Insistent images [[electronic resource] /] / edited by Elżbieta Tabakowska, Christina Ljungberg, Olga Fischer |
Pubbl/distr/stampa | Amsterdam ; ; Philadelphia, : J. Benjamins, 2007 |
Descrizione fisica | 1 online resource (376 p.) |
Disciplina | 302.21 |
Altri autori (Persone) |
TabakowskaElżbieta
LjungbergChristina <1949-> FischerOlga |
Collana | Iconicity in language and literature |
Soggetto topico |
Iconicity (Linguistics)
Linguistics |
Soggetto genere / forma | Electronic books. |
ISBN |
1-282-15478-8
9786612154782 90-272-9266-3 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Record Nr. | UNINA-9910454300703321 |
Amsterdam ; ; Philadelphia, : J. Benjamins, 2007 | ||
![]() | ||
Lo trovi qui: Univ. Federico II | ||
|
Insistent images [[electronic resource] /] / edited by Elżbieta Tabakowska, Christina Ljungberg, Olga Fischer |
Pubbl/distr/stampa | Amsterdam ; ; Philadelphia, : J. Benjamins, 2007 |
Descrizione fisica | 1 online resource (376 p.) |
Disciplina | 302.21 |
Altri autori (Persone) |
TabakowskaElżbieta
LjungbergChristina <1949-> FischerOlga |
Collana | Iconicity in language and literature |
Soggetto topico |
Iconicity (Linguistics)
Linguistics |
ISBN |
1-282-15478-8
9786612154782 90-272-9266-3 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Record Nr. | UNINA-9910782172203321 |
Amsterdam ; ; Philadelphia, : J. Benjamins, 2007 | ||
![]() | ||
Lo trovi qui: Univ. Federico II | ||
|
Insistent images / / edited by Elzbieta Tabakowska, Christina Ljungberg, Olga Fischer |
Edizione | [1st ed.] |
Pubbl/distr/stampa | Amsterdam ; ; Philadelphia, : J. Benjamins, 2007 |
Descrizione fisica | 1 online resource (376 p.) |
Disciplina | 302.21 |
Altri autori (Persone) |
TabakowskaElzbieta
LjungbergChristina <1949-> FischerOlga |
Collana | Iconicity in language and literature |
Soggetto topico |
Iconicity (Linguistics)
Linguistics |
ISBN |
1-282-15478-8
9786612154782 90-272-9266-3 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Insistent Images -- Editorial page -- Title page -- LCC data -- Table of contents -- Preface and acknowledgements -- List of contributors -- Introduction -- Part I. Iconicity and grammaticalization -- Putting grammaticalizationto the iconicity test -- Iconic thumbs, pinkies and pointers -- Part II.Iconicity and the aural -- The physical basis forphonological iconicity -- Reading aloud and Charles Dickens's aural iconic prose style -- Iconicity and the divine in the fin de siècle poetry of W. B. Yeats -- Is lámatyáve a linguistic heresy? -- Part III. Iconicity and the visual -- The beauty of life and the variety of signs -- Forms of restricted iconicity in modern avant-garde poetry -- Eco-iconicity in the poetry and poem-groups of E. E. Cummings -- The language of film is a matrix of icons -- Liberature: A new literary genre? -- Part IV. Iconicity and conceptualization -- Meaning on the one andon the other hand -- Iconic text strategies -- 'Damn Mad' -- Part V. Iconicity and structure -- Iconicity and the grammar-lexis interface -- Iconicity in the coding of pragmatic functions -- Double negation and iconicity -- Part VI. Iconicity and multimedia / intertextuality -- Iconicity in multimedia performance -- Author index -- Subject index -- The series Iconicity in Language and Literature. |
Record Nr. | UNINA-9910823242403321 |
Amsterdam ; ; Philadelphia, : J. Benjamins, 2007 | ||
![]() | ||
Lo trovi qui: Univ. Federico II | ||
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Semblance and signification [[electronic resource] /] / edited by Pascal Michelucci, Olga Fischer, Christina Ljungberg |
Pubbl/distr/stampa | Amsterdam ; ; Philadelphia, : J. Benjamins Pub., 2011 |
Descrizione fisica | 1 online resource (440 p.) |
