Actors and the Art of Performance [[electronic resource] ] : Under Exposure / / by Susanne Granzer |
Autore | Granzer Susanne |
Edizione | [1st ed. 2016.] |
Pubbl/distr/stampa | London : , : Palgrave Macmillan UK : , : Imprint : Palgrave Macmillan, , 2016 |
Descrizione fisica | 1 online resource (xi, 120 pages) : illustrations |
Disciplina | 792.02801 |
Collana | Performance Philosophy |
Soggetto topico |
Motion picture authorship
Motion pictures and television Theater Philosophy Performing arts Screenwriting Screen Studies Theatre and Performance Studies Philosophy, general Performing Arts |
ISBN | 1-137-59634-1 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Part I: Hits -- 1. Auditorium X -- Double stalemate -- Turning point, peripeteia -- Turn around -- i, mine -- 2. Speculations -- Actors' fears -- Crying -- Child's play -- Exposed -- With-out me -- 3. Black out -- First time at the theater -- Part II: Experts in being? -- 4. The actor: A creature of fable -- why do you want to be an actor? -- 5. The Causa Corpora -- The kiss of Olympia -- Machine against man -- The actor's trump card -- 6. The gift of acting -- Skipping -- Prejudice -- Subject-based thinking versus stage experience -- Master and servant -- Bodies on stage -- Innocence of becoming -- Language and speaking -- Digesting speech -- Counterwords -- The Other, the others -- Affect versus thought -- Thinking and acting -- Repetition -- 7. The gift of death -- Tu es mort -- Theater as a symbolic death -- Point of no return -- Felicity -- a salto mortale -- Our friend Touchstone -- 8. Finale and punctum -- Why do you want to be an actor? |
Record Nr. | UNINA-9910134808903321 |
Granzer Susanne
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London : , : Palgrave Macmillan UK : , : Imprint : Palgrave Macmillan, , 2016 | ||
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Lo trovi qui: Univ. Federico II | ||
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Destruction in the performative [[electronic resource] /] / edited and with an introduction by Alice Lagaay and Michael Lorber |
Pubbl/distr/stampa | Amsterdam, : Rodopi, 2012 |
Descrizione fisica | 1 online resource (220 p.) |
Disciplina | 306 |
Altri autori (Persone) |
LagaayAlice
LorberMichael |
Collana | Critical studies |
Soggetto topico |
Performative (Philosophy)
Creative destruction |
Soggetto genere / forma | Electronic books. |
ISBN | 94-012-0741-0 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Preliminary Material / Alice Lagaay and Michael Lorber -- Introduction: Destruction in the Performative / Alice Lagaay and Michael Lorber -- Recognition and Disrespect: Lordship and Bondage in Hegel’s Phenomenology of Spirit / Steffen K. Herrmann -- Hegemonic Listening and Subversive Silences: Ethical-political Imperatives / Nikita Dhawan -- Two Saints and the Power of the Auditive / Rebecca Wolf -- Acoustic Violence in Contemporary German Theatre / Jenny Schrödl -- Asceticism Poses a Threat: The Enactment of Voluntary Hunger / Barbara Gronau -- Salomania – Trans and Trans-temporal: A Queer Archaeology of Destructiveness / Renate Lorenz -- Masochistic Self-shattering between Destructiveness and Productivity / Volker Woltersdorff -- Triggering Latency Zones in Modern Society: Richard Serra’s Sculptures within the Urban Setting / Kristiane Hasselmann -- Creative Destructions: Gabriel Tarde’s Concept of a Passionate Economy / Katja Rothe -- Code Decay: Organizational Performance and Destructivity / Robert Schmidt -- List of Contributors / Alice Lagaay and Michael Lorber. |
Record Nr. | UNINA-9910453930303321 |
