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Writing and Seeing : Essays on Word and Image / / edited by Rui Carvalho Homem, Maria de Fátima Lambert
| Writing and Seeing : Essays on Word and Image / / edited by Rui Carvalho Homem, Maria de Fátima Lambert |
| Pubbl/distr/stampa | Leiden; ; Boston : , : BRILL, , 2005 |
| Descrizione fisica | 1 online resource (404 p.) |
| Disciplina | 809/.93357 |
| Collana | Internationale Forschungen zur Allgemeinen und Vergleichenden Literaturwissenschaft |
| Soggetto topico |
Art and literature - United States
Literary criticism - General |
| Soggetto genere / forma | Electronic books. |
| ISBN |
94-012-0160-9
1-4237-9129-0 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction -- 1. Setting the Tone: The Challenges of Representation I -- James A.W. HEFFERNAN: Speaking for Pictures: Language and Abstract Art -- 2. Early Modern to Modern: representations, appropriations -- Derek BREWER: Seeing and Writing Venus in Spenser, Shakespeare, Titian -- Jesús CORA: John Donne's Arcimboldesque Wit in "To Sir Edward Herbert. At Julyers ": A Partial Reading -- Sílvia QUINTEIRO: Perspective and Framing in Ann Radcliffe's The Mysteries of Udolpho. and in the Work of Caspar David Friedrich -- Gabriela GÂNDARA TERENAS: William Hogarth seen by Pinheiro Chagas: looking at Britain and writing about Portugal -- Vita FORTUNATI: Visual Portraits and Literary Portraits: the Intertextual Dialogue between Holbein and Ford Madox Ford -- 3. Crossing Images, Changing Places -- Charlotte SCHOELL-GLASS: Fictions of the Art World: Art, Art History and the Art Historian in Literary Space -- Sonia LAGERWALL: A Reading of Michel Butor's La Modification as an Emblematic Iconotext -- Gabriel INSAUSTI: The Making of The Eiffel Tower as a Modern Icon -- Lauren S. WEINGARDEN: Reflections on Baudelaire's Paris: Photography, Modernity and Memory -- 4. Women and the Intermedium -- 4.1. Portraits and Causes -- Elizabeth K. MENON: Les Filles d'Ève in Word and Image -- Maria Aline SEABRA FERREIRA: Paula Rego's Painterly Narratives: Jane Eyre and Wide Sargasso Sea - A Dictionary of Images -- Rui Carvalho Homem: Looking for Clues: McGuckian, poems and portraits -- 4.2. Ambivalent Narratives: A.S. Byatt -- Isabel FERNANDES: Matisse and Women: Portraits by A.S. Byatt -- Margarida ESTEVES PEREIRA: More than Words: the Elusive Language of A.S. Byatt's Visual Fiction -- Paola SPINOZZI: Ekphrasis as Portrait: A.S. Byatt's Fictional and Visual Doppelgänger -- 5. The Lens and the Print: text, photo, semiotics -- Caroline BLINDER: "A Kind of Patriotism": Jack Kerouac's Introduction to Robert Frank's The Americans (1959) -- Maria de FÁTIMA LAMBERT: 3 (Ultimate) Journeys: Fulton, Weiner & Kiefer -- Adriana BAPTISTA: Karen Knorr and Tracey Moffat: When the photographer chooses the words in order to photograph the images -- Peter ED MUIR: An Act of Erasure: October and the Index -- 6. Stage and Screen, East and West -- Rosa Branca FIGUEIREDO: The Semiotics of the Body: Ritual and Dance in Soyinka's Drama -- Maria Sofia PIMENTEL BISCAIA: An Inheritance of Horror: the Shadow of Das Kabinett des Doktor Caligari in Salman Rushdie's Shame -- Michaela SCHÄUBLE: The Ethnographer's Eye: Vision, Narration, and Poetic Imagery in Contemporary Anthropological Film -- 7. High and Low, Learned and Popular: straying narratives -- Laura Fernanda BULGER: Looking at the Written Text on Television -- Yoko ONO: Listen to Me: Influence of Shojo manga on contemporary Japanese women's writing -- Marie-Manuelle SILVA: The Link Between Text and Image in Voyage au bout de la nuit de Céline by Tardi -- 8. Arts and Crafts: composite skills -- Anabela MENDES: Pulsating Visions - Idioms Incarnate: Wassily Kandinsky Amidst Stage, Pen and Brush -- Anne PRICE-OWEN: From Medieval Manuscripts to Postmodern Hypertexts in the Art of David Jones -- Dominique COSTA: Visual and Verbal Representations in the Scottish Novel: The Artistry of Alasdair Gray -- Gil MAIA: When what you see is what you read -- 9. Postscript: the Long Perspective, or, The Challenges of Representation II -- José JIMÉNEZ: The Root of Forms -- Index. |
| Record Nr. | UNINA-9910451473303321 |