Disciplina | 415 |
Altri autori (Persone) |
MichelucciPascal
FischerOlga LjungbergChristina <1949-> |
Collana | Iconicity in language and literature |
Soggetto topico | Iconicity (Linguistics) |
Soggetto genere / forma | Electronic books. |
ISBN |
1-283-31480-0
9786613314802 90-272-8482-2 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Semblance and Signification; Editorial page; Title page; LCC data; Table of contents; Preface and acknowledgements; Introduction; References; Part I. Word forms, word formation, and meaning; Toward a phonosemantic definition of iconic words; 1. Introduction; 2. Japanese phonosemantics; 3. Morphophonological condition of iconic words; 4. Experiment 1: The morphophonological condition as a non-sufficient condition; 4.1 Method and prediction; 4.2 Results and discussion; 5. Experiment 2: Referential condition of iconic words; 5.1 Method and prediction; 5.2 Results and discussion; 6. Conclusion
ReferencesIconic thinking and the contact-induced transfer of linguistic material; 1. Introduction; 2. Sign language morphology and word-formation processes; 3. Transfer of linguistic material; 3.1 Form; 3.2 Meaning; 3.3 Form-meaning units; 3.4 Syntactic relations; 4. The transfer of meaning and syntactic relations; 5. Conclusion; Note; Acknowledgement; References; Ezra Pound among the Mawu; 1. Introduction; 2. Ideophones; 2.1 The Mawu people and their language; 2.2 Ideophones in Siwu; 3. Iconicity: Relations between form and meaning in ideophones; 3.1 A cautionary tale; 3.2 Imagic iconicity 3.3 Diagrammatic iconicity3.3.1 Gestalt iconicity; 3.3.2 Relative iconicity; 4. Beyond lexical iconicity; 5. Concluding remarks; References; Cognitive iconic grounding of reduplication in language; 1. Introduction; 5.1 Evidence for cognitive connections between transparent and opaque reduplication from sign language; 5.2 Evidence for cognitive connections between transparent and opaque reduplication from the use of the ge-prefix in Germanic languages; 5.3 Why transparency may be lost: grammaticalization and lexicalization; 6. Concluding remarks; Acknowledgements; References Imagic iconicity in the Chinese language1. Introduction; 2. A historical-theoretical overview; 2.1 The Pre-Qin period; 2.2 The Han period; 2.3 The Song period; 2.4 The Qing period; 2.5 From 1949 to the present; 3. Imagic iconicity; 3.1 Picto-phonetic iconicity; 3.1.1 Onomatopoeic iconicity; 3.1.2 Phonaesthetic iconicity; 3.2 Pictographic iconicity; 3.3 Picto-phonetic-graphic iconicity; 4. Concluding remarks; References; Words in the mirror; 1. Theoretical and methodological aspects; 1.1 Echo-mirror neurons and arbitrariness; 1.2 An ancient question; 1.3 Two notions of arbitrariness 1.4 Two notions of iconicity1.5 Working hypothesis; 1.6 Methodological remarks; 2. Descriptive aspects; 2.1 Vowel monophonemes; 2.1.1 Opposition axes; 2.1.1.1 Aperture. The [degree of aperture] of the phonemes tends to distinguish the {grammatical category} of the lexemes:; 2.1.1.2 Place. The [place of articulation] of the phonemes tends to distinguish the {morphological variation} of the lexemes inside each category:; 2.1.1.3 Accent. The [accent] distinguishes the {verbs}: 2.1.1.4 Centrality. The phonological [central] position of /a/ (with respect to [front] and [back] vowels) is reflected by the semantic central positions of ha (with respect to è and ho) and a (with respect to e and o): |
Record Nr. | UNINA-9910457296303321 |
Amsterdam ; ; Philadelphia, : J. Benjamins Pub., 2011 | ||
![]() | ||
Lo trovi qui: Univ. Federico II | ||
|
Semblance and signification [[electronic resource] /] / edited by Pascal Michelucci, Olga Fischer, Christina Ljungberg |
