The handbook of visual culture / / edited by Ian Heywood and Barry Sandywell ; with Michael Gardiner, Gunalan Nadarajan and Catherine Soussloff |
Pubbl/distr/stampa | London, England : , : Bloomsbury, , [2012] |
Descrizione fisica | 1 online resource (1807 p.) |
Disciplina | 306 |
Soggetto topico | Culture |
Soggetto genere / forma | Electronic books. |
ISBN |
1-350-02650-6
1-84788-575-6 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Cover Page; Halftitle Page; Dedication; Title Page; Contents; Illustrations; Acknowledgments; Contributors; Critical Approaches to the Study of Visual Culture: An Introduction to the Handbook; Part One: Historical and Theoretical Perspectives; Editorial Introduction; 1 Major Theoretical Frameworks in Visual Culture; 2 Towards a New Visual Studies and Aesthetics: Theorizing the Turns; 3 Scopic Regimes of Modernity Revisited; 4 Phenomenology and Its Shadow: Visuality in the Late Work of Merleau-Ponty; 5 Hermeneutical Aesthetics and an Ontogeny of the Visual; Part Two: Art and Visuality
Editorial Introduction6 Visual Culture and Contemporary Art: Reframing the Picture, Recasting the Object?; 7 Beyond Museology: Reframing the Sensorium; 8 Cubism and the Iconic Turn: A Climate of Practice, the Object and Representation; 9 Reframing Nature: The Visual Experience of Early Mountaineering; 10 The Work on the Street: Street Art and Visual Culture; Part Three: Aesthetics, Politics and Visual Culture; Editorial Introduction; 11 Sociology of the Spectacle: Politics, Terror, Desire; 12 Art, Feminism and Visual Culture 13 Visual Consciousness: The Impact of New Media on Literate Culture14 The 'Dictatorship of the Eye': Henri Lefebvre on Vision, Space and Modernity; 15 Cubist Collage and Visual Culture: Representation and Politics; Part Four: Practices and Institutions of Visual Culture; Editorial Introduction; 16 Looking Sharp: Fashion Studies; 17 Seeing Things: Apprehending Material Culture; 18 Photography and Visual Culture; 19 Television as a Global Visual Medium; 20 Film and Visual Culture; 21 Pragmatic Vision: Connecting Aesthetics, Materiality and Culture in Landscape Architectural Practice 22 Images and Information in Cultures of ConsumptionPart Five: Developments in the Field of Visual Culture; Editorial Introduction; 23 The Question of Method: Practice, Reflexivity and Critique in Visual Culture Studies; 24 Digital Art and Visual Culture; 25 Digitalization, Visualization and the 'Descriptive Turn' in Contemporary Sociology; 26 Action-based Visual and Creative Methods in Social Research; 27 Neuroscience and the Nature of Visual Culture; 28 Re-visualizing Anthropology through the Lens of The Ethnographer's Eye 29 Seven Theses on Visual Culture: Towards a Critical-Reflexive Paradigm for the New Visual Studies30 Mapping the Visual Field: A Bibliographical Guide; Name Index; Subject Index; Imprint Page |
Record Nr. | UNINA-9910453436403321 |
London, England : , : Bloomsbury, , [2012] | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
The handbook of visual culture / / edited by Ian Heywood and Barry Sandywell ; with Michael Gardiner, Gunalan Nadarajan and Catherine Soussloff |
Pubbl/distr/stampa | London, England : , : Bloomsbury, , [2012] |
Descrizione fisica | 1 online resource (1807 p.) |
Disciplina | 306 |
Soggetto topico | Culture |
ISBN |
1-350-25077-5
1-350-02650-6 1-84788-575-6 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Cover Page; Halftitle Page; Dedication; Title Page; Contents; Illustrations; Acknowledgments; Contributors; Critical Approaches to the Study of Visual Culture: An Introduction to the Handbook; Part One: Historical and Theoretical Perspectives; Editorial Introduction; 1 Major Theoretical Frameworks in Visual Culture; 2 Towards a New Visual Studies and Aesthetics: Theorizing the Turns; 3 Scopic Regimes of Modernity Revisited; 4 Phenomenology and Its Shadow: Visuality in the Late Work of Merleau-Ponty; 5 Hermeneutical Aesthetics and an Ontogeny of the Visual; Part Two: Art and Visuality
