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A Companion to Contemporary Art in a Global Framework
| A Companion to Contemporary Art in a Global Framework |
| Autore | Davidson Jane Chin |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | John Wiley & Sons, Inc, 2023 |
| Descrizione fisica | 1 online resource (589 pages) |
| Disciplina | 709.048 |
| Altri autori (Persone) |
JonesAmelia
ArnoldDana |
| Collana | Blackwell Companions to Art History Series |
| ISBN |
111984181X
1-119-84180-1 1-119-84181-X 1-119-84179-8 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Intro -- A Companion to Contemporary Art in a Global Framework -- Contents -- List of Illustrations -- Series Editor's Preface -- About the Editors -- Notes on Contributors -- Editors' Acknowledgments -- Introduction: The Eurocentrism of Contemporary Art, Staging the Project -- Part I Decades -- 1980-1990 -- 1 I Live in the Fourth Dimension When I Create Landscapes: Artist Statement -- 2 Seeing Beyond East/West Divides: Contemporary Art in and Around 1980s China -- 1990-2000 -- 3 Is There a Line that Connects All Things? Artist Statement -- 4 Why Contemporary Art Is Post-Soviet -- 2000-2010 -- 5 Art and Politics: Artist Statement -- 6 Māori and Pacific Art at the Turn of a New Millennium -- 2010-2020 -- 7 Art for Abolition: Artist Statement -- 8 Situating African Diasporic Art -- Part II Themes -- Institutions/Ontology -- 9 COLONIALISM "The Whole World in his Hands": A Decolonial Approach to European Concepts of Art -- 10 PEDAGOGY The Blank Canvas and Other Myths -- 11 CRAFT Craft and the Making of "Global" Contemporary Art -- 12 PERFORMANCE Dreams and Visions in the Interval -- 13 EMBODIMENT/MATERIALITY Love Songs (to End Hetero-Patriarchal, Settler-Colonial, Extractivism) -- Politics/Public Sphere -- 14 REVOLUTION Revolution is a Circle -- 15 ART AND ITS MARKETPLACES It Was a Small World, After All -- 16 PUBLIC SPHERES The Politics of Public Space in Postrevolutionary Iran -- 17 (ANTI-)CAPITALISM The Imminent Promise and Fear of a Getaway Car -- 18 ENVIRONMENT Envisioning a More Just Future: Feminist Activist Art, Climate Change, and the Anthropocene -- Identity/Subjectivity -- 19 INDIGENEITY Global Futurisms: Prophetic Practices of Reclamation, Liberation, and Transcendence -- 20 DIASPORA Transnational Collectivities of Solidarity and Affect -- 21 GENDER/SEXUALITY Performing the Intersection: Camp and the "Cat Lady".
22 RACE/ETHNICITY Three Forms of Appropriation: Carrie Mae Weems, Glenn Ligon, and Nao Bustamante -- 23 DISABILITY Disability Justice, Community, and Performance -- Methods/Theories -- 24 POSTCOLONIAL/DECOLONIAL Post-/Anti-/Neo-/De- Colonial Theories and Visual Analysis -- 25 MARXISM/POST-MARXISM History, Marxism, Reality, and Utopia: The Bishan Project in China (2010-2016) -- 26 CRITICAL RACE THEORY "The Blast Work": Situating Critical Race Theory in Contemporary Art and Curatorial Practice -- 27 POSTSTRUCTURALISM/POSTMODERNISM/POSTCOLONIALISM Mapping Poststructuralism, Postmodernism, and Postcolonialism -- 28 GENDER/SEX THEORY Feminist/Queer/Trans Theory and Trans Embodied Methodologies in Contemporary Art: An Intergenerational Dialogue on the Page -- 29 PERFORMANCE THEORY The "Studies Protocols" of Performance Studies -- Technology/Media -- 30 INTERNET "Bias Is Not a Bug. It's a Feature": An Interview with Hito Steyerl on Representation in the Digital Age -- 31 SOCIAL MEDIA Why Is It So Hard to Look the Other in the Eye? The Selfie and its Discontents -- 32 ALGORITHM Algorithms in Global Art and Visual Culture -- Exhibition/Collecting/Archive -- 33 MUSEUM Time, Love, and the Museum -- 34 BIENNIAL/ART FAIR Biennial as a Discursive Political System for Contemporary Art -- 35 CURATING In Residence, Incarcerated Regina José Galindo's America's Family Prison -- 36 COLLECTING The World Should Collect Itself: Collecting Art Globally (and Other Predicaments) -- 37 ARCHIVE Ghosts in the Archive: Exorcism, Resurrection and the Possibilities of Repair -- Index -- EULA. |
| Record Nr. | UNINA-9910748401403321 |
Davidson Jane Chin
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| John Wiley & Sons, Inc, 2023 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Perform, repeat, record : live art in history / / edited by Amelia Jones and Adrian Heathfield ; cover designer, Holly Rose ; index, Lyn Greenwood
| Perform, repeat, record : live art in history / / edited by Amelia Jones and Adrian Heathfield ; cover designer, Holly Rose ; index, Lyn Greenwood |
