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The cinema in flux : the evolution of motion picture technology from the magic lantern to the digital era / / Lenny Lipton
| The cinema in flux : the evolution of motion picture technology from the magic lantern to the digital era / / Lenny Lipton |
| Autore | Lipton Lenny <1940-> |
| Pubbl/distr/stampa | New York, New York : , : Springer, , [2021] |
| Descrizione fisica | 1 online resource (761 pages) |
| Disciplina | 777.09 |
| Soggetto topico |
Cinematography - History
Motion picture cameras - History Motion picture industry - History Motion picture cameras |
| Soggetto genere / forma | History |
| ISBN |
9781071609514
1-0716-0951-3 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Part I. The glass cinema: The cinema of real motion. Huygens and the magic lantern ; The magic lanternists ; Lantern light and glass -- Part II. The glass cinema: Apparent motion, discovered and applied. Plateau invents the phenakistoscope ; A persistent myth ; The Zoëtrope and the Praxinoscope ; Daguerre's photography ; Fox Talbot's photography ; Protocinematographers: Duboscq to Le Prince ; Muybridge and Anschütz ; Chronophotographers: Janssen, Marey, and Demenÿ -- Part III. The celluloid cinema: The 35 mm medium. Edison, Dickson, and the Kineto Project ; The Kinetograph ; The Kinetoscope: projection's inspiration ; Dickson moves on: Lambda, Mutoscope, and Bitzer ; Jenkins and Armat: American projection ; The Lumières and the Europeans ; Edison and the Trust ; Porter the filmmaker ; Porter and the Simplex ; Camera design befor WWII ; Camera design after WWII ; Ciné lenses: Part I ; Ciné lenses: Part II -- Part IV. The celluloid cinema: Sound. Silent sound ; Synchronizing the photograph ; Electronics for talking shadows ; The origins of sound-on-film ; One man bands: Lauste and Tykociner ; Tri-Ergon ; de Forest and Case ; Phonofilm ; William Fox hears the future ; Vitaphone ; Movietone ; RCA vs. ERPI ; William Fox vs. the industry ; Optical sound evolution ; Multichannel, magnetic, and digital sound -- Part V. The celluloid cinema: Color. Applied color ; Color elucidated ; Color photography before the movies ; Urban and the origins of Kinemacolor ; The rise and fall of Kinemacolor ; Additive color after Kinemacolor ; Subtractive technologies ; Kelley's color microcosm ; TruColor and Cinecolor ; Two-color Technicolor ; Three-color Technicolor ; Agfa and Ansco color ; Eastman color -- Part VI. The celluloid cinema: Small formats. Early small formats ; 16 mm ; Kodachrome ; Double 8 mm and Super 8 -- Part VII. The celluloid cinema: The big wide screen. The shape of screens to come ; Grandeur et al. ; Expanded screen: the interregnum ends ; This is Cinerama ; Cinerama after Waller ; CinemaScope ; 'Scope variations ; Wide screen and VistaVision ; Todd-AO ; 65/70 mm and Technirama ; IMAX and PLF exhibition -- Part VIII. The celluloid cinema: The Stereoscopic cinema. Early 3-D ; Polarization image selection ; 3-D in the last half of the twentieth century -- Part IX. Television and the digital cinema: Television. Vision at a distance ; Jenkins and Baird ; Farnsworth ; Zworykin ; Broadcasting begins ; Color wars: CBS vs RCA ; High definition television ; Film to video and the VTR -- Part X. Television and the digital cinema: The electronic cinema. Early adopters: electronic cinematography and CGI ; Digital technology ; The hybridization of post-production ; Electro-mechanical to digital projection ; Digital projection and 3-D converge. |
| Record Nr. | UNISA-996466733603316 |
Lipton Lenny <1940->
|
||
| New York, New York : , : Springer, , [2021] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
| ||
The cinema in flux : the evolution of motion picture technology from the magic lantern to the digital era / / Lenny Lipton
| The cinema in flux : the evolution of motion picture technology from the magic lantern to the digital era / / Lenny Lipton |
| Autore | Lipton Lenny <1940-> |
| Pubbl/distr/stampa | New York, New York : , : Springer, , [2021] |
| Descrizione fisica | 1 online resource (761 pages) |
| Disciplina | 777.09 |
| Soggetto topico |
Cinematography - History
Motion picture cameras - History Motion picture industry - History Motion picture cameras |
| Soggetto genere / forma | History |
| ISBN |
9781071609514
1-0716-0951-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Part I. The glass cinema: The cinema of real motion. Huygens and the magic lantern ; The magic lanternists ; Lantern light and glass -- Part II. The glass cinema: Apparent motion, discovered and applied. Plateau invents the phenakistoscope ; A persistent myth ; The Zoëtrope and the Praxinoscope ; Daguerre's photography ; Fox Talbot's photography ; Protocinematographers: Duboscq to Le Prince ; Muybridge and Anschütz ; Chronophotographers: Janssen, Marey, and Demenÿ -- Part III. The celluloid cinema: The 35 mm medium. Edison, Dickson, and the Kineto Project ; The Kinetograph ; The Kinetoscope: projection's inspiration ; Dickson moves on: Lambda, Mutoscope, and Bitzer ; Jenkins and Armat: American projection ; The Lumières and the Europeans ; Edison and the Trust ; Porter the filmmaker ; Porter and the Simplex ; Camera design befor WWII ; Camera design after WWII ; Ciné lenses: Part I ; Ciné lenses: Part II -- Part IV. The celluloid cinema: Sound. Silent sound ; Synchronizing the photograph ; Electronics for talking shadows ; The origins of sound-on-film ; One man bands: Lauste and Tykociner ; Tri-Ergon ; de Forest and Case ; Phonofilm ; William Fox hears the future ; Vitaphone ; Movietone ; RCA vs. ERPI ; William Fox vs. the industry ; Optical sound evolution ; Multichannel, magnetic, and digital sound -- Part V. The celluloid cinema: Color. Applied color ; Color elucidated ; Color photography before the movies ; Urban and the origins of Kinemacolor ; The rise and fall of Kinemacolor ; Additive color after Kinemacolor ; Subtractive technologies ; Kelley's color microcosm ; TruColor and Cinecolor ; Two-color Technicolor ; Three-color Technicolor ; Agfa and Ansco color ; Eastman color -- Part VI. The celluloid cinema: Small formats. Early small formats ; 16 mm ; Kodachrome ; Double 8 mm and Super 8 -- Part VII. The celluloid cinema: The big wide screen. The shape of screens to come ; Grandeur et al. ; Expanded screen: the interregnum ends ; This is Cinerama ; Cinerama after Waller ; CinemaScope ; 'Scope variations ; Wide screen and VistaVision ; Todd-AO ; 65/70 mm and Technirama ; IMAX and PLF exhibition -- Part VIII. The celluloid cinema: The Stereoscopic cinema. Early 3-D ; Polarization image selection ; 3-D in the last half of the twentieth century -- Part IX. Television and the digital cinema: Television. Vision at a distance ; Jenkins and Baird ; Farnsworth ; Zworykin ; Broadcasting begins ; Color wars: CBS vs RCA ; High definition television ; Film to video and the VTR -- Part X. Television and the digital cinema: The electronic cinema. Early adopters: electronic cinematography and CGI ; Digital technology ; The hybridization of post-production ; Electro-mechanical to digital projection ; Digital projection and 3-D converge. |
| Record Nr. | UNINA-9910483492503321 |
|
Lipton Lenny <1940->
|
||
| New York, New York : , : Springer, , [2021] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||