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British realist theatre : the new wave in its context 1956-1965 / / Stephen Lacey
| British realist theatre : the new wave in its context 1956-1965 / / Stephen Lacey |
| Autore | Lacey Stephen <1952-, > |
| Pubbl/distr/stampa | London ; ; New York : , : Routledge, , 1995 |
| Descrizione fisica | 1 online resource (217 p.) |
| Disciplina | 792/.0941 |
| Soggetto topico |
English drama - 20th century - History and criticism
Theater - Great Britain - History - 20th century Realism in literature |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-134-89982-3
1-280-32620-4 0-203-18113-1 0-203-18062-3 0-415-24579-6 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Book Cover; Title; Contents; Acknowledgements; INTRODUCTION; REPRESENTING CONTEMPORARY BRITAIN: ANGER, AFFLUENCE AND HEGEMONY; Consensus and hegemony; 1953 and 1956: a comparison of two cultural moments; A contemporary theatre: looking back at 'Anger'; Contesting hegemony: theatre and anti-consensual politics; INSTITUTIONS AND AUDIENCES; Opening up the processes of theatrical production: the English Stage Company and Theatre Workshop; The New Wave and its audiences; The metropolitanising of culture; REALISM, CLASS AND CULTURE; Social realism, social extension and hegemony
The uses of culture: Working-Class Realism and social science'The worst social injustice since slavery': social realism and 'cultural deprivation'; 'An art that establishes values': Wesker's Roots and Chips with Everything; 'Only in her own home is she free': countering domestic consensus: A Taste of Honey and Each His Own Wilderness; 'BEYOND NATURALISM PURE': REALISM, NATURALISM AND THE NEW WAVE; Naturalism and realism; Reworking the realist tradition from within: The Entertainer, The Kitchen, Chips with Everything and The Quare Fellow; Naturalism and poetic realism at the Royal Court Realism against naturalism: the case of television REDEFINING REALISM; Popular theatre and libertarianism: the political aesthetic of John Arden; Theatre Workshop and the popular; Harold Pinter and social realism; The wastelands of affluence: Edward Bond's The Pope's Wedding and Saved; Brecht, history and realism; THE TWO NEW WAVES: REALISM IN THEATRE AND FILM; Play-to-film: the use of space in New Wave films; New Wave cinema and poetic realism; The changing context of social realism; The representation of women and gender relationships in New Wave films; IN CONCLUSION: THE 1960's NEW DEFINITIONS OF 'WHAT BRITAIN IS LIKE' Bibliography; Index |
| Record Nr. | UNINA-9910455128403321 |
Lacey Stephen <1952-, >
|
||
| London ; ; New York : , : Routledge, , 1995 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
British realist theatre : the new wave in its context 1956-1965 / / Stephen Lacey
| British realist theatre : the new wave in its context 1956-1965 / / Stephen Lacey |
| Autore | Lacey Stephen <1952-, > |
| Pubbl/distr/stampa | London ; ; New York : , : Routledge, , 1995 |
| Descrizione fisica | 1 online resource (217 p.) |
| Disciplina | 792/.0941 |
| Soggetto topico |
English drama - 20th century - History and criticism
Theater - Great Britain - History - 20th century Realism in literature |
| ISBN |
1-134-89981-5
1-134-89982-3 1-280-32620-4 0-203-18113-1 0-203-18062-3 0-415-24579-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Book Cover; Title; Contents; Acknowledgements; INTRODUCTION; REPRESENTING CONTEMPORARY BRITAIN: ANGER, AFFLUENCE AND HEGEMONY; Consensus and hegemony; 1953 and 1956: a comparison of two cultural moments; A contemporary theatre: looking back at 'Anger'; Contesting hegemony: theatre and anti-consensual politics; INSTITUTIONS AND AUDIENCES; Opening up the processes of theatrical production: the English Stage Company and Theatre Workshop; The New Wave and its audiences; The metropolitanising of culture; REALISM, CLASS AND CULTURE; Social realism, social extension and hegemony
