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The emergence of video processing tools : television becoming unglued / / edited by Kathy High, Sherry Miller Hocking and Mona Jimenez
| The emergence of video processing tools : television becoming unglued / / edited by Kathy High, Sherry Miller Hocking and Mona Jimenez |
| Pubbl/distr/stampa | Bristol, England ; ; Chicago, Illinois : , : Intellect Ltd, , 2014 |
| Descrizione fisica | 1 online resource (738 p.) |
| Disciplina | 776.6 |
| Soggetto topico |
Image processing - Data processing
Art and science |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-78320-301-3
1-78320-300-5 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Front Cover; Volume 1; Half-title; Title; Copyright; Dedication; Contents; ACKNOWLEDGMENTS; PREFACE; SECTION 1: HISTORIES; Introduction; Beginnings (with Artist Manifestos); Mapping Video Art as Category, or an Archaeology of the Conceptualizations of Video; Impulses - Tools; The Art-Style Computer-Processing System, 1974; Machine Aesthetics Are Always Modern; Electronic Video Instruments and Public Sector Funding; TV Lab: Image-making Tools; The New Television workshop at WGBH, Boston; The National Center for Experiments in Television at KQED-TV, San Francisco
The Experimental Television Center: Advancing Alternative Production Resources, Artist Collectives and Electronic Video-Imaging Systems Interstitial Images: Histories; SECTION 2: PEOPLE AND NETWORKS; Introduction; From Component Level: Interview with LoVid; Memory Series - Phosphography in CRT 5"", Mexico, 2005; The Rhetoric of Soft Tools; Jeremy Bailey and His 'Total Symbiotic Art System'; De-commodification of Artworks: Networked Fantasy of the open; Virtuosity as Creative Freedom; Distribution Religion; A Toy for a Toy; woody Vasulka: Dialogue with the (Demons in the) Tool A Demo Tape on How to Play Video on a Violin Application to the Guggenheim Foundation, 1980; Thoughts on Collaboration: Art and Technology; Interstitial Images: People and Networks; INDEX; COLOR PLATES; Volume 2; Half-Title; Title; Copyright; Dedication; Contents; SECTION 3: TOOLS; Introduction; Mods, Pods and Designs: Designing Tools and Systems; Computer-Based Video Synthesizer System, ETC; Design/Electronic Arts: The Buffalo Conference, March 10-13, 1977; Instruments, Apparel, Apparatus: An Essay of Definitions Expanding 'Image-processed Video' as Art: Subverting and Building Control Systems The Grammar of Electronic Image Processing; ETC's System; On Voltage Control: An Interview With Hank Rudolph; "Insofar as the rose can remember..."; Analog to Digital: Artists Using Technology; Analog Meets Digital In and Around the Experimental Television Center; Multi-tracking Control Voltages: HARPO; Finding the Tiny Dot: Designing Pantomation; Preserving Machines; A Catalog Record for the Raster Manipulation Unit; Copying-It-Right: Archiving the Media Art of Phil Morton Proposal for Low-cost Retrieval of Early Videotapes Produced on Obsolete Equipment and/or Videotape That Will Not Play Back, or Resurrection Bus (1980)Interstitial Images: Tools; AUTHOR BIOGRAPHIES; INDEX; COLOR PLATES; Back Cover |
| Record Nr. | UNINA-9910453859003321 |
| Bristol, England ; ; Chicago, Illinois : , : Intellect Ltd, , 2014 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The emergence of video processing tools : television becoming unglued / / edited by Kathy High, Sherry Miller Hocking and Mona Jimenez
| The emergence of video processing tools : television becoming unglued / / edited by Kathy High, Sherry Miller Hocking and Mona Jimenez |
| Pubbl/distr/stampa | Bristol, England ; ; Chicago, Illinois : , : Intellect Ltd, , 2014 |
| Descrizione fisica | 1 online resource (738 p.) |
| Disciplina | 776.6 |
| Soggetto topico |
Image processing - Data processing
Art and science |
| ISBN |
1-78320-301-3
1-78320-300-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Front Cover; Volume 1; Half-title; Title; Copyright; Dedication; Contents; ACKNOWLEDGMENTS; PREFACE; SECTION 1: HISTORIES; Introduction; Beginnings (with Artist Manifestos); Mapping Video Art as Category, or an Archaeology of the Conceptualizations of Video; Impulses - Tools; The Art-Style Computer-Processing System, 1974; Machine Aesthetics Are Always Modern; Electronic Video Instruments and Public Sector Funding; TV Lab: Image-making Tools; The New Television workshop at WGBH, Boston; The National Center for Experiments in Television at KQED-TV, San Francisco
