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"Music's Obedient Daughter" [[electronic resource] ] : The Opera Libretto from Source to Score
| "Music's Obedient Daughter" [[electronic resource] ] : The Opera Libretto from Source to Score |
| Autore | Lichtenstein Sabine |
| Pubbl/distr/stampa | Amsterdam, : Editions Rodopi, 2014 |
| Descrizione fisica | 1 online resource (505 p.) |
| Disciplina | 782.104 |
| Soggetto topico |
Music industry
Opera -- History Opera |
| Soggetto genere / forma | Electronic books. |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Tittle Page; Copyright Page; Table of Contents; Introduction; The Power of Music: Striggio and Monteverdi's L'Orfeo; Octavia Reincarnated:Busenello's and Monteverdi's L'incoronazione di Poppea; In the Operatic Workshop:The Case of Varesco's and Mozart's Idomeneo; The Librettist's Dilemma in London:Badini's and Haydn's Orfeo ed Euridice; "But There Is another Intrigue and a Comic Element PlacedAlongside":Hans Sachs - the Relation of Lortzing's Opera to Deinhardstein'sDrama; "Ce bal est original!":Classical Parody and Burlesque in Orphée aux enfers by Crémieux,Halévy and Offenbach
Burning the Heretics and Saving Don Carlos: Méry's, Du Locle's and Verdi's Don Carlos Tracing Wotan's Incendiary Past:The Evolution of Storms and Fire in Wagner's Der Ring des Nibelungen; Manon at the Opera:From Prévost's Manon Lescaut to Auber's Manon Lescaut andMassenet's Manon; "Closed, Efficient, Terrible!":Reflections on the Genesis and Dramaturgy of Illica's, Giacosa's and Puccini's Madama Butterfly; The End of a Line:Strauss' and Hofmannsthal's Elektra; "Something Uncommonly German":Hans Pfitzner's Palestrina, Eine Musikalische Legende The Musical Personality of Don Quixote:Manuel de Falla's El Retablo de Maese Pedro Transformations of the Killing of a Boy:Weill's and Brecht's Der Jasager; A Theological Midrash in Search of Operatic Action:Moses und Aron by Arnold Schoenberg; The Making of a Victim:From Crabbe's The Borough to Slater's and Britten'sPeter Grimes; Opera on Opera:Luciano Berio's Opera; Notes on Contributors; Index |
| Record Nr. | UNINA-9910465630403321 |
Lichtenstein Sabine
|
||
| Amsterdam, : Editions Rodopi, 2014 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
"Music's Obedient Daughter" [[electronic resource] ] : The Opera Libretto from Source to Score
| "Music's Obedient Daughter" [[electronic resource] ] : The Opera Libretto from Source to Score |
| Autore | Lichtenstein Sabine |
| Pubbl/distr/stampa | Amsterdam, : Editions Rodopi, 2014 |
| Descrizione fisica | 1 online resource (505 p.) |
| Disciplina | 782.104 |
| Altri autori (Persone) | LichtensteinSabine <1947-> (Sabine Klara) |
| Soggetto topico |
Music industry
Opera -- History Opera |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Tittle Page; Copyright Page; Table of Contents; Introduction; The Power of Music: Striggio and Monteverdi's L'Orfeo; Octavia Reincarnated:Busenello's and Monteverdi's L'incoronazione di Poppea; In the Operatic Workshop:The Case of Varesco's and Mozart's Idomeneo; The Librettist's Dilemma in London:Badini's and Haydn's Orfeo ed Euridice; "But There Is another Intrigue and a Comic Element PlacedAlongside":Hans Sachs - the Relation of Lortzing's Opera to Deinhardstein'sDrama; "Ce bal est original!":Classical Parody and Burlesque in Orphée aux enfers by Crémieux,Halévy and Offenbach
