Contemporary art [[electronic resource] ] : 1989 to the present / / edited by Alexander Dumbadze and Suzanne Hudson |
Autore | Dumbadze Alexander Blair <1973-> |
Pubbl/distr/stampa | Chichester, West Sussex, : Wiley-Blackwell, 2013 |
Descrizione fisica | 1 online resource (511 p.) |
Disciplina | 709.049 |
Altri autori (Persone) |
DumbadzeAlexander Blair <1973->
HudsonSuzanne |
Soggetto topico |
Art, Modern - 20th century
Art, Modern - 21st century |
Soggetto genere / forma | Electronic books. |
ISBN |
1-283-96061-3
1-118-29889-6 1-118-29888-8 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Contemporary Art: 1989 to the Present; Copyright; Contents; Contributors; Introduction; A User's Guide to Contemporary Art: 1989 to the Present; 1 The Contemporary and Globalization; Worlds Apart: Contemporary Art, Globalization, and the Rise of Biennials; "Our" Contemporaneity?; Ab-original: Contemporaneity and the Origins of Art; The Art-World Considers "the contemporary"; The Historicity of the Contemporary is Now!; 2 Art after Modernism and Postmodernism; Elite Art in an Age of Populism; "Of Adversity we Live!"; Making it Work: Artists and Contemporary Art in China; 3 Formalism
Form StrugglesPolemics; Łódź; Multiple Ironies; Generational Contracts; Form Incorporating Ironies; Formalism Redefined; The World in Plain View: Form in the Service of the Global; 4 Medium Specificity; The (Re)Animation of Medium Specificity in Contemporary Art; Media Specificity in Context; Around '89; Recollecting (Media) History; Open End; Medium Aspecificity/Autopoietic Form; Specificity; 5 Art and Technology; Test Sites: Fabrication; Inhabiting the Technosphere: Art and Technology Beyond Technical Invention; Conceptual Art 2.0; Platforms; Nodes and Nets; Conceptual Art 2.0; 6 Biennials In Defense of BiennialsCurating in Heterogeneous Worlds; Biennial Culture and the Aesthetics of Experience; Trajectories of Experience; Philosophies; 7 Participation; Participation; The Ripple Effect: "Participation" as an Expanded Field; Publicity and Complicity in Contemporary Art; 8 Activism; Activism; Knit Dissent; Craft Kills; Contemporary War/Craft; Labor, Politics, Gender; Light from a Distant Star: A Meditation on Art, Agency, and Politics; Plenitude?; Time-out?; Plugs and Sockets?; Protagonist?; World?; Acts?; Storytellers?; Significance?; Time?; 9 Agency Participation in Art: 10 ThesesFusions of Powers: Four Models of Agency in the Field of Contemporary Art, Ranked Unapologetically in Order of Preference; Indefinite Postponements; Catholics; Conspirateurs Professionnels; Atheist Choir Boys; Strategic Essentialism; Life Full of Holes: Contemporary Art and Bare Life; 10 The Rise of Fundamentalism; Monotheism à la Mode; Return of the Toad; Iconoclasm: A Modernology; The Profanations of Art; Erasures; Freedom's Just Another Word; Protest Scene; The Fundamental Right; Consensus Overruling Democracy; Who Speaks Thus? On the Frontline: The Politics of Terrorism in Contemporary Pakistani Art11 Judgment; Judgment's Troubled Objects; A Producer's Journal, or Judgment A Go-Go; 1; 2; 3; 4; After Criticism; 12 Markets; Globalization and Commercialization of the Art Market; Introduction; The Rise of the Art Fair, the Internet, and the Auction Houses; Globalization and its Limits; Commercialization; The Limits of "Hostile Worlds"; Three Perspectives on the Market; Untitled; 13 Art Schools and the Academy; Lifelong Learning; Hyper School; Amateur Institutions; Professional Amateurs; School as Form; Before and After Art without Institutions |
Record Nr. | UNINA-9910462465103321 |
Dumbadze Alexander Blair <1973->
![]() |
||
Chichester, West Sussex, : Wiley-Blackwell, 2013 | ||
![]() | ||
Lo trovi qui: Univ. Federico II | ||
|
Contemporary Art : 1989 to the Present |
Autore | Dumbadze Alexander |
Edizione | [1st ed.] |
Pubbl/distr/stampa | Hoboken : , : John Wiley & Sons, Incorporated, , 2013 |
Descrizione fisica | 1 online resource (511 pages) |
Disciplina | 709.04 |
Altri autori (Persone) | HudsonSuzanne |
Soggetto topico |
