield |
| Pubbl/distr/stampa | London ; ; New York : , : Routledge : , : Taylor & Francis Group, , 2002 |
| Descrizione fisica | 1 online resource (344 pages) |
| Disciplina | 709.034 |
| Altri autori (Persone) | MansfieldElizabeth |
| Soggetto topico |
Art, Modern - 19th century - History
Art, Modern - 19th century - Societies, etc |
| ISBN |
1-134-58502-0
1-134-58503-9 1-280-13851-3 0-203-99509-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Book Cover; Title; Contents; List of illustrations; Notes on contributors; Introduction; Art history and modernism; Hearing the unsaid: art history, museology, and the composition of the self; From Boullee to Bilbao: the museum as utopian space; Marburg, Harvard, and purpose-built architecture for art history, 1927; Viollet-le-Duc and Taine at the cole des Beaux-Arts: on the first professorship of art history in France; Colonizing culture: the origins of art history in Australia; Deep innovation and mere eccentricity: six case studies of innovation in art history
The taste of angels in the art of darkness: fashioning the canon of African artTradesmen as scholars: interdependencies in the study and exchange of art; How canons disappear: the case of Henri Regnault; Using art history: the Louvre and its public persona, 1848-52; Silent moves: on excluding the ethnographic subject from the discourse of art history; Art history on the academic fringe: Taine's philosophy of art; ""For Connoisseurs"": The Burlington Magazine 1903-11; Photographic perspectives: photography and the institutional formation of art history Instituting genius: the formation of biographical art history in FranceA preponderance of practical problems: discourse institutionalized and the history of art in the United States between 1876 and 1888; Emancipation and the Freed in American Sculpture: race, representation, and the beginnings of an African American history of art; Art photography, history, and aesthetics; Index |
| Record Nr. | UNINA-9910784583203321 |
| London ; ; New York : , : Routledge : , : Taylor & Francis Group, , 2002 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Art history and its institutions : foundations of a disciple / / edited by Elizabeth Mansfield
| Art history and its institutions : foundations of a disciple / / edited by Elizabeth Mansfield |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | London ; ; New York : , : Routledge : , : Taylor & Francis Group, , 2002 |
| Descrizione fisica | 1 online resource (344 pages) |
| Disciplina | 709.034 |
| Altri autori (Persone) | MansfieldElizabeth |
| Soggetto topico |
Art, Modern - 19th century - History
Art, Modern - 19th century - Societies, etc |
| ISBN |
1-134-58502-0
1-134-58503-9 1-280-13851-3 0-203-99509-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Book Cover; Title; Contents; List of illustrations; Notes on contributors; Introduction; Art history and modernism; Hearing the unsaid: art history, museology, and the composition of the self; From Boullee to Bilbao: the museum as utopian space; Marburg, Harvard, and purpose-built architecture for art history, 1927; Viollet-le-Duc and Taine at the cole des Beaux-Arts: on the first professorship of art history in France; Colonizing culture: the origins of art history in Australia; Deep innovation and mere eccentricity: six case studies of innovation in art history
The taste of angels in the art of darkness: fashioning the canon of African artTradesmen as scholars: interdependencies in the study and exchange of art; How canons disappear: the case of Henri Regnault; Using art history: the Louvre and its public persona, 1848-52; Silent moves: on excluding the ethnographic subject from the discourse of art history; Art history on the academic fringe: Taine's philosophy of art; ""For Connoisseurs"": The Burlington Magazine 1903-11; Photographic perspectives: photography and the institutional formation of art history Instituting genius: the formation of biographical art history in FranceA preponderance of practical problems: discourse institutionalized and the history of art in the United States between 1876 and 1888; Emancipation and the Freed in American Sculpture: race, representation, and the beginnings of an African American history of art; Art photography, history, and aesthetics; Index |
| Record Nr. | UNINA-9910825883903321 |
| London ; ; New York : , : Routledge : , : Taylor & Francis Group, , 2002 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||