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A history of modern drama . Volume II 1960-2000 / / David Krasner
| A history of modern drama . Volume II 1960-2000 / / David Krasner |
| Autore | Krasner David |
| Pubbl/distr/stampa | Chichester, England : , : Wiley Blackwell, , 2016 |
| Descrizione fisica | 1 online resource (560 p.) |
| Disciplina | 809.2 |
| Soggetto topico | Drama - History and criticism |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-118-89320-4
1-118-89327-1 1-118-89325-5 1-118-89324-7 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Title Page; Table of Contents; Preface and Acknowledgments; Acknowledgments; Part I: Introduction; Chapter 1: Strangers More than Ever; The Critical Divide: Defining Modernism and Postmodernism; Constituents of Postmodernism; Marat/Sade; The America Play; Part II: United Kingdom and Ireland; Chapter 2: Jewish Oedipus, Jewish Ethics; Homecoming and the Unheimisch; The Ethics of Betrayal; Chapter 3: Tom Stoppard and the Limits of Empiricism; Tom Stoppard and British Empiricism; What Exactly Is the Experience of Death?; What Exactly Is the Experience of Art and Socialism?
The Real Thing: What Really Is Real Love?Arcadia: What Is the Experience of a "Carnal Embrace?"; Chapter 4: Caryl Churchill, Monetarism, and the Feminist Dilemma; Chapter 5: "Can't Buy Me Love"; Edward Bond: Postmodern Violence and Postmodern Calm; Lear; "You can't always get what you want": David Hare and Sold-out Cynicism of Abundance; Men at Work and Play: David Storey and Trevor Griffith; British Nationalism and Colonialism on the Island of Australia; Joe Orton: Finding Winston Churchill's Private Parts; Chapter 6: Between Past and Present; Dancing in the Middle Ground Part III: United StatesChapter 7: "Participate, I suppose"; Mourning in the Postmodern Age; The Specter of Death in Who's Afraid of Virginia Wolf?; Three Tall Women; Chapter 8: "Ask a Criminal"; Business Is Business: American Buffalo and Glengarry Glen Ross; Finding the Truth in True West and Fool for Love; Academia as a Battleground in Oleanna; Mamet, Shepard, and the "New Man"; Chapter 9: Modern Drama, Modern Feminism, and Postmodern Motherhood; Uncommon Women; The Unforgiving Mirror of 'night, Mother; Stuck in the Mud; How I Learned to Drive Chapter 10: History, Reinvention, and DialecticsFences; The Piano as Dialectic; Wilson's Motifs; Chapter 11: Tony Kushner's Angels in America; Part IV: Western and Eastern Europe; Chapter 12: Post-War, Cold War, and Post-Cold War; Franz Xaver Kroetz and the Postmodern Breakdown of Language; Heiner Müller and Postmodern Inundation; Dasein in Peter Handke and Botho Strauß; Chapter 13: Eastern Europe, Totalitarianism, and the Wooden Words; Tadeusz Kantor: Theatre of Dematerialization; Dario Fo: Comic Reason and Farceur Extraordinaire; Václav Havel and the Language of Circumlocution Part V: Postcolonial DramaChapter 14: The Fragmentation of the Self in Postcolonial Drama; Chapter 15: Africa: Wole Soyinka, Athol Fugard, and Christina Ama Ata Aidoo; Memory and Forgetfulness: Wole Soyinka's Death and the King's Horseman; What's in a Name: Athol Fugard's Sizwe Banzi Is Dead; Women's Identity in Aidoo's Anowa; Chapter 16: Central and South America: Carlos Fuentes and Derek Walcott; Memories and Demi-Gods: Carlos Fuentes's Orchards in the Moonlight; Derek Walcott and the Hybridity of Colonialization Chapter 17: Asia and the Middle East: Yukio Mishima, Gao Xingjian, Girish Karnad, Hanoch Levin, and SaaDallah Wannous |
| Record Nr. | UNINA-9910134801903321 |
Krasner David
|
||
| Chichester, England : , : Wiley Blackwell, , 2016 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
A history of modern drama . Volume II 1960-2000 / / David Krasner
| A history of modern drama . Volume II 1960-2000 / / David Krasner |
| Autore | Krasner David |
| Pubbl/distr/stampa | Chichester, England : , : Wiley Blackwell, , 2016 |
| Descrizione fisica | 1 online resource (560 p.) |
| Disciplina | 809.2 |
| Soggetto topico | Drama - History and criticism |
| ISBN |
1-118-89320-4
1-118-89327-1 1-118-89325-5 1-118-89324-7 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Title Page; Table of Contents; Preface and Acknowledgments; Acknowledgments; Part I: Introduction; Chapter 1: Strangers More than Ever; The Critical Divide: Defining Modernism and Postmodernism; Constituents of Postmodernism; Marat/Sade; The America Play; Part II: United Kingdom and Ireland; Chapter 2: Jewish Oedipus, Jewish Ethics; Homecoming and the Unheimisch; The Ethics of Betrayal; Chapter 3: Tom Stoppard and the Limits of Empiricism; Tom Stoppard and British Empiricism; What Exactly Is the Experience of Death?; What Exactly Is the Experience of Art and Socialism?
