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Consumption and Vietnam's new middle classes : societal transformations and everyday life / / Arve Hansen
| Consumption and Vietnam's new middle classes : societal transformations and everyday life / / Arve Hansen |
| Autore | Hansen Arve |
| Pubbl/distr/stampa | Cham, Switzerland : , : Palgrave Macmillan, , [2022] |
| Descrizione fisica | 1 online resource (216 pages) |
| Disciplina | 737 |
| Collana | Consumption and Public Life |
| Soggetto topico | City dwellers |
| ISBN | 3-031-14167-9 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Intro -- Acknowledgments -- Contents -- List of Figures -- List of Tables -- 1: Introduction: Consumption, Societal Transformations and Everyday Life in Vietnam -- Consumption, Change and Continuity -- Social Practices, Everyday Geographies and Political Economy: Doing Consumption Research in Vietnam -- Outline of the Book -- References -- 2: Consumption Transformed: Đôˀi Mơ'i, New Middle Classes and the Construction of Consumer Socialism -- Consuming Đổi Mới1 -- The Socialist Market Economy and the Creation of New Middle Classes -- Constructing Consumer Socialism -- The Socialist Consumer Revolution -- Conflicted Consumerism -- Conclusion -- References -- 3: Reflexive Individuals and the Political Economy of Everyday Practices: Theorising Consumption and Capitalist Development -- Challenging Practice Theory: Consumers, Culture and the Political Economy of Practices -- Consumers as Reflexive Individuals -- Culture and Practice -- The Political Economy of Practices -- Practices and the Political Economy of Development: Concluding Discussion -- References -- 4: Wheels of Change: Motorbikes, Cars and Capitalism -- Driving Đổi Mới: Contextual and Theoretical Starting Points -- Theorising Automobility and Moto-Mobility -- 'Motorbike Ethnography' -- Hanoi on Wheels: The System of Moto-Mobility and Its Everyday Geography -- Driving in the System of Moto-Mobility -- The Particularities of Hanoi's Moto-Mobile Streetscapes -- Mundane Mobilities and Their Moorings -- Emerging Automobility -- Mobile Distinction -- Italian Luxury -- Success on Four Wheels -- Better Service, Higher Bribes -- The Car as a Business Strategy -- Bringing Success to the quê -- Mobile Pragmatism and Conspicuous Immobility -- Conspicuous Luck -- Normalising Automobility: Cars, Capitalism, and Socio-Politically Embedded Mobility -- Between the Exceptional and the Expected.
Conclusion -- References -- 5: Food Transformations, Food Cultures and Food Practices in the Socialist Market Economy -- Đổi Mới's Foodscape Transformations -- Practices, Culture and Foodscapes -- Eating Out Under Consumer Socialism -- Change and Continuity -- Heterogeneous Foodways -- Changing Food Cultures6 -- Generational Differences -- Concluding Discussion: Food Cultures and the Political Economy of Food Practices -- References -- 6: Đổi Mới and the Meatification of Everyday Food Practices -- Meat and Development -- Development, Agricultural Change and Meat Consumption in Vietnam -- Increasing Meat Consumption in Vietnam: The Main Factors -- Factor 1: Provisioning Meat: Increased Availability and Affordability -- Factor 2: Meat Intensification of Food Practices -- Factor 3: Eating Out -- Factor 4: Meat Representing Development and Distinction -- Eating a Capitalist Transformation: Practices and Provision -- Meat Cultures -- Conclusion -- References -- 7: Electrifying Development: Consumption Booms and Household Energy Demand -- Consuming Energy -- Energy Transformations and the Political Economy of Energy -- Consumer Socialism and Household Electricity Consumption -- The Power of Stuff -- Conditioning Comfort -- Electrifying Mobility -- Conclusion -- References -- 8: Conclusion: Consumption, Sustainability and the Political Economy of Consumer Socialism -- Studying Consumption and Development -- Consumption in the Socialist Market Economy: Variegated Transformations -- Change and Continuity -- Pandemic Disruptions -- Asian Middle Classes and Sustainable, Post-pandemic Futures -- References -- Index. |