Art, Modern -- 20th century
Art, Modern -- 21st century |
Soggetto genere / forma | Electronic books. |
ISBN |
9781118298886
9781118298923 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Intro -- Contemporary Art: 1989 to the Present -- Copyright -- Contents -- Contributors -- Introduction -- A User's Guide to Contemporary Art: 1989 to the Present -- 1 The Contemporary and Globalization -- Worlds Apart: Contemporary Art, Globalization, and the Rise of Biennials -- "Our" Contemporaneity? -- Ab-original: Contemporaneity and the Origins of Art -- The Art-World Considers "the contemporary" -- The Historicity of the Contemporary is Now! -- 2 Art after Modernism and Postmodernism -- Elite Art in an Age of Populism -- "Of Adversity we Live!" -- Making it Work: Artists and Contemporary Art in China -- 3 Formalism -- Form Struggles -- Polemics -- Łódź -- Multiple Ironies -- Generational Contracts -- Form Incorporating Ironies -- Formalism Redefined -- The World in Plain View: Form in the Service of the Global -- 4 Medium Specificity -- The (Re)Animation of Medium Specificity in Contemporary Art -- Media Specificity in Context -- Around '89 -- Recollecting (Media) History -- Open End -- Medium Aspecificity/Autopoietic Form -- Specificity -- 5 Art and Technology -- Test Sites: Fabrication -- Inhabiting the Technosphere: Art and Technology Beyond Technical Invention -- Conceptual Art 2.0 -- Platforms -- Nodes and Nets -- Conceptual Art 2.0 -- 6 Biennials -- In Defense of Biennials -- Curating in Heterogeneous Worlds -- Biennial Culture and the Aesthetics of Experience -- Trajectories of Experience -- Philosophies -- 7 Participation -- Participation -- The Ripple Effect: "Participation" as an Expanded Field -- Publicity and Complicity in Contemporary Art -- 8 Activism -- Activism -- Knit Dissent -- Craft Kills -- Contemporary War/Craft -- Labor, Politics, Gender -- Light from a Distant Star: A Meditation on Art, Agency, and Politics -- Plenitude? -- Time-out? -- Plugs and Sockets? -- Protagonist? -- World? -- Acts? -- Storytellers?.
Significance? -- Time? -- 9 Agency -- Participation in Art: 10 Theses -- Fusions of Powers: Four Models of Agency in the Field of Contemporary Art, Ranked Unapologetically in Order of Preference -- Indefinite Postponements -- Catholics -- Conspirateurs Professionnels -- Atheist Choir Boys -- Strategic Essentialism -- Life Full of Holes: Contemporary Art and Bare Life -- 10 The Rise of Fundamentalism -- Monotheism à la Mode -- Return of the Toad -- Iconoclasm: A Modernology -- The Profanations of Art -- Erasures -- Freedom's Just Another Word -- Protest Scene -- The Fundamental Right -- Consensus Overruling Democracy -- Who Speaks Thus? -- On the Frontline: The Politics of Terrorism in Contemporary Pakistani Art -- 11 Judgment -- Judgment's Troubled Objects -- A Producer's Journal, or Judgment A Go-Go -- 1 -- 2 -- 3 -- 4 -- After Criticism -- 12 Markets -- Globalization and Commercialization of the Art Market -- Introduction -- The Rise of the Art Fair, the Internet, and the Auction Houses -- Globalization and its Limits -- Commercialization -- The Limits of "Hostile Worlds" -- Three Perspectives on the Market -- Untitled -- 13 Art Schools and the Academy -- Lifelong Learning -- Hyper School -- Amateur Institutions -- Professional Amateurs -- School as Form -- Before and After -- Art without Institutions -- "Will the Academy Become a Monster?" -- 14 Scholarship -- Our Literal Speed -- Globalization, Art History, and the Specter of Difference -- The Academic Condition of Contemporary Art -- The Contemporary is not the Present -- Art History is not the Past -- Contemporary Art Needs Contemporary Art History -- Index. |
Record Nr. | UNINA-9910795830103321 |
Dumbadze Alexander
![]() |
||
Hoboken : , : John Wiley & Sons, Incorporated, , 2013 | ||
![]() | ||
Lo trovi qui: Univ. Federico II | ||
|
Contemporary Art : 1989 to the Present |
Autore | Dumbadze Alexander |
Edizione | [1st ed.] |
Pubbl/distr/stampa | Hoboken : , : John Wiley & Sons, Incorporated, , 2013 |
