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Landscape between ideology and the aesthetic : Marxist essays on British art and art theory, 1750-1850 / / by Andrew Hemingway



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Autore: Hemingway Andrew Visualizza persona
Titolo: Landscape between ideology and the aesthetic : Marxist essays on British art and art theory, 1750-1850 / / by Andrew Hemingway Visualizza cluster
Pubblicazione: Leiden, Netherlands ; ; Boston, [Massachusetts] : , : Brill, , 2017
©2017
Descrizione fisica: 1 online resource (515 pages) : illustrations
Disciplina: 701/.170941
Soggetto topico: Communism and art - Great Britain - History
Communist aesthetics
Art - Philosophy
Art - Great Britain - History
Art criticism - Great Britain - History
Nota di bibliografia: Includes bibliographical references and index.
Nota di contenuto: Front Matter -- Theoretical Apologia -- The Science of Taste in the Eighteenth Century: Philosophical Criticism and the Scottish Historical School -- Academic Theory versus Association Aesthetics: The Ideological Forms of a Conflict of Interests in the Early Nineteenth Century -- Bourgeois Critiques of the Monopoly of Taste -- Genius, Gender, and Progress: Benthamism and the Arts in the 1820s -- Cultural Philanthropy and the Invention of the Norwich School -- Meaning in Cotman’s Norfolk Subjects -- Sheep as a Pictorial Motif: Pastoral and Counter-Pastoral -- Artisanal Worldview in the Paintings of John Crome -- John Crome’s ‘Local Scenery’: Iconography and the Ideology of the Picturesque -- Constable and His Audience: An Argument for Iconography -- The Field of Waterloo Exposed: Turner, Byron, and the Politics of Reaction -- Coda: Regarding Art History -- Bibliography -- Index.
Sommario/riassunto: At a time of growing interest in relations between Marxism and Romanticism, Andrew Hemingway’s essays on British art and art theory reopen the question of Romantic painting’s ideological functions and, in some cases, its critical purchase. Half the volume exposes the voices of competing class interests in aesthetics and art theory in the tumultuous years of British history between the American Revolution and the 1832 Parliamentary Reform Act. Half offers new perspectives on works by some of the most important landscape painters of the time: John Constable, J.M.W. Turner, John Crome, and John Sell Cotman. Four essays are hitherto unpublished, and the remainder have been updated and in several cases substantially rewritten for this volume.
Titolo autorizzato: Landscape between ideology and the aesthetic  Visualizza cluster
ISBN: 90-04-26901-0
Formato: Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione: Inglese
Record Nr.: 9910155553303321
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Serie: Historical materialism book series ; ; Volume 135.