Goodbye Yeats and O'Neill [[electronic resource] ] : farce in contemporary Irish and Irish-American narratives / / Edward A. Hagan |
Autore | Hagan Edward A |
Pubbl/distr/stampa | Amsterdam, : Rodopi, 2010 |
Descrizione fisica | 1 online resource (324 p.) |
Disciplina | 820.9/9415 |
Collana | Costerus new series |
Soggetto topico |
Farce - History and criticism
Humorous stories, Irish Irish American literature |
Soggetto genere / forma | Electronic books. |
ISBN |
1-282-64302-9
9786612643026 90-420-2994-3 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Preliminary Material -- THE DONKEYS AND THE NARROWBACKS: CONTEMPORARY CIRCUS ANIMALS -- DEFINING THE OBJECT FOR STRUGGLE: EPISTEMOLOGY IN THE AGE OF AUTOBIOGRAPHY – FRANK MCCOURT, ANGELA’S ASHES AND SEAMUS DEANE, READING IN THE DARK -- BELFAST AND SOUTH BOSTON: CUT OFF FROM SERIOUS CONSIDERATION – GERRY ADAMS, BEFORE THE DAWN AND MICHAEL PATRICK MACDONALD, ALL SOULS -- THE VOID OF IRISH IDENTITY: NUALA O’FAOLAIN, ARE YOU SOMEBODY -- TIM O’BRIEN’S IRONIC AESTHETIC: FAITH AND THE NATURE OF A “TRUE” STORY -- THE DELUSION OF CULTURAL STUDIES: COLM TÓIBÍN, THE BLACKWATER LIGHTSHIP -- PICARESQUE FARCE: NICK LAIRD, UTTERLY MONKEY -- ICONS FOR THE NEW AGE: THE TRANSVESTITE IN PATRICK MCCABE’S BREAKFAST ON PLUTO AND THE BALLET DANCER IN COLUM MCCANN’S DANCER -- HOME ISN’T THERE ANY MORE: WILLIAM TREVOR’S THE STORY OF LUCY GAULT AND JOHN MCGAHERN’S BY THE LAKE -- TRANSFORMING NOSTALGIA FOR THE VICTORIAN: CLARE BOYLAN’S CHARLOTTE BRONTË NOVEL, EMMA BROWN -- THE IRISH WESTERN EPIC: RODDY DOYLE REMAKES JOHN FORD – THE LAST ROUNDUP -- THE AMERICAN WAKE: ALICE MCDERMOTT, CHILD OF MY HEART -- BEING IRISH AND BEING NOTHING: THE ABYSS OF IDENTITY IN ALICE MCDERMOTT’S CHARMING BILLY AND EDWARD J. DELANEY’S FICTION -- THE HEADACHE AND THE ASPIRIN: SEX AS DISEASE AND CURE IN SHERMAN ALEXIE’S THE TOUGHEST INDIAN IN THE WORLD, COLUM MCCANN’S THIS SIDE OF BRIGHTNESS, AND OTHER CONTEMPORARY STORIES -- LOW SERIOUSNESS IN BETH LORDAN’S BUT COME YE BACK -- THE DECAY OF LYING? ON LIFE SUPPORT IN WILLIAM KENNEDY’S ROSCOE AND THOMAS KELLY’S THE RACKETS -- VISITING THE AMERICAN SIXTIES ON IRELAND: MARY GORDON’S PEARL -- THE NECESSITY AND FUTILITY OF ROMANCE: THOMAS KELLY’S EMPIRE RISING -- WHAT IS THE IRISH STORY? R.F. FOSTER’S THE IRISH STORY -- THE FUNCTION OF FARCE AT THE PRESENT TIME -- THE PATTERN OF READING IN THE DARK -- BIBLIOGRAPHY -- INDEX. |
Record Nr. | UNINA-9910459115103321 |
Hagan Edward A | ||