| Record Nr. | UNINA-9910629294903321 |
Hansen Arve
|
||
| Cham, Switzerland : , : Palgrave Macmillan, , [2022] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Consumption, Sustainability and Everyday Life
| Consumption, Sustainability and Everyday Life |
| Autore | Hansen Arve |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing AG, , 2023 |
| Descrizione fisica | 1 electronic resource (387 p.) |
| Disciplina | 339.47 |
| Altri autori (Persone) | Bo NielsenKenneth |
| Collana | Consumption and Public Life |
| Soggetto topico |
Sales & marketing
Sustainability Central government policies Sociology |
| Soggetto non controllato |
unsustainable consumption patterns
emerging economies consumption studies social practice theory the practice turn |
| ISBN | 3-031-11069-2 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNINA-9910637757303321 |
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Hansen Arve
|
||
| Cham : , : Springer International Publishing AG, , 2023 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Urban protest : a spatial perspective on Kyiv, Minsk, and Moscow / / Arve Hansen ; with a foreword by Julie Wilhelmsen
| Urban protest : a spatial perspective on Kyiv, Minsk, and Moscow / / Arve Hansen ; with a foreword by Julie Wilhelmsen |
| Autore | Hansen Arve |
| Pubbl/distr/stampa | Stuttgart : , : Ibidem Verlag, , [2021] |
| Descrizione fisica | 1 online resource (293 pages) |
| Disciplina | 307.76 |
| Collana | Soviet and Post-Soviet Politics and Society |
| Soggetto topico | Public spaces - Political aspects |
| ISBN | 3-8382-7495-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Intro -- Figures -- Abbreviations -- A Note on Language -- Foreword -- Preface -- 1 Starting Point -- Part I -- 2 Space in Context -- 2.1 Complexities of Urban Contention -- 2.1.1 Form -- 2.1.2 Motivation -- 2.1.3 Waves -- 2.2 Ukraine, Belarus, and Russia -- 2.3 Relevance -- 3 Mapping the Field -- 3.1 Protests -- 3.1.1 Repertoires -- 3.1.2 Nonviolent Contention -- 3.1.3 Colour Revolutions -- 3.1.4 Non-spatial Factors -- 3.2 Space -- 3.2.1 Public Space -- 3.2.2 Physical Space -- 3.2.3 Contested Spaces -- 3.3 The Gap -- 4 Definitions and Research Questions -- 4.1 What Is a Mass Protest? -- 4.2 What Is Urban Public Space? -- 4.3 Research Questions -- 5 Theorising and Development -- 5.1 Approaches to Theorising -- 5.1.1 Field Work -- 5.1.2 Respondents -- 5.1.3 Mapping -- 5.2 Ethical Considerations -- 5.2.1 Interview Ethics -- 5.2.2 Practical Utility -- 5.3 Geographical Determinism -- 5.4 Conception -- 5.4.1 M.A. Thesis -- 5.4.2 PhD Proposal -- 5.5 Theorising -- 5.5.1 Prestudy -- 5.5.2 Formulating a Theory -- 5.5.3 Transitional Study -- 5.6 Causal Chains -- 5.7 Main Study -- 5.8 Post-test Theorising -- 6 Variables and Methodology -- 6.1 Independent Variables -- 6.1.1 Perceived Elements -- 6.1.2 Physical Elements -- 6.1.3 Social Elements -- 6.2 Intermediary Variables -- 6.2.1 Spatial Qualities -- 6.2.2 The Political Environment -- 6.3 Dependent Variables -- 6.3.1 Emergence -- 6.3.2 Realisation -- 6.3.3 Impact -- Part II -- 7 Prestudy -- 7.1 Physical Space -- 7.1.1 Spatial and Urban History -- 7.1.2 Daily Use -- 7.1.3 Protest Space -- 7.2 Symbolic Value -- 7.2.1 25 Years of Protest -- 7.3 Function -- 7.4 Conclusions -- 8 Transitional Study -- 8.1 A Spatial Perspective -- 8.2 Belarusian Protests from Glasnost' to Lukashenka -- 8.3 Perceived elements -- 8.3.1 October Square -- 8.3.2 Independence Square -- 8.4 Social Elements -- 8.4.1 The Political Centre.
