Performing hybridity [[electronic resource] /] / May Joseph, Jennifer Natalya Fink, editors |
Pubbl/distr/stampa | Minneapolis, : University of Minnesota Press, c1999 |
Descrizione fisica | 1 online resource (267 p.) |
Disciplina | 700/.1/03 |
Altri autori (Persone) |
JosephMay
FinkJennifer |
Soggetto topico |
Cultural fusion and the arts
Performing arts |
Soggetto genere / forma | Electronic books. |
ISBN | 0-8166-8845-1 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Contents; Acknowledgments; Introduction: New Hybrid Identities and Performance; Part I: Transnational Hybridities; Three Poems on the Poverty of History; Culture and the Global Economy; A Blast from the Past; Palimpsestic Aesthetics: A Meditation on Hybridity and Garbage; The Daughters of Gandhi: Africanness, Indianness, and Brazilianness in the Bahian Carnival; Floating Signification: Carnivals and the Transgressive Performance of Hybridity; Hybridity and Other Poems; The Autoethnographic Performance: Reading Richard Fung's Queer Hybridity
Taboo Memories and Diasporic Visions: Columbus, Palestine, and Arab-JewsPart II: Urban Hybridities; The Anatomy Contraption; From Pastiche to Macaroni; Afro-Kitsch; ""Barricades of Ideas"": Latino Culture, Site-Specific Installation, and the U.S. Art Museum; Lincoln Highway; Hybrid Genres, Performed Subjectivities: The Revoicing of Public Oratory in the Moroccan Marketplace; Bridge and One: Improvisations of the Public Sphere; Conclusion. Pushing through the Surface: Notes on Hybridity and Writing; Contributors; Permissions |
Record Nr. | UNINA-9910457404303321 |
Minneapolis, : University of Minnesota Press, c1999 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Performing hybridity / / May Joseph, Jennifer Natalya Fink, editors |
Pubbl/distr/stampa | Minneapolis : , : University of Minnesota Press, , 1999 |
Descrizione fisica | 1 online resource (vii, 258 pages) : illustrations |
Disciplina | 700/.1/03 |
Altri autori (Persone) |
JosephMay
FinkJennifer |
Soggetto topico |
Cultural fusion and the arts
Performing arts |
ISBN | 0-8166-8845-1 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Contents; Acknowledgments; Introduction: New Hybrid Identities and Performance; Part I: Transnational Hybridities; Three Poems on the Poverty of History; Culture and the Global Economy; A Blast from the Past; Palimpsestic Aesthetics: A Meditation on Hybridity and Garbage; The Daughters of Gandhi: Africanness, Indianness, and Brazilianness in the Bahian Carnival; Floating Signification: Carnivals and the Transgressive Performance of Hybridity; Hybridity and Other Poems; The Autoethnographic Performance: Reading Richard Fung's Queer Hybridity
Taboo Memories and Diasporic Visions: Columbus, Palestine, and Arab-Jews; Part II: Urban Hybridities; The Anatomy Contraption; From Pastiche to Macaroni; Afro-Kitsch; ""Barricades of Ideas"": Latino Culture, Site-Specific Installation, and the U.S. Art Museum; Lincoln Highway; Hybrid Genres, Performed Subjectivities: The Revoicing of Public Oratory in the Moroccan Marketplace; Bridge and One: Improvisations of the Public Sphere; Conclusion. Pushing through the Surface: Notes on Hybridity and Writing; Contributors; Permissions |
Record Nr. | UNINA-9910784105803321 |
Minneapolis : , : University of Minnesota Press, , 1999 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Performing hybridity / / May Joseph, Jennifer Natalya Fink, editors |
Edizione | [1st ed.] |
Pubbl/distr/stampa | Minneapolis, : University of Minnesota Press, c1999 |
Descrizione fisica | 1 online resource (vii, 258 pages) : illustrations |
Disciplina | 700/.1/03 |
Altri autori (Persone) |
JosephMay
FinkJennifer |
Soggetto topico |
Cultural fusion and the arts
Performing arts |
ISBN | 0-8166-8845-1 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Contents; Acknowledgments; Introduction: New Hybrid Identities and Performance; Part I: Transnational Hybridities; Three Poems on the Poverty of History; Culture and the Global Economy; A Blast from the Past; Palimpsestic Aesthetics: A Meditation on Hybridity and Garbage; The Daughters of Gandhi: Africanness, Indianness, and Brazilianness in the Bahian Carnival; Floating Signification: Carnivals and the Transgressive Performance of Hybridity; Hybridity and Other Poems; The Autoethnographic Performance: Reading Richard Fung's Queer Hybridity
Taboo Memories and Diasporic Visions: Columbus, Palestine, and Arab-Jews; Part II: Urban Hybridities; The Anatomy Contraption; From Pastiche to Macaroni; Afro-Kitsch; ""Barricades of Ideas"": Latino Culture, Site-Specific Installation, and the U.S. Art Museum; Lincoln Highway; Hybrid Genres, Performed Subjectivities: The Revoicing of Public Oratory in the Moroccan Marketplace; Bridge and One: Improvisations of the Public Sphere; Conclusion. Pushing through the Surface: Notes on Hybridity and Writing; Contributors; Permissions |
Record Nr. | UNINA-9910819564103321 |
Minneapolis, : University of Minnesota Press, c1999 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|