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Biennials, triennials, and documenta : the exhibitions that created contemporary art / / Charles Green and Anthony Gardner
| Biennials, triennials, and documenta : the exhibitions that created contemporary art / / Charles Green and Anthony Gardner |
| Autore | Green Charles <1953-> |
| Edizione | [1] |
| Pubbl/distr/stampa | Chichester, West Sussex, United Kingdom : , : John Blackwell, , 2016 |
| Descrizione fisica | 1 online resource (280 p.) |
| Disciplina | 701/.0309048 |
| Soggetto topico |
Art and globalization - History - 20th century
Art and globalization - History - 21st century Biennials - History |
| ISBN |
1-4443-3665-7
1-119-21267-7 1-119-21266-9 |
| Classificazione | BUS100000 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Frontispiece; Title Page; Copyright; Preface; Introduction; Why Biennials?; Part 1. The Second Wave; Part 2. The Politics of Legitimacy; Part 3. Hegemony or a New Canon; The Cultural Geography of Biennials; Notes; Part 1: The Second Wave; 1: 1972: The Rise of the Star-Curator; Introduction; Preparation for a Walk-Through Event Structure; "Therapy Has Changed and No Longer Encourages Copious Art Production"; "The Most Important Exhibition of Recent Years"; Conclusion; Notes; 2: 1979: Cultural Translation, Cultural Exclusion, and the Second Wave
Introduction: Biennials as Models for Cultural EncountersFounding the Sydney Biennale; White Elephant or Red Herring? Selecting the 1979 Biennale of Sydney; Import/Export: Sydney and São Paulo; Conclusion; Notes; 3: 1986: The South and the Edges of the Global; Introduction: Origin Stories; A Brief History of Southern Biennials; The Second Bienal de La Habana; Conclusion: The Stakes of Southern Histories; Notes; Part 2: The Politics of Legitimacy; 4: 1989: Asian Biennialization; Introduction; Experimental Versus Traditional Art: "Traditions/Tensions"; Conclusion; Notes 5: 1997: Biennials, Migration, and ItinerancyIntroduction; Manifesta and Critical Regionalism; Locality Fails: The 2nd Johannesburg Biennale; By Way of Conclusion: The Emergency Biennale in Chechnya; Notes; Part 3: Hegemony or a New Canon; 6: 2002: Cosmopolitanism; Introduction; The Five-Year Subaltern Plan; Black Box, White Cube; Conclusion; Notes; 7: 2003: Delegating Authority; Introduction; Tirana: "Opening Up the Conversation"; Escape; Curating by Delegation: The 50th Venice Biennale: The Dictatorship of the Viewer; "Counterbalance the Decadence of the Ancient City" "Outmoded Structure of National Pavilions and Theme Exhibitions"Conclusion; Notes; 8: 2014: Global Art Circuits; Introduction; The Game of Comparison and Competition; Negotiated Inequality; Contemporary Play Time; Coda: 2014; Notes; 9: Conclusion; Notes; Index; EULA |
| Record Nr. | UNINA-9910136421803321 |
Green Charles <1953->
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| Chichester, West Sussex, United Kingdom : , : John Blackwell, , 2016 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The third hand [[electronic resource] ] : collaboration in art from conceptualism to postmodernism / / Charles Green
| The third hand [[electronic resource] ] : collaboration in art from conceptualism to postmodernism / / Charles Green |
| Autore | Green Charles <1953-> |
| Pubbl/distr/stampa | Minneapolis, : University of Minnesota Press, c2001 |
| Descrizione fisica | 1 online resource (266 p.) |
| Disciplina | 700/.9/04 |
| Soggetto topico |
Artist couples
Artistic collaboration Conceptual art Modernism (Art) Postmodernism |
| Soggetto genere / forma | Electronic books. |
| ISBN | 0-8166-9233-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Contents; Acknowledgments; Introduction: Collaboration as Symptom; Part I. Collaboration as Administration; 1. Art by Long Distance; 2. Conceptual Bureaucracy; Part II. Collaboration, Anonymity, and Partnership; 3. Memory, Ruins, and Archives; 4. Memory Storage; 5. Memory and Ethics; Part III. Collaboration and the Third Hand; 6. Negotiated Identity; 7. Eliminating Personality; 8. Missing in Action; 9. Doubles, Doppelgängers, and the Third Hand; Conclusion: The Value Added Landscape; Notes; Index; |
| Record Nr. | UNINA-9910452221603321 |
|
Green Charles <1953->
|
||
| Minneapolis, : University of Minnesota Press, c2001 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The third hand [[electronic resource] ] : collaboration in art from conceptualism to postmodernism / / Charles Green
| The third hand [[electronic resource] ] : collaboration in art from conceptualism to postmodernism / / Charles Green |
| Autore | Green Charles <1953-> |
| Pubbl/distr/stampa | Minneapolis, : University of Minnesota Press, c2001 |
| Descrizione fisica | 1 online resource (266 p.) |
| Disciplina | 700/.9/04 |
| Soggetto topico |
Artist couples
Artistic collaboration Conceptual art Modernism (Art) Postmodernism |
| ISBN | 0-8166-9233-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Contents; Acknowledgments; Introduction: Collaboration as Symptom; Part I. Collaboration as Administration; 1. Art by Long Distance; 2. Conceptual Bureaucracy; Part II. Collaboration, Anonymity, and Partnership; 3. Memory, Ruins, and Archives; 4. Memory Storage; 5. Memory and Ethics; Part III. Collaboration and the Third Hand; 6. Negotiated Identity; 7. Eliminating Personality; 8. Missing in Action; 9. Doubles, Doppelgängers, and the Third Hand; Conclusion: The Value Added Landscape; Notes; Index; |
| Record Nr. | UNINA-9910784400003321 |
|
Green Charles <1953->
|
||
| Minneapolis, : University of Minnesota Press, c2001 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The third hand : collaboration in art from conceptualism to postmodernism / / Charles Green
| The third hand : collaboration in art from conceptualism to postmodernism / / Charles Green |
| Autore | Green Charles <1953-> |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Minneapolis, : University of Minnesota Press, c2001 |
| Descrizione fisica | 1 online resource (266 p.) |
| Disciplina | 700/.9/04 |
| Soggetto topico |
Artist couples
Artistic collaboration Conceptual art Modernism (Art) Postmodernism |
| ISBN | 0-8166-9233-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Contents; Acknowledgments; Introduction: Collaboration as Symptom; Part I. Collaboration as Administration; 1. Art by Long Distance; 2. Conceptual Bureaucracy; Part II. Collaboration, Anonymity, and Partnership; 3. Memory, Ruins, and Archives; 4. Memory Storage; 5. Memory and Ethics; Part III. Collaboration and the Third Hand; 6. Negotiated Identity; 7. Eliminating Personality; 8. Missing in Action; 9. Doubles, Doppelgängers, and the Third Hand; Conclusion: The Value Added Landscape; Notes; Index; |
| Record Nr. | UNINA-9910812934103321 |
|
Green Charles <1953->
|
||
| Minneapolis, : University of Minnesota Press, c2001 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||