8.4.2 The People's Centre -- 8.4.3 Independence Square -- 8.4.4 October Square -- 8.5 Physical Elements -- 8.5.1 October Square and Ploshcha 2006 -- 8.5.2 Independence Square and Ploshcha 2010 -- 8.6 Conclusions -- 9 Main Study -- 9.1 Towards a Spatial Perspective -- 9.1.1 Spatial Elements -- 9.1.2 Spatial Qualities and the Political Environment -- 9.1.3 Protest Areas -- 9.2 Moscow, Swamp Square and the March of Millions -- 9.2.1 The Political Environment of Moscow -- 9.2.2 Public Spaces in Moscow -- 9.2.3 The Elements -- 9.2.4 Spatial Qualities -- 9.2.5 Emergence, Realization, Impact -- 9.3 Conclusions -- Part III -- 10 To Paris and Beyond -- 10.1 Republic Square and the Yellow Vests -- 10.1.1 Applying the Model -- 10.2 Summary and Conclusions -- 10.2.1 "So what?" -- 10.2.2 Limitations -- 10.3 Moving On -- References -- Index. |
| Record Nr. | UNINA-9910795016503321 |
|
Hansen Arve
|
||
| Stuttgart : , : Ibidem Verlag, , [2021] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Urban protest : a spatial perspective on Kyiv, Minsk, and Moscow / / Arve Hansen ; with a foreword by Julie Wilhelmsen
| Urban protest : a spatial perspective on Kyiv, Minsk, and Moscow / / Arve Hansen ; with a foreword by Julie Wilhelmsen |
| Autore | Hansen Arve |
| Pubbl/distr/stampa | Stuttgart : , : Ibidem Verlag, , [2021] |
| Descrizione fisica | 1 online resource (293 pages) |
| Disciplina | 307.76 |
| Collana | Soviet and Post-Soviet Politics and Society |
| Soggetto topico | Public spaces - Political aspects |
| ISBN | 3-8382-7495-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Intro -- Figures -- Abbreviations -- A Note on Language -- Foreword -- Preface -- 1 Starting Point -- Part I -- 2 Space in Context -- 2.1 Complexities of Urban Contention -- 2.1.1 Form -- 2.1.2 Motivation -- 2.1.3 Waves -- 2.2 Ukraine, Belarus, and Russia -- 2.3 Relevance -- 3 Mapping the Field -- 3.1 Protests -- 3.1.1 Repertoires -- 3.1.2 Nonviolent Contention -- 3.1.3 Colour Revolutions -- 3.1.4 Non-spatial Factors -- 3.2 Space -- 3.2.1 Public Space -- 3.2.2 Physical Space -- 3.2.3 Contested Spaces -- 3.3 The Gap -- 4 Definitions and Research Questions -- 4.1 What Is a Mass Protest? -- 4.2 What Is Urban Public Space? -- 4.3 Research Questions -- 5 Theorising and Development -- 5.1 Approaches to Theorising -- 5.1.1 Field Work -- 5.1.2 Respondents -- 5.1.3 Mapping -- 5.2 Ethical Considerations -- 5.2.1 Interview Ethics -- 5.2.2 Practical Utility -- 5.3 Geographical Determinism -- 5.4 Conception -- 5.4.1 M.A. Thesis -- 5.4.2 PhD Proposal -- 5.5 Theorising -- 5.5.1 Prestudy -- 5.5.2 Formulating a Theory -- 5.5.3 Transitional Study -- 5.6 Causal Chains -- 5.7 Main Study -- 5.8 Post-test Theorising -- 6 Variables and Methodology -- 6.1 Independent Variables -- 6.1.1 Perceived Elements -- 6.1.2 Physical Elements -- 6.1.3 Social Elements -- 6.2 Intermediary Variables -- 6.2.1 Spatial Qualities -- 6.2.2 The Political Environment -- 6.3 Dependent Variables -- 6.3.1 Emergence -- 6.3.2 Realisation -- 6.3.3 Impact -- Part II -- 7 Prestudy -- 7.1 Physical Space -- 7.1.1 Spatial and Urban History -- 7.1.2 Daily Use -- 7.1.3 Protest Space -- 7.2 Symbolic Value -- 7.2.1 25 Years of Protest -- 7.3 Function -- 7.4 Conclusions -- 8 Transitional Study -- 8.1 A Spatial Perspective -- 8.2 Belarusian Protests from Glasnost' to Lukashenka -- 8.3 Perceived elements -- 8.3.1 October Square -- 8.3.2 Independence Square -- 8.4 Social Elements -- 8.4.1 The Political Centre.
