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Adaptable TV : Rewiring the Text / / by Yvonne Griggs
| Adaptable TV : Rewiring the Text / / by Yvonne Griggs |
| Autore | Griggs Yvonne |
| Edizione | [1st ed. 2018.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2018 |
| Descrizione fisica | 1 online resource (IX, 202 p.) |
| Disciplina | 791.4 |
| Collana | Palgrave Studies in Adaptation and Visual Culture |
| Soggetto topico |
Motion pictures and television
Culture Technology Screen Studies Culture and Technology |
| ISBN | 3-319-77531-6 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1. Introduction -- 2. Penny Dreadful: The Neo-Victorian ‘Made-for -TV’ Series -- 3. Fargo: To Be Continued.... -- 4. Orange is the New Black as ‘living text’: From Memoir to TV Series -- 5. The Night Of as Remake 'Original'. |
| Record Nr. | UNINA-9910300033603321 |
Griggs Yvonne
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| Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2018 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Shakespeare's King Lear : the relationship between text and film / / Yvonne Griggs
| Shakespeare's King Lear : the relationship between text and film / / Yvonne Griggs |
| Autore | Griggs Yvonne |
| Pubbl/distr/stampa | London, [England] ; ; New York, New York : , : Bloomsbury Methuen Drama, , 2009 |
| Descrizione fisica | 1 online resource (225 p.) |
| Disciplina | 822.33 |
| Collana | Screen Adaptations |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-4081-4401-8
1-4081-4400-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNINA-9910458493903321 |
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Griggs Yvonne
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| London, [England] ; ; New York, New York : , : Bloomsbury Methuen Drama, , 2009 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Shakespeare's King Lear : the relationship between text and film / / Yvonne Griggs
| Shakespeare's King Lear : the relationship between text and film / / Yvonne Griggs |
| Autore | Griggs Yvonne |
| Pubbl/distr/stampa | London, England : , : Methuen Drama, , 2009 |
| Descrizione fisica | 1 online resource (225 p.) |
| Disciplina | 822.33 |
| Collana | Screen adaptations |
| Soggetto topico | Film theory & criticism |
| ISBN |
1-4081-4401-8
1-4081-4400-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Part One: Literary contexts -- 'The wheel is come full circle': origins and new directions -- Recycled narratives -- 'This great stage of fools': King Lear in performance -- Dominant readings of King Lear: a tale of redemption or fall? -- The adaptation debate -- Part Two: Production contexts -- From play text to silver screen -- Screen Lears: an overview -- The changing face of King Lear -- New ways of reading screen Lears -- Part Three: Readings of key versions -- From the canon to Hollywood -- East meets West: King Lear and the canon. Peter Brook's King Lear (1971): ' a Hollywood showman's nightmare' -- On the road: reclaiming Kozinstev's Korol Lir (1970) -- Chaos on the Western frontier: Akira Kurosawa's Ran (1985) -- King Lear and genre cinema -- King Lear as western elegy: Ed Dmytryk's Broken Lance (1954) -- King Lear and the urban gangster movie: the 'tragic' gangster -- Displacing the patriarchal family: Joseph Mankiewicz's House of Strangers (1949) -- Mafia father figures: Francis Ford Coppola's The Godfather trilogy (1972, 1974, 1990) -- Gangster Lear as morality tale: Don Boyd's My Kingdom (2001) -- King Lear as melodrama: Jocelyn Moorhouse's A Thousand Acres (1997) -- King Lear goes art house: acts of reconstruction -- 'Meantime we shall express our darker purpose': Jean-Luc Godard's King Lear (1987) -- 'Radical art phalanx' versus 'a clever flag of PR convenience': Kristian Levring's The King is Alive (2000) -- Part 4: The afterlife .. -- The afterlife of King Lear: recent developments in the visual medium -- Adaptation: the debate goes on. |
| Record Nr. | UNINA-9910791155403321 |
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Griggs Yvonne
|
||
| London, England : , : Methuen Drama, , 2009 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Shakespeare's King Lear : the relationship between text and film / / Yvonne Griggs
| Shakespeare's King Lear : the relationship between text and film / / Yvonne Griggs |
| Autore | Griggs Yvonne |
| Pubbl/distr/stampa | London, England : , : Methuen Drama, , 2009 |
| Descrizione fisica | 1 online resource (225 p.) |
| Disciplina | 822.33 |
| Collana | Screen adaptations |
| Soggetto topico | Film theory & criticism |
| ISBN |
1-4081-4401-8
1-4081-4400-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Part One: Literary contexts -- 'The wheel is come full circle': origins and new directions -- Recycled narratives -- 'This great stage of fools': King Lear in performance -- Dominant readings of King Lear: a tale of redemption or fall? -- The adaptation debate -- Part Two: Production contexts -- From play text to silver screen -- Screen Lears: an overview -- The changing face of King Lear -- New ways of reading screen Lears -- Part Three: Readings of key versions -- From the canon to Hollywood -- East meets West: King Lear and the canon. Peter Brook's King Lear (1971): ' a Hollywood showman's nightmare' -- On the road: reclaiming Kozinstev's Korol Lir (1970) -- Chaos on the Western frontier: Akira Kurosawa's Ran (1985) -- King Lear and genre cinema -- King Lear as western elegy: Ed Dmytryk's Broken Lance (1954) -- King Lear and the urban gangster movie: the 'tragic' gangster -- Displacing the patriarchal family: Joseph Mankiewicz's House of Strangers (1949) -- Mafia father figures: Francis Ford Coppola's The Godfather trilogy (1972, 1974, 1990) -- Gangster Lear as morality tale: Don Boyd's My Kingdom (2001) -- King Lear as melodrama: Jocelyn Moorhouse's A Thousand Acres (1997) -- King Lear goes art house: acts of reconstruction -- 'Meantime we shall express our darker purpose': Jean-Luc Godard's King Lear (1987) -- 'Radical art phalanx' versus 'a clever flag of PR convenience': Kristian Levring's The King is Alive (2000) -- Part 4: The afterlife .. -- The afterlife of King Lear: recent developments in the visual medium -- Adaptation: the debate goes on. |
| Record Nr. | UNINA-9910815629403321 |
|
Griggs Yvonne
|
||
| London, England : , : Methuen Drama, , 2009 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||