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Harnessing the Technicolor rainbow [[electronic resource] ] : color design in the 1930s / / Scott Higgins
| Harnessing the Technicolor rainbow [[electronic resource] ] : color design in the 1930s / / Scott Higgins |
| Autore | Higgins Scott <1968-> |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Austin, : University of Texas Press, 2007 |
| Descrizione fisica | 1 online resource (313 p.) |
| Disciplina | 778.5/342 |
| Soggetto topico |
Color cinematography - History
Color motion pictures - History |
| Soggetto genere / forma | Electronic books. |
| ISBN | 0-292-79490-8 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNINA-9910452118203321 |
Higgins Scott <1968->
|
||
| Austin, : University of Texas Press, 2007 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Harnessing the Technicolor rainbow [[electronic resource] ] : color design in the 1930s / / Scott Higgins
| Harnessing the Technicolor rainbow [[electronic resource] ] : color design in the 1930s / / Scott Higgins |
| Autore | Higgins Scott <1968-> |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Austin, : University of Texas Press, 2007 |
| Descrizione fisica | 1 online resource (313 p.) |
| Disciplina | 778.5/342 |
| Soggetto topico |
Color cinematography - History
Color motion pictures - History |
| ISBN | 0-292-79490-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Contents -- Acknowledgments -- ONE. Introduction: The Challenge of Technicolor -- TWO. Forging a New Aesthetic: From Opera to Color Consciousness -- THREE. A Feature-Length Demonstration: Becky Sharp -- FOUR. Unobtrusive Design: Introducing Three-Color to Conventional Production -- FIVE. Delicate Expansions: Designing in the Restrained Mode -- SIX. Broadening the Palette: The Adventures of Robin Hood -- SEVEN. A Fully Integrated Design: Light and Color in Gone with the Wind -- EIGHT. Beyond the 1930s: The Legacies of Three-Color Aesthetics -- Appendix 1. Types of Prints Consulted and Variables in Color Reproduction -- Appendix 2. Chronological Filmography: Three-Color Features of the 1930s -- Appendix 3. Pantone Numbers for Color Names -- Notes -- Works Cited -- Index |
| Record Nr. | UNINA-9910778110303321 |
|
Higgins Scott <1968->
|
||
| Austin, : University of Texas Press, 2007 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Harnessing the Technicolor rainbow : color design in the 1930s / / Scott Higgins
| Harnessing the Technicolor rainbow : color design in the 1930s / / Scott Higgins |
| Autore | Higgins Scott <1968-> |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Austin, : University of Texas Press, 2007 |
| Descrizione fisica | 1 online resource (313 p.) |
| Disciplina | 778.5/342 |
| Soggetto topico |
Color cinematography - History
Color motion pictures - History |
| ISBN | 0-292-79490-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Contents -- Acknowledgments -- ONE. Introduction: The Challenge of Technicolor -- TWO. Forging a New Aesthetic: From Opera to Color Consciousness -- THREE. A Feature-Length Demonstration: Becky Sharp -- FOUR. Unobtrusive Design: Introducing Three-Color to Conventional Production -- FIVE. Delicate Expansions: Designing in the Restrained Mode -- SIX. Broadening the Palette: The Adventures of Robin Hood -- SEVEN. A Fully Integrated Design: Light and Color in Gone with the Wind -- EIGHT. Beyond the 1930s: The Legacies of Three-Color Aesthetics -- Appendix 1. Types of Prints Consulted and Variables in Color Reproduction -- Appendix 2. Chronological Filmography: Three-Color Features of the 1930s -- Appendix 3. Pantone Numbers for Color Names -- Notes -- Works Cited -- Index |
| Record Nr. | UNINA-9910806214403321 |
|
Higgins Scott <1968->
|
||
| Austin, : University of Texas Press, 2007 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||