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Faust ou les frontières du savoir / / François Ost, Laurent Van Eynde
| Faust ou les frontières du savoir / / François Ost, Laurent Van Eynde |
| Autore | Bollacher Martin |
| Pubbl/distr/stampa | Bruxelles, : Presses de l’Université Saint-Louis, 2019 |
| Descrizione fisica | 1 online resource (344 p.) |
| Disciplina | 809/.93351 |
| Altri autori (Persone) |
BonardelFrançoise
BrixMichel CélisRaphaël DupasJean-Claude ElieMaurice LacosteJean Lazzarini-DossinMuriel LeonardyErnst LogéTanguy MadouJean-Pol MaederCostantino OstFrançois PeyréFrédéric ValentinJean-Marie Van EyndeLaurent Van EyndeLaurent |
| Soggetto topico |
Philosophy
Literary Theory & Criticism littérature connaissance mythe |
| Soggetto non controllato |
connaissance
littérature mythe |
| ISBN | 2-8028-0474-X |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | fre |
| Record Nr. | UNINA-9910324034803321 |
Bollacher Martin
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| Bruxelles, : Presses de l’Université Saint-Louis, 2019 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Music, analysis, experience : new perspectives in musical semiotics / / edited by Costantino Maeder and Mark Reybrouck
| Music, analysis, experience : new perspectives in musical semiotics / / edited by Costantino Maeder and Mark Reybrouck |
| Pubbl/distr/stampa | Leuven, Belgium : , : Leuven University Press, , 2015 |
| Descrizione fisica | 1 online resource (356 p.) |
| Disciplina | 781 |
| Soggetto topico | Music - Semiotics |
| Soggetto genere / forma | Electronic books. |
| ISBN | 94-6166-186-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Preface / Costantino Maeder and Mark Reybrouck -- part one. Setting the stage: music-in-action, semiotics, and intermediality -- part two. Representation, interpretation, and meaning -- part three. Experience, cognition, and affect -- part four. Intermediality and transdisciplinarity -- part five. Analysis and beyond. |
| Record Nr. | UNINA-9910467149403321 |
| Leuven, Belgium : , : Leuven University Press, , 2015 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Music, analysis, experience : new perspectives in musical semiotics / / edited by Costantino Maeder and Mark Reybrouck
| Music, analysis, experience : new perspectives in musical semiotics / / edited by Costantino Maeder and Mark Reybrouck |
| Pubbl/distr/stampa | Leuven, Belgium : , : Leuven University Press, , 2015 |
| Descrizione fisica | 1 online resource (356 p.) |
| Disciplina | 781 |
| Soggetto topico | Music - Semiotics |
| ISBN | 94-6166-186-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Preface / Costantino Maeder and Mark Reybrouck -- part one. Setting the stage: music-in-action, semiotics, and intermediality -- part two. Representation, interpretation, and meaning -- part three. Experience, cognition, and affect -- part four. Intermediality and transdisciplinarity -- part five. Analysis and beyond. |
| Record Nr. | UNINA-9910796033603321 |
| Leuven, Belgium : , : Leuven University Press, , 2015 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Music, analysis, experience : new perspectives in musical semiotics / / edited by Costantino Maeder and Mark Reybrouck
| Music, analysis, experience : new perspectives in musical semiotics / / edited by Costantino Maeder and Mark Reybrouck |
| Pubbl/distr/stampa | Leuven, Belgium : , : Leuven University Press, , 2015 |
| Descrizione fisica | 1 online resource (356 p.) |
| Disciplina | 781 |
| Soggetto topico | Music - Semiotics |
| ISBN | 94-6166-186-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Preface / Costantino Maeder and Mark Reybrouck -- part one. Setting the stage: music-in-action, semiotics, and intermediality -- part two. Representation, interpretation, and meaning -- part three. Experience, cognition, and affect -- part four. Intermediality and transdisciplinarity -- part five. Analysis and beyond. |