Amsterdam, : Rodopi, 2010 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Goodbye Yeats and O'Neill [[electronic resource] ] : farce in contemporary Irish and Irish-American narratives / / Edward A. Hagan |
Autore | Hagan Edward A |
Pubbl/distr/stampa | Amsterdam, : Rodopi, 2010 |
Descrizione fisica | 1 online resource (324 p.) |
Disciplina | 820.9/9415 |
Collana | Costerus new series |
Soggetto topico |
Farce - History and criticism
Humorous stories, Irish Irish American literature |
ISBN |
1-282-64302-9
9786612643026 90-420-2994-3 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Preliminary Material -- THE DONKEYS AND THE NARROWBACKS: CONTEMPORARY CIRCUS ANIMALS -- DEFINING THE OBJECT FOR STRUGGLE: EPISTEMOLOGY IN THE AGE OF AUTOBIOGRAPHY – FRANK MCCOURT, ANGELA’S ASHES AND SEAMUS DEANE, READING IN THE DARK -- BELFAST AND SOUTH BOSTON: CUT OFF FROM SERIOUS CONSIDERATION – GERRY ADAMS, BEFORE THE DAWN AND MICHAEL PATRICK MACDONALD, ALL SOULS -- THE VOID OF IRISH IDENTITY: NUALA O’FAOLAIN, ARE YOU SOMEBODY -- TIM O’BRIEN’S IRONIC AESTHETIC: FAITH AND THE NATURE OF A “TRUE” STORY -- THE DELUSION OF CULTURAL STUDIES: COLM TÓIBÍN, THE BLACKWATER LIGHTSHIP -- PICARESQUE FARCE: NICK LAIRD, UTTERLY MONKEY -- ICONS FOR THE NEW AGE: THE TRANSVESTITE IN PATRICK MCCABE’S BREAKFAST ON PLUTO AND THE BALLET DANCER IN COLUM MCCANN’S DANCER -- HOME ISN’T THERE ANY MORE: WILLIAM TREVOR’S THE STORY OF LUCY GAULT AND JOHN MCGAHERN’S BY THE LAKE -- TRANSFORMING NOSTALGIA FOR THE VICTORIAN: CLARE BOYLAN’S CHARLOTTE BRONTË NOVEL, EMMA BROWN -- THE IRISH WESTERN EPIC: RODDY DOYLE REMAKES JOHN FORD – THE LAST ROUNDUP -- THE AMERICAN WAKE: ALICE MCDERMOTT, CHILD OF MY HEART -- BEING IRISH AND BEING NOTHING: THE ABYSS OF IDENTITY IN ALICE MCDERMOTT’S CHARMING BILLY AND EDWARD J. DELANEY’S FICTION -- THE HEADACHE AND THE ASPIRIN: SEX AS DISEASE AND CURE IN SHERMAN ALEXIE’S THE TOUGHEST INDIAN IN THE WORLD, COLUM MCCANN’S THIS SIDE OF BRIGHTNESS, AND OTHER CONTEMPORARY STORIES -- LOW SERIOUSNESS IN BETH LORDAN’S BUT COME YE BACK -- THE DECAY OF LYING? ON LIFE SUPPORT IN WILLIAM KENNEDY’S ROSCOE AND THOMAS KELLY’S THE RACKETS -- VISITING THE AMERICAN SIXTIES ON IRELAND: MARY GORDON’S PEARL -- THE NECESSITY AND FUTILITY OF ROMANCE: THOMAS KELLY’S EMPIRE RISING -- WHAT IS THE IRISH STORY? R.F. FOSTER’S THE IRISH STORY -- THE FUNCTION OF FARCE AT THE PRESENT TIME -- THE PATTERN OF READING IN THE DARK -- BIBLIOGRAPHY -- INDEX. |
Record Nr. | UNINA-9910792698603321 |
Hagan Edward A | ||
