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American cinema of the 1960's : themes and variations / / edited by Barry Keith Grant
| American cinema of the 1960's : themes and variations / / edited by Barry Keith Grant |
| Pubbl/distr/stampa | New Brunswick, New Jersey : , : Rutgers University Press, , [2008] |
| Descrizione fisica | 1 online resource (xiv, 275 pages) : illustrations |
| Collana | Screen decades, American culture/American cinema |
| Soggetto topico |
Motion pictures - United States - History
Motion pictures - United States - Plots, themes, etc Nineteen sixties |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction: movies and the 1960's / Barry Keith Grant -- 1960: movies and intimations of disaster and hope / Christopher Sharrett -- 1961: movies and civil rights / Anna Everett -- 1962: movies and deterioration / Eric Schaefer -- 1963: movies and the little soldiers of the new frontier / Joe McElhaney -- 1964: movies, the Great Society, and the new sensibility / James Morrison -- 1965: movies and the color line / David Desser -- 1966: movies and camp / Harry M. Benshoff -- 1967: movies and the specter of rebellion / Murray Pomerance -- 1968: movies and the failure of nostalgia / Leslie H. Abramson -- 1969: movies and the counterculture / Christie Milliken. |
| Record Nr. | UNISA-996248245303316 |
| New Brunswick, New Jersey : , : Rutgers University Press, , [2008] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
| ||
Britton on film [[electronic resource] ] : the complete film criticism of Andrew Britton / / edited by Barry Keith Grant ; with an introduction by Robin Wood
| Britton on film [[electronic resource] ] : the complete film criticism of Andrew Britton / / edited by Barry Keith Grant ; with an introduction by Robin Wood |
| Autore | Britton Andrew <1952-1994.> |
| Pubbl/distr/stampa | Detroit, : Wayne State University Press, c2009 |
| Descrizione fisica | 1 online resource (571 p.) |
| Disciplina | 791.43 |
| Altri autori (Persone) | GrantBarry Keith <1947-> |
| Collana | Contemporary approaches to film and television series |
| Soggetto topico |
Motion pictures
Motion picture industry |
| Soggetto genere / forma | Electronic books. |
| ISBN | 0-8143-3550-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNINA-9910463672603321 |
Britton Andrew <1952-1994.>
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| Detroit, : Wayne State University Press, c2009 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Britton on film [[electronic resource] ] : the complete film criticism of Andrew Britton / / edited by Barry Keith Grant ; with an introduction by Robin Wood
| Britton on film [[electronic resource] ] : the complete film criticism of Andrew Britton / / edited by Barry Keith Grant ; with an introduction by Robin Wood |
| Autore | Britton Andrew <1952-1994.> |
| Pubbl/distr/stampa | Detroit, : Wayne State University Press, c2009 |
| Descrizione fisica | 1 online resource (571 p.) |
| Disciplina | 791.43 |
| Altri autori (Persone) | GrantBarry Keith <1947-> |
| Collana | Contemporary approaches to film and television series |
| Soggetto topico |
Motion pictures
Motion picture industry |
| ISBN | 0-8143-3550-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNINA-9910788516103321 |
|
Britton Andrew <1952-1994.>
|
||
| Detroit, : Wayne State University Press, c2009 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Britton on film : the complete film criticism of Andrew Britton / / edited by Barry Keith Grant ; with an introduction by Robin Wood
| Britton on film : the complete film criticism of Andrew Britton / / edited by Barry Keith Grant ; with an introduction by Robin Wood |
| Autore | Britton Andrew <1952-1994.> |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Detroit, : Wayne State University Press, c2009 |
| Descrizione fisica | 1 online resource (571 p.) |
| Disciplina | 791.43 |
| Altri autori (Persone) | GrantBarry Keith <1947-> |
| Collana | Contemporary approaches to film and television series |
| Soggetto topico |
Motion pictures
Motion picture industry |
