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Chinese Culture in the 21st Century and its Global Dimensions : Comparative and Interdisciplinary Perspectives / / edited by Kelly Kar Yue Chan, Chi Sum Garfield Lau
| Chinese Culture in the 21st Century and its Global Dimensions : Comparative and Interdisciplinary Perspectives / / edited by Kelly Kar Yue Chan, Chi Sum Garfield Lau |
| Edizione | [1st ed. 2020.] |
| Pubbl/distr/stampa | Singapore : , : Springer Nature Singapore : , : Imprint : Springer, , 2020 |
| Descrizione fisica | 1 online resource (226 pages) |
| Disciplina | 951 |
| Collana | Chinese Culture, Globality, Connectivity and Modernity |
| Soggetto topico |
Oriental literature
Ethnology - Asia Culture Philosophy, Modern Asia - Languages Motion pictures Asian Literature Asian Culture Philosophical Traditions Asian Languages Film Theory |
| ISBN | 981-15-2743-1 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Section I: Modern Chinese Literature: A Comparative Study -- 1.The Evolution of Chinese Women: From Confucian Obligations to Modern Resistance -- 2.A Comparative Study of Stream of Consciousness -- 3.A Contrasting Image of China in Opera Libretti: An Analytical Reading of Puccini/Adami, Simoni’s Turandot and Adams/Goodman’s Nixon in China -- Section II: Contemporary Perceptions of Chinese Films and Performing Arts -- 4.Remaking China: The Canonization of Fei Mu’s Cinema -- 5.The Dilemma of Brand Construction of Chinese New Year Movies: Comparing to the Marvel Movies -- 6.From Comics to Animation: A Media Study of Hong Kong’s Creative Industry -- 7.Chinese Musical Culture in the Global Context – Modernization and Internationalization of Traditional Chinese Music in 21st Century -- 8.Cantonese Cameo: Prewar Hong Kong Films and /ɿ/ of Early Cantonese -- Section III: Translation Studies of Hong Kong and Chinese Culture in the Globalized Era -- 9.Reinterpreting Cantonese Opera: Is Sur/Subtitle Translation into English Possible? -- 10.Normalising Cultural Elements from an Operative Functional Perspective -- 11.Beyond Bilinguality: Chinese-English Names of Hong Kong Racehorses -- Section IV: Language and Learning: Changing Ideology in the Digital Age -- 12.Roles of Western Learning in Fevers of National Learning in the Twentieth-Century China -- 13.The Tortuous Path of Digital History in the Chinese Humanities. |
| Record Nr. | UNINA-9910483075703321 |
| Singapore : , : Springer Nature Singapore : , : Imprint : Springer, , 2020 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Conjugal Relationships in Chinese Culture : Sino-Western Discourses and Aesthetics on Marriage / / edited by Chi Sum Garfield Lau, Kelly Kar Yue Chan
| Conjugal Relationships in Chinese Culture : Sino-Western Discourses and Aesthetics on Marriage / / edited by Chi Sum Garfield Lau, Kelly Kar Yue Chan |
| Edizione | [1st ed. 2023.] |
| Pubbl/distr/stampa | Singapore : , : Springer Nature Singapore : , : Imprint : Springer, , 2023 |
| Descrizione fisica | 1 online resource (XVIII, 179 p. 17 illus., 1 illus. in color.) |
| Disciplina | 306.810951 |
| Collana | Chinese Culture, Globality, Connectivity and Modernity |
| Soggetto topico |
Ethnology - Asia
Culture Oriental literature Philosophy, Chinese Motion pictures Translating and interpreting Performing arts Theater Asian Culture Asian Literature Chinese Philosophy Film Studies Language Translation Theatre and Performance Arts |