Editorial Introduction6 Visual Culture and Contemporary Art: Reframing the Picture, Recasting the Object?; 7 Beyond Museology: Reframing the Sensorium; 8 Cubism and the Iconic Turn: A Climate of Practice, the Object and Representation; 9 Reframing Nature: The Visual Experience of Early Mountaineering; 10 The Work on the Street: Street Art and Visual Culture; Part Three: Aesthetics, Politics and Visual Culture; Editorial Introduction; 11 Sociology of the Spectacle: Politics, Terror, Desire; 12 Art, Feminism and Visual Culture 13 Visual Consciousness: The Impact of New Media on Literate Culture14 The 'Dictatorship of the Eye': Henri Lefebvre on Vision, Space and Modernity; 15 Cubist Collage and Visual Culture: Representation and Politics; Part Four: Practices and Institutions of Visual Culture; Editorial Introduction; 16 Looking Sharp: Fashion Studies; 17 Seeing Things: Apprehending Material Culture; 18 Photography and Visual Culture; 19 Television as a Global Visual Medium; 20 Film and Visual Culture; 21 Pragmatic Vision: Connecting Aesthetics, Materiality and Culture in Landscape Architectural Practice 22 Images and Information in Cultures of ConsumptionPart Five: Developments in the Field of Visual Culture; Editorial Introduction; 23 The Question of Method: Practice, Reflexivity and Critique in Visual Culture Studies; 24 Digital Art and Visual Culture; 25 Digitalization, Visualization and the 'Descriptive Turn' in Contemporary Sociology; 26 Action-based Visual and Creative Methods in Social Research; 27 Neuroscience and the Nature of Visual Culture; 28 Re-visualizing Anthropology through the Lens of The Ethnographer's Eye 29 Seven Theses on Visual Culture: Towards a Critical-Reflexive Paradigm for the New Visual Studies30 Mapping the Visual Field: A Bibliographical Guide; Name Index; Subject Index; Imprint Page |
Record Nr. | UNINA-9910791317703321 |
London, England : , : Bloomsbury, , [2012] | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
The handbook of visual culture / / edited by Ian Heywood and Barry Sandywell ; with Michael Gardiner, Gunalan Nadarajan and Catherine Soussloff |
Pubbl/distr/stampa | London, England : , : Bloomsbury, , [2012] |
Descrizione fisica | 1 online resource (1807 p.) |
Disciplina | 306 |
Soggetto topico | Culture |
ISBN |
1-350-25077-5
1-350-02650-6 1-84788-575-6 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Cover Page; Halftitle Page; Dedication; Title Page; Contents; Illustrations; Acknowledgments; Contributors; Critical Approaches to the Study of Visual Culture: An Introduction to the Handbook; Part One: Historical and Theoretical Perspectives; Editorial Introduction; 1 Major Theoretical Frameworks in Visual Culture; 2 Towards a New Visual Studies and Aesthetics: Theorizing the Turns; 3 Scopic Regimes of Modernity Revisited; 4 Phenomenology and Its Shadow: Visuality in the Late Work of Merleau-Ponty; 5 Hermeneutical Aesthetics and an Ontogeny of the Visual; Part Two: Art and Visuality
Editorial Introduction6 Visual Culture and Contemporary Art: Reframing the Picture, Recasting the Object?; 7 Beyond Museology: Reframing the Sensorium; 8 Cubism and the Iconic Turn: A Climate of Practice, the Object and Representation; 9 Reframing Nature: The Visual Experience of Early Mountaineering; 10 The Work on the Street: Street Art and Visual Culture; Part Three: Aesthetics, Politics and Visual Culture; Editorial Introduction; 11 Sociology of the Spectacle: Politics, Terror, Desire; 12 Art, Feminism and Visual Culture 13 Visual Consciousness: The Impact of New Media on Literate Culture14 The 'Dictatorship of the Eye': Henri Lefebvre on Vision, Space and Modernity; 15 Cubist Collage and