8.4.2 The People's Centre -- 8.4.3 Independence Square -- 8.4.4 October Square -- 8.5 Physical Elements -- 8.5.1 October Square and Ploshcha 2006 -- 8.5.2 Independence Square and Ploshcha 2010 -- 8.6 Conclusions -- 9 Main Study -- 9.1 Towards a Spatial Perspective -- 9.1.1 Spatial Elements -- 9.1.2 Spatial Qualities and the Political Environment -- 9.1.3 Protest Areas -- 9.2 Moscow, Swamp Square and the March of Millions -- 9.2.1 The Political Environment of Moscow -- 9.2.2 Public Spaces in Moscow -- 9.2.3 The Elements -- 9.2.4 Spatial Qualities -- 9.2.5 Emergence, Realization, Impact -- 9.3 Conclusions -- Part III -- 10 To Paris and Beyond -- 10.1 Republic Square and the Yellow Vests -- 10.1.1 Applying the Model -- 10.2 Summary and Conclusions -- 10.2.1 "So what?" -- 10.2.2 Limitations -- 10.3 Moving On -- References -- Index. |
| Record Nr. | UNINA-9910814637503321 |
|
Hansen Arve
|
||
| Stuttgart : , : Ibidem Verlag, , [2021] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
A war of songs : popular music and recent Russia-Ukraine relations / / Arve Hansen [and three others] ; with a foreword by Artemy Troitsky
| A war of songs : popular music and recent Russia-Ukraine relations / / Arve Hansen [and three others] ; with a foreword by Artemy Troitsky |
| Autore | Hansen Arve |
| Pubbl/distr/stampa | Stuttgart, Germany : , : ibidem-Verlag, , [2019] |
| Descrizione fisica | 1 online resource (247 pages) |
| Disciplina | 303.482477047 |
| Collana | Soviet and post-Soviet politics and society |
| Soggetto topico |
Popular music - Political aspects - Ukraine
Popular music - Political aspects - Russia (Federation) |
| Soggetto genere / forma | Electronic books. |
| ISBN | 3-8382-7173-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Intro -- Contents -- List of Tables and Pictures -- Quoted lyrics -- Glossary -- Abbreviations -- Acknowledgements and Technicalities -- Foreword -- Introduction -- 1 Pop Rock, Ethno-Chaos, Battle Drums and a Requiem: The Soundtrack of the Ukrainian Revolution -- 1.1 Music and the History of Protests in Ukraine -- 1.2 The Main Locations of Protest Music -- 1.2.1 The 'Political' Camp -- 1.2.2 The 'Apolitical' Camp -- 1.2.3 The Anti-Maidan Camp -- 1.2.4 Social Media -- 1.3 The Five Phases of Euromaidan -- 1.3.1 Rise up! (21 - 19 November 2013) -- 1.3.2 Vitia, Goodbye! (30 November 2013 - 15 January 2014) -- 1.3.3 The Burning Tyre (16 January - 20 February 2014) -- 1.3.4 There Swims a Duckling (21 - 23 February 2014) -- 1.3.5 Warriors of Light (23 February 2014 and beyond) -- 1.4 Common Features and General Tendencies -- 1.5 The Many Anthems of the Euromaidan -- 1.6 The Power of Music -- 2 Euromaidan's Aftermath and the Genre of Answer Song: A Musical Dialogue Between Antagonists? -- 2.1 Responses to New Base Songs -- 2.2 Reworkings of Old Base Songs -- 2.3 Conclusion -- 3 Exposing the Fault Lines Beneath the Kremlin's Restorative Geopolitics: Russian and Ukrainian Parodies of the Russian National Anthem -- 3.1 A brief history of the Russian national anthem -- 3.1.1 From "Gimn partii bol'shevikov" to "Rossiia sviashchennaia" - Melody and Lyrics -- 3.1.2 An Inviting Target -- 3.1.3 The Anthem's Fatherland and Presentist Utopia -- 3.2 The Parodies -- 3.2.1 Parody 1: The Veteran Dissident's Anthem -- 3.2.2 Parody 2: The Russian Anthem as Religious ecoNOMism -- 3.2.3 Parody 3: The Unofficial Anthem of the Russian Official -- 3.2.4 Parody 4: Death to the Empire! -- 3.2.5 Parody 5: The Verdict of the Singing Truck Driver -- 3.2.6 Parody 6: Framing is Everything - The Sebastopol Apocryph.