The Real Thing: What Really Is Real Love?Arcadia: What Is the Experience of a "Carnal Embrace?"; Chapter 4: Caryl Churchill, Monetarism, and the Feminist Dilemma; Chapter 5: "Can't Buy Me Love"; Edward Bond: Postmodern Violence and Postmodern Calm; Lear; "You can't always get what you want": David Hare and Sold-out Cynicism of Abundance; Men at Work and Play: David Storey and Trevor Griffith; British Nationalism and Colonialism on the Island of Australia; Joe Orton: Finding Winston Churchill's Private Parts; Chapter 6: Between Past and Present; Dancing in the Middle Ground Part III: United StatesChapter 7: "Participate, I suppose"; Mourning in the Postmodern Age; The Specter of Death in Who's Afraid of Virginia Wolf?; Three Tall Women; Chapter 8: "Ask a Criminal"; Business Is Business: American Buffalo and Glengarry Glen Ross; Finding the Truth in True West and Fool for Love; Academia as a Battleground in Oleanna; Mamet, Shepard, and the "New Man"; Chapter 9: Modern Drama, Modern Feminism, and Postmodern Motherhood; Uncommon Women; The Unforgiving Mirror of 'night, Mother; Stuck in the Mud; How I Learned to Drive Chapter 10: History, Reinvention, and DialecticsFences; The Piano as Dialectic; Wilson's Motifs; Chapter 11: Tony Kushner's Angels in America; Part IV: Western and Eastern Europe; Chapter 12: Post-War, Cold War, and Post-Cold War; Franz Xaver Kroetz and the Postmodern Breakdown of Language; Heiner Müller and Postmodern Inundation; Dasein in Peter Handke and Botho Strauß; Chapter 13: Eastern Europe, Totalitarianism, and the Wooden Words; Tadeusz Kantor: Theatre of Dematerialization; Dario Fo: Comic Reason and Farceur Extraordinaire; Václav Havel and the Language of Circumlocution Part V: Postcolonial DramaChapter 14: The Fragmentation of the Self in Postcolonial Drama; Chapter 15: Africa: Wole Soyinka, Athol Fugard, and Christina Ama Ata Aidoo; Memory and Forgetfulness: Wole Soyinka's Death and the King's Horseman; What's in a Name: Athol Fugard's Sizwe Banzi Is Dead; Women's Identity in Aidoo's Anowa; Chapter 16: Central and South America: Carlos Fuentes and Derek Walcott; Memories and Demi-Gods: Carlos Fuentes's Orchards in the Moonlight; Derek Walcott and the Hybridity of Colonialization Chapter 17: Asia and the Middle East: Yukio Mishima, Gao Xingjian, Girish Karnad, Hanoch Levin, and SaaDallah Wannous |
| Record Nr. | UNINA-9910830999603321 |
|
Krasner David
|
||
| Chichester, England : , : Wiley Blackwell, , 2016 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
A History of Modern Drama [[electronic resource]]
| A History of Modern Drama [[electronic resource]] |
| Autore | Krasner David |
| Pubbl/distr/stampa | Hoboken, : Wiley, 2011 |
| Descrizione fisica | 1 online resource (415 p.) |
| Disciplina | 809.2 |
| Soggetto topico |
Drama - History and criticism
Drama -- History and criticism Drama LITERARY CRITICISM / General Music, Dance, Drama & Film |
| ISBN |
1-283-26835-3
9786613268358 1-4443-4373-4 |
| Classificazione | LIT000000 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
A History of Modern Drama; Contents; Preface and Acknowledgements; Chapter 1 Introduction; Part I: Trauma Drama; Chapter 2 The Price of Freedom; Chapter 3 Unhinged Subjectivity; Chapter 4 Aboulia; Part II: Modernist Beginnings; Chapter 5 Rising Symbolism; Chapter 6 Rising Expressionism; Part III: Realism; Chapter 7 Rural Realism; Chapter 8 Urban Realism; Chapter 9 Optimistic Passion; Chapter 10 The Campaign Against Earnestness; Part IV: Dissociated Sensibility; Chapter 11 Distorted Modernism; Chapter 12 Lyrical Modernism; Chapter 13 Sentimental Modernism; Part V: Avant Garde