Visual Culture: Representation and Politics; Part Four: Practices and Institutions of Visual Culture; Editorial Introduction; 16 Looking Sharp: Fashion Studies; 17 Seeing Things: Apprehending Material Culture; 18 Photography and Visual Culture; 19 Television as a Global Visual Medium; 20 Film and Visual Culture; 21 Pragmatic Vision: Connecting Aesthetics, Materiality and Culture in Landscape Architectural Practice 22 Images and Information in Cultures of ConsumptionPart Five: Developments in the Field of Visual Culture; Editorial Introduction; 23 The Question of Method: Practice, Reflexivity and Critique in Visual Culture Studies; 24 Digital Art and Visual Culture; 25 Digitalization, Visualization and the 'Descriptive Turn' in Contemporary Sociology; 26 Action-based Visual and Creative Methods in Social Research; 27 Neuroscience and the Nature of Visual Culture; 28 Re-visualizing Anthropology through the Lens of The Ethnographer's Eye 29 Seven Theses on Visual Culture: Towards a Critical-Reflexive Paradigm for the New Visual Studies30 Mapping the Visual Field: A Bibliographical Guide; Name Index; Subject Index; Imprint Page |
Record Nr. | UNINA-9910829145903321 |
London, England : , : Bloomsbury, , [2012] | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Interpreting visual culture : explorations in the hermeneutics of the visual / / edited by Ian Heywood and Barry Sandywell |
Pubbl/distr/stampa | London ; ; New York : , : Routledge, , 1999 |
Descrizione fisica | 1 online resource (287 p.) |
Disciplina | 111/.85 |
Altri autori (Persone) |
HeywoodIan <1948->
SandywellBarry |
Soggetto topico |
Aesthetics
Vision Hermeneutics Art - Philosophy Art and society |
Soggetto genere / forma | Electronic books. |
ISBN |
1-134-72923-5
1-280-13981-1 0-203-98459-5 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Preliminaries; CONTENTS; List of illustrations; List of contributors; Introduction; 1 The hermeneutics of seeing; 2 Specular grammar; 3 Bakhtin and the metaphorics of perception; 4 Durkheim's double vision; 5 Readers of the lost art; 6 Seeing becoming drawing; 7 The 'real realm'; 8 The denigration of vision and the renewal of painting; 9 My philosophical project and the empty jug; 10 'Ever more specific'; 11 Aporia of the sensible; Appendix: the original project; Select bibliography; Index |
Record Nr. | UNINA-9910452252703321 |
London ; ; New York : , : Routledge, , 1999 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Interpreting visual culture : explorations in the hermeneutics of the visual / / editors, Ian Heywood, Barry Sandywell |
Pubbl/distr/stampa | London : , : Routledge, , 1999 |
Descrizione fisica | 1 online resource (xviii, 260 pages) : illustrations |
Disciplina | 111/.85 |
Altri autori (Persone) |
HeywoodIan <1948->
SandywellBarry |
Soggetto topico |
Aesthetics
Vision Hermeneutics Art - Philosophy Art and society |
ISBN |
1-134-72922-7
1-134-72923-5 1-280-13981-1 0-203-98459-5 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Preliminaries; CONTENTS; List of illustrations; List of contributors; Introduction; 1 The hermeneutics of seeing; 2 Specular grammar; 3 Bakhtin and the metaphorics of perception; 4 Durkheim's double vision; 5 Readers of the lost art; 6 Seeing becoming drawing; 7 The 'real realm'; 8 The denigration of vision and the renewal of painting; 9 My philosophical project and the empty jug; 10 'Ever more specific'; 11 Aporia of the sensible; Appendix: the original project; Select bibliography; Index |
Record Nr. | UNINA-9910777680303321 |
London : , : Routledge, , 1999 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Interpreting visual culture : explorations in the hermeneutics of the visual / / edited by Ian Heywood and Barry Sandywell |
Pubbl/distr/stampa | London ; ; New York, : Routledge, 1999 |
Descrizione fisica | 1 online resource (xviii, 260 pages) : illustrations |
