Hollywood's Africa after 1994 [[electronic resource] /] / edited by MaryEllen Higgins |
Pubbl/distr/stampa | Athens, : Ohio University Press, c2012 |
Descrizione fisica | 1 online resource (281 p.) |
Disciplina |
791.43/651
791.43651 |
Altri autori (Persone) | HigginsMaryEllen <1967-> |
Soggetto topico |
Human rights in motion pictures
Imperialism in motion pictures Culture conflict in motion pictures Motion pictures - United States - History - 21st century |
Soggetto genere / forma | Electronic books. |
ISBN | 0-8214-4433-6 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Introduction: African blood, Hollywood's diamonds? Hollywood's Africa after 1994 / MaryEllen Higgins -- The cited and the uncited: toward an emancipatory reading of representations of Africa / Harry Garuba and Natasha Himmelman -- The troubled terrain of human rights films: Blood diamond, The last king of Scotland, and, The devil came on horseback / Margaret R. Higonnet, with Ethel R. Higonnet -- Hollywood's representations of human rights: the case of Terry George's Hotel Rwanda / Joyce B. Ashuntantang -- Hollywood's cowboy humanitarianism in Black Hawk down and Tears of the sun / MaryEllen Higgins -- Again, the darkness: Shake hands with the devil / Kenneth W. Harrow -- Ambiguities and paradoxes: framing northern intervention in The constant gardener / Christopher Odhiambo Joseph -- Minstrelsy and mythic appetites: The last king of Scotland's heart of darkness in the Jubilee Year of African independence / Ricardo Guthrie -- "An image of Africa": representations of modern colonialism in Africa in Peter Jackson's King Kong / Clifford T. Manlove -- Plus 'a change, plus c'est la meme chose: Hollywood's constructions of Africa in Lord of war / Earl Conteh-Morgan -- New Jack African cinema: Dangerous ground; Cry, the beloved country; and Blood diamond / Bennetta Jules-Rosette, J.R. Osborn, and Lea Marie Ruiz-Ade -- "It is a very rough game, almost as rough as politics": rugby as visual metaphor and the future of the new South Africa in Invictus / Christopher Garland -- "Every brother ain't a brother": cultural dissonance and Nigerian malaise in District 9's new South Africa / Kimberly Nichele Brown -- Coaxing the beast out of the cage: secrecy and disclosure in Red dust and Catch a fire / Jane Bryce -- Situating agency in Blood diamond and Ezra / Iyunolu Osagie -- Bye bye Hollywood: African cinema and its double in Mahamet-Saleh Haroun's Bye bye Africa / Dayna Oscherwitz. |
Record Nr. | UNINA-9910461891703321 |
Athens, : Ohio University Press, c2012 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Hollywood's Africa after 1994 [[electronic resource] /] / edited by MaryEllen Higgins |
Pubbl/distr/stampa | Athens, : Ohio University Press, c2012 |
Descrizione fisica | 1 online resource (281 p.) |
Disciplina |
791.43/651
791.43651 |
Altri autori (Persone) | HigginsMaryEllen <1967-> |
Soggetto topico |
Human rights in motion pictures
Imperialism in motion pictures Culture conflict in motion pictures Motion pictures - United States - History - 21st century |
ISBN | 0-8214-4433-6 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Introduction: African blood, Hollywood's diamonds? Hollywood's Africa after 1994 / MaryEllen Higgins -- The cited and the uncited: toward an emancipatory reading of representations of Africa / Harry Garuba and Natasha Himmelman -- The troubled terrain of human rights films: Blood diamond, The last king of Scotland, and, The devil came on horseback / Margaret R. Higonnet, with Ethel R. Higonnet -- Hollywood's representations of human rights: the case of Terry George's Hotel Rwanda / Joyce B. Ashuntantang -- Hollywood's cowboy humanitarianism in Black Hawk down and Tears of the sun / MaryEllen Higgins -- Again, the darkness: Shake hands with the devil / Kenneth W. Harrow -- Ambiguities and paradoxes: framing northern intervention in The constant gardener / Christopher Odhiambo Joseph -- Minstrelsy and mythic appetites: The last king of Scotland's heart of darkness in the Jubilee Year of African independence / Ricardo Guthrie -- "An image of Africa": representations of modern colonialism in Africa in Peter Jackson's King Kong / Clifford T. Manlove -- Plus 'a change, plus c'est la meme chose: Hollywood's constructions of Africa in Lord of war / Earl Conteh-Morgan -- New Jack African cinema: Dangerous ground; Cry, the beloved country; and Blood diamond / Bennetta Jules-Rosette, J.R. Osborn, and Lea Marie Ruiz-Ade -- "It is a very rough game, almost as rough as politics": rugby as visual metaphor and the future of the new South Africa in Invictus / Christopher Garland -- "Every brother ain't a brother": cultural dissonance and Nigerian malaise in District 9's new South Africa / Kimberly Nichele Brown -- Coaxing the beast out of the cage: secrecy and disclosure in Red dust and Catch a fire / Jane Bryce -- Situating agency in Blood diamond and Ezra / Iyunolu Osagie -- Bye bye Hollywood: African cinema and its double in Mahamet-Saleh Haroun's Bye bye Africa / Dayna Oscherwitz. |
