Cinephilia : movies, love and memory / / edited by Marijke de Valck and Malte Hagener [[electronic resource]] |
Pubbl/distr/stampa | Amsterdam : , : Amsterdam University Press, , 2005 |
Descrizione fisica | 1 online resource (236 pages) : digital, PDF file(s) |
Disciplina | 791.43 |
Collana | Film culture in transition |
Soggetto topico | Motion pictures |
ISBN |
90-485-0544-5
1-280-95814-6 9786610958146 1-4237-0964-0 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Front matter -- Contents -- Acknowledgements -- Introduction -- Down with Cinephilia? Long Live Cinephilia? And Other Videosyncratic Pleasures / Valck, Marijke de / Hagener, Malte -- I. The Ramifications of Cinephilia: Theory and History -- Cinephilia or the Uses of Disenchantment / Elsaesser, Thomas -- Dreams of Lost Time / Singkhra, Sutanya -- Mass Memories of Movies / Robnik, Drehli -- Love in the Time of Transcultural Fusion / Ng, Jenna -- II. Technologies of Cinephilia: Production and Consumption -- Remastering Hong Kong Cinema / Leary, Charles -- Drowning in Popcorn at the International Film Festival Rotterdam? / Valck, Marijke de -- Ravenous Cinephiles / Behlil, Melis -- Re-disciplining the Audience / Strauven, Wanda -- The Original Is Always Lost / Hediger, Vinzenz -- III. Techniques of Cinephilia: Bootlegging and Sampling -- The Future of Anachronism / Gorfinkel, Elena -- Conceptual Cinephilia / Hilderbrand, Lucas -- Playing the Waves / Simons, Jan -- The Parenthesis and the Standard / Windhausen, Federico -- The Secret Passion of the Cinephile / Pol, Gerwin van der -- Biographies -- Index of Names -- Index of Film Titles |
Record Nr. | UNISA-996217493103316 |
Amsterdam : , : Amsterdam University Press, , 2005 | ||
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Lo trovi qui: Univ. di Salerno | ||
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Cinephilia : movies, love and memory / / edited by Marijke de Valck and Malte Hagener |
Edizione | [1st ed.] |
Pubbl/distr/stampa | Amsterdam, : Amsterdam University Press, c2005 |
Descrizione fisica | 1 online resource (236 pages) : digital, PDF file(s) |
Disciplina | 791.43 |
Altri autori (Persone) |
ValckMarijke de
HagenerMalte <1971-> |
Collana | Film culture in transition |
Soggetto topico | Motion pictures |
ISBN |
90-485-0544-5
1-280-95814-6 9786610958146 1-4237-0964-0 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Front matter -- Contents -- Acknowledgements -- Introduction -- Down with Cinephilia? Long Live Cinephilia? And Other Videosyncratic Pleasures / Valck, Marijke de / Hagener, Malte -- I. The Ramifications of Cinephilia: Theory and History -- Cinephilia or the Uses of Disenchantment / Elsaesser, Thomas -- Dreams of Lost Time / Singkhra, Sutanya -- Mass Memories of Movies / Robnik, Drehli -- Love in the Time of Transcultural Fusion / Ng, Jenna -- II. Technologies of Cinephilia: Production and Consumption -- Remastering Hong Kong Cinema / Leary, Charles -- Drowning in Popcorn at the International Film Festival Rotterdam? / Valck, Marijke de -- Ravenous Cinephiles / Behlil, Melis -- Re-disciplining the Audience / Strauven, Wanda -- The Original Is Always Lost / Hediger, Vinzenz -- III. Techniques of Cinephilia: Bootlegging and Sampling -- The Future of Anachronism / Gorfinkel, Elena -- Conceptual Cinephilia / Hilderbrand, Lucas -- Playing the Waves / Simons, Jan -- The Parenthesis and the Standard / Windhausen, Federico -- The Secret Passion of the Cinephile / Pol, Gerwin van der -- Biographies -- Index of Names -- Index of Film Titles |
Record Nr. | UNINA-9910143331303321 |
Amsterdam, : Amsterdam University Press, c2005 | ||
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Lo trovi qui: Univ. Federico II | ||
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The emergence of film culture : knowledge production, institution building, and the fate of the avant-garde in Europe, 1919-1945 / / edited by Malte Hagener |
Pubbl/distr/stampa | New York : , : Berghahn, , 2014 |
Descrizione fisica | 1 online resource (390 p.) |
Disciplina | 791.43/61109409041 |
Collana | Film Europa: German Cinema in an International Context |
Soggetto topico |
Experimental films - Europe - History and criticism
Motion pictures - Europe - History - 20th century |
Soggetto genere / forma | Electronic books. |
ISBN |
1-78533-354-2
