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"Music's Obedient Daughter" [[electronic resource] ] : The Opera Libretto from Source to Score
| "Music's Obedient Daughter" [[electronic resource] ] : The Opera Libretto from Source to Score |
| Autore | Lichtenstein Sabine |
| Pubbl/distr/stampa | Amsterdam, : Editions Rodopi, 2014 |
| Descrizione fisica | 1 online resource (505 p.) |
| Disciplina | 782.104 |
| Soggetto topico |
Music industry
Opera -- History Opera |
| Soggetto genere / forma | Electronic books. |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Tittle Page; Copyright Page; Table of Contents; Introduction; The Power of Music: Striggio and Monteverdi's L'Orfeo; Octavia Reincarnated:Busenello's and Monteverdi's L'incoronazione di Poppea; In the Operatic Workshop:The Case of Varesco's and Mozart's Idomeneo; The Librettist's Dilemma in London:Badini's and Haydn's Orfeo ed Euridice; "But There Is another Intrigue and a Comic Element PlacedAlongside":Hans Sachs - the Relation of Lortzing's Opera to Deinhardstein'sDrama; "Ce bal est original!":Classical Parody and Burlesque in Orphée aux enfers by Crémieux,Halévy and Offenbach
Burning the Heretics and Saving Don Carlos: Méry's, Du Locle's and Verdi's Don Carlos Tracing Wotan's Incendiary Past:The Evolution of Storms and Fire in Wagner's Der Ring des Nibelungen; Manon at the Opera:From Prévost's Manon Lescaut to Auber's Manon Lescaut andMassenet's Manon; "Closed, Efficient, Terrible!":Reflections on the Genesis and Dramaturgy of Illica's, Giacosa's and Puccini's Madama Butterfly; The End of a Line:Strauss' and Hofmannsthal's Elektra; "Something Uncommonly German":Hans Pfitzner's Palestrina, Eine Musikalische Legende The Musical Personality of Don Quixote:Manuel de Falla's El Retablo de Maese Pedro Transformations of the Killing of a Boy:Weill's and Brecht's Der Jasager; A Theological Midrash in Search of Operatic Action:Moses und Aron by Arnold Schoenberg; The Making of a Victim:From Crabbe's The Borough to Slater's and Britten'sPeter Grimes; Opera on Opera:Luciano Berio's Opera; Notes on Contributors; Index |
| Record Nr. | UNINA-9910465630403321 |
Lichtenstein Sabine
|
||
| Amsterdam, : Editions Rodopi, 2014 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
"Music's Obedient Daughter" [[electronic resource] ] : The Opera Libretto from Source to Score
| "Music's Obedient Daughter" [[electronic resource] ] : The Opera Libretto from Source to Score |
| Autore | Lichtenstein Sabine |
| Pubbl/distr/stampa | Amsterdam, : Editions Rodopi, 2014 |
| Descrizione fisica | 1 online resource (505 p.) |
| Disciplina | 782.104 |
| Altri autori (Persone) | LichtensteinSabine <1947-> (Sabine Klara) |
| Soggetto topico |
Music industry
Opera -- History Opera |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Tittle Page; Copyright Page; Table of Contents; Introduction; The Power of Music: Striggio and Monteverdi's L'Orfeo; Octavia Reincarnated:Busenello's and Monteverdi's L'incoronazione di Poppea; In the Operatic Workshop:The Case of Varesco's and Mozart's Idomeneo; The Librettist's Dilemma in London:Badini's and Haydn's Orfeo ed Euridice; "But There Is another Intrigue and a Comic Element PlacedAlongside":Hans Sachs - the Relation of Lortzing's Opera to Deinhardstein'sDrama; "Ce bal est original!":Classical Parody and Burlesque in Orphée aux enfers by Crémieux,Halévy and Offenbach
Burning the Heretics and Saving Don Carlos: Méry's, Du Locle's and Verdi's Don Carlos Tracing Wotan's Incendiary Past:The Evolution of Storms and Fire in Wagner's Der Ring des Nibelungen; Manon at the Opera:From Prévost's Manon Lescaut to Auber's Manon Lescaut andMassenet's Manon; "Closed, Efficient, Terrible!":Reflections on the Genesis and Dramaturgy of Illica's, Giacosa's and Puccini's Madama Butterfly; The End of a Line:Strauss' and Hofmannsthal's Elektra; "Something Uncommonly German":Hans Pfitzner's Palestrina, Eine Musikalische Legende The Musical Personality of Don Quixote:Manuel de Falla's El Retablo de Maese Pedro Transformations of the Killing of a Boy:Weill's and Brecht's Der Jasager; A Theological Midrash in Search of Operatic Action:Moses und Aron by Arnold Schoenberg; The Making of a Victim:From Crabbe's The Borough to Slater's and Britten'sPeter Grimes; Opera on Opera:Luciano Berio's Opera; Notes on Contributors; Index |
| Record Nr. | UNINA-9910792157603321 |
|
Lichtenstein Sabine
|
||
| Amsterdam, : Editions Rodopi, 2014 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
"Music's Obedient Daughter" [[electronic resource] ] : The Opera Libretto from Source to Score
| "Music's Obedient Daughter" [[electronic resource] ] : The Opera Libretto from Source to Score |
| Autore | Lichtenstein Sabine |
| Pubbl/distr/stampa | Amsterdam, : Editions Rodopi, 2014 |
| Descrizione fisica | 1 online resource (505 p.) |
| Disciplina | 782.104 |
| Altri autori (Persone) | LichtensteinSabine <1947-> (Sabine Klara) |
| Soggetto topico |
Music industry
Opera -- History Opera |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Tittle Page; Copyright Page; Table of Contents; Introduction; The Power of Music: Striggio and Monteverdi's L'Orfeo; Octavia Reincarnated:Busenello's and Monteverdi's L'incoronazione di Poppea; In the Operatic Workshop:The Case of Varesco's and Mozart's Idomeneo; The Librettist's Dilemma in London:Badini's and Haydn's Orfeo ed Euridice; "But There Is another Intrigue and a Comic Element PlacedAlongside":Hans Sachs - the Relation of Lortzing's Opera to Deinhardstein'sDrama; "Ce bal est original!":Classical Parody and Burlesque in Orphée aux enfers by Crémieux,Halévy and Offenbach
Burning the Heretics and Saving Don Carlos: Méry's, Du Locle's and Verdi's Don Carlos Tracing Wotan's Incendiary Past:The Evolution of Storms and Fire in Wagner's Der Ring des Nibelungen; Manon at the Opera:From Prévost's Manon Lescaut to Auber's Manon Lescaut andMassenet's Manon; "Closed, Efficient, Terrible!":Reflections on the Genesis and Dramaturgy of Illica's, Giacosa's and Puccini's Madama Butterfly; The End of a Line:Strauss' and Hofmannsthal's Elektra; "Something Uncommonly German":Hans Pfitzner's Palestrina, Eine Musikalische Legende The Musical Personality of Don Quixote:Manuel de Falla's El Retablo de Maese Pedro Transformations of the Killing of a Boy:Weill's and Brecht's Der Jasager; A Theological Midrash in Search of Operatic Action:Moses und Aron by Arnold Schoenberg; The Making of a Victim:From Crabbe's The Borough to Slater's and Britten'sPeter Grimes; Opera on Opera:Luciano Berio's Opera; Notes on Contributors; Index |
| Record Nr. | UNINA-9910809346103321 |
|
Lichtenstein Sabine
|
||
| Amsterdam, : Editions Rodopi, 2014 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||