3.2.7 Bonus Track: A Grain of Truth and the Ideology of Masturbation -- 3.3 Conclusion -- 4 'Lasha Tumbai', or 'Russia, Good-Bye'? - The Eurovision Song Contest as a Post-Soviet Geopolitical Battleground -- 4.1 Previous Research and Historical Context -- 4.2 GreenJolly and the ESC in the Orange Revolution aftermath -- 4.3 Dancing Russia Good-Bye - Verka Serdiuchka and the 2007 ESC -- 4.4 We Don't Wanna Put In - The 2009 ESC in Moscow -- 4.5 A Million Voices: Euromaidan's Impact on the ESC Stages -- 4.6 1944 or 2014? Jamala and Crimea -- 4.7 Celebrating Diversity with Iuliia Samoilova - The ESC in Kyiv 2017 -- 4.8 Conclusion -- Concluding Remarks and Possible Future Prospects -- References -- Bibliography -- Filmography and music videos -- Personal communication -- Index. |
| Record Nr. | UNINA-9910493662903321 |
|
Hansen Arve
|
||
| Stuttgart, Germany : , : ibidem-Verlag, , [2019] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
A war of songs : popular music and recent Russia-Ukraine relations / / Arve Hansen [and three others] ; with a foreword by Artemy Troitsky
| A war of songs : popular music and recent Russia-Ukraine relations / / Arve Hansen [and three others] ; with a foreword by Artemy Troitsky |
| Autore | Hansen Arve |
| Pubbl/distr/stampa | Stuttgart, Germany : , : ibidem-Verlag, , [2019] |
| Descrizione fisica | 1 online resource (247 pages) |
| Disciplina | 303.482477047 |
| Collana | Soviet and post-Soviet politics and society |
| Soggetto topico |
Popular music - Political aspects - Ukraine
Popular music - Political aspects - Russia (Federation) |
| ISBN | 3-8382-7173-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Intro -- Contents -- List of Tables and Pictures -- Quoted lyrics -- Glossary -- Abbreviations -- Acknowledgements and Technicalities -- Foreword -- Introduction -- 1 Pop Rock, Ethno-Chaos, Battle Drums and a Requiem: The Soundtrack of the Ukrainian Revolution -- 1.1 Music and the History of Protests in Ukraine -- 1.2 The Main Locations of Protest Music -- 1.2.1 The 'Political' Camp -- 1.2.2 The 'Apolitical' Camp -- 1.2.3 The Anti-Maidan Camp -- 1.2.4 Social Media -- 1.3 The Five Phases of Euromaidan -- 1.3.1 Rise up! (21 - 19 November 2013) -- 1.3.2 Vitia, Goodbye! (30 November 2013 - 15 January 2014) -- 1.3.3 The Burning Tyre (16 January - 20 February 2014) -- 1.3.4 There Swims a Duckling (21 - 23 February 2014) -- 1.3.5 Warriors of Light (23 February 2014 and beyond) -- 1.4 Common Features and General Tendencies -- 1.5 The Many Anthems of the Euromaidan -- 1.6 The Power of Music -- 2 Euromaidan's Aftermath and the Genre of Answer Song: A Musical Dialogue Between Antagonists? -- 2.1 Responses to New Base Songs -- 2.2 Reworkings of Old Base Songs -- 2.3 Conclusion -- 3 Exposing the Fault Lines Beneath the Kremlin's Restorative Geopolitics: Russian and Ukrainian Parodies of the Russian National Anthem -- 3.1 A brief history of the Russian national anthem -- 3.1.1 From "Gimn partii bol'shevikov" to "Rossiia sviashchennaia" - Melody and Lyrics -- 3.1.2 An Inviting Target -- 3.1.3 The Anthem's Fatherland and Presentist Utopia -- 3.2 The Parodies -- 3.2.1 Parody 1: The Veteran Dissident's Anthem -- 3.2.2 Parody 2: The Russian Anthem as Religious ecoNOMism -- 3.2.3 Parody 3: The Unofficial Anthem of the Russian Official -- 3.2.4 Parody 4: Death to the Empire! -- 3.2.5 Parody 5: The Verdict of the Singing Truck Driver -- 3.2.6 Parody 6: Framing is Everything - The Sebastopol Apocryph.