| Leiden; ; Boston : , : BRILL, , 2005 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Writing and Seeing : Essays on Word and Image / / edited by Rui Carvalho Homem, Maria de Fátima Lambert
| Writing and Seeing : Essays on Word and Image / / edited by Rui Carvalho Homem, Maria de Fátima Lambert |
| Pubbl/distr/stampa | Leiden; ; Boston : , : BRILL, , 2005 |
| Descrizione fisica | 1 online resource (404 p.) |
| Disciplina | 809/.93357 |
| Collana | Internationale Forschungen zur Allgemeinen und Vergleichenden Literaturwissenschaft |
| Soggetto topico |
Art and literature - United States
Literary criticism - General |
| ISBN |
94-012-0160-9
1-4237-9129-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction -- 1. Setting the Tone: The Challenges of Representation I -- James A.W. HEFFERNAN: Speaking for Pictures: Language and Abstract Art -- 2. Early Modern to Modern: representations, appropriations -- Derek BREWER: Seeing and Writing Venus in Spenser, Shakespeare, Titian -- Jesús CORA: John Donne's Arcimboldesque Wit in "To Sir Edward Herbert. At Julyers ": A Partial Reading -- Sílvia QUINTEIRO: Perspective and Framing in Ann Radcliffe's The Mysteries of Udolpho. and in the Work of Caspar David Friedrich -- Gabriela GÂNDARA TERENAS: William Hogarth seen by Pinheiro Chagas: looking at Britain and writing about Portugal -- Vita FORTUNATI: Visual Portraits and Literary Portraits: the Intertextual Dialogue between Holbein and Ford Madox Ford -- 3. Crossing Images, Changing Places -- Charlotte SCHOELL-GLASS: Fictions of the Art World: Art, Art History and the Art Historian in Literary Space -- Sonia LAGERWALL: A Reading of Michel Butor's La Modification as an Emblematic Iconotext -- Gabriel INSAUSTI: The Making of The Eiffel Tower as a Modern Icon -- Lauren S. WEINGARDEN: Reflections on Baudelaire's Paris: Photography, Modernity and Memory -- 4. Women and the Intermedium -- 4.1. Portraits and Causes -- Elizabeth K. MENON: Les Filles d'Ève in Word and Image -- Maria Aline SEABRA FERREIRA: Paula Rego's Painterly Narratives: Jane Eyre and Wide Sargasso Sea - A Dictionary of Images -- Rui Carvalho Homem: Looking for Clues: McGuckian, poems and portraits -- 4.2. Ambivalent Narratives: A.S. Byatt -- Isabel FERNANDES: Matisse and Women: Portraits by A.S. Byatt -- Margarida ESTEVES PEREIRA: More than Words: the Elusive Language of A.S. Byatt's Visual Fiction -- Paola SPINOZZI: Ekphrasis as Portrait: A.S. Byatt's Fictional and Visual Doppelgänger -- 5. The Lens and the Print: text, photo, semiotics -- Caroline BLINDER: "A Kind of Patriotism": Jack Kerouac's Introduction to Robert Frank's The Americans (1959) -- Maria de FÁTIMA LAMBERT: 3 (Ultimate) Journeys: Fulton, Weiner & Kiefer -- Adriana BAPTISTA: Karen Knorr and Tracey Moffat: When the photographer chooses the words in order to photograph the images -- Peter ED MUIR: An Act of Erasure: October and the Index -- 6. Stage and Screen, East and West -- Rosa Branca FIGUEIREDO: The Semiotics of the Body: Ritual and Dance in Soyinka's Drama -- Maria Sofia PIMENTEL BISCAIA: An Inheritance of Horror: the Shadow of Das Kabinett des Doktor Caligari in Salman Rushdie's Shame -- Michaela SCHÄUBLE: The Ethnographer's Eye: Vision, Narration, and Poetic Imagery in Contemporary Anthropological Film -- 7. High and Low, Learned and Popular: straying narratives -- Laura Fernanda BULGER: Looking at the Written Text on Television -- Yoko ONO: Listen to Me: Influence of Shojo manga on contemporary Japanese women's writing -- Marie-Manuelle SILVA: The Link Between Text and Image in Voyage au bout de la nuit de Céline by Tardi -- 8. Arts and Crafts: composite skills -- Anabela MENDES: Pulsating Visions - Idioms Incarnate: Wassily Kandinsky Amidst Stage, Pen and Brush -- Anne PRICE-OWEN: From Medieval Manuscripts to Postmodern Hypertexts in the Art of David Jones -- Dominique COSTA: Visual and Verbal Representations in the Scottish Novel: The Artistry of Alasdair Gray -- Gil MAIA: When what you see is what you read -- 9. Postscript: the Long Perspective, or, The Challenges of Representation II -- José JIMÉNEZ: The Root of Forms -- Index. |
| Record Nr. | UNINA-9910777522203321 |