1-78238-424-3 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Title page; Copyright; Contents; Figures; Acknowledgements; Introduction; Part I Formations of Knowledge ; Chapter 1 Policing Race: ; Chapter 2 The Visible Woman in and against Béla Balázs ; Chapter 3 Encounters in Darkened Rooms ; Chapter 4 When Was Soviet Cinema Born? The Institutionalization of Soviet Film Studies and the Problems of Periodization; Part II Networks of Exchange ; Chapter 5 Eastern Avatars ; Chapter 6 Early Yugoslav Ciné-amateurism ; Chapter 7 Soviet-Italian Cinematic Exchanges ; Chapter 8 The Avant-Garde, Education and Marketing ; Part III Emergence of Institutions
Chapter 9 Interwar Film Culture in Sweden Chapter 10 Building the Institution ; Chapter 11 A New Art for a New Society? The Emergence and Development of Film Schools in Europe ; Chapter 12 Institutions of Film Culture ; Chapter 13 The German Reich Film Archive in an International Context ; Notes on Contributors ; Select Bibliography ; Index |
Record Nr. | UNINA-9910459899303321 |
New York : , : Berghahn, , 2014 | ||
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Lo trovi qui: Univ. Federico II | ||
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The emergence of film culture : knowledge production, institution building, and the fate of the avant-garde in Europe, 1919-1945 / / edited by Malte Hagener |
Pubbl/distr/stampa | New York : , : Berghahn, , 2014 |
Descrizione fisica | 1 online resource (390 p.) |
Disciplina | 791.43/61109409041 |
Collana | Film Europa: German Cinema in an International Context |
Soggetto topico |
Experimental films - Europe - History and criticism
Motion pictures - Europe - History - 20th century |
ISBN |
1-78533-354-2
1-78238-424-3 |
Classificazione | AP 44906 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Title page; Copyright; Contents; Figures; Acknowledgements; Introduction; Part I Formations of Knowledge ; Chapter 1 Policing Race: ; Chapter 2 The Visible Woman in and against Béla Balázs ; Chapter 3 Encounters in Darkened Rooms ; Chapter 4 When Was Soviet Cinema Born? The Institutionalization of Soviet Film Studies and the Problems of Periodization; Part II Networks of Exchange ; Chapter 5 Eastern Avatars ; Chapter 6 Early Yugoslav Ciné-amateurism ; Chapter 7 Soviet-Italian Cinematic Exchanges ; Chapter 8 The Avant-Garde, Education and Marketing ; Part III Emergence of Institutions
Chapter 9 Interwar Film Culture in Sweden Chapter 10 Building the Institution ; Chapter 11 A New Art for a New Society? The Emergence and Development of Film Schools in Europe ; Chapter 12 Institutions of Film Culture ; Chapter 13 The German Reich Film Archive in an International Context ; Notes on Contributors ; Select Bibliography ; Index |
Record Nr. | UNINA-9910787087403321 |
New York : , : Berghahn, , 2014 | ||
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Lo trovi qui: Univ. Federico II | ||
|
The emergence of film culture : knowledge production, institution building, and the fate of the avant-garde in Europe, 1919-1945 / / edited by Malte Hagener |
Pubbl/distr/stampa | New York : , : Berghahn, , 2014 |
Descrizione fisica | 1 online resource (390 p.) |
Disciplina | 791.43/61109409041 |
Collana | Film Europa: German Cinema in an International Context |
Soggetto topico |
Experimental films - Europe - History and criticism
Motion pictures - Europe - History - 20th century |
ISBN |
1-78533-354-2
1-78238-424-3 |
Classificazione | AP 44906 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Title page; Copyright; Contents; Figures; Acknowledgements; Introduction; Part I Formations of Knowledge ; Chapter 1 Policing Race: ; Chapter 2 The Visible Woman in and against Béla Balázs ; Chapter 3 Encounters in Darkened Rooms ; Chapter 4 When Was Soviet Cinema Born? The Institutionalization of Soviet Film Studies and the Problems of Periodization; Part II Networks of Exchange ; Chapter 5 Eastern Avatars ; Chapter 6 Early Yugoslav Ciné-amateurism ; Chapter 7 Soviet-Italian Cinematic Exchanges ; Chapter 8 The Avant-Garde, Education and Marketing ; Part III Emergence of Institutions
Chapter 9 Interwar Film Culture in Sweden Chapter 10 Building the Institution ; Chapter 11 A New Art for a New Society? The Emergence and Development of Film Schools in Europe ; Chapter 12 Institutions of Film Culture ; Chapter 13 The German Reich Film Archive in an International Context ; Notes on Contributors ; Select Bibliography ; Index |
Record Nr. | UNINA-9910816512603321 |
