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Ian McEwan : contemporary critical perspectives / edited by Sebastian Groes
| Ian McEwan : contemporary critical perspectives / edited by Sebastian Groes |
| Pubbl/distr/stampa | London ; New York, NY, : Continuum, 2009 |
| Descrizione fisica | 1 online resource (172 p.) |
| Disciplina | 823.914 |
| Collana | Contemporary critical perspectives |
| ISBN |
1-4725-4247-9
1-282-87087-4 9786612870873 1-4411-0274-4 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Series Editors' Preface -- Acknowledgements -- Preface: Ian McEwan and the Rational Mind, Matt Ridley -- Introduction: A Cartography of the Contemporary: Mapping Newness in the Work of Ian McEwan, Sebastian Groes (Liverpool Hope University, UK) -- Chronology -- 1. Surreal Encounters in McEwan's Early Work, Jeanette Baxter (Anglia Ruskin University, UK) -- 2. 'Profoundly Dislocating and Infinite in Possibility': Ian McEwan's Screenwriting, M. Hunter Hayes (Texas A&M University, USA) & Sebastian Groes (Liverpool Hope University) -- 3. The Innocent as anti-Oedipal Critique of Cultural Pornography, Claire Colebrook (University of Edinburgh, UK) -- 4. War of the Words: Atonement and the Question of Plagiarism, Natasha Alden (Aberystwyth University, UK) -- 5. Postmodernism and the Ethics of Fiction in Atonement, Alistair Cormack -- 6. Ian McEwan and Modernist Time: Atonement and Saturday, Laura Marcus (University of Edinburgh, UK) -- 7. Ian McEwan and the Modernist Consciousness of the City in Saturday, Sebastian Groes (Liverpool Hope University) -- 8. On Chesil Beach: another 'overrated' novella? Dominic Head (University of Nottingham) -- Journeys without Maps: An Interview with Ian McEwan by Jon Cook (UEA, UK), Sebastian Groes (Liverpool Hope University, UK) and Victor Sage (UEA, UK) -- Further Reading -- Index |
| Record Nr. | UNINA-9910459091103321 |
| London ; New York, NY, : Continuum, 2009 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Ian McEwan : contemporary critical perspectives / edited by Sebastian Groes
| Ian McEwan : contemporary critical perspectives / edited by Sebastian Groes |
| Pubbl/distr/stampa | London ; New York, NY, : Continuum, 2009 |
| Descrizione fisica | 1 online resource (172 p.) |
| Disciplina | 823.914 |
| Collana | Contemporary critical perspectives |
| ISBN |
1-4725-4247-9
1-282-87087-4 9786612870873 1-4411-0274-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Series Editors' Preface -- Acknowledgements -- Preface: Ian McEwan and the Rational Mind, Matt Ridley -- Introduction: A Cartography of the Contemporary: Mapping Newness in the Work of Ian McEwan, Sebastian Groes (Liverpool Hope University, UK) -- Chronology -- 1. Surreal Encounters in McEwan's Early Work, Jeanette Baxter (Anglia Ruskin University, UK) -- 2. 'Profoundly Dislocating and Infinite in Possibility': Ian McEwan's Screenwriting, M. Hunter Hayes (Texas A&M University, USA) & Sebastian Groes (Liverpool Hope University) -- 3. The Innocent as anti-Oedipal Critique of Cultural Pornography, Claire Colebrook (University of Edinburgh, UK) -- 4. War of the Words: Atonement and the Question of Plagiarism, Natasha Alden (Aberystwyth University, UK) -- 5. Postmodernism and the Ethics of Fiction in Atonement, Alistair Cormack -- 6. Ian McEwan and Modernist Time: Atonement and Saturday, Laura Marcus (University of Edinburgh, UK) -- 7. Ian McEwan and the Modernist Consciousness of the City in Saturday, Sebastian Groes (Liverpool Hope University) -- 8. On Chesil Beach: another 'overrated' novella? Dominic Head (University of Nottingham) -- Journeys without Maps: An Interview with Ian McEwan by Jon Cook (UEA, UK), Sebastian Groes (Liverpool Hope University, UK) and Victor Sage (UEA, UK) -- Further Reading -- Index |
