Autore	Griggs Yvonne
Edizione	[1st ed. 2018.]
Pubbl/distr/stampa	Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2018
Descrizione fisica	1 online resource (IX, 202 p.)
Disciplina	791.4
Collana	Palgrave Studies in Adaptation and Visual Culture
Soggetto topico	Motion pictures Television broadcasting Technology - Sociological aspects Film and Television Studies Science, Technology and Society
ISBN	9783319775319 3319775316
Formato	Materiale a stampa
Livello bibliografico	Monografia
Lingua di pubblicazione	eng
Nota di contenuto	1. Introduction -- 2. Penny Dreadful: The Neo-Victorian 'Made-for -TV' Series -- 3. Fargo: To Be Continued.... -- 4. Orange is the New Black as 'living text': From Memoir to TV Series -- 5. The Night Of as Remake 'Original'.
Record Nr.	UNINA-9910300033603321

Autore	Griggs Yvonne
Pubbl/distr/stampa	London, England : , : Methuen Drama, , 2009
Descrizione fisica	1 online resource (225 p.)
Disciplina	822.33
Collana	Screen adaptations
Soggetto topico	Film theory & criticism
ISBN	1-4081-4401-8 1-4081-4400-X
Formato	Materiale a stampa
Livello bibliografico	Monografia
Lingua di pubblicazione	eng
Nota di contenuto	Part One: Literary contexts -- 'The wheel is come full circle': origins and new directions -- Recycled narratives -- 'This great stage of fools': King Lear in performance -- Dominant readings of King Lear: a tale of redemption or fall? -- The adaptation debate -- Part Two: Production contexts -- From play text to silver screen -- Screen Lears: an overview -- The changing face of King Lear -- New ways of reading screen Lears -- Part Three: Readings of key versions -- From the canon to Hollywood -- East meets West: King Lear and the canon. Peter Brook's King Lear (1971): ' a Hollywood showman's nightmare' -- On the road: reclaiming Kozinstev's Korol Lir (1970) -- Chaos on the Western frontier: Akira Kurosawa's Ran (1985) -- King Lear and genre cinema -- King Lear as western elegy: Ed Dmytryk's Broken Lance (1954) -- King Lear and the urban gangster movie: the 'tragic' gangster -- Displacing the patriarchal family: Joseph Mankiewicz's House of Strangers (1949) -- Mafia father figures: Francis Ford Coppola's The Godfather trilogy (1972, 1974, 1990) -- Gangster Lear as morality tale: Don Boyd's My Kingdom (2001) -- King Lear as melodrama: Jocelyn Moorhouse's A Thousand Acres (1997) -- King Lear goes art house: acts of reconstruction -- 'Meantime we shall express our darker purpose': Jean-Luc Godard's King Lear (1987) -- 'Radical art phalanx' versus 'a clever flag of PR convenience': Kristian Levring's The King is Alive (2000) -- Part 4: The afterlife .. -- The afterlife of King Lear: recent developments in the visual medium -- Adaptation: the debate goes on.
Record Nr.	UNINA-9910791155403321

Autore	Griggs Yvonne
Pubbl/distr/stampa	London, England : , : Methuen Drama, , 2009
Descrizione fisica	1 online resource (225 p.)
Disciplina	822.33
Collana	Screen adaptations
Soggetto topico	Film theory & criticism
ISBN	1-4081-4401-8 1-4081-4400-X
Formato	Materiale a stampa
Livello bibliografico	Monografia
Lingua di pubblicazione	eng
Nota di contenuto	Part One: Literary contexts -- 'The wheel is come full circle': origins and new directions -- Recycled narratives -- 'This great stage of fools': King Lear in performance -- Dominant readings of King Lear: a tale of redemption or fall? -- The adaptation debate -- Part Two: Production contexts -- From play text to silver screen -- Screen Lears: an overview -- The changing face of King Lear -- New ways of reading screen Lears -- Part Three: Readings of key versions -- From the canon to Hollywood -- East meets West: King Lear and the canon. Peter Brook's King Lear (1971): ' a Hollywood showman's nightmare' -- On the road: reclaiming Kozinstev's Korol Lir (1970) -- Chaos on the Western frontier: Akira Kurosawa's Ran (1985) -- King Lear and genre cinema -- King Lear as western elegy: Ed Dmytryk's Broken Lance (1954) -- King Lear and the urban gangster movie: the 'tragic' gangster -- Displacing the patriarchal family: Joseph Mankiewicz's House of Strangers (1949) -- Mafia father figures: Francis Ford Coppola's The Godfather trilogy (1972, 1974, 1990) -- Gangster Lear as morality tale: Don Boyd's My Kingdom (2001) -- King Lear as melodrama: Jocelyn Moorhouse's A Thousand Acres (1997) -- King Lear goes art house: acts of reconstruction -- 'Meantime we shall express our darker purpose': Jean-Luc Godard's King Lear (1987) -- 'Radical art phalanx' versus 'a clever flag of PR convenience': Kristian Levring's The King is Alive (2000) -- Part 4: The afterlife .. -- The afterlife of King Lear: recent developments in the visual medium -- Adaptation: the debate goes on.
Record Nr.	UNINA-9910815629403321