Colonial Heritage, Power, and Contestation : Negotiating Decolonisation in Latin America and the Caribbean

• Autore: Malig Jedlicki Camila Andrea
• Pubblicazione: Cham : , : Springer International Publishing AG, , 2024; ©2023
• Edizione: 1st ed.
• Descrizione fisica: 1 online resource (294 pages)
• Altri autori: OostermanNaomi ChristofolettiRodrigo
• Nota di contenuto: Intro -- Contents -- Editors and Contributors -- Introduction to Colonial Heritage, Power, and Contestation -- References -- Paths of Decolonisation -- Curre nt Times, Critical, and Future Thinking -- 1 Introduction -- 2 On Current Times, Critical, and Future Thinking -- 3 Rights-Led Approaches to Dissonant and Contested Heritage -- 4 Conclusion -- References -- Caring for Black Monuments -- 1 Introduction: The Coloniality of Heritage in Havana -- 2 "¡Túmbenlo!" (Tear It Down!): The Restoration of the Monument to José Miguel Gómez and the Garden of Fallen Monuments in Havana -- 3 Caring for Quintín Bandera: Callejón de Hamel and the Public Celebration of Blackness -- 4 Conclusion: Heritage as a Site of Affective and Embodied Encounter -- References -- Negotiating Decolonisation? -- 1 Introduction -- 2 Heritage, Politics, Identity: Imagining the Community -- 3 Museums, Exhibitions, Politics of Representation: Cultural Governance in Postcolonial Contexts -- 4 Case Study: Envisioning Independence in Casa de la Libertad, Sucre, Bolivia -- 5 Memories, Places, Genders: Negotiating Decolonisation? -- 6 Concluding Remarks -- References -- Restitution and Repatriation of Culture -- (De)colonially Negotiating the Past -- 1 Introduction -- 2 Theoretical Framework -- 3 The Quimbaya Treasure -- 3.1 1890: Excavation and Circulation-From the Subsoil of Colombia to the Enthrallment of Europeans -- 3.2 1892-1893: State Acquisition, Exhibition and Gift-Colonial Heritage Diplomacy from the Colombian Creole Elite in Search of External Projection -- 3.3 1970 to the Present: Restitution Requests-Colombian Decolonial Heritage Diplomacy in Search of Affirmation -- 3.4 2018 to Present: Unambiguous Intention to Retain-The Spanish Official Responses Based in a Legalistic Perspective of Cultural Property -- 4 Final Considerations -- References -- The Reason for the Artifact. ; 1 Introduction -- 2 Indigenous Cultural Heritage as a Tool -- 2.1 The Importance of Indigenous Cultural Heritage -- 3 International Standards on the Human Rights of Indigenous Peoples on Cultural Heritage and Repatriation -- 3.1 The Hague Convention of 1954 -- 3.2 The UNESCO Convention of 1970 -- 3.3 The UNIDROIT Convention of 1995 -- 3.4 United Nations Declaration on the Rights of Indigenous Peoples of 2007 -- 4 The Repatriation of Cultural Goods and Human Rights -- 5 The Cultural Reappropriation of Repatriated Cultural Goods -- 5.1 Human Rights: Cultural Reappropriation as an Attribution of the State -- 6 Concluding Remarks -- References -- Repatriation of Cultural Heritage and Their Museographic Use from a Decolonial Perspective -- 1 Introduction -- 2 Heritage, Decolonization, and Restitution -- 3 Why Should Demands for Restitution and Repatriation of Cultural Property Be the Subject of Postcolonial and Decolonial Studies? -- 4 Dispute and Return of Archaeological Heritage of Machu Picchu -- 5 About the Permanent Exhibition "Recovered Heritage: Assets of Our Peruvian Identity" -- 6 How to Make Demands for the Return of Cultural Heritage of Historical Reparation? -- 7 Conclusion -- References -- Restitution of Indigenous Cultural Objects in Latin America -- 1 Introduction -- 2 NAGPRA -- 2.1 Origins and Content -- 2.2 Effects -- 3 Restitution of Indigenous Cultural Objects in Latin America -- 3.1 A Brief Overview -- 3.2 Brief Reference to