Pubbl/distr/stampa | Amsterdam ; ; Philadelphia, : J. Benjamins Pub., 2011 |
Descrizione fisica | 1 online resource (440 p.) |
Disciplina | 415 |
Altri autori (Persone) |
MichelucciPascal
FischerOlga LjungbergChristina <1949-> |
Collana | Iconicity in language and literature |
Soggetto topico | Iconicity (Linguistics) |
ISBN |
1-283-31480-0
9786613314802 90-272-8482-2 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Semblance and Signification; Editorial page; Title page; LCC data; Table of contents; Preface and acknowledgements; Introduction; References; Part I. Word forms, word formation, and meaning; Toward a phonosemantic definition of iconic words; 1. Introduction; 2. Japanese phonosemantics; 3. Morphophonological condition of iconic words; 4. Experiment 1: The morphophonological condition as a non-sufficient condition; 4.1 Method and prediction; 4.2 Results and discussion; 5. Experiment 2: Referential condition of iconic words; 5.1 Method and prediction; 5.2 Results and discussion; 6. Conclusion
ReferencesIconic thinking and the contact-induced transfer of linguistic material; 1. Introduction; 2. Sign language morphology and word-formation processes; 3. Transfer of linguistic material; 3.1 Form; 3.2 Meaning; 3.3 Form-meaning units; 3.4 Syntactic relations; 4. The transfer of meaning and syntactic relations; 5. Conclusion; Note; Acknowledgement; References; Ezra Pound among the Mawu; 1. Introduction; 2. Ideophones; 2.1 The Mawu people and their language; 2.2 Ideophones in Siwu; 3. Iconicity: Relations between form and meaning in ideophones; 3.1 A cautionary tale; 3.2 Imagic iconicity 3.3 Diagrammatic iconicity3.3.1 Gestalt iconicity; 3.3.2 Relative iconicity; 4. Beyond lexical iconicity; 5. Concluding remarks; References; Cognitive iconic grounding of reduplication in language; 1. Introduction; 5.1 Evidence for cognitive connections between transparent and opaque reduplication from sign language; 5.2 Evidence for cognitive connections between transparent and opaque reduplication from the use of the ge-prefix in Germanic languages; 5.3 Why transparency may be lost: grammaticalization and lexicalization; 6. Concluding remarks; Acknowledgements; References Imagic iconicity in the Chinese language1. Introduction; 2. A historical-theoretical overview; 2.1 The Pre-Qin period; 2.2 The Han period; 2.3 The Song period; 2.4 The Qing period; 2.5 From 1949 to the present; 3. Imagic iconicity; 3.1 Picto-phonetic iconicity; 3.1.1 Onomatopoeic iconicity; 3.1.2 Phonaesthetic iconicity; 3.2 Pictographic iconicity; 3.3 Picto-phonetic-graphic iconicity; 4. Concluding remarks; References; Words in the mirror; 1. Theoretical and methodological aspects; 1.1 Echo-mirror neurons and arbitrariness; 1.2 An ancient question; 1.3 Two notions of arbitrariness 1.4 Two notions of iconicity1.5 Working hypothesis; 1.6 Methodological remarks; 2. Descriptive aspects; 2.1 Vowel monophonemes; 2.1.1 Opposition axes; 2.1.1.1 Aperture. The [degree of aperture] of the phonemes tends to distinguish the {grammatical category} of the lexemes:; 2.1.1.2 Place. The [place of articulation] of the phonemes tends to distinguish the {morphological variation} of the lexemes inside each category:; 2.1.1.3 Accent. The [accent] distinguishes the {verbs}: 2.1.1.4 Centrality. The phonological [central] position of /a/ (with respect to [front] and [back] vowels) is reflected by the semantic central positions of ha (with respect to è and ho) and a (with respect to e and o): |
Record Nr. | UNINA-9910781303003321 |
Amsterdam ; ; Philadelphia, : J. Benjamins Pub., 2011 | ||
![]() | ||
Lo trovi qui: Univ. Federico II | ||
|
Semblance and signification / / edited by Pascal Michelucci, Olga Fischer, Christina Ljungberg |
