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Jimi Hendrix and the Cultural Politics of Popular Music [[electronic resource] /] / by Aaron Lefkovitz



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Autore: Lefkovitz Aaron Visualizza persona
Titolo: Jimi Hendrix and the Cultural Politics of Popular Music [[electronic resource] /] / by Aaron Lefkovitz Visualizza cluster
Pubblicazione: Cham : , : Springer International Publishing : , : Imprint : Palgrave Pivot, , 2018
Edizione: 1st ed. 2018.
Descrizione fisica: 1 online resource (V, 158 p.)
Disciplina: 780.890596095
Soggetto topico: Popular Culture
Music
United States—Study and teaching
Culture
Gender
Ethnicity
American Culture
Culture and Gender
Ethnicity Studies
Nota di contenuto: 1. Jimi Hendrix—Gypsy Eyes, Voodoo Child, and Countercultural Symbol -- 2. “I Don’t Want to Be a Clown Anymore”: Jimi Hendrix as Racialized Freak and Black-Transnational Icon -- 3. Jimi Hendrix and Black-Transnational Popular Music’s Global Gender and Sexualized Histories -- 4. Jimi Hendrix, the 1960s Counterculture, and Confirmations and Critiques of US Cultural Mythologies -- 5. Conclusion.
Sommario/riassunto: This book, on Jimi Hendrix’s life, times, visual-cultural prominence, and popular music, with a particular emphasis on Hendrix’s relationships to the cultural politics of race, gender, sexuality, ethnicity, class, and nation. Hendrix, an itinerant “Gypsy” and “Voodoo child” whose racialized “freak” visual image continues to internationally circulate, exploited the exoticism of his race, gender, and sexuality and Gypsy and Voodoo transnational political cultures and religion. Aaron E. Lefkovitz argues that Hendrix can be located in a legacy of black-transnational popular musicians, from Chuck Berry to the hip hop duo Outkast, confirming while subverting established white supremacist and hetero-normative codes and conventions. Focusing on Hendrix’s transnational biography and centrality to US and international visual cultural and popular music histories, this book links Hendrix to traditions of blackface minstrelsy, international freak show spectacles, black popular music’s global circulation, and visual-cultural racial, gender, and sexual stereotypes, while noting Hendrix’s place in 1960s countercultural, US-exceptionalist, cultural Cold War, and rock histories.
Titolo autorizzato: Jimi Hendrix and the Cultural Politics of Popular Music  Visualizza cluster
ISBN: 3-319-77013-6
Formato: Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione: Inglese
Record Nr.: 9910300013603321
Lo trovi qui: Univ. Federico II
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