Chapter 14 Eros and ThanatosChapter 15 Robots and Automatons; Chapter 16 Farce and Parody; Part VI: Epic Modernism; Chapter 17 Gaming the System; Part VII: The Divided Self of American Drama; Chapter 18 Illusions; Chapter 19 Delusions; Chapter 20 Dreams; Chapter 21 Gender; Chapter 22 Race; Part VIII: Hell Is Other People; Chapter 23 The Farce of Intimacy; Chapter 24 The Tragedy of Intimacy; Part IX: Modernist Improvising; Chapter 25 Beckett Impromptu; Part X: Conclusion; Notes; Index |
| Record Nr. | UNINA-9910139580303321 |
|
Krasner David
|
||
| Hoboken, : Wiley, 2011 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
A History of Modern Drama
| A History of Modern Drama |
| Autore | Krasner David |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Hoboken, : Wiley, 2011 |
| Descrizione fisica | 1 online resource (415 p.) |
| Disciplina | 809.2 |
| Soggetto topico |
Drama - History and criticism
Drama -- History and criticism Drama LITERARY CRITICISM / General Music, Dance, Drama & Film |
| ISBN |
1-283-26835-3
9786613268358 1-4443-4373-4 |
| Classificazione | LIT000000 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
A History of Modern Drama; Contents; Preface and Acknowledgements; Chapter 1 Introduction; Part I: Trauma Drama; Chapter 2 The Price of Freedom; Chapter 3 Unhinged Subjectivity; Chapter 4 Aboulia; Part II: Modernist Beginnings; Chapter 5 Rising Symbolism; Chapter 6 Rising Expressionism; Part III: Realism; Chapter 7 Rural Realism; Chapter 8 Urban Realism; Chapter 9 Optimistic Passion; Chapter 10 The Campaign Against Earnestness; Part IV: Dissociated Sensibility; Chapter 11 Distorted Modernism; Chapter 12 Lyrical Modernism; Chapter 13 Sentimental Modernism; Part V: Avant Garde
Chapter 14 Eros and ThanatosChapter 15 Robots and Automatons; Chapter 16 Farce and Parody; Part VI: Epic Modernism; Chapter 17 Gaming the System; Part VII: The Divided Self of American Drama; Chapter 18 Illusions; Chapter 19 Delusions; Chapter 20 Dreams; Chapter 21 Gender; Chapter 22 Race; Part VIII: Hell Is Other People; Chapter 23 The Farce of Intimacy; Chapter 24 The Tragedy of Intimacy; Part IX: Modernist Improvising; Chapter 25 Beckett Impromptu; Part X: Conclusion; Notes; Index |
| Record Nr. | UNINA-9910806139603321 |
|
Krasner David
|
||
| Hoboken, : Wiley, 2011 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Staging Philosophy [[electronic resource] ] : Intersections of Theater, Performance, and Philosophy
| Staging Philosophy [[electronic resource] ] : Intersections of Theater, Performance, and Philosophy |
| Autore | Krasner David |
| Pubbl/distr/stampa | Ann Arbor, : University of Michigan Press, 2010 |
| Descrizione fisica | 1 online resource (343 p.) |
| Disciplina | 791.01 |
| Altri autori (Persone) | SaltzDavid Z |
| Collana | Theater: Theory/Text/Performance |
| Soggetto topico |
Performing arts -- Philosophy
Performing arts -- Social aspects Performing arts - Social aspects Performing arts - Philosophy Literature - General Languages & Literatures |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-282-59754-X
