Info
- Utilizzare la checkbox di selezione a fianco di ciascun documento per attivare le funzionalità di stampa, invio email, download nei formati disponibili del (i) record.
A companion to early cinema / / edited by André Gaudreault, Nicolas Dulac and Santiago Hidalgo ; assisted by Pierre Chemartin ; editorial board François Albera ... [et al.]
| A companion to early cinema / / edited by André Gaudreault, Nicolas Dulac and Santiago Hidalgo ; assisted by Pierre Chemartin ; editorial board François Albera ... [et al.] |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Malden, Mass., : Wiley-Blackwell, 2012 |
| Descrizione fisica | 1 online resource (647 p.) |
| Disciplina | 791.4309 |
| Altri autori (Persone) |
GaudreaultAndré
DulacNicolas HidalgoSantiago ChemartinPierre AlberaFrançois |
| Soggetto topico |
Motion pictures - History
Silent films - History and criticism Cinematografia Cinema mut Història |
| Soggetto genere / forma | Llibres electrònics |
| ISBN |
1-118-29387-8
1-118-27448-2 1-280-58656-7 9786613616395 1-118-27446-6 1-118-27445-8 1-118-27447-4 |
| Classificazione |
778.2
791.4309 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction / Nicolas Dulac, André Gaudreault, Santiago Hidalgo -- Early Cinema Cultures. The Culture Broth and the Froth of Cultures of So-called Early Cinema / André Gaudreault -- Toward A History Of Peep Practice / Erkki Huhtamo -- "We are Here and Not Here": Late Nineteenth Century Stage Magic and the Roots of Cinema in the Appearance (and Disappearance) of the Virtual Image / Tom Gunning -- The Féerie between Stage and Screen / Frank Kessler -- The Théâtrophone, an Anachronistic Hybrid Experiment or One of the First Immobile Traveler Devices? / Giusy Pisano -- The "Silent" Arts: Modern Pantomime and the Making of an Art Cinema in Belle Époque Paris: The Case of Georges Wague and Germaine Dulac / Tami Williams -- Early Cinema Discourses. First Discourses on Film and the Construction of a "Cinematic Episteme" / François Albera -- The Discourses of Art in Early Film, or, Why not Rancière? / Rob King -- Sensationalism and Early Cinema / Annemone Ligensa -- From Craft to Industry: Series and Serial Production Discourses and Practices in France / Laurent Le Forestier -- Awareness of Film, Language and Self in Early American Film Publications / Santiago Hidalgo -- Early Cinema and Film Theory / Roger Odin -- Early Cinema Forms. A Bunch of Violets / Ben Brewster -- Modernity Stops at Nothing: The American Chase Film and the Specter of Lynching / Jan Olsson -- "The Knowledge Which Comes in Pictures": Educational Films and Early Cinema Audiences / Jennifer Peterson -- Motion Picture Color and Pathé-Frères: The Aesthetic Consequences of Industrialization / Charles O'Brien -- Early Cinema Presentations. The European Fairground Cinema: (Re-)defining and (Re-)contextualizing the "Cinema of -- Attractions" / Joseph Garncarz -- Early Film Programs: an Overture, Five Acts, and an Interlude / Richard Abel -- "Half Real-Half Reel": Alternation Format Stage-and-Screen Hybrids / Gwendolyn Waltz -- Advance Newspaper Publicity for the Vitascope and the Mass Address of Cinema's Reading Public / Paul S. Moore -- Storefront Theater Advertising and the Evolution of the American Film Poster / Kathryn H. Fuller-Seeley -- Bound by Cinematic Chains: Film and Prisons during the Early Era / Alison Griffiths -- Early Cinema Identities. Anonymity: Uncredited and Unknown in Early Cinema / Jane M. Gaines -- The Invention of Cinematic Celebrity in Britain / -- Andrew shail -- the film lecturer / Germain Lacasse -- Richard Hoffman: A Collector's Archive / Richard Koszarski -- Early Cinema Recollections. Early Films in the Age of Content; or, "Cinema of Attractions" Pursued by Digital Means / Paolo Cherchi Usai -- Multiple Originals: The (Digital) Restoration and Exhibition of Early Films / Giovanna Fossati -- Pointing Forward, Looking Back: Reflexivity and Deixis in Early Cinema and Contemporary Installations / Nanna Verhoeff -- Is Nothing New? Turn of the Century Epistemes in Film History / Thomas Elsaesser. |
| Record Nr. | UNINA-9910141320403321 |
| Malden, Mass., : Wiley-Blackwell, 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Méliès, carrefour des attractions : Suivi de Correspondance de Georges Méliès (1904-1937) / André Goudreault, Laurent Le Forestier
| Méliès, carrefour des attractions : Suivi de Correspondance de Georges Méliès (1904-1937) / André Goudreault, Laurent Le Forestier |
| Autore | Barnier Martin |
| Pubbl/distr/stampa | Rennes, : Presses universitaires de Rennes, 2018 |
| Descrizione fisica | 1 online resource (542 p.) |
| Altri autori (Persone) |
BerthoméJean-Pierre