Disciplina | 111/.85 |
Altri autori (Persone) |
HeywoodIan <1948->
SandywellBarry |
Soggetto topico |
Aesthetics
Vision Hermeneutics Art - Philosophy Art and society |
ISBN |
1-134-72922-7
1-134-72923-5 1-280-13981-1 0-203-98459-5 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Preliminaries; CONTENTS; List of illustrations; List of contributors; Introduction; 1 The hermeneutics of seeing; 2 Specular grammar; 3 Bakhtin and the metaphorics of perception; 4 Durkheim's double vision; 5 Readers of the lost art; 6 Seeing becoming drawing; 7 The 'real realm'; 8 The denigration of vision and the renewal of painting; 9 My philosophical project and the empty jug; 10 'Ever more specific'; 11 Aporia of the sensible; Appendix: the original project; Select bibliography; Index |
Record Nr. | UNINA-9910825423303321 |
London ; ; New York, : Routledge, 1999 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Sensory arts and design / / edited by Ian Heywood |
Edizione | [1st ed.] |
Pubbl/distr/stampa | Abingdon, Oxon ; ; New York, NY : , : Routledge, Taylor & Francis Group, , 2020 |
Descrizione fisica | 1 online resource (281 pages) : illustrations |
Disciplina | 306 |
Collana | Sensory studies series |
Soggetto topico |
Culture
Senses and sensation Design - Psychological aspects |
ISBN |
1-00-308663-2
1-000-18375-0 1-000-18051-4 1-003-08663-2 1-4742-8021-8 1-4742-8020-X |
Classificazione | SOC002010 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Machine generated contents note: -- List of Illustrations -- Notes on Contributors Introduction -- Ian Heywood, LICA, Lancaster University, UK Part I: Sensory Arts and Design, New Technologies and the Urban Environment Shadowplay: Liberation and Exhilaration in Cities at Night -- Nick Dunn, LICA, Lancaster University, UK -- The Role of Playfulness ans Sensory Experiences in Design for Public Health and for Ageing Well -- Emmanuel Tsekleves, Imagination Lancaster, Lancaster University, UK and Andy Darby, LICA, Lancaster University, UK Can We Give Ourselves Extra Senses? Exploring Sensory Augmentation -- Naomi Jacobs, LICA, Lancaster University, UK, and Jonny Huck, Manchester University, UK -- Sonifying Memory: Creative Approaches to Representing Socially Constructed Soundscapes -- Linda O'Keeffe, LICA, Lancaster University, UK Part II: The Range of Sensory Arts and Design: Extensions, Realizations and Capacities -- Scented Colours: The Role of Olfaction in Futurism and Olfactory (Re-)constructions -- Caro Verbeek, Royal Academy of Arts in The Hague and Rijksmuseum, the Netherlands -- Museums of Good Taste, Artworks of Good Taste: Gastronomic Contemporary Art -- Mark Clintberg, Alberta College of Art and Design, Canada The 2015 Chicago Architecture Biennial: The State of Sensory Design -- Joy Malnar, University of Illinois at Urbana-Champaign, USA Music: Seeing and Feeling With the Ears -- Alan Marsden and Richard Leadbeater, LICA, Lancaster University UK Part III: Vision, Touch and Technologies of Sense -- Art Spectatorship and the Senses: An Eye Movement Analysis Exploring the Experience of Viewing Paintings and Reproductions -- Beth Harland, LICA, Lancaster University, UK and Nick Donnelly, University of Southampton, UK -- Sensing Atoms and Bits -- Paul Coulton, Imagination Lancaster, Lancaster University, UK Drawn Away from Vision: Encounters with the Unseen -- Sarah Casey and Gerry Davies, LICA, Lancaster University, UK From Impressionism to Opticality: An Episode in the Sensory History of Art -- Ian Heywood, LICA, Lancaster University, UK A Choreography of the Senses: The Painter's Studio -- Pip Dickens, LICA, Lancaster University, UK Index. |
Record Nr. | UNINA-9910151751903321 |
Abingdon, Oxon ; ; New York, NY : , : Routledge, Taylor & Francis Group, , 2020 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|