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Cultural Specificity in Indonesian Film : Diversity in Unity / / by David Hanan
| Cultural Specificity in Indonesian Film : Diversity in Unity / / by David Hanan |
| Autore | Hanan David |
| Edizione | [1st ed. 2017.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2017 |
| Descrizione fisica | 1 online resource (XIX, 331 p. 37 illus. in color.) |
| Disciplina | 791.43095 |
| Soggetto topico |
Motion pictures—Asia
Ethnology—Asia Motion pictures—History Ethnology Asian Cinema and TV Asian Culture Film History Cultural Anthropology |
| ISBN | 3-319-40874-7 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1. Introduction: In the Words of a Filmmaker... -- 2. Indonesia: An Emerging Nation -- 3. Intermittent Industries: Film Production in Indonesia over Nine Decades -- 4. Regions and Regional Societies and Cultures in The Indonesian Cinema -- 5. Group Body Language in Performance Art, Films, and Dance by the Indonesian Avant-Garde -- 6. Body Language: From Wall Reliefs And Painting To Popular Narrative Film -- 7. Women in a Context of Cultural Difference -- 8. Conclusion: ‘Placing Culture’. . |
| Record Nr. | UNINA-9910164985203321 |
Hanan David
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| Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2017 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Moments in Indonesian film history : film and popular culture in a developing society, 1950-2020 / / David Hanan
| Moments in Indonesian film history : film and popular culture in a developing society, 1950-2020 / / David Hanan |
| Autore | Hanan David |
| Pubbl/distr/stampa | Cham, Switzerland : , : Palgrave Macmillan, , [2021] |
| Descrizione fisica | 1 online resource (371 pages) |
| Disciplina | 384.84 |
| Soggetto topico |
Motion picture industry
Motion pictures |
| ISBN |
9783030726133
9783030726126 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Intro -- Acknowledgements -- Contents -- List of Figures -- 1 Introduction -- References -- 2 Filming the 'Struggle for the Nation', and Its Aftermath: Early Films of Usmar Ismail and the Perfini Company 1950-1954 -- Historical Circumstances Depicted in Darah dan Do'a and Enam Djam di Jogja -- Darah dan Do'a ('The Long March'): Improvised Narrative with Social-Political and Moral Reflections -- Commercial Release, Censorship and the Variant Versions of Darah dan Do'a -- 'Humanity in the Revolution': The Philosophical-Moral and Political Concerns Expressed in Darah dan Do'a -- War and the Personal Life: 'I am Not a Soldier' -- Enam Djam di Jogja: An Alliance Between Government, the Army and the Pemuda in the Indonesian Revolution -- Similarities Between the Early Perfini Films and Italian Neorealist Films -- Social Conditions in the New Nation, and the Search for More Sophisticated Models of Narrative: Embun (1951) and Lewat Djam Malam (1954) -- Achievements of the Perfini Group in the 1950s -- References -- 3 A Tradition of Political Allegory and Political Satire in Indonesian Cinema 1955-2002 -- A Political Allegory in the Sukarno Period: Tamu Agung ('Exalted Guest', 1955) -- The Period of Transition From Sukarno To Suharto: Matt Dower (1969) -- The Suharto New Order Period: Langitku Rumahku ('My Sky, My Home', 1990) -- The Early Reformasi Period: Aku Ingin Menciummu Sekali Saja ('I Wish to Kiss You Once Only', 2002) -- References -- 4 Approaches to Islam in the Indonesian Cinema 1970s-1990s -- Islam, Mysticism and Legend: Popular Cinema in the 1980s -- Questions of Religious Belief in a Globalizing, Secular World: Sjuman Djaya's Atheis (1974) -- The Representation of Sufi Meditation and Other Forms of Religious Belief and Practice in the Film Atheis -- Santri and Abangan in Atheis.