| Leiden; ; Boston : , : BRILL, , 2005 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Writing and Seeing : Essays on Word and Image / / edited by Rui Carvalho Homem, Maria de Fátima Lambert
| Writing and Seeing : Essays on Word and Image / / edited by Rui Carvalho Homem, Maria de Fátima Lambert |
| Pubbl/distr/stampa | Leiden; ; Boston : , : BRILL, , 2005 |
| Descrizione fisica | 1 online resource (404 p.) |
| Disciplina | 809/.93357 |
| Collana | Internationale Forschungen zur Allgemeinen und Vergleichenden Literaturwissenschaft |
| Soggetto topico |
Art and literature - United States
Literary criticism - General |
| ISBN |
94-012-0160-9
1-4237-9129-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction -- 1. Setting the Tone: The Challenges of Representation I -- James A.W. HEFFERNAN: Speaking for Pictures: Language and Abstract Art -- 2. Early Modern to Modern: representations, appropriations -- Derek BREWER: Seeing and Writing Venus in Spenser, Shakespeare, Titian -- Jesús CORA: John Donne's Arcimboldesque Wit in "To Sir Edward Herbert. At Julyers ": A Partial Reading -- Sílvia QUINTEIRO: Perspective and Framing in Ann Radcliffe's The Mysteries of Udolpho. and in the Work of Caspar David Friedrich -- Gabriela GÂNDARA TERENAS: William Hogarth seen by Pinheiro Chagas: looking at Britain and writing about Portugal -- Vita FORTUNATI: Visual Portraits and Literary Portraits: the Intertextual Dialogue between Holbein and Ford Madox Ford -- 3. Crossing Images, Changing Places -- Charlotte SCHOELL-GLASS: Fictions of the Art World: Art, Art History and the Art Historian in Literary Space -- Sonia LAGERWALL: A Reading of Michel Butor's La Modification as an Emblematic Iconotext -- Gabriel INSAUSTI: The Making of The Eiffel Tower as a Modern Icon -- Lauren S. WEINGARDEN: Reflections on Baudelaire's Paris: Photography, Modernity and Memory -- 4. Women and the Intermedium -- 4.1. Portraits and Causes -- Elizabeth K. MENON: Les Filles d'Ève in Word and Image -- Maria Aline SEABRA FERREIRA: Paula Rego's Painterly Narratives: Jane Eyre and Wide Sargasso Sea - A Dictionary of Images -- Rui Carvalho Homem: Looking for Clues: McGuckian, poems and portraits -- 4.2. Ambivalent Narratives: A.S. Byatt -- Isabel FERNANDES: Matisse and Women: Portraits by A.S. Byatt -- Margarida ESTEVES PEREIRA: More than Words: the Elusive Language of A.S. Byatt's Visual Fiction -- Paola SPINOZZI: Ekphrasis as Portrait: A.S. Byatt's Fictional and Visual Doppelgänger -- 5. The Lens and the Print: text, photo, semiotics -- Caroline BLINDER: "A Kind of Patriotism": Jack Kerouac's Introduction to Robert Frank's The Americans (1959) -- Maria de FÁTIMA LAMBERT: 3 (Ultimate) Journeys: Fulton, Weiner & Kiefer -- Adriana BAPTISTA: Karen Knorr and Tracey Moffat: When the photographer chooses the words in order to photograph the images -- Peter ED MUIR: An Act of Erasure: October and the Index -- 6. Stage and Screen, East and West -- Rosa Branca FIGUEIREDO: The Semiotics of the Body: Ritual and Dance in Soyinka's Drama -- Maria Sofia PIMENTEL BISCAIA: An Inheritance of Horror: the Shadow of Das Kabinett des Doktor Caligari in Salman Rushdie's Shame -- Michaela SCHÄUBLE: The Ethnographer's Eye: Vision, Narration, and Poetic Imagery in Contemporary Anthropological Film -- 7. High and Low, Learned and Popular: straying narratives -- Laura Fernanda BULGER: Looking at the Written Text on Television -- Yoko ONO: Listen to Me: Influence of Shojo manga on contemporary Japanese women's writing -- Marie-Manuelle SILVA: The Link Between Text and Image in Voyage au bout de la nuit de Céline by Tardi -- 8. Arts and Crafts: composite skills -- Anabela MENDES: Pulsating Visions - Idioms Incarnate: Wassily Kandinsky Amidst Stage, Pen and Brush -- Anne PRICE-OWEN: From Medieval Manuscripts to Postmodern Hypertexts in the Art of David Jones -- Dominique COSTA: Visual and Verbal Representations in the Scottish Novel: The Artistry of Alasdair Gray -- Gil MAIA: When what you see is what you read -- 9. Postscript: the Long Perspective, or, The Challenges of Representation II -- José JIMÉNEZ: The Root of Forms -- Index. |
| Record Nr. | UNINA-9910829026303321 |
| Leiden; ; Boston : , : BRILL, , 2005 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||