| Pubbl/distr/stampa | Bristol, [England] ; ; Chicago, Illinois : , : Intellect, , 2012 |
| Descrizione fisica | 1 online resource (595 p.) |
| Disciplina | 791.4309 |
| Soggetto topico |
Motion pictures - History
Performance art - History Projection art - History |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-78320-437-0
1-78320-436-2 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Title Page; Copyright Page; Contents; Introductions; The Now and the Has Been: Paradoxes of Live Art in History; Then Again; Theories and Histories; Introduction; Chapter 1: The Performativity of Performance Documentation; Chapter 2: Dead Mannequin Walking: Fluxus and the Politics of Reception; Chapter 3: The Viral Ontology of Performance; Chapter 4: Can Photographs Make It So? Repeated Outbreaks of VALIE EXPORT 's Genital Panic Since 1969; Chapter 5: Macular Degeneration: Some Peculiar Aspects of Performance Art Documentation
Chapter 6: History and Precariousness: In Search of a Performative HistoriographyChapter 7: Performance Remains; Chapter 8: Not as Before, but Simply: Again; Chapter 9: The Prosthetic Present Tense: Documenting Chinese Time-based Art; Chapter 10: Progressive Striptease; Chapter 11: Repetition: A Skin which Unravels; Chapter 12: Art in the Age of Biopolitics: From Artwork to Art Documentation; Chapter 13: The Interstices of History; An Unofficial Timeline of Socialist and Post-Socialist Performance; Documents; Introduction; Chapter 14: A Text on 20 years with 66 footnotes Chapter 15: Faith Wilding, Waiting and Wait-WithChapter 16: Lynn Hershman and/as Roberta Breitmore; Chapter 17: We Are Formatted Memories; Chapter 18: Franko B and Kamal Ackarie, Don't Leave Me This Way; Chapter 19: Make Me Stop Smoking; Chapter 20: The Personal Evolution of the Performance Object (Or, What to Do with Leftovers); Chapter 21: Cai Yuan and J.J. Xi, Mad For Real; Chapter 22: Hayley Newman, MiniFlux; Chapter 23: Daniel Joseph Martinez, Call Me Ishmael or The Fully Enlightened Earth Radiates Disaster Triumphant; Chapter 24: Multiple Journeys: A Performance Chronology Chapter 25: Attending to Anthony McCall's Long Film For Ambient LightChapter 26: ReCut Project; Chapter 27: Assuming a Migrant Woman's Identity; Chapter 28: Barbara Smith, Intimations of Immortality; Chapter 29: Santiago Sierra and the "Contexts" of History; Chapter 30: Reconstruction2; Chapter 31: Documents of Chinese Time-based Art: Three Impressions from Three Fragments; Chapter 32: Both Sitting Duet and Cheap Lecture; Chapter 33: Aftermath: The Performance / Installation Nexus Timeline of Ideas: Live Art in (Art) History, A Primarily European-US-based Trajectory of Debates and Exhibitions Relating to Performance Documentation and Re-enactmentsDialogues; Introduction; Chapter 34: Interior Squirrel and the Vicissitudes of History; Chapter 35: I Just Go in Life; Chapter 36: The Maybe: Modes of Performance and the "Live"; Chapter 37: Photography as a Performative Act; Chapter 38: Do it Again, Do it Again (Turn Around, Go Back); Chapter 39: Touching Remains; Chapter 40: Perverse Martyrologies; Chapter 41: The Live Artist as Archaeologist Chapter 42: Every House Has a Door |
| Record Nr. | UNINA-9910458756303321 |
| Bristol, [England] ; ; Chicago, Illinois : , : Intellect, , 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Perform, repeat, record : live art in history / / edited by Amelia Jones and Adrian Heathfield ; cover designer, Holly Rose ; index, Lyn Greenwood
| Perform, repeat, record : live art in history / / edited by Amelia Jones and Adrian Heathfield ; cover designer, Holly Rose ; index, Lyn Greenwood |
| Pubbl/distr/stampa | Bristol, [England] ; ; Chicago, Illinois : , : Intellect, , 2012 |
| Descrizione fisica | 1 online resource (595 p.) |
| Disciplina | 791.4309 |
| Soggetto topico |
Motion pictures - History
Performance art - History Projection art - History |
| ISBN |
1-78320-437-0
1-78320-436-2 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Title Page; Copyright Page; Contents; Introductions; The Now and the Has Been: Paradoxes of Live Art in History; Then Again; Theories and Histories; Introduction; Chapter 1: The Performativity of Performance Documentation; Chapter 2: Dead Mannequin Walking: Fluxus and the Politics of Reception; Chapter 3: The Viral Ontology of Performance; Chapter 4: Can Photographs Make It So? Repeated Outbreaks of VALIE EXPORT 's Genital Panic Since 1969; Chapter 5: Macular Degeneration: Some Peculiar Aspects of Performance Art Documentation
