Info
The Cambridge companion to brass instruments / / edited by Trevor Herbert and John Wallace [[electronic resource]]
| The Cambridge companion to brass instruments / / edited by Trevor Herbert and John Wallace [[electronic resource]] |
| Pubbl/distr/stampa | Cambridge : , : Cambridge University Press, , 1997 |
| Descrizione fisica | 1 online resource (xviii, 341 pages) : digital, PDF file(s) |
| Disciplina | 788.9 |
| Collana | Cambridge companions to music |
| Soggetto topico | Brass instruments |
| ISBN |
1-139-81561-X
9781139002035 (eBook) |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Lip-vibrated instruments of the ancient and non-western world / Margaret Sarkissian -- How brass instruments work / Arnold Myers -- Design, technology and manufacture before 1800 / Robert Barclay -- Brass instruments in art music in the Middle Ages / Keith Polk -- The cornett / Bruce Dickey -- 'Sackbut' : the early trombone / Trevor Herbert -- The trumpet before 1800 / Edward H. Tarr --- The horn in the Baroque and classical periods / Thomas Hiebert -- Design, technology and manufacture since 1800 / Arnold Myers -- Keyed brass / Ralph T. Dudgeon -- The low brass / Clifford Bevan -- Brass in the modern orchestra / Simon Wills -- Brass bands and other vernacular brass traditions / Trevor Herbert -- Playing, learning and teaching brass / Ralph T. Dudgeon [and others] -- The post-classical horn / Robert Evans -- Jazz, improvisation and brass / Roger T. Dean -- Brass solo and chamber music from 1800 / John Wallace -- Frontiers or byways? Brass instruments in avant-garde music / Simon Wills. |
| Record Nr. | UNISA-996210333003316 |
| Cambridge : , : Cambridge University Press, , 1997 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
| ||
The cultural study of music : a critical introduction / / edited by Martin Clayton, Trevor Herbert, Richard Middleton
| The cultural study of music : a critical introduction / / edited by Martin Clayton, Trevor Herbert, Richard Middleton |
| Edizione | [2nd ed.] |
| Pubbl/distr/stampa | New York : , : Routledge, , 2012 |
| Descrizione fisica | 1 online resource (481 p.) |
| Disciplina | 306.4/842 |
| Altri autori (Persone) |
ClaytonMartin
HerbertTrevor MiddletonRichard |
| Soggetto topico |
Music - Social aspects
Musicology |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-283-85116-4
1-136-51473-2 0-203-14945-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover ; The Cultural Study of Music: A Critical Introduction; Copyright ; Contents ; Preface to the Second Edition ; Notes of Contributors ; Introduction: Music Studies and the Idea of Culture; Part 1: When? Musical Histories ; Chapter 1. Music and Biocultural Evolution ; Chapter 2. Music and Culture: Historiographies of Disjuncture, Ethnographies of Displacement ; Chapter 3. Historical Musicology: Is It Still Possible? ; Chapter 4. Social History and Music History ; Chapter 5. Musicology, Anthropology, History ; Part 2: Where? Locations of Music
Chapter 6. Textual Analysis or Thick Description? Chapter 7. Comparing Music, Comparing Musicology ; Chapter 8. The Destiny of "Diaspora" in Ethnomusicology ; Chapter 9. Globalization and the Politics of World Music ; Chapter 10. Contesting Difference: A Critique of Africanist Ethnomusicology ; Chapter 11. What a Difference a Name Makes: Two Instances of African-American Popular Music ; Chapter 12. Music, Space, and Place: The Geography of Music ; Chapter 13. Music and Everyday Life ; Part 3: How? Processes, Practices, and Institutions of Music ; Chapter 14. Music, Culture, and Creativity Chapter 15. Musical Autonomy Revisited Chapter 16. Music as Performance ; Chapter 17. The Cultural Study of Musical Instruments ; Chapter 18. Music Education, Cultural Capital, and Social Group Identity ; Chapter 19. Music