Shakespeare : from stage to screen / / Sarah Hatchuel [[electronic resource]] |
Autore | Hatchuel Sarah |
Pubbl/distr/stampa | Cambridge : , : Cambridge University Press, , 2004 |
Descrizione fisica | 1 online resource (ix, 190 pages) : digital, PDF file(s) |
Disciplina | 822.3/3 |
Soggetto topico |
English drama
Film adaptations - History and criticism |
ISBN |
1-107-15002-7
1-280-54031-1 0-511-21483-9 0-511-21662-9 0-511-21125-2 0-511-31540-6 0-511-48361-9 0-511-21302-6 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Shakespeare, from stage to screen: a historical and aesthetic approach -- From theatre showing to cinema telling -- Masking film construction: towards a 'real' world -- Reflexive constructions: from meta-theatre to meta-cinema? -- Screenplay, narration and subtext: the example of Hamlet. |
Record Nr. | UNINA-9910457688303321 |
Hatchuel Sarah
![]() |
||
Cambridge : , : Cambridge University Press, , 2004 | ||
![]() | ||
Lo trovi qui: Univ. Federico II | ||
|
Shakespeare : from stage to screen / / Sarah Hatchuel [[electronic resource]] |
Autore | Hatchuel Sarah |
Pubbl/distr/stampa | Cambridge : , : Cambridge University Press, , 2004 |
Descrizione fisica | 1 online resource (ix, 190 pages) : digital, PDF file(s) |
Disciplina | 822.3/3 |
Soggetto topico |
English drama
Film adaptations - History and criticism |
ISBN |
1-107-15002-7
1-280-54031-1 0-511-21483-9 0-511-21662-9 0-511-21125-2 0-511-31540-6 0-511-48361-9 0-511-21302-6 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Shakespeare, from stage to screen: a historical and aesthetic approach -- From theatre showing to cinema telling -- Masking film construction: towards a 'real' world -- Reflexive constructions: from meta-theatre to meta-cinema? -- Screenplay, narration and subtext: the example of Hamlet. |
Record Nr. | UNINA-9910784303903321 |
Hatchuel Sarah
![]() |
||
Cambridge : , : Cambridge University Press, , 2004 | ||
![]() | ||
Lo trovi qui: Univ. Federico II | ||
|
Shakespeare : from stage to screen / / Sarah Hatchuel [[electronic resource]] |
Autore | Hatchuel Sarah |
Pubbl/distr/stampa | Cambridge : , : Cambridge University Press, , 2004 |
Descrizione fisica | 1 online resource (ix, 190 pages) : digital, PDF file(s) |
Disciplina | 822.3/3 |
Soggetto topico |
English drama
Film adaptations - History and criticism |
ISBN |
1-107-15002-7
1-280-54031-1 0-511-21483-9 0-511-21662-9 0-511-21125-2 0-511-31540-6 0-511-48361-9 0-511-21302-6 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Shakespeare, from stage to screen: a historical and aesthetic approach -- From theatre showing to cinema telling -- Masking film construction: towards a 'real' world -- Reflexive constructions: from meta-theatre to meta-cinema? -- Screenplay, narration and subtext: the example of Hamlet. |
Record Nr. | UNINA-9910818214003321 |
Hatchuel Sarah
![]() |
||
Cambridge : , : Cambridge University Press, , 2004 | ||
![]() | ||
Lo trovi qui: Univ. Federico II | ||
|
Shakespeare and the Cleopatra/Caesar intertext [[electronic resource] ] : sequel, conflation, remake / / Sarah Hatchuel |
Autore | Hatchuel Sarah |
Pubbl/distr/stampa | Lanham, Md., : Fairleigh Dickinson University Press, co-published with The Rowman & Littlefield Pub. Group, 2011 |
Descrizione fisica | 1 online resource (255 p.) |
Disciplina | 791.43/6 |
Soggetto topico |
Film adaptations - History and criticism
Film remakes - History and criticism English drama |
Soggetto genere / forma | Electronic books. |
ISBN |
1-283-13532-9
9786613135322 1-61147-448-5 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Contents; List of Illustrations; Acknowledgments; Introduction; Chapter 1. Revisiting Julius Caesar: Antony and Cleopatra as Logical Extension or Challenging Rewriting?; Chapter 2. "Play it Again, Antony!": Performing Antony and Cleopatraas Julius Caesar's Sequel; Chapter 3. "Triple-Turn'd Whore!": Cleopatra in an Intertextual Triangle of Desire; Chapter 4. "Play it Again, Cleopatra!": Cleopatra as the Pivotal Figure in the Conflation of Plots1; Chapter 5. "Carry on, Cleo!": From Sequel, to Remake and Parody; Conclusion: "To Be and Not to Be" a Sequel?