The Experimental Television Center: Advancing Alternative Production Resources, Artist Collectives and Electronic Video-Imaging Systems Interstitial Images: Histories; SECTION 2: PEOPLE AND NETWORKS; Introduction; From Component Level: Interview with LoVid; Memory Series - Phosphography in CRT 5"", Mexico, 2005; The Rhetoric of Soft Tools; Jeremy Bailey and His 'Total Symbiotic Art System'; De-commodification of Artworks: Networked Fantasy of the open; Virtuosity as Creative Freedom; Distribution Religion; A Toy for a Toy; woody Vasulka: Dialogue with the (Demons in the) Tool A Demo Tape on How to Play Video on a Violin Application to the Guggenheim Foundation, 1980; Thoughts on Collaboration: Art and Technology; Interstitial Images: People and Networks; INDEX; COLOR PLATES; Volume 2; Half-Title; Title; Copyright; Dedication; Contents; SECTION 3: TOOLS; Introduction; Mods, Pods and Designs: Designing Tools and Systems; Computer-Based Video Synthesizer System, ETC; Design/Electronic Arts: The Buffalo Conference, March 10-13, 1977; Instruments, Apparel, Apparatus: An Essay of Definitions Expanding 'Image-processed Video' as Art: Subverting and Building Control Systems The Grammar of Electronic Image Processing; ETC's System; On Voltage Control: An Interview With Hank Rudolph; "Insofar as the rose can remember..."; Analog to Digital: Artists Using Technology; Analog Meets Digital In and Around the Experimental Television Center; Multi-tracking Control Voltages: HARPO; Finding the Tiny Dot: Designing Pantomation; Preserving Machines; A Catalog Record for the Raster Manipulation Unit; Copying-It-Right: Archiving the Media Art of Phil Morton Proposal for Low-cost Retrieval of Early Videotapes Produced on Obsolete Equipment and/or Videotape That Will Not Play Back, or Resurrection Bus (1980)Interstitial Images: Tools; AUTHOR BIOGRAPHIES; INDEX; COLOR PLATES; Back Cover |
| Record Nr. | UNINA-9910790922503321 |
| Bristol, England ; ; Chicago, Illinois : , : Intellect Ltd, , 2014 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The emergence of video processing tools : television becoming unglued / / edited by Kathy High, Sherry Miller Hocking and Mona Jimenez
| The emergence of video processing tools : television becoming unglued / / edited by Kathy High, Sherry Miller Hocking and Mona Jimenez |
| Pubbl/distr/stampa | Bristol, England ; ; Chicago, Illinois : , : Intellect Ltd, , 2014 |
| Descrizione fisica | 1 online resource (738 p.) |
| Disciplina | 776.6 |
| Soggetto topico |
Image processing - Data processing
Art and science |
| ISBN |
1-78320-301-3
1-78320-300-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Front Cover; Volume 1; Half-title; Title; Copyright; Dedication; Contents; ACKNOWLEDGMENTS; PREFACE; SECTION 1: HISTORIES; Introduction; Beginnings (with Artist Manifestos); Mapping Video Art as Category, or an Archaeology of the Conceptualizations of Video; Impulses - Tools; The Art-Style Computer-Processing System, 1974; Machine Aesthetics Are Always Modern; Electronic Video Instruments and Public Sector Funding; TV Lab: Image-making Tools; The New Television workshop at WGBH, Boston; The National Center for Experiments in Television at KQED-TV, San Francisco
The Experimental Television Center: Advancing Alternative Production Resources, Artist Collectives and Electronic Video-Imaging Systems Interstitial Images: Histories; SECTION 2: PEOPLE AND NETWORKS; Introduction; From Component Level: Interview with LoVid; Memory Series - Phosphography in CRT 5"", Mexico, 2005; The Rhetoric of Soft Tools; Jeremy Bailey and His 'Total Symbiotic Art System'; De-commodification of Artworks: Networked Fantasy of the open; Virtuosity as Creative Freedom; Distribution Religion; A Toy for a Toy; woody Vasulka: Dialogue with the (Demons in the) Tool A Demo Tape on How to Play Video on a Violin Application to the Guggenheim Foundation, 1980; Thoughts on Collaboration: Art and Technology; Interstitial Images: People and Networks; INDEX; COLOR PLATES; Volume 2; Half-Title; Title; Copyright; Dedication; Contents; SECTION 3: TOOLS; Introduction; Mods, Pods and Designs: Designing Tools and Systems; Computer-Based Video Synthesizer System, ETC; Design/Electronic Arts: The Buffalo Conference, March 10-13, 1977; Instruments, Apparel, Apparatus: An Essay of Definitions Expanding 'Image-processed Video' as Art: Subverting and Building Control Systems The Grammar of Electronic Image Processing; ETC's System; On Voltage Control: An Interview With Hank Rudolph; "Insofar as the rose can remember..."; Analog to Digital: Artists Using Technology; Analog Meets Digital In and Around the Experimental Television Center; Multi-tracking Control Voltages: HARPO; Finding the Tiny Dot: Designing Pantomation; Preserving Machines; A Catalog Record for the Raster Manipulation Unit; Copying-It-Right: Archiving the Media Art of Phil Morton Proposal for Low-cost Retrieval of Early Videotapes Produced on Obsolete Equipment and/or Videotape That Will Not Play Back, or Resurrection Bus (1980)Interstitial Images: Tools; AUTHOR BIOGRAPHIES; INDEX; COLOR PLATES; Back Cover |
| Record Nr. | UNINA-9910814507503321 |
| Bristol, England ; ; Chicago, Illinois : , : Intellect Ltd, , 2014 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||