Technology, or Technologies of Music? ; Chapter 20. Music and Material Culture ; Part 4: Whose? Social Forces and Musical Belongings ; Chapter 21. Music and Social Categories ; Chapter 22. Music and Mediation: Toward a New Sociology of Music ; Chapter 23. Music and the Social ; Chapter 24. Locating the People: Music and the Popular Chapter 25. Music and the Market: The Economics of Music in the Modern World Chapter 26. Music, Sound, and Religion ; Chapter 27. Music, Race, and the Fields of Public Culture ; Chapter 28. Music, Gender, and Sexuality ; Part 5: Who? Musical Subjectivities ; Chapter 29. What's Going On: Music, Psychology, and Ecological Theory ; Chapter 30. Musical Materials, Perception, and Listening ; Chapter 31. Music, Experience, and the Anthropology of Emotion ; Chapter 32. Towards a Political Aesthetics of Music ; Chapter 33. Music and the Subject: Three Takes Chapter 34. Of Mice and Dogs: Music, Gender, and Sexuality at the Long Fin-de-Siècle Chapter 35. Subjectivity Unbound: Music, Language, Culture ; References ; Index |
| Record Nr. | UNINA-9910457948303321 |
| New York : , : Routledge, , 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The cultural study of music : a critical introduction / / edited by Martin Clayton, Trevor Herbert, Richard Middleton
| The cultural study of music : a critical introduction / / edited by Martin Clayton, Trevor Herbert, Richard Middleton |
| Edizione | [2nd ed.] |
| Pubbl/distr/stampa | New York : , : Routledge, , 2012 |
| Descrizione fisica | 1 online resource (481 p.) |
| Disciplina | 306.4/842 |
| Altri autori (Persone) |
ClaytonMartin
HerbertTrevor MiddletonRichard |
| Soggetto topico |
Music - Social aspects
Musicology |
| ISBN |
1-136-51472-4
1-283-85116-4 1-136-51473-2 0-203-14945-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover ; The Cultural Study of Music: A Critical Introduction; Copyright ; Contents ; Preface to the Second Edition ; Notes of Contributors ; Introduction: Music Studies and the Idea of Culture; Part 1: When? Musical Histories ; Chapter 1. Music and Biocultural Evolution ; Chapter 2. Music and Culture: Historiographies of Disjuncture, Ethnographies of Displacement ; Chapter 3. Historical Musicology: Is It Still Possible? ; Chapter 4. Social History and Music History ; Chapter 5. Musicology, Anthropology, History ; Part 2: Where? Locations of Music
Chapter 6. Textual Analysis or Thick Description? Chapter 7. Comparing Music, Comparing Musicology ; Chapter 8. The Destiny of "Diaspora" in Ethnomusicology ; Chapter 9. Globalization and the Politics of World Music ; Chapter 10. Contesting Difference: A Critique of Africanist Ethnomusicology ; Chapter 11. What a Difference a Name Makes: Two Instances of African-American Popular Music ; Chapter 12. Music, Space, and Place: The Geography of Music ; Chapter 13. Music and Everyday Life ; Part 3: How? Processes, Practices, and Institutions of Music ; Chapter 14. Music, Culture, and Creativity Chapter 15. Musical Autonomy Revisited Chapter 16. Music as Performance ; Chapter 17. The Cultural Study of Musical Instruments ; Chapter 18. Music Education, Cultural Capital, and Social Group Identity ; Chapter 19. Music Technology, or Technologies of Music? ; Chapter 20. Music and Material Culture ; Part 4: Whose? Social Forces and Musical Belongings ; Chapter 21. Music and Social Categories ; Chapter 22. Music and Mediation: Toward a New Sociology of Music ; Chapter 23. Music and the Social ; Chapter 24. Locating the People: Music and the Popular Chapter 25. Music and the Market: The Economics of Music in the Modern World Chapter 26. Music, Sound, and Religion ; Chapter 27. Music, Race, and the Fields of Public Culture ; Chapter 28. Music, Gender, and Sexuality ; Part 5: Who? Musical Subjectivities ; Chapter 29. What's Going On: Music, Psychology, and Ecological Theory ; Chapter 30. Musical Materials, Perception, and Listening ; Chapter 31. Music, Experience, and the Anthropology of Emotion ; Chapter 32. Towards a Political Aesthetics of Music ; Chapter 33. Music and the Subject: Three Takes Chapter 34. Of Mice and Dogs: Music, Gender, and Sexuality at the Long Fin-de-Siècle Chapter 35. Subjectivity Unbound: Music, Language, Culture ; References ; Index |