| ISBN | 981-19-9841-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Part I: Revolutionary Alternatives of Conjugal Relationships in Chinese Culture -- Chapter 1: Divorce and Remarriage as Revealed in Cantonese Opera: The Phoenix Hairpin and The Return of Lady Wenji -- Chapter 2: A Preliminary Note on the Ancient Sages’ “Unmarried” Mothers and the Acceleration of Virtuous Power -- Chapter 3: Creating Romance or Divorce: Marriage Reform in Early 20th Century Chinese Print Media -- Chapter 4: ‘Free Love’ and ‘Free Marriage’: An American Female Missionary’s Prescription and Chinese Writers’ Imagination in the Late 1920s -- Chapter 5: Marriage in Migration and Homecoming: Joseph Conrad’s “Amy Foster” and Ha Jin’s “The Woman from New York” -- Part II: Reassessment of Contemporary Nuptial Discourse in Various Forms -- Chapter 6: Linguacultural Representation of the Cultural Self and Other in Chinese Women’s Discourse on Transnational Remarriage -- Chapter 7: A Visual Interpretation of Eastern and Western Relationships on Wedding Invitation Cards -- Chapter 8: Norwegian Fortune-Teller Henning Hai Lee Yang’s I Ching: Emphasis on Marriage during the Surge in Norwegian Divorces and Cohabitation -- Chapter 9: Happily Ever After? Rethinking Marriage in Contemporary Hong Kong. |
| Record Nr. | UNINA-9910698647103321 |
| Singapore : , : Springer Nature Singapore : , : Imprint : Springer, , 2023 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Cross-Cultural Encounters in Modern and Premodern China : Global Networks, Mediation, and Intertextuality / / edited by Kelly Kar Yue Chan, Chi Sum Garfield Lau
| Cross-Cultural Encounters in Modern and Premodern China : Global Networks, Mediation, and Intertextuality / / edited by Kelly Kar Yue Chan, Chi Sum Garfield Lau |
| Edizione | [1st ed. 2022.] |
| Pubbl/distr/stampa | Singapore : , : Springer Nature Singapore : , : Imprint : Springer, , 2022 |
| Descrizione fisica | 1 online resource (202 pages) |
| Disciplina | 951 |
| Collana | Chinese Culture, Globality, Connectivity and Modernity |
| Soggetto topico |
Oriental literature
Culture - Study and teaching Philosophy, Chinese Mass media and culture Civilization - History Asian Literature Cultural Studies Chinese Philosophy Media Culture Cultural History |
| ISBN |
981-16-8375-1
981-16-8374-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Part 1: Reinvention of Tradition -- Chapter 1: Why must the Classics be “Confucian”? Some Reflections on Reading the “Confucian” Classics in the Contemporary World -- Chapter 2: A Strategic Universalism: An Interpretation of Chinese Cultural Conservatism through a Case Study of the Xueheng School -- Chapter 3: Yijing’s Evolution in Northern Europe: Gender Roles in the First Scandinavian Translations of the Book of Changes -- Part 2: Media and Mediation -- Chapter 4: The Prince is Going Astray in His Dream: Assonance or Dissonance in Adapting Shakespearean Plays to Cantonese Opera -- Chapter 5: Romantic Love, Self-Exaltation, and Social Rebellion: The Influence of Goethe’s Werther on Chinese Epistolary Novels in the 1920s and 1930s -- Chapter 6: At the Junction of Desire and Obligation: Analyzing Stefan Zweig’s Letter from an Unknown Woman and its Two Adaptations -- Chapter 7: Translating Western Girlhood: Laura M. White’s Chinese Translations of Sara Crewe (1888) -- Part 3: Globality and Modernity -- Chapter 8: Approaching the Cultural Identity of Multimedia Performance in Taiwan – Launching from the Reflection on Confucian Notions of Qì -- Chapter 9: The East-West Interstices of Third Space: Charting Hong Kong as a Kaleidoscope of Heterotopic Narratives -- Chapter 10: Multidirectional Exchange: Mapping the Emergence of the Silk Road Idea as a Global Cultural Imaginary. . |
| Record Nr. | UNINA-9910743356703321 |
| Singapore : , : Springer Nature Singapore : , : Imprint : Springer, , 2022 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||