| Record Nr. | UNINA-9910785371803321 |
| London ; New York, NY, : Continuum, 2009 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Ian McEwan : contemporary critical perspectives / edited by Sebastian Groes
| Ian McEwan : contemporary critical perspectives / edited by Sebastian Groes |
| Pubbl/distr/stampa | London ; New York, NY, : Continuum, 2009 |
| Descrizione fisica | 1 online resource (172 p.) |
| Disciplina | 823.914 |
| Collana | Contemporary critical perspectives |
| ISBN |
1-4725-4247-9
1-282-87087-4 9786612870873 1-4411-0274-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Series Editors' Preface -- Acknowledgements -- Preface: Ian McEwan and the Rational Mind, Matt Ridley -- Introduction: A Cartography of the Contemporary: Mapping Newness in the Work of Ian McEwan, Sebastian Groes (Liverpool Hope University, UK) -- Chronology -- 1. Surreal Encounters in McEwan's Early Work, Jeanette Baxter (Anglia Ruskin University, UK) -- 2. 'Profoundly Dislocating and Infinite in Possibility': Ian McEwan's Screenwriting, M. Hunter Hayes (Texas A&M University, USA) & Sebastian Groes (Liverpool Hope University) -- 3. The Innocent as anti-Oedipal Critique of Cultural Pornography, Claire Colebrook (University of Edinburgh, UK) -- 4. War of the Words: Atonement and the Question of Plagiarism, Natasha Alden (Aberystwyth University, UK) -- 5. Postmodernism and the Ethics of Fiction in Atonement, Alistair Cormack -- 6. Ian McEwan and Modernist Time: Atonement and Saturday, Laura Marcus (University of Edinburgh, UK) -- 7. Ian McEwan and the Modernist Consciousness of the City in Saturday, Sebastian Groes (Liverpool Hope University) -- 8. On Chesil Beach: another 'overrated' novella? Dominic Head (University of Nottingham) -- Journeys without Maps: An Interview with Ian McEwan by Jon Cook (UEA, UK), Sebastian Groes (Liverpool Hope University, UK) and Victor Sage (UEA, UK) -- Further Reading -- Index |
| Record Nr. | UNINA-9910808880703321 |
| London ; New York, NY, : Continuum, 2009 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Julian Barnes : contemporary critical perspectives / edited by Sebastian Groes and Peter Childs
| Julian Barnes : contemporary critical perspectives / edited by Sebastian Groes and Peter Childs |
| Pubbl/distr/stampa | London ; New York, : Continuum, 2011 |
| Descrizione fisica | 1 online resource (193 p.) |
| Disciplina | 823/.914 |
| Collana | Contemporary critical perspectives |
| Soggetto topico |
Authors, English - 20th century
Literature and history - England - History - 20th century Postmodernism (Literature) - England |
| ISBN |
1-4725-4255-X
1-283-12961-2 9786613129611 1-4411-5958-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Foreword -- Series Editors' Preface -- Acknowledgements -- Contributors -- Chronology of Julian Barnes's Life -- Introduction: Julian Barnes and the Wisdom of Uncertainity Sebastian Groes and Peter Childs -- 1. The Flâneur and the Freeholder: Paris and London in Metroland Matthew Taunton -- 2. Inventing a Way to the Truth: Life and Fiction in Flaubert's Parrot Ryan Roberts -- 3. 'A preference for things Gallic': Julian Barnes and the French Connection Vanessa Guignery -- 4. 'An Ordinary Piece of Magic': Religion in the Work of Julian Barnes Andrew Tate -- 5. Crossing the Channel: Europe and the Three Uses of France in Julian Barnes's Talking it Over Merritt Moseley -- 6. 'Stranger Than Fiction': an epistolary essay on The Porcupine Dimitrina Kondeva -- 7. England, England and Englishness Richard Bradford -- 8. Matters of Life and Death: The Short Stories of Julian Barnes Peter Childs -- 9. 'All Letters Quoted are Authentic': The Past after Postmodern Fabulation in Julian Barnes's Arthur & George Christine Berberich \ Afterword Andrew Lycett -- References -- Further Reading -- Index -- |
