Nota di contenuto |
Poetry Translating as Expert Action -- Editorial page -- Title page -- LCC data -- Table of contents -- Table of figures -- Acknowledgements -- Chapter 1. Introduction -- 1.1 About this book -- 1.1.1 Poetry translating -- 1.1.2 Poetry translation as expert action -- 1.2 Reasons for researching poetry translation -- 1.2.1 The value of poetry translation -- 1.2.2 The research picture -- 1.2.3 The wider view -- 1.3 Five studies and a conclusion -- 1.4 Research methodology -- 1.4.1 Theories and methods -- 1.4.2 You are what you research -- Chapter 2. Poetry in a political preface -- 2.1 Foreword -- 2.2 Context: Poetry and political prose -- 2.3 The foundations of a model -- 2.3.1 Action, context and subjectivity -- 2.3.2 Relation, discourse and networks -- 2.3.3 Sketching out the framework -- 2.4 Poems and translations -- 2.4.1 Poetry as a genre -- 2.4.2 Translations -- 2.5 The translator as subject -- 2.5.1 Cognition -- 2.5.2 Emotion -- 2.5.3 Creativity -- 2.5.4 Metacognition -- 2.6 First-order networks -- 2.6.1 Translating agents, text complex and transmission -- 2.6.2 Situation, motives, power -- 2.7 Second-order networks -- 2.7.1 Interest networks -- 2.7.2 Fields and habitus -- 2.7.3 Profession -- 2.7.4 System -- 2.8 Third-order networks -- 2.8.1 Background and identities -- 2.8.2 Culture and community -- 2.8.3 Beliefs, ideologies and ethics -- 2.9 Afterword -- Chapter 3. Poetry translation webs -- 3.1 Introduction: Webs, poetry, war and peace -- 3.1.1 Webs -- 3.1.2 Background and context -- 3.2 Methods: Surveying Bosnian poetry translation -- 3.3 Findings: Projects, teams, career webs and reviews -- 3.3.1 Poetry translation projects -- 3.3.2 Poetry translation teams -- 3.3.3 Career webs -- 3.3.4 Projects and reviewers -- 3.4 Discussion: Poetry translation networks -- 3.4.1 Projects, teams and players -- 3.4.2 Fields -- 3.4.3 Interest networks.
3.4.4 Poetry translation systems -- 3.4.5 Ideologies, identities and imagined communities -- 3.5 Afterword -- Chapter 4. Talks with translators -- 4.1 Introduction: The translator's-eye-view -- 4.2 Methods: Interviewing translators -- 4.3 Findings: Translation projects, processes and products -- 4.3.1 Motivation and emotion -- 4.3.2 Forming the team, shaping the project -- 4.3.3 Translating processes -- 4.3.4 Translation as product -- 4.3.5 Working with translating agents -- 4.3.6 After publication -- 4.4 Discussion: Translators and how they translate poems -- 4.4.2 Loyalty and norms -- 4.4.3 Emotion and motivation -- 4.4.4 Metacognition and identity -- 4.4.5 Further interpersonal issues -- 4.5 Afterword -- Chapter 5. Five translators translate -- 5.1 Introduction: Researching real-time processes -- 5.2 Methods: The Toen wij think-alouds -- 5.2.1 Setting, source poem and data-gathering -- 5.2.2 Validity -- 5.2.3 Data analysis -- 5.3 Findings: How the Toen wij translators translated -- 5.3.1 Task time -- 5.3.2 Drafts and versions -- 5.3.3 Runs-through -- 5.3.4 Macro-sequences and Lines -- 5.3.5 Micro-sequences and foci -- 5.4 Discussion: Cognition, creativity and community -- 5.4.1 Cognition and action -- 5.4.2 Emotion -- 5.4.3 Team -- 5.4.4 Community -- 5.4.5 System -- 5.5 Afterword -- Chapter 6. Translating rhyme and rhythm -- 6.1 Introduction: Comparing two poems' processes -- 6.2 Methods: Krik and the Kulenović project -- 6.2.1 Setting, source poem and data-gathering -- 6.2.2 Generalizability -- 6.3 Findings: Toen wij and Krik compared -- 6.3.1 Task time -- 6.3.2 Drafts and versions -- 6.3.3 Runs-through -- 6.3.4 Macro-sequences and Lines -- 6.3.5 Micro-sequences, foci and creativity -- 6.3.6 Team, project and community -- 6.4 Discussion: Two poems and two projects -- 6.4.1 Cognition and action.
6.4.2 The world outside the poem: Team, project and ideology -- 6.5 Afterword -- Chapter 7. Conclusion -- 7.1 Towards a model of poetry translating -- 7.2 The translator and translating -- 7.2.1 Emotion -- 7.2.2 Cognition: Translating and managing the translation task -- 7.2.3 Norms and creativity -- 7.2.4 Areas of variation -- 7.3 Who is the poetry translator? -- 7.3.1 Skill and career patterns -- 7.3.2 Poetry translators as translators -- 7.3.3 Poetry translators as professionals -- 7.4 Project and team -- 7.4.1 People and power -- 7.4.2 Team motives and identity -- 7.5 Extended networks -- 7.5.1 Choosing and communicating texts -- 7.5.2 Fields and systems -- 7.5.3 Cultures and sub-cultures -- 7.5.4 Ideology -- 7.5.5 A translator's identities -- 7.5.6 Global power -- 7.6 Implications -- 7.6.1 Poetry translation research -- 7.6.2 Translation studies -- 7.6.3 Translator training and translating players -- References -- Index.
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