Some Films Based on the Figuresof Julius Caesar, Cleopatraand Mark AntonyBibliography; Index; About the Author |
Record Nr. | UNINA-9910456538403321 |
Hatchuel Sarah
![]() |
||
Lanham, Md., : Fairleigh Dickinson University Press, co-published with The Rowman & Littlefield Pub. Group, 2011 | ||
![]() | ||
Lo trovi qui: Univ. Federico II | ||
|
Shakespeare and the Cleopatra/Caesar intertext [[electronic resource] ] : sequel, conflation, remake / / Sarah Hatchuel |
Autore | Hatchuel Sarah |
Pubbl/distr/stampa | Lanham, Md., : Fairleigh Dickinson University Press, co-published with The Rowman & Littlefield Pub. Group, 2011 |
Descrizione fisica | 1 online resource (255 p.) |
Disciplina | 791.43/6 |
Soggetto topico |
Film adaptations - History and criticism
Film remakes - History and criticism English drama |
ISBN |
1-283-13532-9
9786613135322 1-61147-448-5 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Contents; List of Illustrations; Acknowledgments; Introduction; Chapter 1. Revisiting Julius Caesar: Antony and Cleopatra as Logical Extension or Challenging Rewriting?; Chapter 2. "Play it Again, Antony!": Performing Antony and Cleopatraas Julius Caesar's Sequel; Chapter 3. "Triple-Turn'd Whore!": Cleopatra in an Intertextual Triangle of Desire; Chapter 4. "Play it Again, Cleopatra!": Cleopatra as the Pivotal Figure in the Conflation of Plots1; Chapter 5. "Carry on, Cleo!": From Sequel, to Remake and Parody; Conclusion: "To Be and Not to Be" a Sequel?
Some Films Based on the Figuresof Julius Caesar, Cleopatraand Mark AntonyBibliography; Index; About the Author |
Record Nr. | UNINA-9910781326703321 |
Hatchuel Sarah
![]() |
||
Lanham, Md., : Fairleigh Dickinson University Press, co-published with The Rowman & Littlefield Pub. Group, 2011 | ||
![]() | ||
Lo trovi qui: Univ. Federico II | ||
|
Shakespeare and the Cleopatra/Caesar intertext [[electronic resource] ] : sequel, conflation, remake / / Sarah Hatchuel |
Autore | Hatchuel Sarah |
Pubbl/distr/stampa | Lanham, Md., : Fairleigh Dickinson University Press, co-published with The Rowman & Littlefield Pub. Group, 2011 |
Descrizione fisica | 1 online resource (255 p.) |
Disciplina | 791.43/6 |
Soggetto topico |
Film adaptations - History and criticism
Film remakes - History and criticism English drama |
ISBN |
1-283-13532-9
9786613135322 1-61147-448-5 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Contents; List of Illustrations; Acknowledgments; Introduction; Chapter 1. Revisiting Julius Caesar: Antony and Cleopatra as Logical Extension or Challenging Rewriting?; Chapter 2. "Play it Again, Antony!": Performing Antony and Cleopatraas Julius Caesar's Sequel; Chapter 3. "Triple-Turn'd Whore!": Cleopatra in an Intertextual Triangle of Desire; Chapter 4. "Play it Again, Cleopatra!": Cleopatra as the Pivotal Figure in the Conflation of Plots1; Chapter 5. "Carry on, Cleo!": From Sequel, to Remake and Parody; Conclusion: "To Be and Not to Be" a Sequel?
Some Films Based on the Figuresof Julius Caesar, Cleopatraand Mark AntonyBibliography; Index; About the Author |
Record Nr. | UNINA-9910827748003321 |
Hatchuel Sarah
![]() |
||
Lanham, Md., : Fairleigh Dickinson University Press, co-published with The Rowman & Littlefield Pub. Group, 2011 | ||
![]() | ||
Lo trovi qui: Univ. Federico II | ||
|