| Record Nr. | UNINA-9910456985503321 |
| London ; New York, : Continuum, 2011 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Julian Barnes : contemporary critical perspectives / edited by Sebastian Groes and Peter Childs
| Julian Barnes : contemporary critical perspectives / edited by Sebastian Groes and Peter Childs |
| Pubbl/distr/stampa | London ; New York, : Continuum, 2011 |
| Descrizione fisica | 1 online resource (193 p.) |
| Disciplina | 823/.914 |
| Collana | Contemporary critical perspectives |
| Soggetto topico |
Authors, English - 20th century
Literature and history - England - History - 20th century Postmodernism (Literature) - England |
| ISBN |
1-4725-4255-X
1-283-12961-2 9786613129611 1-4411-5958-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Foreword -- Series Editors' Preface -- Acknowledgements -- Contributors -- Chronology of Julian Barnes's Life -- Introduction: Julian Barnes and the Wisdom of Uncertainity Sebastian Groes and Peter Childs -- 1. The Flâneur and the Freeholder: Paris and London in Metroland Matthew Taunton -- 2. Inventing a Way to the Truth: Life and Fiction in Flaubert's Parrot Ryan Roberts -- 3. 'A preference for things Gallic': Julian Barnes and the French Connection Vanessa Guignery -- 4. 'An Ordinary Piece of Magic': Religion in the Work of Julian Barnes Andrew Tate -- 5. Crossing the Channel: Europe and the Three Uses of France in Julian Barnes's Talking it Over Merritt Moseley -- 6. 'Stranger Than Fiction': an epistolary essay on The Porcupine Dimitrina Kondeva -- 7. England, England and Englishness Richard Bradford -- 8. Matters of Life and Death: The Short Stories of Julian Barnes Peter Childs -- 9. 'All Letters Quoted are Authentic': The Past after Postmodern Fabulation in Julian Barnes's Arthur & George Christine Berberich \ Afterword Andrew Lycett -- References -- Further Reading -- Index -- |
| Record Nr. | UNINA-9910781228403321 |
| London ; New York, : Continuum, 2011 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Julian Barnes : contemporary critical perspectives / edited by Sebastian Groes and Peter Childs
| Julian Barnes : contemporary critical perspectives / edited by Sebastian Groes and Peter Childs |
| Pubbl/distr/stampa | London ; New York, : Continuum, 2011 |
| Descrizione fisica | 1 online resource (193 p.) |
| Disciplina | 823/.914 |
| Collana | Contemporary critical perspectives |
| Soggetto topico |
Authors, English - 20th century
Literature and history - England - History - 20th century Postmodernism (Literature) - England |
| ISBN |
1-4725-4255-X
1-283-12961-2 9786613129611 1-4411-5958-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Foreword -- Series Editors' Preface -- Acknowledgements -- Contributors -- Chronology of Julian Barnes's Life -- Introduction: Julian Barnes and the Wisdom of Uncertainity Sebastian Groes and Peter Childs -- 1. The Flâneur and the Freeholder: Paris and London in Metroland Matthew Taunton -- 2. Inventing a Way to the Truth: Life and Fiction in Flaubert's Parrot Ryan Roberts -- 3. 'A preference for things Gallic': Julian Barnes and the French Connection Vanessa Guignery -- 4. 'An Ordinary Piece of Magic': Religion in the Work of Julian Barnes Andrew Tate -- 5. Crossing the Channel: Europe and the Three Uses of France in Julian Barnes's Talking it Over Merritt Moseley -- 6. 'Stranger Than Fiction': an epistolary essay on The Porcupine Dimitrina Kondeva -- 7. England, England and Englishness Richard Bradford -- 8. Matters of Life and Death: The Short Stories of Julian Barnes Peter Childs -- 9. 'All Letters Quoted are Authentic': The Past after Postmodern Fabulation in Julian Barnes's Arthur & George Christine Berberich \ Afterword Andrew Lycett -- References -- Further Reading -- Index -- |