Amsterdam, : Rodopi, 2010 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Goodbye Yeats and O'Neill [[electronic resource] ] : farce in contemporary Irish and Irish-American narratives / / Edward A. Hagan |
Autore | Hagan Edward A |
Pubbl/distr/stampa | Amsterdam, : Rodopi, 2010 |
Descrizione fisica | 1 online resource (324 p.) |
Disciplina | 820.9/9415 |
Collana | Costerus new series |
Soggetto topico |
Farce - History and criticism
Humorous stories, Irish Irish American literature |
ISBN |
1-282-64302-9
9786612643026 90-420-2994-3 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Preliminary Material -- THE DONKEYS AND THE NARROWBACKS: CONTEMPORARY CIRCUS ANIMALS -- DEFINING THE OBJECT FOR STRUGGLE: EPISTEMOLOGY IN THE AGE OF AUTOBIOGRAPHY – FRANK MCCOURT, ANGELA’S ASHES AND SEAMUS DEANE, READING IN THE DARK -- BELFAST AND SOUTH BOSTON: CUT OFF FROM SERIOUS CONSIDERATION – GERRY ADAMS, BEFORE THE DAWN AND MICHAEL PATRICK MACDONALD, ALL SOULS -- THE VOID OF IRISH IDENTITY: NUALA O’FAOLAIN, ARE YOU SOMEBODY -- TIM O’BRIEN’S IRONIC AESTHETIC: FAITH AND THE NATURE OF A “TRUE” STORY -- THE DELUSION OF CULTURAL STUDIES: COLM TÓIBÍN, THE BLACKWATER LIGHTSHIP -- PICARESQUE FARCE: NICK LAIRD, UTTERLY MONKEY -- ICONS FOR THE NEW AGE: THE TRANSVESTITE IN PATRICK MCCABE’S BREAKFAST ON PLUTO AND THE BALLET DANCER IN COLUM MCCANN’S DANCER -- HOME ISN’T THERE ANY MORE: WILLIAM TREVOR’S THE STORY OF LUCY GAULT AND JOHN MCGAHERN’S BY THE LAKE -- TRANSFORMING NOSTALGIA FOR THE VICTORIAN: CLARE BOYLAN’S CHARLOTTE BRONTË NOVEL, EMMA BROWN -- THE IRISH WESTERN EPIC: RODDY DOYLE REMAKES JOHN FORD – THE LAST ROUNDUP -- THE AMERICAN WAKE: ALICE MCDERMOTT, CHILD OF MY HEART -- BEING IRISH AND BEING NOTHING: THE ABYSS OF IDENTITY IN ALICE MCDERMOTT’S CHARMING BILLY AND EDWARD J. DELANEY’S FICTION -- THE HEADACHE AND THE ASPIRIN: SEX AS DISEASE AND CURE IN SHERMAN ALEXIE’S THE TOUGHEST INDIAN IN THE WORLD, COLUM MCCANN’S THIS SIDE OF BRIGHTNESS, AND OTHER CONTEMPORARY STORIES -- LOW SERIOUSNESS IN BETH LORDAN’S BUT COME YE BACK -- THE DECAY OF LYING? ON LIFE SUPPORT IN WILLIAM KENNEDY’S ROSCOE AND THOMAS KELLY’S THE RACKETS -- VISITING THE AMERICAN SIXTIES ON IRELAND: MARY GORDON’S PEARL -- THE NECESSITY AND FUTILITY OF ROMANCE: THOMAS KELLY’S EMPIRE RISING -- WHAT IS THE IRISH STORY? R.F. FOSTER’S THE IRISH STORY -- THE FUNCTION OF FARCE AT THE PRESENT TIME -- THE PATTERN OF READING IN THE DARK -- BIBLIOGRAPHY -- INDEX. |
Record Nr. | UNINA-9910828163703321 |
Hagan Edward A | ||
Amsterdam, : Rodopi, 2010 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|