Chapter 6: History and Precariousness: In Search of a Performative HistoriographyChapter 7: Performance Remains; Chapter 8: Not as Before, but Simply: Again; Chapter 9: The Prosthetic Present Tense: Documenting Chinese Time-based Art; Chapter 10: Progressive Striptease; Chapter 11: Repetition: A Skin which Unravels; Chapter 12: Art in the Age of Biopolitics: From Artwork to Art Documentation; Chapter 13: The Interstices of History; An Unofficial Timeline of Socialist and Post-Socialist Performance; Documents; Introduction; Chapter 14: A Text on 20 years with 66 footnotes Chapter 15: Faith Wilding, Waiting and Wait-WithChapter 16: Lynn Hershman and/as Roberta Breitmore; Chapter 17: We Are Formatted Memories; Chapter 18: Franko B and Kamal Ackarie, Don't Leave Me This Way; Chapter 19: Make Me Stop Smoking; Chapter 20: The Personal Evolution of the Performance Object (Or, What to Do with Leftovers); Chapter 21: Cai Yuan and J.J. Xi, Mad For Real; Chapter 22: Hayley Newman, MiniFlux; Chapter 23: Daniel Joseph Martinez, Call Me Ishmael or The Fully Enlightened Earth Radiates Disaster Triumphant; Chapter 24: Multiple Journeys: A Performance Chronology Chapter 25: Attending to Anthony McCall's Long Film For Ambient LightChapter 26: ReCut Project; Chapter 27: Assuming a Migrant Woman's Identity; Chapter 28: Barbara Smith, Intimations of Immortality; Chapter 29: Santiago Sierra and the "Contexts" of History; Chapter 30: Reconstruction2; Chapter 31: Documents of Chinese Time-based Art: Three Impressions from Three Fragments; Chapter 32: Both Sitting Duet and Cheap Lecture; Chapter 33: Aftermath: The Performance / Installation Nexus Timeline of Ideas: Live Art in (Art) History, A Primarily European-US-based Trajectory of Debates and Exhibitions Relating to Performance Documentation and Re-enactmentsDialogues; Introduction; Chapter 34: Interior Squirrel and the Vicissitudes of History; Chapter 35: I Just Go in Life; Chapter 36: The Maybe: Modes of Performance and the "Live"; Chapter 37: Photography as a Performative Act; Chapter 38: Do it Again, Do it Again (Turn Around, Go Back); Chapter 39: Touching Remains; Chapter 40: Perverse Martyrologies; Chapter 41: The Live Artist as Archaeologist Chapter 42: Every House Has a Door |
| Record Nr. | UNINA-9910791019903321 |
| Bristol, [England] ; ; Chicago, Illinois : , : Intellect, , 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Performing the body/performing the text / / edited by Amelia Jones and Andrew Stephenson
| Performing the body/performing the text / / edited by Amelia Jones and Andrew Stephenson |
| Pubbl/distr/stampa | London ; ; New York : , : Routledge, , 1999 |
| Descrizione fisica | 1 online resource (321 p.) |
| Disciplina |
702.81
709.04 |
| Altri autori (Persone) |
JonesAmelia
StephensonAndrew <1957-> |
| Soggetto topico |
Arts, Modern - 20th century
Body art Performance art |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-134-65594-0
1-280-16453-0 0-203-98355-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
PERFORMING THE BODY/ PERFORMING THE TEXT; Copyright; Contents; List of plates; Notes on contributors; Acknowledgements; Introduction; 1 Reason and remainders: Kantian performativity in the history of art; 2 Performing modernity: the art of art history; 3 Art history/art criticism: performing meaning; 4 Cross-cultural reiterations: Demetra Vaka Brown and the performance of racialized female beauty; 5 Race, ritual, and responsibility: performativity and the southern lynching; 6 Shading meaning; 7 The greatest homosexual? Camp pleasure and the performative body of Larry Rivers
8 The politics of feminist spectatorship and the disruptive body: de Kooning's Woman I reconsidered9 'Catholic tastes': hurting and healing the body in Viennese Actionism in the 1960s; 10 Contests for meaning in body politics and feminist conceptual art:revisioning the 1970s through the work of Eleanor Antin; 11 Dismembership: Jasper Johns and the body politic; 12 Performing clits and other lesbian tricks: speculations on an aesthetics of lack; 13 Renaming Untitled Flesh: marking the politics of marginality; 14 Andy Warhol: performances of Death in America; 15 Stuff: a performance 16 Following Acconci/targeting vision17 Performing vision in the theatre of the gaze: the work of Douglas Gordon; 18 What sense do the senses make? Aspects of corporeality in the works of Miriam Cahn and Maureen Connor; Author/artist index; Subject index |