| Record Nr. | UNINA-9910811265503321 |
| London ; New York, : Continuum, 2011 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Kazuo Ishiguro : contemporary critical perspectives / / edited by Sean Matthews and Sebastian Groes
| Kazuo Ishiguro : contemporary critical perspectives / / edited by Sean Matthews and Sebastian Groes |
| Pubbl/distr/stampa | London ; New York, : Continuum, 2009 |
| Descrizione fisica | 1 online resource (168 p.) |
| Disciplina | 823.914 |
| Collana | Contemporary critical perspectives |
| ISBN |
1-4411-0058-X
1-4725-4256-8 1-282-87066-1 9786612870668 0-8264-3879-2 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Foreword: On Having a Contemporary like Kazuo Ishiguro, Haruki Murakami -- Series Editors' Preface -- Acknowledgements -- Contributors -- Chronology of Kazuo Ishiguro's Life -- Introduction: 'Your words open windows for me': The Art of Kazuo Ishiguro, Sebastian Groes (Roehampton University, UK) and Sean Matthews (University of Nottingham, UK) -- 1. 'Somewhere just beneath the surface of things': Ishiguro's short fiction in context, Brian W. Shaffer (Rhodes College, Memphis, USA) -- 2. Strange Reads: Kazuo Ishiguro's A Pale View of Hills and An Artist of the Floating World in Japan, Motoyuki Shibata (Tokyo University, Japan) and Motoko Sugano (Waseda University, Tokyo, Japan) -- 3. 'Like the gateway to another world': Kazuo Ishiguro's Screenwriting, Sebastian Groes (Roehampton University) and Paul-Daniel Veyret (Universite de Montaigne-Bordeaux, France) -- 4. History, Memory and the Construction of Gender in A Pale View of Hills, Justine Baillie (University of Greenwich, UK) and Sean Matthews (University of Nottingham, UK) -- 5. Artifice and Absorption: The Modesty of The Remains of the Day, David James (University of Nottingham, UK) -- 6. 'To Give a Name, Is That Still to Give?': Footballers and Film Actors in The Unconsoled, Richard Robinson (University of Swansea, UK) -- 7. When We Were Orphans: Narration and Detection in the case of Christopher Banks, Helen Machinal (Université de Bretagne Occidentale, France) -- 8. Controlling Time: Never Let Me Go, Mark Currie (University of East Anglia, UK) -- Afterword: On First Reading Never Let Me Go, John Mullan (University College, London, UK) -- 'I'm Sorry I can't Say More': An Interview with Kazuo Ishiguro, Sean Matthews (University of Nottingham) References -- Further Reading -- Index |
| Record Nr. | UNINA-9910459173403321 |
| London ; New York, : Continuum, 2009 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Kazuo Ishiguro / edited by Sean Matthews and Sebastian Groes
| Kazuo Ishiguro / edited by Sean Matthews and Sebastian Groes |
| Pubbl/distr/stampa | London ; New York, : Continuum, 2009 |
| Descrizione fisica | 1 online resource (168 p.) |
| Disciplina | 823.914 |
| Collana | Contemporary critical perspectives |
| ISBN |
1-4411-0058-X