The uses of culture: Working-Class Realism and social science'The worst social injustice since slavery': social realism and 'cultural deprivation'; 'An art that establishes values': Wesker's Roots and Chips with Everything; 'Only in her own home is she free': countering domestic consensus: A Taste of Honey and Each His Own Wilderness; 'BEYOND NATURALISM PURE': REALISM, NATURALISM AND THE NEW WAVE; Naturalism and realism; Reworking the realist tradition from within: The Entertainer, The Kitchen, Chips with Everything and The Quare Fellow; Naturalism and poetic realism at the Royal Court Realism against naturalism: the case of television REDEFINING REALISM; Popular theatre and libertarianism: the political aesthetic of John Arden; Theatre Workshop and the popular; Harold Pinter and social realism; The wastelands of affluence: Edward Bond's The Pope's Wedding and Saved; Brecht, history and realism; THE TWO NEW WAVES: REALISM IN THEATRE AND FILM; Play-to-film: the use of space in New Wave films; New Wave cinema and poetic realism; The changing context of social realism; The representation of women and gender relationships in New Wave films; IN CONCLUSION: THE 1960's NEW DEFINITIONS OF 'WHAT BRITAIN IS LIKE' Bibliography; Index |
| Record Nr. | UNINA-9910778878703321 |
|
Lacey Stephen <1952-, >
|
||
| London ; ; New York : , : Routledge, , 1995 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
British realist theatre : the new wave in its context 1956-1965 / / Stephen Lacey
| British realist theatre : the new wave in its context 1956-1965 / / Stephen Lacey |
| Autore | Lacey Stephen <1952-, > |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | London ; ; New York : , : Routledge, , 1995 |
| Descrizione fisica | 1 online resource (217 p.) |
| Disciplina | 792/.0941 |
| Soggetto topico |
English drama - 20th century - History and criticism
Theater - Great Britain - History - 20th century Realism in literature |
| ISBN |
1-134-89981-5
1-134-89982-3 1-280-32620-4 0-203-18113-1 0-203-18062-3 0-415-24579-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Book Cover; Title; Contents; Acknowledgements; INTRODUCTION; REPRESENTING CONTEMPORARY BRITAIN: ANGER, AFFLUENCE AND HEGEMONY; Consensus and hegemony; 1953 and 1956: a comparison of two cultural moments; A contemporary theatre: looking back at 'Anger'; Contesting hegemony: theatre and anti-consensual politics; INSTITUTIONS AND AUDIENCES; Opening up the processes of theatrical production: the English Stage Company and Theatre Workshop; The New Wave and its audiences; The metropolitanising of culture; REALISM, CLASS AND CULTURE; Social realism, social extension and hegemony
The uses of culture: Working-Class Realism and social science'The worst social injustice since slavery': social realism and 'cultural deprivation'; 'An art that establishes values': Wesker's Roots and Chips with Everything; 'Only in her own home is she free': countering domestic consensus: A Taste of Honey and Each His Own Wilderness; 'BEYOND NATURALISM PURE': REALISM, NATURALISM AND THE NEW WAVE; Naturalism and realism; Reworking the realist tradition from within: The Entertainer, The Kitchen, Chips with Everything and The Quare Fellow; Naturalism and poetic realism at the Royal Court Realism against naturalism: the case of television REDEFINING REALISM; Popular theatre and libertarianism: the political aesthetic of John Arden; Theatre Workshop and the popular; Harold Pinter and social realism; The wastelands of affluence: Edward Bond's The Pope's Wedding and Saved; Brecht, history and realism; THE TWO NEW WAVES: REALISM IN THEATRE AND FILM; Play-to-film: the use of space in New Wave films; New Wave cinema and poetic realism; The changing context of social realism; The representation of women and gender relationships in New Wave films; IN CONCLUSION: THE 1960's NEW DEFINITIONS OF 'WHAT BRITAIN IS LIKE' Bibliography; Index |
| Record Nr. | UNINA-9910827486803321 |
|
Lacey Stephen <1952-, >
|
||
| London ; ; New York : , : Routledge, , 1995 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||