Musik und Klangkultur. Women's Leadership in Music : Modes, Legacies, Alliances / / ed. by Linda Cimardi, Iva Nenic |
Edizione | [1st ed.] |
Pubbl/distr/stampa | Bielefeld : , : transcript Verlag, , [2023] |
Descrizione fisica | 1 online resource (258 p.) |
Collana | Musik und Klangkultur |
Soggetto topico | MUSIC / History & Criticism |
Soggetto non controllato |
Culture
Gender Studies Gender Leadership Music Management Music Musicology |
ISBN | 3-8394-6546-X |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Frontmatter -- Contents -- Introduction. Women’s Modes, Legacies and Futures in Music -- Uneven Terrains of Struggle: Towards the Transformative Notion of Female Music Leadership -- Between Home and International Scenes. Sarah Ndagire’s Way to World Music -- Plucking a Liberal Sound: Japanese Women’s Resignification of Finnish Kantele in a Hobbyist Club -- Female Balkan Romani Singers: Charting Innovative Performance Paths -- Assumptions of Normality: How Three Women with a Disability Changed the Face of Music -- Female Leadership in Iranian-Arab Shiʻa Rituals from Khorramshahr, South-western Iran -- God Has a Woman’s Voice. Liturgical Music and Agency of Eastern European Migrant Women in Rome -- Winds of Change? Gender Segregation in Music Education and Production in Italy -- Introducing WMLON: The Women’s Musical Leadership Online Network -- Women in Music: Possibilities and Responsibilities of Cultural Management and Policy -- Women’s Role in Sustaining the Practice of Tamburitza Instruments in Vojvodina -- Performing Trauma in Privileged Spaces: Empowering Turkish Women’s Voices of the Past -- Women’s Actions to Revitalize the Practice of Kaval Playing in Serbia -- Female Leadership in Serbian Metal Music. Frontwomen at the Crossroads of Visibility, Genre and Voice -- Female Agency, Genres and Aesthetics of Sorrow in Persian Classical Music -- “What Moves the World, Moves My Ass as Well”: Mimi Mercedez as an Anti-heroine of Postsocialist Serbia -- Notes on Contributors |
Record Nr. | UNISA-996517766803316 |
Bielefeld : , : transcript Verlag, , [2023] | ||
Materiale a stampa | ||
Lo trovi qui: Univ. di Salerno | ||
|
Musik und Klangkultur. Women's Leadership in Music : Modes, Legacies, Alliances / / ed. by Linda Cimardi, Iva Nenic |
Edizione | [1st ed.] |
Pubbl/distr/stampa | Bielefeld : , : transcript Verlag, , [2023] |
Descrizione fisica | 1 online resource (258 p.) |
Collana | Musik und Klangkultur |
Soggetto topico | MUSIC / History & Criticism |
Soggetto non controllato |
Culture
Gender Studies Gender Leadership Music Management Music Musicology |
ISBN | 3-8394-6546-X |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Frontmatter -- Contents -- Introduction. Women’s Modes, Legacies and Futures in Music -- Uneven Terrains of Struggle: Towards the Transformative Notion of Female Music Leadership -- Between Home and International Scenes. Sarah Ndagire’s Way to World Music -- Plucking a Liberal Sound: Japanese Women’s Resignification of Finnish Kantele in a Hobbyist Club -- Female Balkan Romani Singers: Charting Innovative Performance Paths -- Assumptions of Normality: How Three Women with a Disability Changed the Face of Music -- Female Leadership in Iranian-Arab Shiʻa Rituals from Khorramshahr, South-western Iran -- God Has a Woman’s Voice. Liturgical Music and Agency of Eastern European Migrant Women in Rome -- Winds of Change? Gender Segregation in Music Education and Production in Italy -- Introducing WMLON: The Women’s Musical Leadership Online Network -- Women in Music: Possibilities and Responsibilities of Cultural Management and Policy -- Women’s Role in Sustaining the Practice of Tamburitza Instruments in Vojvodina -- Performing Trauma in Privileged Spaces: Empowering Turkish Women’s Voices of the Past -- Women’s Actions to Revitalize the Practice of Kaval Playing in Serbia -- Female Leadership in Serbian Metal Music. Frontwomen at the Crossroads of Visibility, Genre and Voice -- Female Agency, Genres and Aesthetics of Sorrow in Persian Classical Music -- “What Moves the World, Moves My Ass as Well”: Mimi Mercedez as an Anti-heroine of Postsocialist Serbia -- Notes on Contributors |
Record Nr. | UNINA-9910683397303321 |
Bielefeld : , : transcript Verlag, , [2023] | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
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