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Educating film-makers : past, present and future / / by Duncan Petrie and Rod Stoneman ; cover designer, Holly Rose ; index, Lyn Greenwood
| Educating film-makers : past, present and future / / by Duncan Petrie and Rod Stoneman ; cover designer, Holly Rose ; index, Lyn Greenwood |
| Autore | Petrie Duncan |
| Pubbl/distr/stampa | Bristol, [England] ; ; Chicago, [Illinois] : , : Intellect, , 2014 |
| Descrizione fisica | 1 online resource (382 p.) |
| Disciplina | 791.436 |
| Soggetto topico |
Film genres
Motion pictures - Study and teaching Motion pictures |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-78320-270-X
1-78320-269-6 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
FrontCover; Half-Title; Title; Copyright; Dedication; Contents; ACKNOWLEDGEMENTS; NOTE ON AUTHORS; INTRODUCTION; PART ONE: The Development of Film Schools in Europe and North America; Continental Film Schools: A Brief History of the 'National Conservatoire'; American University Film Schools: A Changing Relationship with Hollywood; PART TWO: British Film Schools; The 'Official' State Institution: The National Film and Television School; The Private Institution: The London Film School; The Art School: The Royal College of Art; Beyond London: The Struggle for a Scottish Film School
PART THREE: ProvocationsPrologue; The Culture Industry; The Academic and the Creative; The Ethics of the Sign; The Theories We Need; Digital Examination; Towards a Different Future; BIBLIOGRAPHY; INDEX; BackCover |
| Record Nr. | UNINA-9910464611803321 |
Petrie Duncan
|
||
| Bristol, [England] ; ; Chicago, [Illinois] : , : Intellect, , 2014 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Educating film-makers : past, present and future / / by Duncan Petrie and Rod Stoneman ; cover designer, Holly Rose ; index, Lyn Greenwood
| Educating film-makers : past, present and future / / by Duncan Petrie and Rod Stoneman ; cover designer, Holly Rose ; index, Lyn Greenwood |
| Autore | Petrie Duncan |
| Pubbl/distr/stampa | Bristol, [England] ; ; Chicago, [Illinois] : , : Intellect, , 2014 |
| Descrizione fisica | 1 online resource (382 p.) |
| Disciplina | 791.436 |
| Soggetto topico |
Film genres
Motion pictures - Study and teaching Motion pictures |
| ISBN |
1-78320-270-X
1-78320-269-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
FrontCover; Half-Title; Title; Copyright; Dedication; Contents; ACKNOWLEDGEMENTS; NOTE ON AUTHORS; INTRODUCTION; PART ONE: The Development of Film Schools in Europe and North America; Continental Film Schools: A Brief History of the 'National Conservatoire'; American University Film Schools: A Changing Relationship with Hollywood; PART TWO: British Film Schools; The 'Official' State Institution: The National Film and Television School; The Private Institution: The London Film School; The Art School: The Royal College of Art; Beyond London: The Struggle for a Scottish Film School
PART THREE: ProvocationsPrologue; The Culture Industry; The Academic and the Creative; The Ethics of the Sign; The Theories We Need; Digital Examination; Towards a Different Future; BIBLIOGRAPHY; INDEX; BackCover |
| Record Nr. | UNINA-9910786779703321 |
|
Petrie Duncan
|
||
| Bristol, [England] ; ; Chicago, [Illinois] : , : Intellect, , 2014 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Educating film-makers : past, present and future / / by Duncan Petrie and Rod Stoneman ; cover designer, Holly Rose ; index, Lyn Greenwood
| Educating film-makers : past, present and future / / by Duncan Petrie and Rod Stoneman ; cover designer, Holly Rose ; index, Lyn Greenwood |
| Autore | Petrie Duncan |
| Pubbl/distr/stampa | Bristol, [England] ; ; Chicago, [Illinois] : , : Intellect, , 2014 |
| Descrizione fisica | 1 online resource (382 p.) |
| Disciplina | 791.436 |
| Soggetto topico |
Film genres
Motion pictures - Study and teaching Motion pictures |
| ISBN |
1-78320-270-X
1-78320-269-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