ChikCaroline DagradaElena DésilePatrick ForestierLaurent Le GaudreaultAndré GauthierPhilippe GordonRae Beth GuidoLaurent Hamus-ValléeRéjane HidalgoSantiago KesslerFrank LenkSabine MalthêteJacques MorrisseyPriska PaciViva PisanoGiusy RenouardCaroline Sirois-TrahanJean-Pierre SolomonMatthew StrauvenWanda TabetFrédéric TralongoStéphane GoudreaultAndré Le ForestierLaurent |
| Soggetto topico |
Film Radio Television
cinéma histoire du cinéma cinéma français |
| ISBN | 2-7535-6152-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | fre |
| Record Nr. | UNINA-9910495760403321 |
Barnier Martin
|
||
| Rennes, : Presses universitaires de Rennes, 2018 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Technology and Film Scholarship : Experience, Study, Theory / / edited by Santiago Hidalgo ; foreword by Andre Gaudreault
| Technology and Film Scholarship : Experience, Study, Theory / / edited by Santiago Hidalgo ; foreword by Andre Gaudreault |
| Autore | Hidalgo Santiago |
| Pubbl/distr/stampa | Amsterdam, : Amsterdam University Press, 2017 |
| Descrizione fisica | 1 online resource (264 pages) |
| Disciplina | 791 |
| Collana | Film theory in media history |
| Soggetto topico |
Performing Arts
Filmtheorie Technology in motion pictures Technology in motion pictures - History |
| Soggetto genere / forma |
History
Electronic books. |
| Soggetto non controllato | Technology, Film Experience, Film Study, Film Historiography, Film Scholarship |
| ISBN | 90-485-2527-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Machine generated contents note: ; Section I Experience -- ; 1. When Did Cinema Become Cinema? Technology, History, and the Moving Pictures / Charles Musser -- ; 2. Exhibition Practices in Transition: Spectators, Audiences, and Projectors / Jan Olsson -- ; 3. Reel Changes: Post-mortem Cinephilia or the Resistance of Melancholia / Andre Habib -- ; 4. Walter Benjamin's Play Room: Where the Future So Eloquently Nests, or: What is Cinema Again? / Dana Cooley -- ; Section II Study -- ; 5. Hitchcock, Film Studies, and New Media: The Impact of Technology on the Analysis of Film / David Colangelo -- ; 6. Film Analysis and Statistics: A Field Report / Charles O'Brien -- ; 7. A `Distant Reading' of the `Chaser Theory': Local Views and the Digital Generation of New Cinema History / Paul Moore -- ; Section III Theory -- ; 8. Cine-Graphism: A New Approach to the Evolution of Film Language through Technology / Tom Gunning -- ; 9. Can We Have the Cave and Leave It Too? On the Meaning of Cinema as Technology / Vinzenz Hediger -- ; 10. On Viewfinders, Video Assist Systems, and Tape Splicers: Questioning the History of Techniques and Technology in Cinema / Benoit Turquety. |
| Record Nr. | UNINA-9910320755603321 |
| Hidalgo Santiago | ||
| Amsterdam, : Amsterdam University Press, 2017 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Technology and Film Scholarship : Experience, Study, Theory / / edited by Santiago Hidalgo ; foreword by Andre Gaudreault
| Technology and Film Scholarship : Experience, Study, Theory / / edited by Santiago Hidalgo ; foreword by Andre Gaudreault |
| Pubbl/distr/stampa | Amsterdam : , : Amsterdam University Press, , [2017] |
| Descrizione fisica | 1 online resource (264 pages) |
| Disciplina | 791 |
| Collana | Film theory in media history |
| Soggetto topico |
Performing Arts
Filmtheorie Technology in motion pictures Technology in motion pictures - History |
| Soggetto genere / forma |
History
Electronic books. |
| Soggetto non controllato | Technology, Film Experience, Film Study, Film Historiography, Film Scholarship |
| ISBN | 90-485-2527-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Machine generated contents note: ; Section I Experience -- ; 1. When Did Cinema Become Cinema? Technology, History, and the Moving Pictures / Charles Musser -- ; 2. Exhibition Practices in Transition: Spectators, Audiences, and Projectors / Jan Olsson -- ; 3. Reel Changes: Post-mortem Cinephilia or the Resistance of Melancholia / Andre Habib -- ; 4. Walter Benjamin's Play Room: Where the Future So Eloquently Nests, or: What is Cinema Again? / Dana Cooley -- ; Section II Study -- ; 5. Hitchcock, Film Studies, and New Media: The Impact of Technology on the Analysis of Film / David Colangelo -- ; 6. Film Analysis and Statistics: A Field Report / Charles O'Brien -- ; 7. A `Distant Reading' of the `Chaser Theory': Local Views and the Digital Generation of New Cinema History / Paul Moore -- ; Section III Theory -- ; 8. Cine-Graphism: A New Approach to the Evolution of Film Language through Technology / Tom Gunning -- ; 9. Can We Have the Cave and Leave It Too? On the Meaning of Cinema as Technology / Vinzenz Hediger -- ; 10. On Viewfinders, Video Assist Systems, and Tape Splicers: Questioning the History of Techniques and Technology in Cinema / Benoit Turquety. |
| Record Nr. | UNISA-996379043903316 |
| Amsterdam : , : Amsterdam University Press, , [2017] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
| ||