Record Nr. | UNINA-9910786353703321 |
Athens, : Ohio University Press, c2012 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Hollywood's Africa after 1994 / / edited by MaryEllen Higgins |
Edizione | [1st ed.] |
Pubbl/distr/stampa | Athens, : Ohio University Press, c2012 |
Descrizione fisica | 1 online resource (281 p.) |
Disciplina |
791.43/651
791.43651 |
Altri autori (Persone) | HigginsMaryEllen <1967-> |
Soggetto topico |
Human rights in motion pictures
Imperialism in motion pictures Culture conflict in motion pictures Motion pictures - United States - History - 21st century |
ISBN | 0-8214-4433-6 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Introduction: African blood, Hollywood's diamonds? Hollywood's Africa after 1994 / MaryEllen Higgins -- The cited and the uncited: toward an emancipatory reading of representations of Africa / Harry Garuba and Natasha Himmelman -- The troubled terrain of human rights films: Blood diamond, The last king of Scotland, and, The devil came on horseback / Margaret R. Higonnet, with Ethel R. Higonnet -- Hollywood's representations of human rights: the case of Terry George's Hotel Rwanda / Joyce B. Ashuntantang -- Hollywood's cowboy humanitarianism in Black Hawk down and Tears of the sun / MaryEllen Higgins -- Again, the darkness: Shake hands with the devil / Kenneth W. Harrow -- Ambiguities and paradoxes: framing northern intervention in The constant gardener / Christopher Odhiambo Joseph -- Minstrelsy and mythic appetites: The last king of Scotland's heart of darkness in the Jubilee Year of African independence / Ricardo Guthrie -- "An image of Africa": representations of modern colonialism in Africa in Peter Jackson's King Kong / Clifford T. Manlove -- Plus 'a change, plus c'est la meme chose: Hollywood's constructions of Africa in Lord of war / Earl Conteh-Morgan -- New Jack African cinema: Dangerous ground; Cry, the beloved country; and Blood diamond / Bennetta Jules-Rosette, J.R. Osborn, and Lea Marie Ruiz-Ade -- "It is a very rough game, almost as rough as politics": rugby as visual metaphor and the future of the new South Africa in Invictus / Christopher Garland -- "Every brother ain't a brother": cultural dissonance and Nigerian malaise in District 9's new South Africa / Kimberly Nichele Brown -- Coaxing the beast out of the cage: secrecy and disclosure in Red dust and Catch a fire / Jane Bryce -- Situating agency in Blood diamond and Ezra / Iyunolu Osagie -- Bye bye Hollywood: African cinema and its double in Mahamet-Saleh Haroun's Bye bye Africa / Dayna Oscherwitz. |
Record Nr. | UNINA-9910819281303321 |
Athens, : Ohio University Press, c2012 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
The western in the global south / / edited by MaryEllen Higgins, Rita Keresztesi, and Dayna Oscherwitz |
Pubbl/distr/stampa | New York ; ; London : , : Routledge, , 2015 |
Descrizione fisica | 1 online resource (287 pages) : illustrations, photographs |
Disciplina | 791.43/65878 |
Altri autori (Persone) |
HigginsMaryEllen <1967->
KeresztesiRita OscherwitzDayna <1970-> |
Collana | Routledge Advances in Film Studies |
Soggetto topico | Western films - History and criticism |
ISBN |
1-317-55106-0
1-315-73113-4 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | pt. 1. Colonial circulations of the western in the global south -- pt. 2. The western in sub-saharan Africa and the Caribbean -- pt. 3. The western in Australia and Asia -- pt. 4. South American, Mexican and borderlands westerns. |
Record Nr. | UNINA-9910788115503321 |
New York ; ; London : , : Routledge, , 2015 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
The western in the global south / / edited by MaryEllen Higgins, Rita Keresztesi, and Dayna Oscherwitz |
Edizione | [1st ed.] |
Pubbl/distr/stampa | New York ; ; London : , : Routledge, , 2015 |
Descrizione fisica | 1 online resource (287 pages) : illustrations, photographs |
Disciplina |
791.43/65878
791.4365878 |
Altri autori (Persone) |
HigginsMaryEllen <1967->
KeresztesiRita OscherwitzDayna <1970-> |
Collana | Routledge Advances in Film Studies |
Soggetto topico | Western films - History and criticism |
ISBN |
1-317-55106-0
1-315-73113-4 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | pt. 1. Colonial circulations of the western in the global south -- pt. 2. The western in sub-saharan Africa and the Caribbean -- pt. 3. The western in Australia and Asia -- pt. 4. South American, Mexican and borderlands westerns. |
Record Nr. | UNINA-9910806999503321 |
New York ; ; London : , : Routledge, , 2015 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|