3.2.7 Bonus Track: A Grain of Truth and the Ideology of Masturbation -- 3.3 Conclusion -- 4 'Lasha Tumbai', or 'Russia, Good-Bye'? - The Eurovision Song Contest as a Post-Soviet Geopolitical Battleground -- 4.1 Previous Research and Historical Context -- 4.2 GreenJolly and the ESC in the Orange Revolution aftermath -- 4.3 Dancing Russia Good-Bye - Verka Serdiuchka and the 2007 ESC -- 4.4 We Don't Wanna Put In - The 2009 ESC in Moscow -- 4.5 A Million Voices: Euromaidan's Impact on the ESC Stages -- 4.6 1944 or 2014? Jamala and Crimea -- 4.7 Celebrating Diversity with Iuliia Samoilova - The ESC in Kyiv 2017 -- 4.8 Conclusion -- Concluding Remarks and Possible Future Prospects -- References -- Bibliography -- Filmography and music videos -- Personal communication -- Index. |
| Record Nr. | UNINA-9910793586703321 |
|
Hansen Arve
|
||
| Stuttgart, Germany : , : ibidem-Verlag, , [2019] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
A war of songs : popular music and recent Russia-Ukraine relations / / Arve Hansen [and three others] ; with a foreword by Artemy Troitsky
| A war of songs : popular music and recent Russia-Ukraine relations / / Arve Hansen [and three others] ; with a foreword by Artemy Troitsky |
| Autore | Hansen Arve |
| Pubbl/distr/stampa | Stuttgart, Germany : , : ibidem-Verlag, , [2019] |
| Descrizione fisica | 1 online resource (247 pages) |
| Disciplina | 303.482477047 |
| Collana | Soviet and post-Soviet politics and society |
| Soggetto topico |
Popular music - Political aspects - Ukraine
Popular music - Political aspects - Russia (Federation) |
| ISBN | 3-8382-7173-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Intro -- Contents -- List of Tables and Pictures -- Quoted lyrics -- Glossary -- Abbreviations -- Acknowledgements and Technicalities -- Foreword -- Introduction -- 1 Pop Rock, Ethno-Chaos, Battle Drums and a Requiem: The Soundtrack of the Ukrainian Revolution -- 1.1 Music and the History of Protests in Ukraine -- 1.2 The Main Locations of Protest Music -- 1.2.1 The 'Political' Camp -- 1.2.2 The 'Apolitical' Camp -- 1.2.3 The Anti-Maidan Camp -- 1.2.4 Social Media -- 1.3 The Five Phases of Euromaidan -- 1.3.1 Rise up! (21 - 19 November 2013) -- 1.3.2 Vitia, Goodbye! (30 November 2013 - 15 January 2014) -- 1.3.3 The Burning Tyre (16 January - 20 February 2014) -- 1.3.4 There Swims a Duckling (21 - 23 February 2014) -- 1.3.5 Warriors of Light (23 February 2014 and beyond) -- 1.4 Common Features and General Tendencies -- 1.5 The Many Anthems of the Euromaidan -- 1.6 The Power of Music -- 2 Euromaidan's Aftermath and the Genre of Answer Song: A Musical Dialogue Between Antagonists? -- 2.1 Responses to New Base Songs -- 2.2 Reworkings of Old Base Songs -- 2.3 Conclusion -- 3 Exposing the Fault Lines Beneath the Kremlin's Restorative Geopolitics: Russian and Ukrainian Parodies of the Russian National Anthem -- 3.1 A brief history of the Russian national anthem -- 3.1.1 From "Gimn partii bol'shevikov" to "Rossiia sviashchennaia" - Melody and Lyrics -- 3.1.2 An Inviting Target -- 3.1.3 The Anthem's Fatherland and Presentist Utopia -- 3.2 The Parodies -- 3.2.1 Parody 1: The Veteran Dissident's Anthem -- 3.2.2 Parody 2: The Russian Anthem as Religious ecoNOMism -- 3.2.3 Parody 3: The Unofficial Anthem of the Russian Official -- 3.2.4 Parody 4: Death to the Empire! -- 3.2.5 Parody 5: The Verdict of the Singing Truck Driver -- 3.2.6 Parody 6: Framing is Everything - The Sebastopol Apocryph.
3.2.7 Bonus Track: A Grain of Truth and the Ideology of Masturbation -- 3.3 Conclusion -- 4 'Lasha Tumbai', or 'Russia, Good-Bye'? - The Eurovision Song Contest as a Post-Soviet Geopolitical Battleground -- 4.1 Previous Research and Historical Context -- 4.2 GreenJolly and the ESC in the Orange Revolution aftermath -- 4.3 Dancing Russia Good-Bye - Verka Serdiuchka and the 2007 ESC -- 4.4 We Don't Wanna Put In - The 2009 ESC in Moscow -- 4.5 A Million Voices: Euromaidan's Impact on the ESC Stages -- 4.6 1944 or 2014? Jamala and Crimea -- 4.7 Celebrating Diversity with Iuliia Samoilova - The ESC in Kyiv 2017 -- 4.8 Conclusion -- Concluding Remarks and Possible Future Prospects -- References -- Bibliography -- Filmography and music videos -- Personal communication -- Index. |
| Record Nr. | UNINA-9910812931403321 |
|
Hansen Arve
|
||
| Stuttgart, Germany : , : ibidem-Verlag, , [2019] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||