| ISBN | 0-8143-3550-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Cover -- Series Page -- Title Page -- Copyright -- Dedication -- Contents -- Preface -- Acknowledgments -- Introduction by Robin Wood -- Part One: Hollywood Cinema -- Cary Grant: Comedy and Male Desire -- A New Servitude: Bette Davis, Now, Voyager, and the Radicalism of the Woman's Film -- The Devil, Probably: The Symbolism of Evil -- Sideshows: Hollywood in Vietnam -- Blissing Out: The Politics of Reaganite Entertainment -- Part Two: Hollywood Movies -- Meet Me in St. Louis: Smith, or The Ambiguities -- Alfred Hitchcock's Spellbound: Text and Countertext -- Detour -- Notes on Pursued -- The Family in The Reckless Moment -- Betrayed by Rita Hayworth: Misogyny in The Lady from Shanghai -- The Exorcist -- Jaws -- Mandingo -- 10 -- The Great Waldo Pepper -- The Other Side of Midnight -- Part Three: European Cinema -- Sexuality and Power, or the Two Others -- Their Finest Hour: Humphrey Jennings and the British Imperial Myth of World War II -- Metaphor and Mimesis: Madame de . . . -- Thinking about Father: Bernardo Bertolucci -- Living Historically: Two Films by Jean-Luc Godard -- "Foxed": Fox and His Friends -- Part Four: Film and Cultural Theory -- In Defense of Criticism -- For Interpretation: Notes Against Camp -- The Ideology of Screen -- The Philosophy of the Pigeonhole: Wisconsin Formalism and "The Classical Style" -- The Myth of Postmodernism: The Bourgeois Intelligentsia in the Age of Reagan -- Consuming Culture: The Development of a Theoretical Orthodoxy -- Invisible Eye -- Notes -- Bibliography -- Index. |
| Record Nr. | UNINA-9910807682803321 |
|
Britton Andrew <1952-1994.>
|
||
| Detroit, : Wayne State University Press, c2009 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Documenting the documentary : close readings of documentary film and video / / with a foreword by Bill Nichols ; edited by Barry Keith Grant and Jeannette Sloniowski
| Documenting the documentary : close readings of documentary film and video / / with a foreword by Bill Nichols ; edited by Barry Keith Grant and Jeannette Sloniowski |
| Edizione | [New and expanded edition.] |
| Pubbl/distr/stampa | Detroit, MI : , : Wayne State University Press, , [2014] |
| Descrizione fisica | 1 online resource (544 p.) |
| Disciplina | 070.1/8 |
| Altri autori (Persone) |
GrantBarry Keith <1947->
SloniowskiJeannette |
| Collana | Contemporary approaches to film and media series |
| Soggetto topico | Documentary films - History and criticism |
| Soggetto genere / forma | Electronic books. |
| ISBN | 0-8143-3972-7 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | The filmmaker as hunter : Robert Flaherty's Nanook of the north / William Rothman -- "Peace between man and machine" : Dziga Vertov's Man with a movie camera / Seth Feldman -- Paradise regained : Sergei Eisenstein's Que viva Mexico! as ethnography / Joanne Hershfield -- Synthetic vision : the dialectical imperative of Luis Buñuel's Las hurdes / Vivian Sobchack -- The art of national projection : Basil Wright's Song of Ceylon / William Guynn -- The mass psychology of fascist cinema : Leni Riefenstahl's Triumph of the will / Frank P. Tomasulo -- American documentary finds its voice : persuasion and expression in The plow that broke the plains and the city / Charlie Keil -- "Men cannot act before the camera in the presence of death" : Joris Ivens's The Spanish earth / Thomas Waugh -- The poetics of propaganda : Humphrey Jennings and Listen to Britain / Jim Leach -- "It was an atrocious film" : Georges Franju's Blood of the beasts / Jeannette Sloniowski -- The "dialogic imagination" of Jean Rouch : covert conversations in Les maîtres fous / Diane Scheinman -- Documenting the ineffable : terror and memory in Alain Resnais's Night and fog / Sandy Flitterman-Lewis -- Making the past present : Peter Watkins's Culloden / John R. Cook -- "Don't you ever just watch?" : American cinema verite and Dont look back / Jeanne Hall -- "Ethnography in the first person" : Frederick Wiseman's Titicut follies / Barry Keith Grant -- The two avant-gardes : Solanas and Getino's The hour of the furnaces / Robert Stam -- Seeing with experimental eyes : Stan Brakhage's The act of seeing with one's own eyes / Bart Testa -- "A bastard union of several forms" : style and narrative in An American family / Jeffrey K. Ruoff -- The documentary of displaced persona : Michael Rubbo's Daisy, the story of a facelift / Joan Nicks -- Gender, power, and a cucumber : satirizing masculinity in This is spinal tap / Carl Plantinga -- Documentary film and the discourse of hysterical/historical narrative : Ross McElwee's Sherman's march / Lucy Fischer -- Subjectivity lost and found : Bill Viola's I do not know what it is I am like / Catherine Russell -- Mirrors without memories : truth, history, and The thin blue line / Linda Williams -- Documentaphobia and mixed modes : Michael Moore's Roger & me / Matthew Bernstein -- Silence and its opposite : expressions of race in Tongues untied / Sheila Petty -- Containing fire : performance in Paris is burning / Caryl Flinn -- Contested territory : Camille Billops and James Hatch's Finding Christa / Julia Lesage -- Spike Lee's 4 little girls : the politics of the documentary interview / Paula J. Massood -- The gleaners and "us" : the radical modesty of Agnes Varda's Les glaneurs et la glaneuse / Virginia Bonner -- "You must never listen to this" : lessons on sound, cinema, and mortality from Werner Herzog's Grizzly man / David T. Johnson -- Cultural learnings of Borat for make benefit glorious study of documentary / Leshu Torchin. |
