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Music, Gestalt, and Computing [[electronic resource] ] : Studies in Cognitive and Systematic Musicology / / edited by Marc Leman
| Music, Gestalt, and Computing [[electronic resource] ] : Studies in Cognitive and Systematic Musicology / / edited by Marc Leman |
| Edizione | [1st ed. 1997.] |
| Pubbl/distr/stampa | Berlin, Heidelberg : , : Springer Berlin Heidelberg : , : Imprint : Springer, , 1997 |
| Descrizione fisica | 1 online resource (X, 530 p.) |
| Disciplina | 781/.11 |
| Collana | Lecture Notes in Artificial Intelligence |
| Soggetto topico |
Artificial intelligence
Computers and civilization Multimedia information systems Acoustics Pattern recognition Artificial Intelligence Computers and Society Multimedia Information Systems Pattern Recognition |
| ISBN | 3-540-69591-5 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Origin and nature of cognitive and systematic musicology: An introduction -- Systematic, cognitive and historical approaches in musicology -- Empiricism, gestalt qualities, and determination of style: Some remarks concerning the relationship of Guido Adler to Richard Wallaschek, Alexius Meinong, Christian von Ehrenfels, and Robert Lach -- Gestalt concepts and music: Limitations and possibilities -- Logic, gestalt theory, and neural computation in research on auditory perceptual organization -- Knowledge in music theory by shapes of musical objects and sound-producing actions -- Statistical gestalts — Perceptible features in serial music -- “Verschmelzung”, tonal fusion, and consonance: Carl Stumpf revisited -- Schema and gestalt: Testing the hypothesis of psychoneural isomorphism by computer simulation -- Self-organizing neural nets and the perceptual origin of the circle of fifths -- A model of the perceptual root(s) of a chord accounting for voicing and prevailing tonality -- ‘Good’, ‘rair’, and ‘bad’ chord progressions: A regression-analysis of some psychological chord progression data obtained in an experiment by J. Bharucha and C. Krumhansl -- Problems of shape and background in sounds with inharmonic spectra -- A method of analysing harmony, based on interval patterns or “Gestalten” -- Neural network models for the study of post-tonal music -- Tempo relations: Is there a psychological basis for proportional tempo theory? -- A framework for the subsymbolic description of meter -- Musical rhythm: A formal model for determining local boundaries, accents and metre in a melodic surface -- Effects of perceptual organization and musical form on melodic expectancies -- Continuations as completions: Studying melodic expectation in the creative microdomain Seek Well -- Optimizing self-organizing timbre maps: Two approaches -- Towards a more general understanding of the nasality phenomenon -- Karl Erich Schumann's principles of timbre as a helpful tool in stream segregation research -- Cross-synthesis using interverted principal harmonic sub-spaces -- Gestalt phenomena in musical texture -- Technology of interpretation and expressive pulses -- Intonational protention in the performance of melodic octaves on the violin -- Sonological analysis of clarinet expressivity -- Perceptual analysis of the musical expressive intention in a clarinet performance -- Singing, mind and brain — Unit pulse, rhythm, emotion and expression -- Emulating gestalt mechanisms by combining symbolic and subsymbolic information processing procedures -- Interactive computer music systems and concepts of Gestalt -- Gestalt-based composition and performance in multimodal environments -- List of sound examples on the CD. |
| Record Nr. | UNISA-996465498203316 |
| Berlin, Heidelberg : , : Springer Berlin Heidelberg : , : Imprint : Springer, , 1997 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
| ||
Music, Gestalt, and Computing [[electronic resource] ] : Studies in Cognitive and Systematic Musicology / / edited by Marc Leman
| Music, Gestalt, and Computing [[electronic resource] ] : Studies in Cognitive and Systematic Musicology / / edited by Marc Leman |
| Edizione | [1st ed. 1997.] |
| Pubbl/distr/stampa | Berlin, Heidelberg : , : Springer Berlin Heidelberg : , : Imprint : Springer, , 1997 |
| Descrizione fisica | 1 online resource (X, 530 p.) |
| Disciplina | 781/.11 |
| Collana | Lecture Notes in Artificial Intelligence |
| Soggetto topico |
Artificial intelligence
Computers and civilization Multimedia information systems Acoustics Pattern recognition Artificial Intelligence Computers and Society Multimedia Information Systems Pattern Recognition |
| ISBN | 3-540-69591-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Origin and nature of cognitive and systematic musicology: An introduction -- Systematic, cognitive and historical approaches in musicology -- Empiricism, gestalt qualities, and determination of style: Some remarks concerning the relationship of Guido Adler to Richard Wallaschek, Alexius Meinong, Christian von Ehrenfels, and Robert Lach -- Gestalt concepts and music: Limitations and possibilities -- Logic, gestalt theory, and neural computation in research on auditory perceptual organization -- Knowledge in music theory by shapes of musical objects and sound-producing actions -- Statistical gestalts — Perceptible features in serial music -- “Verschmelzung”, tonal fusion, and consonance: Carl Stumpf revisited -- Schema and gestalt: Testing the hypothesis of psychoneural isomorphism by computer simulation -- Self-organizing neural nets and the perceptual origin of the circle of fifths -- A model of the perceptual root(s) of a chord accounting for voicing and prevailing tonality -- ‘Good’, ‘rair’, and ‘bad’ chord progressions: A regression-analysis of some psychological chord progression data obtained in an experiment by J. Bharucha and C. Krumhansl -- Problems of shape and background in sounds with inharmonic spectra -- A method of analysing harmony, based on interval patterns or “Gestalten” -- Neural network models for the study of post-tonal music -- Tempo relations: Is there a psychological basis for proportional tempo theory? -- A framework for the subsymbolic description of meter -- Musical rhythm: A formal model for determining local boundaries, accents and metre in a melodic surface -- Effects of perceptual organization and musical form on melodic expectancies -- Continuations as completions: Studying melodic expectation in the creative microdomain Seek Well -- Optimizing self-organizing timbre maps: Two approaches -- Towards a more general understanding of the nasality phenomenon -- Karl Erich Schumann's principles of timbre as a helpful tool in stream segregation research -- Cross-synthesis using interverted principal harmonic sub-spaces -- Gestalt phenomena in musical texture -- Technology of interpretation and expressive pulses -- Intonational protention in the performance of melodic octaves on the violin -- Sonological analysis of clarinet expressivity -- Perceptual analysis of the musical expressive intention in a clarinet performance -- Singing, mind and brain — Unit pulse, rhythm, emotion and expression -- Emulating gestalt mechanisms by combining symbolic and subsymbolic information processing procedures -- Interactive computer music systems and concepts of Gestalt -- Gestalt-based composition and performance in multimodal environments -- List of sound examples on the CD. |
| Record Nr. | UNINA-9910144913303321 |
| Berlin, Heidelberg : , : Springer Berlin Heidelberg : , : Imprint : Springer, , 1997 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||