| Record Nr. | UNINA-9910778919103321 |
| New York : , : Routledge, , 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The cultural study of music : a critical introduction / / edited by Martin Clayton, Trevor Herbert, Richard Middleton
| The cultural study of music : a critical introduction / / edited by Martin Clayton, Trevor Herbert, Richard Middleton |
| Edizione | [2nd ed.] |
| Pubbl/distr/stampa | New York, : Routledge, 2012 |
| Descrizione fisica | 1 online resource (481 p.) |
| Disciplina | 306.4/842 |
| Altri autori (Persone) |
ClaytonMartin
HerbertTrevor MiddletonRichard |
| Soggetto topico |
Music - Social aspects
Musicology |
| ISBN |
9781136514722
1136514724 9781283851169 1283851164 9781136514739 1136514732 9780203149454 0203149459 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover ; The Cultural Study of Music: A Critical Introduction; Copyright ; Contents ; Preface to the Second Edition ; Notes of Contributors ; Introduction: Music Studies and the Idea of Culture; Part 1: When? Musical Histories ; Chapter 1. Music and Biocultural Evolution ; Chapter 2. Music and Culture: Historiographies of Disjuncture, Ethnographies of Displacement ; Chapter 3. Historical Musicology: Is It Still Possible? ; Chapter 4. Social History and Music History ; Chapter 5. Musicology, Anthropology, History ; Part 2: Where? Locations of Music
Chapter 6. Textual Analysis or Thick Description? Chapter 7. Comparing Music, Comparing Musicology ; Chapter 8. The Destiny of "Diaspora" in Ethnomusicology ; Chapter 9. Globalization and the Politics of World Music ; Chapter 10. Contesting Difference: A Critique of Africanist Ethnomusicology ; Chapter 11. What a Difference a Name Makes: Two Instances of African-American Popular Music ; Chapter 12. Music, Space, and Place: The Geography of Music ; Chapter 13. Music and Everyday Life ; Part 3: How? Processes, Practices, and Institutions of Music ; Chapter 14. Music, Culture, and Creativity Chapter 15. Musical Autonomy Revisited Chapter 16. Music as Performance ; Chapter 17. The Cultural Study of Musical Instruments ; Chapter 18. Music Education, Cultural Capital, and Social Group Identity ; Chapter 19. Music Technology, or Technologies of Music? ; Chapter 20. Music and Material Culture ; Part 4: Whose? Social Forces and Musical Belongings ; Chapter 21. Music and Social Categories ; Chapter 22. Music and Mediation: Toward a New Sociology of Music ; Chapter 23. Music and the Social ; Chapter 24. Locating the People: Music and the Popular Chapter 25. Music and the Market: The Economics of Music in the Modern World Chapter 26. Music, Sound, and Religion ; Chapter 27. Music, Race, and the Fields of Public Culture ; Chapter 28. Music, Gender, and Sexuality ; Part 5: Who? Musical Subjectivities ; Chapter 29. What's Going On: Music, Psychology, and Ecological Theory ; Chapter 30. Musical Materials, Perception, and Listening ; Chapter 31. Music, Experience, and the Anthropology of Emotion ; Chapter 32. Towards a Political Aesthetics of Music ; Chapter 33. Music and the Subject: Three Takes Chapter 34. Of Mice and Dogs: Music, Gender, and Sexuality at the Long Fin-de-Siècle Chapter 35. Subjectivity Unbound: Music, Language, Culture ; References ; Index |
| Record Nr. | UNINA-9910971871803321 |
| New York, : Routledge, 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||