| Record Nr. | UNINA-9910817216303321 |
| Leuven, Belgium : , : Leuven University Press, , 2015 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Outside-in, inside-out : iconicity in language and literature 4 / / edited by Constantino Maeder, Olga Fischer, William J. Herlofsky
| Outside-in, inside-out : iconicity in language and literature 4 / / edited by Constantino Maeder, Olga Fischer, William J. Herlofsky |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Amsterdam ; ; Philadelphia, : J. Benjamins Pub., c2005 |
| Descrizione fisica | 1 online resource (437 pages) |
| Disciplina | 401/.41 |
| Altri autori (Persone) |
MaederCostantino
FischerOlga HerlofskyWilliam J |
| Collana | Iconicity in Language and Literature |
| Soggetto topico |
Iconicity (Linguistics)
Philology |
| ISBN |
1-282-15693-4
9786612156939 90-272-9465-8 |
| Classificazione | EC 1030 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Outside-In-Inside-Out -- Title page -- LCC data -- Table of contents -- Preface and acknowledgements -- List of contributors -- Introduction -- References -- I. Theoretical issues -- Iconicity or iconization? -- 1. Introduction: Two linguistic cultures -- 2. Iconicity and its ambiguities -- 3. Against the grain -- 4. Iconicity revisited -- 5. Conclusion: From iconicity to iconization -- Notes -- References -- On the role of iconic motivation in conceptual metaphor -- 1. Introductory remarks -- 2. Comparison theories of metaphor -- 3. Conceptual metaphor theory: Motivation by correspondences in experience -- 4. Conceptual integration and the interaction view of metaphor -- 5. Similarity in the conceptual typology of metaphor -- 6. Metaphors and mental imagery -- 7. Experiential correlations feeding metaphor -- 8. Conclusions: Towards a prototype model of conceptual metaphor -- Notes -- References -- Appendix -- Relative motivation in Gustave Guillaume's theory -- 1. Introduction -- 2. Operative time -- 3. The various stems of the verb aller -- 4. Two types of limitations on arbitrariness -- Notes -- References -- The beginnings of iconicity in the work of F. T. Marinetti -- 1. Introduction -- 2. What does analogy mean in Marinetti's manifestos? -- 3. Elements of iconicity in the Manifesto tecnico -- 4. 'Analogy' and 'intuition' -- 5. Marinetti and Peirce -- 6. The 'Words-in-freedom' and the development of literary Futurism -- 7. Umbrellas can be useful... -- Notes -- References -- II. Negative or inverted iconicity -- Mimesis lost - meaning gained -- 1. Introduction -- 2. The mimesis-lost-meaning-gained principle at work: Metaphor -- 3. Rhyme and rhythm -- 4. Text-picture combinations -- 5. Text and music -- 6. Summary and further thoughts -- References -- Non-supplemented blanks in works of literature as forms of 'iconicity of absence'.
1. Introduction: From presence to non-supplemented absence in signifying systems as objects of iconicity research -- 2. Non-supplemented aural blanks: The iconicity of internal and framing silence in works of literature -- 3. Non-supplemented visual blanks: The iconicity of absent print inside and around works of literature -- 4. Non-supplemented semantic blanks: The iconicity of intratextual and framing Leerstellen -- 5. Eloquent gaps and silences and the problem of marking and decoding absences as iconic -- 6. Typological reconsiderations -- Acknowledgements -- Notes -- References -- Photographs in narrative -- 1. Introduction -- 2. The surface of the image: Hidden patterns -- 3. Photographic spectrality: The object of the photographic sign -- 4. A photograph of what? Photographic self-reference in narrative -- Notes -- References -- Coconut shells and creaking doors -- 1. Acoustic signs: Iconicity, indexicality and the role of conventionalization in the radio play -- 2. Conventionalized sound-effects in the radio-play -- 3. The semiotics of Brechtian de-familiarization -- 4. "The terror of uncertain signs'': Peter Handke's Radio Play (No. 1) -- 5. Conclusion -- Notes -- References -- III. Iconicity and sound -- The iconic-cognitive role of fricatives and plosives -- 1. Introduction -- 2. Purpose of the study -- 3. Methodology -- 4. Background information -- 4.1. Types of iconicity -- 4.2. Carter and Nash: Phonetic metaphor -- 5. Procedure of translation -- 6. Procedure of transcription -- 7. The text -- 8. Semantic structure of Al-falaq -- 8.1. al-falaq: A superordinate term -- 8.2. waqab: A complex three-fold process -- 9. Phono-iconic analysis -- 9.1. The qalqala group: /q/ as a controlling phoneme -- 9.2. Glide in word-initial position: Acoustic significance of waqab -- 10. Conclusion -- References -- Iconic uses of rhyme -- 1. Introduction. 2. Perfect single rhymes -- 2.1. Performative rhymes -- 2.2. Resemblance -- 3. Imperfect single rhymes -- 3.1. Uncertainty, doubt -- 3.2. Discord and disharmony -- 3.3. Order and disorder -- 3.4. Dissimilarity -- 3.5. Inaccuracy -- 3.6. Negation -- 4. Masculine and feminine rhymes -- 5. Rhyme schemes -- 5.1. Change -- 5.2. Fragmentation -- 5.3. Embrace, frame and imprisonment -- 5.4. Uniqueness and solitariness -- 6. Iconic uses of the triplet -- 6.1. Number three -- 6.2. Circularity, return and centring -- 6.3. Continuity -- 6.4. Quantity -- 7. Conclusion -- References -- Iconic strategies in Monteverdi's Madrigali guerrieri ed amorosi -- 1. Introduction -- 2. Madrigalism and iconicity -- 3. `"Altri canti'': The verses -- 4. Iconicity in the score -- 5. The iconic strategies of Monteverdi -- 6. The two "Altri canti'': Intertextuality -- 7. Conclusions -- Notes -- References -- Appendix (related to Table 1) -- IV. Iconicity and structure -- Frozen locutions - frozen dimensions -- 1. Introduction -- 2. Deixis -- 3. Spatial orientation -- 3.1. Relative vs. absolute -- 3.2. Relative orientation: Right vs. left in Indo-European languages -- 4. The central problem -- 5. Corpus analysis - the database -- 6. Corpus analysis - findings and explanations -- 6.1. Left and right in English usage -- 6.2. Links and rechts in German usage -- 6.3. Lev* and prav* in Russian usage -- 7. Discussion and summary of results -- Notes -- References -- Some iconic correlations in language and their impact on the parole-langue dichotomy -- 1. Introduction -- 2. Deictics -- 2.1. The pronoun in the traditional perspective -- 2.2. The question: Is the pronoun a pro-noun? -- 2.3. The clue: Iconicity -- 2.4. Deictic demonstratives: A sample -- 3. Topic-head utterances -- 3.1. Topic-head utterances: A sample -- 4. Focus intonation -- 5. Conclusion -- Abbreviations -- Notes. References -- The iconicity of infinitival complementation in Present-day English causatives -- 1. Introduction -- 2. Previous scholarship -- 2.1. Present-day English: Mittwoch, Dixon, Duffley -- 2.2. Diachrony: Fischer -- 2.3. Givón -- 3. The extended binding hierarchy for implicative causatives -- 3.1. Extending the binding hierarchy for implicative causatives -- 3.2. Scoring the causatives -- 4. Concluding remarks -- Notes -- References -- Linguistic representations of motion events -- 1. Introduction -- 2. What's in a motion event? -- 3. Granularity of event segmentation -- 4. Manner of motion -- 5. From typology to language use -- 6. Encoding of motion events -- 6.1. Cross-typological comparisons of path -- 6.2. Cross-typological comparisons of manner -- 7. Conceiving of motion events: Typological influences on attention and memory -- 8. Rethinking iconicity -- Notes -- References -- Now you see it, now you don't -- 1. Introduction -- 2. Iconicity and the data -- 2.1. Iconicity (image, diagram, and metaphor) in spoken and signed languages -- 2.2. The data -- 2.3. Peircean triadic iconicity and local and global signing space -- 3. Diagrammatic, metaphoric, and imagic mapping -- 3.1. Diagrammatic mapping -- 3.2. Metaphoric mapping -- 3.3. Imagic mapping -- 4. Conclusion -- Notes -- References -- V. Iconicity and narrative -- Pirandello's Si Gira -- 1. Introduction -- 2. Different ways of reading titles -- 3. Pirandello and titles -- 4. Conclusion -- Notes -- References -- Narrative structures and iconicity in Yasmina Reza's Une désolation -- 1. Introduction -- 2. Paradoxical pronouns -- 3. Dialogue or monologue? Types of speech -- 4. Fragments and blanks -- Acknowledgements -- Notes -- References -- Iconicity as a function of point of view -- 1. Defining basic notions -- 2. Assumptions -- 3. Case studies -- 3.1. Form miming viewing a scene. 3.2. Form miming recalling a scene -- 3.3. Form miming creating a scene -- 3.4. Summary -- 4. Conclusions -- References -- Iconic functions of phraseological units and metaphor -- 1. Introduction -- 2. Phraseological units and metaphor -- 2.1. Characteristics of phraseological units -- 2.2. Metaphor: Dead or alive? -- 3. Iconic properties of cliché, idiom and metaphor -- 3.1. Indexicality of phraseological units -- 3.2. Diagrammatic iconicity of metaphor -- 3.3. Innate vs. contextualized iconicity -- 4. The web of meanings in The Sacred Fount -- 5. Metaphorical and indexical iconicity in the text -- 5.1. Patterns of metaphor -- 5.2. Phraseological units in the novel -- 5.3. Wider patterns in the text -- 6. Conclusions -- Notes -- APPENDIX -- References -- Author index -- Subject index. |
| Record Nr. | UNINA-9910958031803321 |
| Amsterdam ; ; Philadelphia, : J. Benjamins Pub., c2005 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Sémiotique et vécu musical : Du sens à l'expérience, de l'expérience au sens / / sous la direction de Constantino Maeder et Mark Reybrouck
| Sémiotique et vécu musical : Du sens à l'expérience, de l'expérience au sens / / sous la direction de Constantino Maeder et Mark Reybrouck |
| Pubbl/distr/stampa | Leuven, Belgium : , : Leuven University Press, , 2016 |
| Descrizione fisica | 1 online resource (196 pages) |
| Disciplina | 780.14 |
| Soggetto topico |
Music - Philosophy and aesthetics
Music - Semiotics |
| Soggetto genere / forma | Electronic books. |
| ISBN | 94-6166-208-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | fre |
| Nota di contenuto | Pr{acute}eface. S{acute}emiotique et v{acute}ecu musical / Costantino Maeder et Mark Reybrouck -- premi{grave}ere partie. Les fronti{grave}eres de la musique et du musical. Entre cognition, description et exp{acute}erience -- La protonarrativit{acute}e, un concept entre neurosciences et musique / Michel Imberty -- L'exp{acute}erience du musicologique comme rencontre / Christine Esclapez -- deuxi{grave}eme partie. Les d{acute}efis de l'exp{acute}erience et de la description -- Comment traduire une {acute}ecoute ? Le cas de Pierre Jean Jouve et Wozzeck / Thomas Le Colleter -- Au coeur de l'exp{acute}erience musicale : l'incarnation, fondement existentiel / Sylvain Br{acute}et{acute}ech{acute}e -- L'incontournabilit{acute}e du pr{acute}ejug{acute}e : du sens {grave}a l'exp{acute}erience en musique / Mathias Rousselot -- troisi{grave}eme partie. Les d{acute}eplacements, les reconfigurations, les d{acute}epassements de l'objet musical -- Formes musicales sous influence des th{acute}eories scientifiques dans les oeuvres contemporaines / M{acute}arta Grab{acute}ocz -- Perspective haptique et exp{acute}erience du musicien : l'accent praxique r{acute}esiduel / Gabriel Manzaneque -- Le studio d'enregistrement comme laboratoire du son / Guillaume Deveney -- Ang{acute}elica Liddell ou un th{acute}e{circ}atre sur le fil grin{cedil}cant du rasoir / Carole Egger, Isabelle Reck -- La virtuosit{acute}e artificielle des robots / Zaven Par{acute}e -- {acute}Epilogue. |
| Record Nr. | UNINA-9910159531203321 |
| Leuven, Belgium : , : Leuven University Press, , 2016 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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