Amsterdam, : Rodopi, 2012 | ||
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Lo trovi qui: Univ. Federico II | ||
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Destruction in the performative [[electronic resource] /] / edited and with an introduction by Alice Lagaay and Michael Lorber |
Pubbl/distr/stampa | Amsterdam, : Rodopi, 2012 |
Descrizione fisica | 1 online resource (220 p.) |
Disciplina | 306 |
Altri autori (Persone) |
LagaayAlice
LorberMichael |
Collana | Critical studies |
Soggetto topico |
Performative (Philosophy)
Creative destruction |
ISBN | 94-012-0741-0 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Preliminary Material / Alice Lagaay and Michael Lorber -- Introduction: Destruction in the Performative / Alice Lagaay and Michael Lorber -- Recognition and Disrespect: Lordship and Bondage in Hegel’s Phenomenology of Spirit / Steffen K. Herrmann -- Hegemonic Listening and Subversive Silences: Ethical-political Imperatives / Nikita Dhawan -- Two Saints and the Power of the Auditive / Rebecca Wolf -- Acoustic Violence in Contemporary German Theatre / Jenny Schrödl -- Asceticism Poses a Threat: The Enactment of Voluntary Hunger / Barbara Gronau -- Salomania – Trans and Trans-temporal: A Queer Archaeology of Destructiveness / Renate Lorenz -- Masochistic Self-shattering between Destructiveness and Productivity / Volker Woltersdorff -- Triggering Latency Zones in Modern Society: Richard Serra’s Sculptures within the Urban Setting / Kristiane Hasselmann -- Creative Destructions: Gabriel Tarde’s Concept of a Passionate Economy / Katja Rothe -- Code Decay: Organizational Performance and Destructivity / Robert Schmidt -- List of Contributors / Alice Lagaay and Michael Lorber. |
Record Nr. | UNINA-9910779618503321 |
Amsterdam, : Rodopi, 2012 | ||
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Lo trovi qui: Univ. Federico II | ||
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Nicht(s) sagen : Strategien der Sprachabwendung im 20. Jahrhundert / Emmanuel Alloa, Alice Lagaay |
Autore | Alloa Emmanuel |
Edizione | [1st ed.] |
Pubbl/distr/stampa | Bielefeld, : transcript Verlag, 2015 |
Descrizione fisica | 1 online resource (308) |
Collana | Edition Moderne Postmoderne |
Soggetto topico | Sprache; Philosophie; Literatur; Schweigen; Passivität; Sprachphilosophie; Philosophiegeschichte; Language; Philosophy; Literature; Philosophy of Language; History of Philosophy |
Soggetto non controllato |
History of Philosophy
Literature Philosophy of Language Philosophy |
ISBN | 3-8394-0828-8 |
Classificazione | CC 4800 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | ger |
Nota di contenuto | Frontmatter 1 Inhalt 5 Einleitung 7 Schwierigkeiten des Sagens, Gründe des Verstummens 25 »Sagen, was sich eigentlich nicht sagen lässt« - Adorno, Blumenberg und andere Leser Wittgensteins 41 Der Rest ist Schweigen - Wittgensteins Philosophie als Sprechverweigerung 61 Lobpreis oder Preisgabe? Eine mehrfach vertagte Diskussion zwischen Marion und Derrida 81 Wie gesprochen werden? Zur Passion der Rede bei Derrida 101 Emmanuel Lévinas: Das skeptische Sprechen 115 Stilo obscuro? Zur Sprache des Dionysius Areopagita 135 Kierkegaards beredte Sigetik. Ein Beitrag zur Vorgeschichte postmoderner Entsagungsstrategien 159 Paradoxologisches Sprechen als Triumph der Sprache - Mallarmés Lyrik des »blanc« 171 Über die Unmöglichkeit der Dichtung, die Stille zu ersteigen. Zu einem Wort Paul Celans 189 »ein Reden und ein Denken, das nicht wir haben«. Zur Figur der indirekten Rede bei Maurice Merleau-Ponty 207 »I say to you that I am dead.« E.A. Poe, Roland Barthes und Michel Foucault über das Vertrocknen der Sprache 225 »L'écriture et l'indifférence« - Der Fall Bartleby 247 Enthaltung als Chance? Ein Gespräch über radikale Passivität bei Giorgio Agamben 265 Über negative Potentialität 285 Autorinnen und Autoren 299 Backmatter 306 |