Burning the Heretics and Saving Don Carlos: Méry's, Du Locle's and Verdi's Don Carlos Tracing Wotan's Incendiary Past:The Evolution of Storms and Fire in Wagner's Der Ring des Nibelungen; Manon at the Opera:From Prévost's Manon Lescaut to Auber's Manon Lescaut andMassenet's Manon; "Closed, Efficient, Terrible!":Reflections on the Genesis and Dramaturgy of Illica's, Giacosa's and Puccini's Madama Butterfly; The End of a Line:Strauss' and Hofmannsthal's Elektra; "Something Uncommonly German":Hans Pfitzner's Palestrina, Eine Musikalische Legende The Musical Personality of Don Quixote:Manuel de Falla's El Retablo de Maese Pedro Transformations of the Killing of a Boy:Weill's and Brecht's Der Jasager; A Theological Midrash in Search of Operatic Action:Moses und Aron by Arnold Schoenberg; The Making of a Victim:From Crabbe's The Borough to Slater's and Britten'sPeter Grimes; Opera on Opera:Luciano Berio's Opera; Notes on Contributors; Index |
| Record Nr. | UNINA-9910792157603321 |
|
Lichtenstein Sabine
|
||
| Amsterdam, : Editions Rodopi, 2014 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Music's obedient daughter : the opera libretto from source to score / / edited by Sabine Lichtenstein
| Music's obedient daughter : the opera libretto from source to score / / edited by Sabine Lichtenstein |
| Autore | Lichtenstein Sabine |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Amsterdam, : Editions Rodopi, 2014 |
| Descrizione fisica | 1 online resource (507 pages) : illustrations, music |
| Disciplina | 782.10268 |
| Altri autori (Persone) | LichtensteinSabine <1947-> (Sabine Klara) |
| Collana | Textxet : studies in comparative literature |
| Soggetto topico |
Libretto
Opera |
| ISBN |
9789401210553
9401210551 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Preliminary Material -- INTRODUCTION / Sabine Lichtenstein -- THE POWER OF MUSIC: STRIGGIO AND MONTEVERDI’S L’ORFEO / Eddie Vetter -- OCTAVIA REINCARNATED: BUSENELLO’S AND MONTEVERDI’S L’INCORONAZIONE DI POPPEA / Jacques Boogaart -- IN THE OPERATIC WORKSHOP: THE CASE OF VARESCO’S AND MOZART’S IDOMENEO / Tim Carter -- THE LIBRETTIST’S DILEMMA IN LONDON: BADINI’S AND HAYDN’S ORFEO ED EURIDICE / Caryl Clark -- “BUT THERE IS ANOTHER INTRIGUE AND A COMIC ELEMENT PLACED ALONGSIDE”: HANS SACHS – THE RELATION OF LORTZING’S OPERA TO DEINHARDSTEIN’S DRAMA / Irmlind Capelle -- “CE BAL EST ORIGINAL!”: CLASSICAL PARODY AND BURLESQUE IN ORPHÉE AUX ENFERS BY CRÉMIEUX, HALÉVY AND OFFENBACH / Heather Hadlock -- BURNING THE HERETICS AND SAVING DON CARLOS: MÉRY’S, DU LOCLE’S AND VERDI’S DON CARLOS / John Neubauer -- TRACING WOTAN’S INCENDIARY PAST: THE EVOLUTION OF STORMS AND FIRE IN WAGNER’S DER RING DES NIBELUNGEN / Katherine Syer -- MANON AT THE OPERA: FROM PRÉVOST’S MANON LESCAUT TO AUBER’S MANON LESCAUT AND MASSENET’S MANON / Vincent Giroud -- “CLOSED, EFFICIENT, TERRIBLE!”: REFLECTIONS ON THE GENESIS AND DRAMATURGY OF ILLICA’S, GIACOSA’S AND PUCCINI’S MADAMA BUTTERFLY / Kasper Van Kooten -- THE END OF A LINE: STRAUSS’ AND HOFMANNSTHAL’S ELEKTRA / Helga Hushahn -- “SOMETHING UNCOMMONLY GERMAN”: HANS PFITZNER’S PALESTRINA, EINE MUSIKALISCHE LEGENDE / Sabine Lichtenstein -- THE MUSICAL PERSONALITY OF DON QUIXOTE: MANUEL DE FALLA’S EL RETABLO DE MAESE PEDRO / Loes Dommering-Van Rongen -- TRANSFORMATIONS OF THE KILLING OF A BOY: WEILL’S AND BRECHT’S DER JASAGER / Michal Grover-Friedlander -- A THEOLOGICAL MIDRASH IN SEARCH OF OPERATIC ACTION: MOSES UND ARON BY ARNOLD SCHOENBERG / Ruth Hacohen -- THE MAKING OF A VICTIM: FROM CRABBE’S THE BOROUGH TO SLATER’S AND BRITTEN’S PETER GRIMES / C.C. Barfoot -- OPERA ON OPERA: LUCIANO BERIO’S OPERA / Claudia Di Luzio -- NOTES ON CONTRIBUTORS -- INDEX. |
| Record Nr. | UNINA-9910988095303321 |
|
Lichtenstein Sabine
|
||
| Amsterdam, : Editions Rodopi, 2014 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||