FrontCover; Half-Title; Title; Copyright; Dedication; Contents; ACKNOWLEDGEMENTS; NOTE ON AUTHORS; INTRODUCTION; PART ONE: The Development of Film Schools in Europe and North America; Continental Film Schools: A Brief History of the 'National Conservatoire'; American University Film Schools: A Changing Relationship with Hollywood; PART TWO: British Film Schools; The 'Official' State Institution: The National Film and Television School; The Private Institution: The London Film School; The Art School: The Royal College of Art; Beyond London: The Struggle for a Scottish Film School
PART THREE: ProvocationsPrologue; The Culture Industry; The Academic and the Creative; The Ethics of the Sign; The Theories We Need; Digital Examination; Towards a Different Future; BIBLIOGRAPHY; INDEX; BackCover |
| Record Nr. | UNINA-9910819720403321 |
|
Petrie Duncan
|
||
| Bristol, [England] ; ; Chicago, [Illinois] : , : Intellect, , 2014 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Perform, repeat, record : live art in history / / edited by Amelia Jones and Adrian Heathfield ; cover designer, Holly Rose ; index, Lyn Greenwood
| Perform, repeat, record : live art in history / / edited by Amelia Jones and Adrian Heathfield ; cover designer, Holly Rose ; index, Lyn Greenwood |
| Pubbl/distr/stampa | Bristol, [England] ; ; Chicago, Illinois : , : Intellect, , 2012 |
| Descrizione fisica | 1 online resource (595 p.) |
| Disciplina | 791.4309 |
| Soggetto topico |
Motion pictures - History
Performance art - History Projection art - History |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-78320-437-0
1-78320-436-2 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Title Page; Copyright Page; Contents; Introductions; The Now and the Has Been: Paradoxes of Live Art in History; Then Again; Theories and Histories; Introduction; Chapter 1: The Performativity of Performance Documentation; Chapter 2: Dead Mannequin Walking: Fluxus and the Politics of Reception; Chapter 3: The Viral Ontology of Performance; Chapter 4: Can Photographs Make It So? Repeated Outbreaks of VALIE EXPORT 's Genital Panic Since 1969; Chapter 5: Macular Degeneration: Some Peculiar Aspects of Performance Art Documentation
Chapter 6: History and Precariousness: In Search of a Performative HistoriographyChapter 7: Performance Remains; Chapter 8: Not as Before, but Simply: Again; Chapter 9: The Prosthetic Present Tense: Documenting Chinese Time-based Art; Chapter 10: Progressive Striptease; Chapter 11: Repetition: A Skin which Unravels; Chapter 12: Art in the Age of Biopolitics: From Artwork to Art Documentation; Chapter 13: The Interstices of History; An Unofficial Timeline of Socialist and Post-Socialist Performance; Documents; Introduction; Chapter 14: A Text on 20 years with 66 footnotes Chapter 15: Faith Wilding, Waiting and Wait-WithChapter 16: Lynn Hershman and/as Roberta Breitmore; Chapter 17: We Are Formatted Memories; Chapter 18: Franko B and Kamal Ackarie, Don't Leave Me This Way; Chapter 19: Make Me Stop Smoking; Chapter 20: The Personal Evolution of the Performance Object (Or, What to Do with Leftovers); Chapter 21: Cai Yuan and J.J. Xi, Mad For Real; Chapter 22: Hayley Newman, MiniFlux; Chapter 23: Daniel Joseph Martinez, Call Me Ishmael or The Fully Enlightened Earth Radiates Disaster Triumphant; Chapter 24: Multiple Journeys: A Performance Chronology Chapter 25: Attending to Anthony McCall's Long Film For Ambient LightChapter 26: ReCut Project; Chapter 27: Assuming a Migrant Woman's Identity; Chapter 28: Barbara Smith, Intimations of Immortality; Chapter 29: Santiago Sierra and the "Contexts" of History; Chapter 30: Reconstruction2; Chapter 31: Documents of Chinese Time-based Art: Three Impressions from Three Fragments; Chapter 32: Both Sitting Duet and Cheap Lecture; Chapter 33: Aftermath: The Performance / Installation Nexus Timeline of Ideas: Live Art in (Art) History, A Primarily European-US-based Trajectory of Debates and Exhibitions Relating to Performance Documentation and Re-enactmentsDialogues; Introduction; Chapter 34: Interior Squirrel and the Vicissitudes of History; Chapter 35: I Just Go in Life; Chapter 36: The Maybe: Modes of Performance and the "Live"; Chapter 37: Photography as a Performative Act; Chapter 38: Do it Again, Do it Again (Turn Around, Go Back); Chapter 39: Touching Remains; Chapter 40: Perverse Martyrologies; Chapter 41: The Live Artist as Archaeologist Chapter 42: Every House Has a Door |
