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Educating for Creativity within Higher Education : Integration of Research into Media Practice / / by Phillip McIntyre, Janet Fulton, Elizabeth Paton, Susan Kerrigan, Michael Meany
| Educating for Creativity within Higher Education : Integration of Research into Media Practice / / by Phillip McIntyre, Janet Fulton, Elizabeth Paton, Susan Kerrigan, Michael Meany |
| Autore | McIntyre Phillip |
| Edizione | [1st ed. 2018.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2018 |
| Descrizione fisica | 1 online resource (254 pages) |
| Disciplina | 153.35 |
| Collana | Creativity, Education and the Arts |
| Soggetto topico |
Education, Higher
Art - Study and teaching Educational technology Learning, Psychology of Higher Education Creativity and Arts Education Digital Education and Educational Technology Instructional Psychology |
| ISBN |
9783319906744
3319906747 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Chapter 1. Setting the Scene -- Chapter 2. Deep Background to the Project -- Chapter 3. The Evolution of a Psychology of Creativity -- Chapter 4. Towards a Sociology of Creativity -- Chapter 5. Confluence Approaches and the Systems Model of Creativity -- Chapter 6. Creativity, Education and the Systems Approach -- Chapter 7. Developing Curriculum and Courses Using Systems Centred Learning (SCL) -- Chapter 8. The Undergraduate Experience of SCL: The Core and the Media Production Major -- Chapter 9. The Media Production Project: Integrating Theory with Practice -- Chapter 10. Adapting Systems Centred Learning for Other Institutional Settings -- Chapter 11. Creativity and the Postgraduate Experience -- Chapter 12. Implications of a Systems Centred Learning Approach. |
| Record Nr. | UNINA-9910299517503321 |
McIntyre Phillip
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| Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2018 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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The Palgrave Handbook of Screen Production / / edited by Craig Batty, Marsha Berry, Kath Dooley, Bettina Frankham, Susan Kerrigan
| The Palgrave Handbook of Screen Production / / edited by Craig Batty, Marsha Berry, Kath Dooley, Bettina Frankham, Susan Kerrigan |
| Edizione | [1st ed. 2019.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2019 |
| Descrizione fisica | 1 online resource (500 pages) |
| Disciplina | 791.430232 |
| Soggetto topico |
Motion pictures - Production and direction
Motion picture authorship Motion picture industry Television broadcasting Film and Television Production Screenwriting Film and Television Industry |
| ISBN |
9783030217440
3030217442 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Part 1: Conceptualising the screen work: ideas, intentions, contexts -- Chapter 1 Creative filmmaking processes, procedures and practices: Embodied and internalised filmmaking agency -- Chapter 2 Commission, position and production: Intent and intervention in minority language programmes -- Chapter 3 Having something to say and saying it well -- Chapter 4 Understanding the underlying principles of the short film -- Chapter 5 Two screenplays, one writer, national voice -- Chapter 6 Off screen: Re-imagining animation -- Chapter 7 The Dr Egg Adventures: Incorporating user-generated content and user-testing strategies in pre-production conceptualization and development of a multi-platform storyworld -- Chapter 8 Taking place, screening place: Studying locations in television drama production -- Chapter 9 Wayfaring, co-presence and mobility: Conceptualising and re-conceptualising with smartphones -- Part 2:Developing the screen work: collaboration, imagination, distillation -- Chapter 10 Writing bodies: developing and scripting an embodied feature film screenplay -- Chapter 11 Putting theory into practice: Structuring the personal essay documentary, The Silences -- Chapter 12 Work-in-progress: The Writing of Shortchanged -- Chapter 13 Developing Baxter and Me: Maintaining authorial voice against industry pressures -- Chapter 14 Writers, producers and creative entrepreneurship in web series development -- Chapter 15 Local content producers: Co-creating communal stories and community in the Big Stories, Small Towns participatory documentary project -- Part 3: Realising the screen work: practice, process, pragmatism -- Chapter 16 Creative Practice: A Love Story -- Chapter 17 Creating and designing the contemporary soundtrack: A case