Experiences in Regulation and Practice -- 4 Beyond Participation: Considering Indigenous Rules and Practices -- 5 Discussion -- References -- The Veins of Latin America Remain Open -- 1 Introduction -- 2 The Tragedy of Colonialism and Coloniality: Material and Intellectual Dispossession -- 3 Postcolonial and Decolonial Studies -- 4 Authorized Heritage Discourse (AHD) and UNESCO World Heritage Sites. ; 5 The Farce: Cultural Goods Trade and the Veins that Remain Open -- 5.1 Trade in Cultural Goods -- 5.2 A Crime that Pays Off: The Illicit Trafficking of Cultural Properties -- 6 Conclusion -- References -- Museums, Discourse, and Power -- Entangled Heritage -- 1 Introduction -- 2 An Overseas Museum for Portugal -- 3 "Collection Trips"-Ethnography as a Collection Practice -- 4 From Africa to Portugal, from Portugal to the (Civilized) World -- References -- Denaturalization and Occidental Narrative to the Detriment of the Materiality of Moche and Tupinambá -- 1 Introduction -- 2 Homogeneous Time to the Detriment of "Indigenous Archaeological Artifacts" -- 3 The Tupinambá Mantle -- 4 The Huacos Moche and Their Avatars -- 5 The Moche Subject -- 6 The Subject Tupinambá and His Postcolonial Agency -- 7 Conclusion -- Reference s -- Andean Colonial Paintings -- 1 Introduction -- 2 Medieval Ethos and Modernity -- 3 The Novissimi and the Church of Carabuco -- 3.1 The Last Judgment, San Francisco Convent -- 4 Conclusion -- References -- Decolonial Approaches and Narratives in Latin America and the Caribbean and European Museums -- 1 Introduction -- 2 Power, Coloniality, and Decoloniality -- 2.1 Decoloniality in the Museological Context -- 2.2 Return, Restitution, and Repatriation -- 2.3 Latin America and the Caribbean and Europe -- 3 Methodology -- 3.1 Data and Methods -- 3.2 Sample -- 3.3 Latin America and the Caribbean Cases -- 3.4 European Cases -- 4 Results -- 4.1 Legal- and Object-Centred Narrative -- 4.2 Silenced Stories and Discomfort -- 4.3 Communities and Reclamation of Human Rights -- 5 Concluding Remarks -- Reference s -- Frontiers of Decoloniality -- "A Symbol of Alliance and Peace Among American Nations" -- 1 Introduction -- 2 The Construction of the Columbus Lighthouse and the Pan-American Flight. ; 3 The First Inter-American Education Ministers Meeting: A Proposal for Valuing the Americas -- 4 Conclusions -- Reference s -- Decolonialism, Paulo Freire and the Triangular Approach -- 1 Introduction: Historical Context -- 2 Paulo Freire and Arts Education -- 3 Congress on Teaching/Learning the Arts in Latin America: Colonialism and Gender -- 3.1 A Participatory Congress -- 3.2 Preparation for Debates -- 4 The Triangular Approach -- 4.1 Contextualisation -- 4.2 Art Making -- 4.3 Reading Works of Art -- 4.4 Individual and Collective Readings of a Work of Art -- 4.5 The Tree (2018/2020) -- 5 Conclusion -- References -- The Mirror of Modernity -- 1 Introduction -- 2 The Modern World Heritage: Considerations on the Emergence of a New Field in the World Heritage Scope -- 3 Brasília and Pampulha Modern World Heritage Sites -- 3.1 Conjunto Urbanístico De Brasília (1987) -- 3.2 Conjunto Moderno Da Pampulha (2016) -- 4 Final Considerations -- References -- Coloniality, Race, and Indigenous Knowledge in Reports of Nineteenth-Century Explorers in Southern Brazil -- 1 Introduction -- 2 Naming and Classifying Indigenous People -- 3 The Empire of Laws -- 4 Conclusion -- References.
• Titolo autorizzato: Colonial Heritage, Power, and Contestation
• ISBN: 3-031-37748-6
• Formato: Materiale a stampa
• Livello bibliografico: Monografia
• Lingua di pubblicazione: Inglese
• Record Nr.: 9910799483603321
• Lo trovi qui: Univ. Federico II
• Serie: The Latin American Studies Book Series