Descrizione fisica | 1 online resource (511 pages) |
Disciplina | 709.04 |
Altri autori (Persone) | HudsonSuzanne |
Soggetto topico |
Art, Modern -- 20th century
Art, Modern -- 21st century |
Soggetto genere / forma | Electronic books. |
ISBN |
9781118298886
9781118298923 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Intro -- Contemporary Art: 1989 to the Present -- Copyright -- Contents -- Contributors -- Introduction -- A User's Guide to Contemporary Art: 1989 to the Present -- 1 The Contemporary and Globalization -- Worlds Apart: Contemporary Art, Globalization, and the Rise of Biennials -- "Our" Contemporaneity? -- Ab-original: Contemporaneity and the Origins of Art -- The Art-World Considers "the contemporary" -- The Historicity of the Contemporary is Now! -- 2 Art after Modernism and Postmodernism -- Elite Art in an Age of Populism -- "Of Adversity we Live!" -- Making it Work: Artists and Contemporary Art in China -- 3 Formalism -- Form Struggles -- Polemics -- Łódź -- Multiple Ironies -- Generational Contracts -- Form Incorporating Ironies -- Formalism Redefined -- The World in Plain View: Form in the Service of the Global -- 4 Medium Specificity -- The (Re)Animation of Medium Specificity in Contemporary Art -- Media Specificity in Context -- Around '89 -- Recollecting (Media) History -- Open End -- Medium Aspecificity/Autopoietic Form -- Specificity -- 5 Art and Technology -- Test Sites: Fabrication -- Inhabiting the Technosphere: Art and Technology Beyond Technical Invention -- Conceptual Art 2.0 -- Platforms -- Nodes and Nets -- Conceptual Art 2.0 -- 6 Biennials -- In Defense of Biennials -- Curating in Heterogeneous Worlds -- Biennial Culture and the Aesthetics of Experience -- Trajectories of Experience -- Philosophies -- 7 Participation -- Participation -- The Ripple Effect: "Participation" as an Expanded Field -- Publicity and Complicity in Contemporary Art -- 8 Activism -- Activism -- Knit Dissent -- Craft Kills -- Contemporary War/Craft -- Labor, Politics, Gender -- Light from a Distant Star: A Meditation on Art, Agency, and Politics -- Plenitude? -- Time-out? -- Plugs and Sockets? -- Protagonist? -- World? -- Acts? -- Storytellers?.
Significance? -- Time? -- 9 Agency -- Participation in Art: 10 Theses -- Fusions of Powers: Four Models of Agency in the Field of Contemporary Art, Ranked Unapologetically in Order of Preference -- Indefinite Postponements -- Catholics -- Conspirateurs Professionnels -- Atheist Choir Boys -- Strategic Essentialism -- Life Full of Holes: Contemporary Art and Bare Life -- 10 The Rise of Fundamentalism -- Monotheism à la Mode -- Return of the Toad -- Iconoclasm: A Modernology -- The Profanations of Art -- Erasures -- Freedom's Just Another Word -- Protest Scene -- The Fundamental Right -- Consensus Overruling Democracy -- Who Speaks Thus? -- On the Frontline: The Politics of Terrorism in Contemporary Pakistani Art -- 11 Judgment -- Judgment's Troubled Objects -- A Producer's Journal, or Judgment A Go-Go -- 1 -- 2 -- 3 -- 4 -- After Criticism -- 12 Markets -- Globalization and Commercialization of the Art Market -- Introduction -- The Rise of the Art Fair, the Internet, and the Auction Houses -- Globalization and its Limits -- Commercialization -- The Limits of "Hostile Worlds" -- Three Perspectives on the Market -- Untitled -- 13 Art Schools and the Academy -- Lifelong Learning -- Hyper School -- Amateur Institutions -- Professional Amateurs -- School as Form -- Before and After -- Art without Institutions -- "Will the Academy Become a Monster?" -- 14 Scholarship -- Our Literal Speed -- Globalization, Art History, and the Specter of Difference -- The Academic Condition of Contemporary Art -- The Contemporary is not the Present -- Art History is not the Past -- Contemporary Art Needs Contemporary Art History -- Index. |
Record Nr. | UNINA-9910815547403321 |
Dumbadze Alexander
![]() |
||
Hoboken : , : John Wiley & Sons, Incorporated, , 2013 | ||
![]() | ||
Lo trovi qui: Univ. Federico II | ||
|