| Record Nr. | UNINA-9910458756303321 |
| Bristol, [England] ; ; Chicago, Illinois : , : Intellect, , 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Perform, repeat, record : live art in history / / edited by Amelia Jones and Adrian Heathfield ; cover designer, Holly Rose ; index, Lyn Greenwood
| Perform, repeat, record : live art in history / / edited by Amelia Jones and Adrian Heathfield ; cover designer, Holly Rose ; index, Lyn Greenwood |
| Pubbl/distr/stampa | Bristol, [England] ; ; Chicago, Illinois : , : Intellect, , 2012 |
| Descrizione fisica | 1 online resource (595 p.) |
| Disciplina | 791.4309 |
| Soggetto topico |
Motion pictures - History
Performance art - History Projection art - History |
| ISBN |
1-78320-437-0
1-78320-436-2 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Title Page; Copyright Page; Contents; Introductions; The Now and the Has Been: Paradoxes of Live Art in History; Then Again; Theories and Histories; Introduction; Chapter 1: The Performativity of Performance Documentation; Chapter 2: Dead Mannequin Walking: Fluxus and the Politics of Reception; Chapter 3: The Viral Ontology of Performance; Chapter 4: Can Photographs Make It So? Repeated Outbreaks of VALIE EXPORT 's Genital Panic Since 1969; Chapter 5: Macular Degeneration: Some Peculiar Aspects of Performance Art Documentation
Chapter 6: History and Precariousness: In Search of a Performative HistoriographyChapter 7: Performance Remains; Chapter 8: Not as Before, but Simply: Again; Chapter 9: The Prosthetic Present Tense: Documenting Chinese Time-based Art; Chapter 10: Progressive Striptease; Chapter 11: Repetition: A Skin which Unravels; Chapter 12: Art in the Age of Biopolitics: From Artwork to Art Documentation; Chapter 13: The Interstices of History; An Unofficial Timeline of Socialist and Post-Socialist Performance; Documents; Introduction; Chapter 14: A Text on 20 years with 66 footnotes Chapter 15: Faith Wilding, Waiting and Wait-WithChapter 16: Lynn Hershman and/as Roberta Breitmore; Chapter 17: We Are Formatted Memories; Chapter 18: Franko B and Kamal Ackarie, Don't Leave Me This Way; Chapter 19: Make Me Stop Smoking; Chapter 20: The Personal Evolution of the Performance Object (Or, What to Do with Leftovers); Chapter 21: Cai Yuan and J.J. Xi, Mad For Real; Chapter 22: Hayley Newman, MiniFlux; Chapter 23: Daniel Joseph Martinez, Call Me Ishmael or The Fully Enlightened Earth Radiates Disaster Triumphant; Chapter 24: Multiple Journeys: A Performance Chronology Chapter 25: Attending to Anthony McCall's Long Film For Ambient LightChapter 26: ReCut Project; Chapter 27: Assuming a Migrant Woman's Identity; Chapter 28: Barbara Smith, Intimations of Immortality; Chapter 29: Santiago Sierra and the "Contexts" of History; Chapter 30: Reconstruction2; Chapter 31: Documents of Chinese Time-based Art: Three Impressions from Three Fragments; Chapter 32: Both Sitting Duet and Cheap Lecture; Chapter 33: Aftermath: The Performance / Installation Nexus Timeline of Ideas: Live Art in (Art) History, A Primarily European-US-based Trajectory of Debates and Exhibitions Relating to Performance Documentation and Re-enactmentsDialogues; Introduction; Chapter 34: Interior Squirrel and the Vicissitudes of History; Chapter 35: I Just Go in Life; Chapter 36: The Maybe: Modes of Performance and the "Live"; Chapter 37: Photography as a Performative Act; Chapter 38: Do it Again, Do it Again (Turn Around, Go Back); Chapter 39: Touching Remains; Chapter 40: Perverse Martyrologies; Chapter 41: The Live Artist as Archaeologist Chapter 42: Every House Has a Door |
| Record Nr. | UNINA-9910791019903321 |
| Bristol, [England] ; ; Chicago, Illinois : , : Intellect, , 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||