study -- Chapter 18 The (braided) documentary voice: theorising the complexities of documentary making -- Chapter 19 Editing the observed: Evaluation and value creation processes in the editing of a feature documentary film -- Chapter 20 The beginning of a beautiful relationship: A case study exploration of collaborative creative practice -- Chapter 21 “Make it in post”: Digital visual effects and the temporality of creative value in post-production -- Chapter 22 Trapped: A case study of international co-production -- Chapter 23 Production practices in the filming of German scripted reality shows -- Chapter 24 Embracing the TV commercial: Charms and challenges of selling on screen -- Part 4: Exhibiting the screen work: places, spaces, ecologies -- Chapter 25 Producing the other in international film festivals: Festival fund, address and the making of authenticity in Gabriel Mascaro’s Neon Bull -- Chapter 26 The Live Cinema paradox: Continuity and innovation in live film broadcast, exhibition, and production -- Chapter 27 Digital disruption and innovation in distribution: Opportunities for research-based filmmaking in the new global screen ecology -- Chapter 28 Dispositifs at play: Artists’ moving image in the gallery -- Chapter 29 Mobile reception: Materiality and locality with small screens -- Chapter 30 Appeasing the trolls: Contextualising new screen practices with smartphones -- Part 5: Teaching the screen work: pedagogies, practices, approaches -- Chapter 31 There is no ‘e’ in ‘constraints’: Teaching creativity in Higher Education screen production -- Chapter 32 “Is this degree practical or theoretical?” Screen and media education, studio-based teaching and signature pedagogies -- Chapter 33 Teaching screen arts in Australia: Challenges, opportunities and current trends -- Chapter 34 VR and screen education: An approach to assist student understanding of narrative emphasis, spatiality and structural elements within narrative VR -- Chapter 35 Teaching screenwriting through script development: Looking beyond the screenplay. |
| Record Nr. | UNINA-9910484669503321 |
| Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2019 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Screen Production Research : Creative Practice as a Mode of Enquiry / / edited by Craig Batty, Susan Kerrigan
| Screen Production Research : Creative Practice as a Mode of Enquiry / / edited by Craig Batty, Susan Kerrigan |
| Edizione | [1st ed. 2018.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2018 |
| Descrizione fisica | 1 online resource (XXVI, 253 pages) : illustrations (some colour) |
| Disciplina | 791.430230711 |
| Soggetto topico |
Motion pictures - Production and direction
Sociology - Methodology Digital media Motion picture authorship Documentary films Film and Television Production Sociological Methods Digital and New Media Screenwriting Documentary Studies |
| ISBN |
9783319628370
3319628372 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1. Introduction -- 2. A 'Logical' Explanation of Screen Production as Method-Led Research - Susan Kerrigan -- 3. Lights, Camera, Research: The Specificity of Research in Screen Production - Leo Berkeley -- 4. The Primacy of Practice: Establishing the Terms of Reference of Creative Arts and Media Research - Desmond Bell -- 5. Screenwriting as a Mode of Research, and the Screenplay as a Research Artefact - Craig Batty and Dallas J Baker -- 6. Using Practitioner Based Enquiry (PBE) to Examine Screen Production as a Form of Creative Practice - Phillip McIntyre -- 7. Ethnography and Screen Production Research - Marsha Berry -- 8. Method in Madness: a Case Study in Practice Research Methods - Erik Knudsen -- 9. Cinematography: Practice as Research, Research into Practice - Cathy Greenhalgh -- 10. Practices of Making as Forms of Knowledge: Creative Practice Research as a Mode of Documentary-making in Northeast India - Aparna Sharma -- 11. Fragments, Form and Photogénie: Using Practice to Research the Intersectional Work of Poetic Documentary - Bettina Frankham -- 12. Peter Kennedy's The Photographs' Story: the Dialectical Image as Research - John Hughes -- 13. The Naïve Researcher, Resisting Methodology: a PhD Experience - Smiljana Glisovic -- 14. Afterword: Tacit Knowledge and Affect - Soft Ethnography and Shared Domains Belinda Middleweek and John Tulloch. . |
| Record Nr. | UNINA-9910300005303321 |
| Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2018 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||