Edizione | [1st ed.] |
Pubbl/distr/stampa | Amsterdam ; ; Philadelphia, : J. Benjamins Pub., 2011 |
Descrizione fisica | 1 online resource (440 p.) |
Disciplina | 415 |
Altri autori (Persone) |
MichelucciPascal
FischerOlga LjungbergChristina <1949-> |
Collana | Iconicity in language and literature |
Soggetto topico | Iconicity (Linguistics) |
ISBN |
1-283-31480-0
9786613314802 90-272-8482-2 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Semblance and Signification; Editorial page; Title page; LCC data; Table of contents; Preface and acknowledgements; Introduction; References; Part I. Word forms, word formation, and meaning; Toward a phonosemantic definition of iconic words; 1. Introduction; 2. Japanese phonosemantics; 3. Morphophonological condition of iconic words; 4. Experiment 1: The morphophonological condition as a non-sufficient condition; 4.1 Method and prediction; 4.2 Results and discussion; 5. Experiment 2: Referential condition of iconic words; 5.1 Method and prediction; 5.2 Results and discussion; 6. Conclusion
ReferencesIconic thinking and the contact-induced transfer of linguistic material; 1. Introduction; 2. Sign language morphology and word-formation processes; 3. Transfer of linguistic material; 3.1 Form; 3.2 Meaning; 3.3 Form-meaning units; 3.4 Syntactic relations; 4. The transfer of meaning and syntactic relations; 5. Conclusion; Note; Acknowledgement; References; Ezra Pound among the Mawu; 1. Introduction; 2. Ideophones; 2.1 The Mawu people and their language; 2.2 Ideophones in Siwu; 3. Iconicity: Relations between form and meaning in ideophones; 3.1 A cautionary tale; 3.2 Imagic iconicity 3.3 Diagrammatic iconicity3.3.1 Gestalt iconicity; 3.3.2 Relative iconicity; 4. Beyond lexical iconicity; 5. Concluding remarks; References; Cognitive iconic grounding of reduplication in language; 1. Introduction; 5.1 Evidence for cognitive connections between transparent and opaque reduplication from sign language; 5.2 Evidence for cognitive connections between transparent and opaque reduplication from the use of the ge-prefix in Germanic languages; 5.3 Why transparency may be lost: grammaticalization and lexicalization; 6. Concluding remarks; Acknowledgements; References Imagic iconicity in the Chinese language1. Introduction; 2. A historical-theoretical overview; 2.1 The Pre-Qin period; 2.2 The Han period; 2.3 The Song period; 2.4 The Qing period; 2.5 From 1949 to the present; 3. Imagic iconicity; 3.1 Picto-phonetic iconicity; 3.1.1 Onomatopoeic iconicity; 3.1.2 Phonaesthetic iconicity; 3.2 Pictographic iconicity; 3.3 Picto-phonetic-graphic iconicity; 4. Concluding remarks; References; Words in the mirror; 1. Theoretical and methodological aspects; 1.1 Echo-mirror neurons and arbitrariness; 1.2 An ancient question; 1.3 Two notions of arbitrariness 1.4 Two notions of iconicity1.5 Working hypothesis; 1.6 Methodological remarks; 2. Descriptive aspects; 2.1 Vowel monophonemes; 2.1.1 Opposition axes; 2.1.1.1 Aperture. The [degree of aperture] of the phonemes tends to distinguish the {grammatical category} of the lexemes:; 2.1.1.2 Place. The [place of articulation] of the phonemes tends to distinguish the {morphological variation} of the lexemes inside each category:; 2.1.1.3 Accent. The [accent] distinguishes the {verbs}: 2.1.1.4 Centrality. The phonological [central] position of /a/ (with respect to [front] and [back] vowels) is reflected by the semantic central positions of ha (with respect to è and ho) and a (with respect to e and o): |
Record Nr. | UNINA-9910827346403321 |
Amsterdam ; ; Philadelphia, : J. Benjamins Pub., 2011 | ||
![]() | ||
Lo trovi qui: Univ. Federico II | ||
|