The political aesthetics of the Armenian avant-garde : The journey of the ‘painterly real', 1987–2004 / / Angela Harutyunyan |
Autore | Harutyunyan Angela |
Pubbl/distr/stampa | Manchester : , : Manchester University Press, 2017 |
Descrizione fisica | 1 online resource (202 pages) |
Disciplina | 700.411 |
Collana | Rethinking Art's Histories |
Soggetto topico |
Politics and government
Avant-garde (Aesthetics) Art - Political aspects Art, Armenian Art - Political aspects - Armenia (Republic) Avant-garde (Aesthetics) - Armenia - History - 20th century Art, Armenian - 20th century |
Soggetto genere / forma |
History
Electronic books. |
ISBN |
1-5261-2407-6
1-5261-1438-0 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Record Nr. | UNINA-9910480799603321 |
Harutyunyan Angela
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||
Manchester : , : Manchester University Press, 2017 | ||
![]() | ||
Lo trovi qui: Univ. Federico II | ||
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The political aesthetics of the Armenian avant-garde : The journey of the ‘painterly real', 1987–2004 / / Angela Harutyunyan |
Autore | Harutyunyan Angela |
Pubbl/distr/stampa | Manchester : , : Manchester University Press, 2017 |
Descrizione fisica | 1 online resource (202 pages) |
Disciplina | 700.411 |
Collana | Rethinking Art's Histories |
Soggetto topico |
Politics and government
Avant-garde (Aesthetics) Art - Political aspects Art, Armenian Art - Political aspects - Armenia (Republic) Avant-garde (Aesthetics) - Armenia - History - 20th century Art, Armenian - 20th century |
Soggetto genere / forma | History |
Soggetto non controllato |
aesthetics
autonomy avant-garde continuity late Soviet liberal democracy post-Soviet rupture 'contemporary art' 'painterly real' |
ISBN |
1-5261-1439-9
1-5261-2407-6 1-5261-1438-0 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Record Nr. | UNINA-9910792707403321 |
Harutyunyan Angela
![]() |
||
Manchester : , : Manchester University Press, 2017 | ||
![]() | ||
Lo trovi qui: Univ. Federico II | ||
|