1-4725-4256-8 1-282-87066-1 9786612870668 0-8264-3879-2 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Foreword: On Having a Contemporary like Kazuo Ishiguro, Haruki Murakami -- Series Editors' Preface -- Acknowledgements -- Contributors -- Chronology of Kazuo Ishiguro's Life -- Introduction: 'Your words open windows for me': The Art of Kazuo Ishiguro, Sebastian Groes (Roehampton University, UK) and Sean Matthews (University of Nottingham, UK) -- 1. 'Somewhere just beneath the surface of things': Ishiguro's short fiction in context, Brian W. Shaffer (Rhodes College, Memphis, USA) -- 2. Strange Reads: Kazuo Ishiguro's A Pale View of Hills and An Artist of the Floating World in Japan, Motoyuki Shibata (Tokyo University, Japan) and Motoko Sugano (Waseda University, Tokyo, Japan) -- 3. 'Like the gateway to another world': Kazuo Ishiguro's Screenwriting, Sebastian Groes (Roehampton University) and Paul-Daniel Veyret (Universite de Montaigne-Bordeaux, France) -- 4. History, Memory and the Construction of Gender in A Pale View of Hills, Justine Baillie (University of Greenwich, UK) and Sean Matthews (University of Nottingham, UK) -- 5. Artifice and Absorption: The Modesty of The Remains of the Day, David James (University of Nottingham, UK) -- 6. 'To Give a Name, Is That Still to Give?': Footballers and Film Actors in The Unconsoled, Richard Robinson (University of Swansea, UK) -- 7. When We Were Orphans: Narration and Detection in the case of Christopher Banks, Helen Machinal (Université de Bretagne Occidentale, France) -- 8. Controlling Time: Never Let Me Go, Mark Currie (University of East Anglia, UK) -- Afterword: On First Reading Never Let Me Go, John Mullan (University College, London, UK) -- 'I'm Sorry I can't Say More': An Interview with Kazuo Ishiguro, Sean Matthews (University of Nottingham) References -- Further Reading -- Index |
| Record Nr. | UNINA-9910785108103321 |
| London ; New York, : Continuum, 2009 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Kazuo Ishiguro / edited by Sean Matthews and Sebastian Groes
| Kazuo Ishiguro / edited by Sean Matthews and Sebastian Groes |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | London ; New York, : Continuum, 2009 |
| Descrizione fisica | 1 online resource (168 p.) |
| Disciplina | 823.914 |
| Collana | Contemporary critical perspectives |
| ISBN |
1-4411-0058-X
1-4725-4256-8 1-282-87066-1 9786612870668 0-8264-3879-2 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Foreword: On Having a Contemporary like Kazuo Ishiguro, Haruki Murakami -- Series Editors' Preface -- Acknowledgements -- Contributors -- Chronology of Kazuo Ishiguro's Life -- Introduction: 'Your words open windows for me': The Art of Kazuo Ishiguro, Sebastian Groes (Roehampton University, UK) and Sean Matthews (University of Nottingham, UK) -- 1. 'Somewhere just beneath the surface of things': Ishiguro's short fiction in context, Brian W. Shaffer (Rhodes College, Memphis, USA) -- 2. Strange Reads: Kazuo Ishiguro's A Pale View of Hills and An Artist of the Floating World in Japan, Motoyuki Shibata (Tokyo University, Japan) and Motoko Sugano (Waseda University, Tokyo, Japan) -- 3. 'Like the gateway to another world': Kazuo Ishiguro's Screenwriting, Sebastian Groes (Roehampton University) and Paul-Daniel Veyret (Universite de Montaigne-Bordeaux, France) -- 4. History, Memory and the Construction of Gender in A Pale View of Hills, Justine Baillie (University of Greenwich, UK) and Sean Matthews (University of Nottingham, UK) -- 5. Artifice and Absorption: The Modesty of The Remains of the Day, David James (University of Nottingham, UK) -- 6. 'To Give a Name, Is That Still to Give?': Footballers and Film Actors in The Unconsoled, Richard Robinson (University of Swansea, UK) -- 7. When We Were Orphans: Narration and Detection in the case of Christopher Banks, Helen Machinal (Université de Bretagne Occidentale, France) -- 8. Controlling Time: Never Let Me Go, Mark Currie (University of East Anglia, UK) -- Afterword: On First Reading Never Let Me Go, John Mullan (University College, London, UK) -- 'I'm Sorry I can't Say More': An Interview with Kazuo Ishiguro, Sean Matthews (University of Nottingham) References -- Further Reading -- Index |
