Cutting performances : collage events, feminist artists, and the American avant-garde / / James M. Harding |
Autore | Harding James M |
Pubbl/distr/stampa | Ann Arbor, Michigan : , : University of Michigan Press, , [2010] |
Descrizione fisica | 1 online resource (235 p.) |
Disciplina | 792.022 |
Collana | Theater : theory/text/performance |
Soggetto topico |
Feminist theater
Experimental theater |
Soggetto genere / forma | Electronic books. |
ISBN |
1-280-88049-X
9786613721808 0-472-02900-2 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Toward a feminist historiography of American avant-garde performance: theories and contexts -- Nude descending Bleecker Street: Baroness Elsa Von Freytag-Loringhoven and performing gender in New York dada -- Avant-garde performance, collage aesthetics, and feminist historiographies in Gertrude Stein's the mother of us all -- Between material and matrix: Yoko Ono's cut piece and the unmaking of collage -- Between dialectics, decorum, and collage: sabotaging Schneemann at the Dialectics of Liberation Congress, London 1967 -- Forget fame: Valerie Solanas, the simplest surrealist act, and the (re)assertion of avant-garde priorities -- Conclusion: Collage and community. |
Record Nr. | UNINA-9910452805003321 |
Harding James M
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Ann Arbor, Michigan : , : University of Michigan Press, , [2010] | ||
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Lo trovi qui: Univ. Federico II | ||
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Cutting performances : collage events, feminist artists, and the American avant-garde / / James M. Harding |
Autore | Harding James M |
Pubbl/distr/stampa | Ann Arbor, Michigan : , : University of Michigan Press, , [2010] |
Descrizione fisica | 1 online resource (235 p.) |
Disciplina | 792.022 |
Collana | Theater : theory/text/performance |
Soggetto topico |
Feminist theater
Experimental theater |
ISBN |
1-280-88049-X
9786613721808 0-472-02900-2 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Toward a feminist historiography of American avant-garde performance: theories and contexts -- Nude descending Bleecker Street: Baroness Elsa Von Freytag-Loringhoven and performing gender in New York dada -- Avant-garde performance, collage aesthetics, and feminist historiographies in Gertrude Stein's the mother of us all -- Between material and matrix: Yoko Ono's cut piece and the unmaking of collage -- Between dialectics, decorum, and collage: sabotaging Schneemann at the Dialectics of Liberation Congress, London 1967 -- Forget fame: Valerie Solanas, the simplest surrealist act, and the (re)assertion of avant-garde priorities -- Conclusion: Collage and community. |
Record Nr. | UNINA-9910779141803321 |
Harding James M
![]() |
||
Ann Arbor, Michigan : , : University of Michigan Press, , [2010] | ||
![]() | ||
Lo trovi qui: Univ. Federico II | ||
|