New York : , : Berghahn, , 2014 | ||
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Lo trovi qui: Univ. Federico II | ||
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How Film Histories Were Made : Materials, Methods, Discourses / / ed. by Yvonne Zimmermann, Malte Hagener |
Pubbl/distr/stampa | Amsterdam : , : Amsterdam University Press, , [2023] |
Descrizione fisica | 1 online resource (530 p.) |
Collana | Film Culture in Transition |
Soggetto topico | HISTORY / Historiography |
Soggetto non controllato | Film History, Media Archaeology, Historiography |
ISBN | 90-485-5457-8 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Frontmatter -- Table of Contents -- List of Illustrations -- Introduction: Unpacking Film History's Own Histories -- I Models of Film Historiography: Philosophy and Time -- 1 The Aporias of Cinema History -- 2 What Next? The Historical Time Theory of Film History -- 3 Relativist Perspectivism -- 4 The Discovery of Early Cinema -- II Film History in the Making: Processes and Agendas -- 5 Consistency, Explosion, and the Writing of Film History -- 6 Defeats that Were Almost Victories -- 7 A Film-maker's Film Histories -- 8 Hans Richter and the "Struggle for the Film History" -- III Revisiting Film History: Institutions, Knowledge, and Circulation -- 9 Historicizing the Gulf Moving Image Archives -- 10 British Cultural Studies, Film History, and Forgotten Horizons of Cultural Analysis -- 11 The Rise and Fall of Secular Realism -- 12 What Was a Film Society? -- IV Rewriting Film History with Images: Audiovisual Forms of Historiography -- 13 A Televisual Cinematheque Film Histories on West German Television -- 14 The History of Film on Film -- 15 Audiovisual Film Histories for the Digital Age -- V Into the Digital: New Approaches and Revisions -- 16 Future Pasts within the Dynamics of the Digital Present Digitized Films and the Clusters of Media Historiographic Experience -- 17 Tipping the Scales of Film History -- 18 Representing the Unknown -- Select Bibliography -- Index |
Record Nr. | UNISA-996565567803316 |
Amsterdam : , : Amsterdam University Press, , [2023] | ||
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Lo trovi qui: Univ. di Salerno | ||
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How Film Histories Were Made : Materials, Methods, Discourses / / ed. by Yvonne Zimmermann, Malte Hagener |
Pubbl/distr/stampa | Amsterdam : , : Amsterdam University Press, , [2023] |
Descrizione fisica | 1 online resource (530 p.) |
Disciplina | 791.4309 |
Collana | Film Culture in Transition |
Soggetto topico | HISTORY / Historiography |
Soggetto non controllato | Film History, Media Archaeology, Historiography |
ISBN | 90-485-5457-8 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Frontmatter -- Table of Contents -- List of Illustrations -- Introduction: Unpacking Film History's Own Histories -- I Models of Film Historiography: Philosophy and Time -- 1 The Aporias of Cinema History -- 2 What Next? The Historical Time Theory of Film History -- 3 Relativist Perspectivism -- 4 The Discovery of Early Cinema -- II Film History in the Making: Processes and Agendas -- 5 Consistency, Explosion, and the Writing of Film History -- 6 Defeats that Were Almost Victories -- 7 A Film-maker's Film Histories -- 8 Hans Richter and the "Struggle for the Film History" -- III Revisiting Film History: Institutions, Knowledge, and Circulation -- 9 Historicizing the Gulf Moving Image Archives -- 10 British Cultural Studies, Film History, and Forgotten Horizons of Cultural Analysis -- 11 The Rise and Fall of Secular Realism -- 12 What Was a Film Society? -- IV Rewriting Film History with Images: Audiovisual Forms of Historiography -- 13 A Televisual Cinematheque Film Histories on West German Television -- 14 The History of Film on Film -- 15 Audiovisual Film Histories for the Digital Age -- V Into the Digital: New Approaches and Revisions -- 16 Future Pasts within the Dynamics of the Digital Present Digitized Films and the Clusters of Media Historiographic Experience -- 17 Tipping the Scales of Film History -- 18 Representing the Unknown -- Select Bibliography -- Index |
Record Nr. | UNINA-9910831806603321 |
Amsterdam : , : Amsterdam University Press, , [2023] | ||
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Lo trovi qui: Univ. Federico II | ||
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