| Record Nr. | UNINA-9910816176803321 |
| London ; New York, : Continuum, 2009 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Memory in the Twenty-First Century : New Critical Perspectives from the Arts, Humanities, and Sciences / / edited by Sebastian Groes
| Memory in the Twenty-First Century : New Critical Perspectives from the Arts, Humanities, and Sciences / / edited by Sebastian Groes |
| Edizione | [1st ed. 2016.] |
| Pubbl/distr/stampa | London : , : Palgrave Macmillan UK : , : Imprint : Palgrave Macmillan, , 2016 |
| Descrizione fisica | 1 online resource (417 p.) |
| Disciplina | 801 |
| Soggetto topico |
Literature, Modern—20th century
Motion pictures—History Cognitive psychology Historiography Philosophy of mind Communication Twentieth-Century Literature Film History Cognitive Psychology Memory Studies Philosophy of Mind Media Studies |
| ISBN | 1-137-52058-2 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Half-Title; Title; Copyright; Contents; List of Figures; Foreword: From Causality to Correlation; Acknowledgements; Notes on Contributors; Introduction: Memory in the Twenty-First Century; Part I Metaphors of Memory; Introduction to Part I; 1 Metaphors of Memory: From the Classical World to Modernity; 2 Proust, the Madeleine and Memory; 3 Proust Recalled: A Psychological Revisiting of That Madeleine Memory Moment; 4 The Persistence of Surrealism: Memory, Dreams and the Dead; 5 The Brain Observatory and the Imaginary Media of Memory Research
6 Memory and the Fictional Imagination: Creating Memories7 Misled by Metaphor; 8 Calling Gaia: World Brains and Global Memory; Part II Memory in the Digital Age; Introduction to Part II; 9 What's in a Brain?; 10 Will Self and His Inner Seahorse; 11 Navigational Aids in Neuropsychological Rehabilitation; 12 Living Digitally; 13 Death and Memory in the Twenty-First Century; 14 The Oceanic Literary Reading Mind: An Impression; 15 Memory and the Reading Substrate; 16 Memory, Materiality and the Ethics of Reading in the Digital Age; Part III Ecologies of Memory; Introduction to Part III 17 Time That Is Intolerant18 Climate Change and Memory; 19 Memories of Snow: Nostalgia, Amnesia, Re-Reading; 20 Writing Climate Change; 21 Against Nostalgia: Climate Change Art and Memory; Part IV Memory and the Future; Introduction to Part IV; 22 The Trace of the Future; 23 Simulation and the Evolution of Thought; 24 Imaginative Anticipation: Rethinking Memory for Alternative Futures; 25 Memory Is No Longer What It Used to Be; 26 'We Can Remember It, Funes, Wholesale': Borges, Total Recall and the Logic of Memory; 27 Remembering without Stored Contents: A Philosophical Reflection on Memory Part V ForgettingIntroduction to Part V; 28 Remembering; 29 Directed Forgetting; 30 Remembrance in the Twenty-First Century; 31 The Body and the Page in Poetry Readings as Remembrance of Composition; 32 Our Plastic Brain: Remembering and Forgetting Art; 33 Amnesia and Identity in Contemporary Literature; 34 Amnesia in Young Adult Fiction; 35 Remembering Responsibly; Part VI Twenty-First Century Subjectivities; Introduction to Part VI; 36 Losing the Self? Subjectivity in the Digital Age; 37 Memory and Voices: Challenging Psychiatric Diagnosis through the Novel; 38 Rereading the Self 39 Neuroscience and Posthuman Memory40 The Confabulation of Self; 41 Malingering and Memory; 42 Trauma and the Truth; Conclusion: 'The Futures of Memory'; References; Index |
| Record Nr. | UNINA-9910255231303321 |
| London : , : Palgrave Macmillan UK : , : Imprint : Palgrave Macmillan, , 2016 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
