Prostitution and Sex Work in Global Cinema : New Takes on Fallen Women / / edited by Danielle Hipkins, Kate Taylor-Jones |
Edizione | [1st ed. 2017.] |
Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2017 |
Descrizione fisica | 1 online resource (XVI, 295 p. 22 illus., 19 illus. in color.) |
Disciplina | 791.436538 |
Collana | Global Cinema |
Soggetto topico |
Motion pictures
Women Culture Gender Communication Global Cinema and TV Women's Studies Culture and Gender Media and Communication |
ISBN | 3-319-64608-7 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Record Nr. | UNINA-9910255092603321 |
Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2017 | ||
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Lo trovi qui: Univ. Federico II | ||
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Rural cinema exhibition and audiences in a global context / / edited by Daniela Treveri Gennari, Danielle Hipkins, Catherine O'Rawe |
Edizione | [1st ed. 2018.] |
Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2018 |
Descrizione fisica | 1 online resource (370 pages) |
Disciplina | 791.4309 |
Collana | Global Cinema |
Soggetto topico |
Motion pictures
Motion pictures—European influences Motion pictures, American Africa Australasia Motion pictures—United States Global Cinema and TV European Cinema and TV Latin American Cinema and TV African Cinema and TV Australasian Cinema and TV American Cinema and TV |
ISBN | 3-319-66344-5 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | 1. Introduction: Rural Cinema Exhibition and Audiences in a Global Context—Not Just a Slower Transition to Modernity -- Part I Space, Place and Cinema-Going Experiences -- 2. The Use of Geographical Categories in Cinema Studies: An Ontological Examination -- 3. Kanda’s Grounds and the Ritual Experience of Rural Cinema in Narok -- 4. The Business of ‘Wholesome Entertainment’: The Mascioli Film Circuit of Northeastern Ontario -- Part II Early Cinema, Itinerant Showmen and the Lure of Modernity -- 5. Spaces In-Between: The Railway and Early Cinema in Rural, Western Canada -- 6. Rurban Outfitters: Cinema and Rural Cultural Development in New Hampshire’s North Country, 1896–1917 -- Part III Oral Histories and the Social Experience of Rural Cinema-Going -- 7. Oral Memories of Cinema-Going in Rural Italy of the 1950s -- 8. Belgian Film Culture Beyond the Big City: Cinema-Going in the Provincial and Rural Periphery of Antwerp -- 9. The Social Experience of Going to the Movies in the 1930s–1960s in a Small Texas Border Town: Moviegoing Habits and Memories of Films in Laredo, Texas -- 10. The Social Geography of ‘Going Out’: Teenagers and Community Cinema in Rural Australia -- Part IV Shaping Cinema Audiences for Educational and Ideological Purposes -- 11. Projecting Modernity: Sol Plaatje’s Touring Cinema Exhibition in 1920s South Africa -- 12. Controlling Rural Cinemagoing by Appropriating a Film Format: The Catholic Adventure of 'Pathé-Rural' in Interwar France -- 13. UNESCO, Mobile Cinema, and Rural Audiences: Exhibition Histories and Instrumental Ideologies of the 1940s -- 14. Reconsidering Post-Revolutionary Cultural Change: Rural Film Projection Teams in Shaanxi Province, 1949–1956 -- 15. Silence under the Linden Tree: Rural Cinema-Going in Czechoslovakia in the 1950s and 1960s -- Part V Film Programming Strategies, Exhibition Practices and Reception -- 16. Language and Cultural Nearness: Film Programming Strategies and Audience Preferences in Big Cities and Small Towns in the Netherlands 1934–1936 -- 17. Post-war Thai Cinema: Audiences and Film Style in a Divided Nation -- 18. Youth, Leisure, and Modernity in the film One Summer of Happiness (1951): Exploring the Space of Rural Film Exhibition in Swedish Post-war Cinema -- 19. Cine Centímetro: Memories and Cinemagoing Practices in an MGM Replica Cinema in the Rio de Janeiro Countryside. |
Record Nr. | UNINA-9910300032603321 |
Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2018 | ||
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Lo trovi qui: Univ. Federico II | ||
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