| Record Nr. | UNINA-9910457325403321 |
| London ; ; New York : , : Routledge, , 1999 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Performing the body/performing the text / / edited by Amelia Jones and Andrew Stephenson
| Performing the body/performing the text / / edited by Amelia Jones and Andrew Stephenson |
| Pubbl/distr/stampa | London ; ; New York : , : Routledge, , 1999 |
| Descrizione fisica | 1 online resource (321 p.) |
| Disciplina |
702.81
709.04 |
| Altri autori (Persone) |
JonesAmelia
StephensonAndrew <1957-> |
| Soggetto topico |
Arts, Modern - 20th century
Body art Performance art |
| ISBN |
1-134-65593-2
1-134-65594-0 1-280-16453-0 0-203-98355-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
PERFORMING THE BODY/ PERFORMING THE TEXT; Copyright; Contents; List of plates; Notes on contributors; Acknowledgements; Introduction; 1 Reason and remainders: Kantian performativity in the history of art; 2 Performing modernity: the art of art history; 3 Art history/art criticism: performing meaning; 4 Cross-cultural reiterations: Demetra Vaka Brown and the performance of racialized female beauty; 5 Race, ritual, and responsibility: performativity and the southern lynching; 6 Shading meaning; 7 The greatest homosexual? Camp pleasure and the performative body of Larry Rivers
8 The politics of feminist spectatorship and the disruptive body: de Kooning's Woman I reconsidered9 'Catholic tastes': hurting and healing the body in Viennese Actionism in the 1960s; 10 Contests for meaning in body politics and feminist conceptual art:revisioning the 1970s through the work of Eleanor Antin; 11 Dismembership: Jasper Johns and the body politic; 12 Performing clits and other lesbian tricks: speculations on an aesthetics of lack; 13 Renaming Untitled Flesh: marking the politics of marginality; 14 Andy Warhol: performances of Death in America; 15 Stuff: a performance 16 Following Acconci/targeting vision17 Performing vision in the theatre of the gaze: the work of Douglas Gordon; 18 What sense do the senses make? Aspects of corporeality in the works of Miriam Cahn and Maureen Connor; Author/artist index; Subject index |
| Record Nr. | UNINA-9910784589003321 |
| London ; ; New York : , : Routledge, , 1999 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Performing the body/performing the text / / edited by Amelia Jones and Andrew Stephenson
| Performing the body/performing the text / / edited by Amelia Jones and Andrew Stephenson |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | London ; ; New York, : Routledge, 1999 |
| Descrizione fisica | 1 online resource (321 p.) |
| Disciplina |
702.81
709.04 |
| Altri autori (Persone) |
JonesAmelia
StephensonAndrew <1957-> |
| Soggetto topico |
Arts, Modern - 20th century
Body art Performance art |
| ISBN |
1-134-65593-2
1-134-65594-0 1-280-16453-0 0-203-98355-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
PERFORMING THE BODY/ PERFORMING THE TEXT; Copyright; Contents; List of plates; Notes on contributors; Acknowledgements; Introduction; 1 Reason and remainders: Kantian performativity in the history of art; 2 Performing modernity: the art of art history; 3 Art history/art criticism: performing meaning; 4 Cross-cultural reiterations: Demetra Vaka Brown and the performance of racialized female beauty; 5 Race, ritual, and responsibility: performativity and the southern lynching; 6 Shading meaning; 7 The greatest homosexual? Camp pleasure and the performative body of Larry Rivers
8 The politics of feminist spectatorship and the disruptive body: de Kooning's Woman I reconsidered9 'Catholic tastes': hurting and healing the body in Viennese Actionism in the 1960s; 10 Contests for meaning in body politics and feminist conceptual art:revisioning the 1970s through the work of Eleanor Antin; 11 Dismembership: Jasper Johns and the body politic; 12 Performing clits and other lesbian tricks: speculations on an aesthetics of lack; 13 Renaming Untitled Flesh: marking the politics of marginality; 14 Andy Warhol: performances of Death in America; 15 Stuff: a performance 16 Following Acconci/targeting vision17 Performing vision in the theatre of the gaze: the work of Douglas Gordon; 18 What sense do the senses make? Aspects of corporeality in the works of Miriam Cahn and Maureen Connor; Author/artist index; Subject index |
| Record Nr. | UNINA-9910817515303321 |
| London ; ; New York, : Routledge, 1999 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||