Record Nr. | UNISA-996308820203316 |
Alloa Emmanuel
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Bielefeld, : transcript Verlag, 2015 | ||
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Lo trovi qui: Univ. di Salerno | ||
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Nicht(s) sagen : Strategien der Sprachabwendung im 20. Jahrhundert / Emmanuel Alloa, Alice Lagaay |
Autore | Alloa Emmanuel |
Edizione | [1st ed.] |
Pubbl/distr/stampa | Bielefeld, : transcript Verlag, 2015 |
Descrizione fisica | 1 online resource (308) |
Disciplina | 809.93353 |
Collana | Edition Moderne Postmoderne |
Soggetto topico | Sprache; Philosophie; Literatur; Schweigen; Passivität; Sprachphilosophie; Philosophiegeschichte; Language; Philosophy; Literature; Philosophy of Language; History of Philosophy |
Soggetto non controllato |
History of Philosophy
Literature Philosophy of Language Philosophy |
ISBN |
9783839408285
3839408288 |
Classificazione | CC 4800 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | ger |
Nota di contenuto | Frontmatter 1 Inhalt 5 Einleitung 7 Schwierigkeiten des Sagens, Gründe des Verstummens 25 »Sagen, was sich eigentlich nicht sagen lässt« - Adorno, Blumenberg und andere Leser Wittgensteins 41 Der Rest ist Schweigen - Wittgensteins Philosophie als Sprechverweigerung 61 Lobpreis oder Preisgabe? Eine mehrfach vertagte Diskussion zwischen Marion und Derrida 81 Wie gesprochen werden? Zur Passion der Rede bei Derrida 101 Emmanuel Lévinas: Das skeptische Sprechen 115 Stilo obscuro? Zur Sprache des Dionysius Areopagita 135 Kierkegaards beredte Sigetik. Ein Beitrag zur Vorgeschichte postmoderner Entsagungsstrategien 159 Paradoxologisches Sprechen als Triumph der Sprache - Mallarmés Lyrik des »blanc« 171 Über die Unmöglichkeit der Dichtung, die Stille zu ersteigen. Zu einem Wort Paul Celans 189 »ein Reden und ein Denken, das nicht wir haben«. Zur Figur der indirekten Rede bei Maurice Merleau-Ponty 207 »I say to you that I am dead.« E.A. Poe, Roland Barthes und Michel Foucault über das Vertrocknen der Sprache 225 »L'écriture et l'indifférence« - Der Fall Bartleby 247 Enthaltung als Chance? Ein Gespräch über radikale Passivität bei Giorgio Agamben 265 Über negative Potentialität 285 Autorinnen und Autoren 299 Backmatter 306 |
Record Nr. | UNINA-9910372796003321 |
Alloa Emmanuel
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Bielefeld, : transcript Verlag, 2015 | ||
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Lo trovi qui: Univ. Federico II | ||
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The Routledge companion to performance philosophy / / edited by Laura Cull Ó Maoilearca and Alice Lagaay |
Autore | Cull Ó Maoilearca Laura |
Edizione | [1st.] |
Pubbl/distr/stampa | Taylor & Francis, 2020 |
Descrizione fisica | 1 online resource (xxv, 463 pages) |
Disciplina | 791.01 |
Collana | Routledge theatre and performance companions |
Soggetto topico | Performing arts - Philosophy |
ISBN |
9781003035312