'Idea Forces' in Opposition to Islam and to All Religions: Secularism, Atheistic Marxism and Anarchism -- Islamic Beliefs as Motivator in the Film Atheis -- The Influence of 'Purifying' Islamic Reform Movements From the Early Nineteenth Century Onwards -- Islam, Developmentalism and Backwardness -- Islam, Popular Music and Politics in the New Order -- Nada dan Dakwah ('A Song and a Sermon', 1991) -- Kantata Takwa ('Cantata of Devotion', 1990-2008). -- References -- 5 Songs and Films of the Betawi Comedian, Benyamin S, in the 1970s: A Popular Culture of the Poor -- Songs of Benyamin S: Gambang Moderen -- The Duets with Ida Royani -- A Wider View: Indonesia in an International Context -- The Betawi Milieu and Social Change in 1970s Jakarta as Depicted in Films Starring Benyamin S -- Ben's Films, and Icons of International Popular Culture -- Pre-Credit Sequence from Benyamin Koboi Ngungsi -- References -- 6 Third World Experimental Narrative in Indonesian Film: Travelling the Centre-Periphery Axis 1979-1985 -- Slamet Rahardjo's Rembulan dan Matahari ('Moon and Sun', 1979): From City to Village -- Moral Ambiguity and the Re-Encounter with Local Traditions in Rembulan dan Matahari -- Different Systems of Representation -- A Warok of Ponorogo -- The Social Context of the Village and the Roles Assigned to Men and Women -- Spiritual Strength and Ways of Seeing -- Teguh Karya's Secangkir Kopi Pahit ('Bitter Coffee', 1985): From Village to City and Back Again -- A Confronting Reality -- Flashback Structure -- Plot and Investigative Structure in Secangkir Kopi Pahit -- The First Nodal Point: The Case of Sukarsih -- 'Kenyataan'-The Pressure of Reality -- Mapping the Paths of Indonesian Internal Migrants -- Weaving in 'Tradition': The Second Nodal Point of the Film -- Fade-Out: The Shame of Returning to One's Origins -- The Court and the Investigative Process. References -- 7 New Perspectives, Challenges and Questions from Filmmakers in the Post-Suharto Reformasi Era 1998-2020 -- Recent Scholarship on Indonesian Cinema -- Remembering 1965: Puisi Tak Terkuburkan ('Poetry Is Not Buried', 1999) -- The Emergence of Critical/Investigative Documentary -- Testimonial Documentary: The Village Goat Takes the Beating (1999) -- Observational Documentary: Lukas' Moment (2004) -- Films by Newly Emerging Women Writer-Directors -- Nan Achnas-Nurturing in a Bleak Environment: Pasir Berbisik (2001) and Bendera (2002) -- Nia Dinata-Social Critique and Sexual Satire: Berbagi Suami (2006) and Arisan! (2003) -- Djenar Maesa Ayu-Hidden Dimensions of Hidden Lives: Mereka Bilang, Saya Monyet (2008) and hUSh! (2016) -- Lola Amaria-Social Realities for Female Indonesian Migrant Workers: Minggu Pagi di Victoria Park (2010) -- Mouly Surya-Reality or Potent Fiction? Fiksi (2008) and Marlina Si Pembunuh Dalam Empat Babak (2017) -- Kamila Andini-Young People in Traditional Societies: Sekala Niskala (2017) -- The Miles Phenomenon -- Ada Apa Dengan Cinta? ('What's Up with Love?', 2002) -- Eliana Eliana (2002) -- Laskar Pelangi ('Rainbow Troops', 2008) -- Variant Sexualities in a Social Context: Kucumbu Tubuh Indahku (Garin Nugroho, 2018) -- What Can We Speak About? and Can We Speak at All? The Science of Fictions (Yosep Anggi Noen, 2019) -- Speaking About Climate Change: Semes7a (Chairun Nissa, 2020) -- Concluding Remarks -- References -- Glossary -- Index. |
| Record Nr. | UNINA-9910513600803321 |
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Hanan David
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| Cham, Switzerland : , : Palgrave Macmillan, , [2021] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||