9786612597541 0-472-02514-7 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Contents; David Krasner and David Z. Saltz, Introduction; PART I: History and Method; One: Julia A. Walker, The Text/Performance Split across the Analytic/Continental Divide; Two: Martin Puchner, Kenneth Burke: Theater, Philosophy, and the Limits of Performance; Three: Tobin Nellhaus, Critical Realism and Performance Strategies; PART II: Presence; Four: Philip Auslander, Humanoid Boogie: Reflections on Robotic Performance; Five: Noël Carroll, Philosophy and Drama: Performance, Interpretation, and Intentionality; Six: Suzanne M. Jaeger, Embodiment and Presence: The Ontology of Presence Recon
Seven: Jon Erickson, PresenceEight: Robert P. Crease and John Lutterbie, Technique; Nine: Alice Rayner, Presenting Objects, Presenting Things; PART III: Reception; Ten: David Z. Saltz, Infiction and Outfiction: The Role of Fiction in Theatrical Performance; Eleven: James R. Hamilton, Understanding Plays; Twelve: Bence Nanay, Perception, Action, and Identification in the Theater; Thirteen: David Krasner, Empathy and Theater; Fourteen: Mike Sell, The Voice of Blackness: The Black Arts Movement and Logocentrism; Fifteen: Michael L. Quinn, Theatricality, Convention, and the Principle of Charity ContributorsIndex |
| Record Nr. | UNINA-9910455582503321 |
|
Krasner David
|
||
| Ann Arbor, : University of Michigan Press, 2010 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Staging Philosophy [[electronic resource] ] : Intersections of Theater, Performance, and Philosophy
| Staging Philosophy [[electronic resource] ] : Intersections of Theater, Performance, and Philosophy |
| Autore | Krasner David |
| Pubbl/distr/stampa | Ann Arbor, : University of Michigan Press, 2010 |
| Descrizione fisica | 1 online resource (343 p.) |
| Disciplina | 791.01 |
| Altri autori (Persone) | SaltzDavid Z |
| Collana | Theater: Theory/Text/Performance |
| Soggetto topico |
Performing arts -- Philosophy
Performing arts -- Social aspects Performing arts - Social aspects Performing arts - Philosophy Literature - General Languages & Literatures |
| ISBN |
1-282-59754-X
9786612597541 0-472-02514-7 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Contents; David Krasner and David Z. Saltz, Introduction; PART I: History and Method; One: Julia A. Walker, The Text/Performance Split across the Analytic/Continental Divide; Two: Martin Puchner, Kenneth Burke: Theater, Philosophy, and the Limits of Performance; Three: Tobin Nellhaus, Critical Realism and Performance Strategies; PART II: Presence; Four: Philip Auslander, Humanoid Boogie: Reflections on Robotic Performance; Five: Noël Carroll, Philosophy and Drama: Performance, Interpretation, and Intentionality; Six: Suzanne M. Jaeger, Embodiment and Presence: The Ontology of Presence Recon
Seven: Jon Erickson, PresenceEight: Robert P. Crease and John Lutterbie, Technique; Nine: Alice Rayner, Presenting Objects, Presenting Things; PART III: Reception; Ten: David Z. Saltz, Infiction and Outfiction: The Role of Fiction in Theatrical Performance; Eleven: James R. Hamilton, Understanding Plays; Twelve: Bence Nanay, Perception, Action, and Identification in the Theater; Thirteen: David Krasner, Empathy and Theater; Fourteen: Mike Sell, The Voice of Blackness: The Black Arts Movement and Logocentrism; Fifteen: Michael L. Quinn, Theatricality, Convention, and the Principle of Charity ContributorsIndex |
| Record Nr. | UNINA-9910780701503321 |
|
Krasner David
|
||
| Ann Arbor, : University of Michigan Press, 2010 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||