1003035310 9781000056914 1000056910 9781000056891 1000056899 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Introduction; Laura Cull Ó Maoilearca & Alice Lagaay; Part 1: Genealogies, Contexts & Traditions; 1. Suddenly the philosopher enters the stage Ira Avneri & Freddie Rokem; 2. Theravādin Buddhist Philosophy and Practice in Relation to Performance Jerri Daboo; 3. Performance Philosophy and Spirituality: The Way of Tasawwuf; Michael Ellison & Hannah McClure; 4. Whose Tempest? Performance Philosophy and/as Decolonial Cacophony; Andrés Fabián Henao Castro; 5. The Playwright as Thinker: Modern Drama and Performance Philosophy David Kornhaber; 6. Performance Philosophy seen through Nishida's 'Acting Intuition'; Mayuko Uehara & Elisabeth Belgrano; 7. Performance in Anglo-American Philosophy Anna Pakes & David Davies; 8. Performance Philosophy in Latin America -- How to Perform a Utopia called America?; Luciana Dias; 9. Diminishing Returns. On the performativity of musical sound Anthony Gritten; 10. The Philosophy of Mediality Jörg Sternagel, Elisabeth Schäfer & Volkmar Mühleis; 11. The Theatre of Research Anke Haarmann; Part 2: Questions & Debates; 12. Opening the Circle, Towards a Radical Equality: Performance Philosophy & Animals Laura Cull Ó Maoilearca; 13. Performance Philosophy as Inter-philosophical Dialogue Cosimo Zene; 14. Decolonising Performance Philosophies Melissa Blanco Borelli, Anamaría Tamayo-Duque & Cristina Fernandes Rosa; 15. Theatre-thinking: philosophy from the stage Flore Garcin-Marrou; 16. Philosophy and Theatre: Incestuous Beginnings, Looking Daggers and other Dangerous Liaisons Emmanuel Alloa & Sophie-Thérèse Krempl; 17. Aesthetics of the Invisible: Presence in Indian Performance Theory Sreenath Nair; Part 3: Methods, Techniques, Genres & Forms; 18. Performing Phenomenological Methodology Maxine Sheets-Johnstone; 19. Daring to transform academic routines Jörg Holkenbrink & Anna Seitz; 20. Resonance of Two Karen Christopher; 21. Lying Fallow Rajni Shah; 22. Play in Performance Philosophy Alice Koubová; 23. Landscape performance Tess Denman-Cleaver; 24. Re-telling the self: the lived experience of modern yoga practice Theodora Wildcroft; 25. The Think Tank: Institution as Performance Sonya Dyer; 26. Touch Naomi Woo; 27. In-Between: A Methodology of Performative Philosophy Eva Maria Gauss & Katrin Felgenhauer; 28. Africanist choreography as cultural citizenship 'Funmi Adewole; Part 4: Figures; 29. Rūmī Will Daddario; 30. Adrian Piper Lauren Fournier; 31. Diogenes Yunus Tuncel; 32. A dice-thrower Mischa Twitchin; 33. Hélène Cixous/Ariane Mnouchkine Elisabeth Schäfer, Esther Hutfless & Gertrude Postl; 34. Roger Federer Einav Katan-Schmid; 35. John Cage Anthony Gritten; 36. Confucius Mi You; 37. Rudolf Laban Juliet Chambers-Coe; Part 5: Performance as Philosophy & Philosophy as Performance; 38. Theatre As If Theory Yelena Gluzman & Esther Neff; 39. Dance as Embodied Ethics Aili Bresnahan, Einav Katan-Schmid, & Sara Houston; 40. Philosophy on Stage Arno Böhler & Suzanne Granzer; 41. Pas de Deux: Écriture Féminine Performative Tina Chanter & Tawny Andersen; 42. Onanism, Handjobs, Smut: Performances of Self-valorization Fumi Okiji; 43. Explosions of 'Creative Indifference'. Salomo Friedlaender, Sun Ra, Serendipity and the Idea of a 'Heliocentre' Alice Lagaay in conversation with Hartmut Geerken; 44. In the Making -- an incomplete consideration of the first decade of Every house has a door 2008 to 2018 as performance philosophy Will Daddario, Matthew Goulish & Lin Hixson; 45. Blackout: thinking with darkness Tru Paraha & Theron Schmidt; Index |
Record Nr. | UNINA-9910831845303321 |
Cull Ó Maoilearca Laura
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Taylor & Francis, 2020 | ||
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Lo trovi qui: Univ. Federico II | ||
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