| Record Nr. | UNINA-9910464685303321 |
| Detroit, MI : , : Wayne State University Press, , [2014] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Documenting the documentary : close readings of documentary film and video / / with a foreword by Bill Nichols ; edited by Barry Keith Grant and Jeannette Sloniowski
| Documenting the documentary : close readings of documentary film and video / / with a foreword by Bill Nichols ; edited by Barry Keith Grant and Jeannette Sloniowski |
| Edizione | [New and expanded edition.] |
| Pubbl/distr/stampa | Detroit, MI : , : Wayne State University Press, , [2014] |
| Descrizione fisica | 1 online resource (544 p.) |
| Disciplina | 070.1/8 |
| Altri autori (Persone) |
GrantBarry Keith <1947->
SloniowskiJeannette |
| Collana | Contemporary approaches to film and media series |
| Soggetto topico | Documentary films - History and criticism |
| ISBN | 0-8143-3972-7 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | The filmmaker as hunter : Robert Flaherty's Nanook of the north / William Rothman -- "Peace between man and machine" : Dziga Vertov's Man with a movie camera / Seth Feldman -- Paradise regained : Sergei Eisenstein's Que viva Mexico! as ethnography / Joanne Hershfield -- Synthetic vision : the dialectical imperative of Luis Buñuel's Las hurdes / Vivian Sobchack -- The art of national projection : Basil Wright's Song of Ceylon / William Guynn -- The mass psychology of fascist cinema : Leni Riefenstahl's Triumph of the will / Frank P. Tomasulo -- American documentary finds its voice : persuasion and expression in The plow that broke the plains and the city / Charlie Keil -- "Men cannot act before the camera in the presence of death" : Joris Ivens's The Spanish earth / Thomas Waugh -- The poetics of propaganda : Humphrey Jennings and Listen to Britain / Jim Leach -- "It was an atrocious film" : Georges Franju's Blood of the beasts / Jeannette Sloniowski -- The "dialogic imagination" of Jean Rouch : covert conversations in Les maîtres fous / Diane Scheinman -- Documenting the ineffable : terror and memory in Alain Resnais's Night and fog / Sandy Flitterman-Lewis -- Making the past present : Peter Watkins's Culloden / John R. Cook -- "Don't you ever just watch?" : American cinema verite and Dont look back / Jeanne Hall -- "Ethnography in the first person" : Frederick Wiseman's Titicut follies / Barry Keith Grant -- The two avant-gardes : Solanas and Getino's The hour of the furnaces / Robert Stam -- Seeing with experimental eyes : Stan Brakhage's The act of seeing with one's own eyes / Bart Testa -- "A bastard union of several forms" : style and narrative in An American family / Jeffrey K. Ruoff -- The documentary of displaced persona : Michael Rubbo's Daisy, the story of a facelift / Joan Nicks -- Gender, power, and a cucumber : satirizing masculinity in This is spinal tap / Carl Plantinga -- Documentary film and the discourse of hysterical/historical narrative : Ross McElwee's Sherman's march / Lucy Fischer -- Subjectivity lost and found : Bill Viola's I do not know what it is I am like / Catherine Russell -- Mirrors without memories : truth, history, and The thin blue line / Linda Williams -- Documentaphobia and mixed modes : Michael Moore's Roger & me / Matthew Bernstein -- Silence and its opposite : expressions of race in Tongues untied / Sheila Petty -- Containing fire : performance in Paris is burning / Caryl Flinn -- Contested territory : Camille Billops and James Hatch's Finding Christa / Julia Lesage -- Spike Lee's 4 little girls : the politics of the documentary interview / Paula J. Massood -- The gleaners and "us" : the radical modesty of Agnes Varda's Les glaneurs et la glaneuse / Virginia Bonner -- "You must never listen to this" : lessons on sound, cinema, and mortality from Werner Herzog's Grizzly man / David T. Johnson -- Cultural learnings of Borat for make benefit glorious study of documentary / Leshu Torchin. |
| Record Nr. | UNINA-9910789120703321 |
| Detroit, MI : , : Wayne State University Press, , [2014] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Documenting the documentary : close readings of documentary film and video / / with a foreword by Bill Nichols ; edited by Barry Keith Grant and Jeannette Sloniowski
| Documenting the documentary : close readings of documentary film and video / / with a foreword by Bill Nichols ; edited by Barry Keith Grant and Jeannette Sloniowski |
| Edizione | [New and expanded edition.] |
| Pubbl/distr/stampa | Detroit, MI : , : Wayne State University Press, , [2014] |
| Descrizione fisica | 1 online resource (544 p.) |
| Disciplina | 070.1/8 |
| Altri autori (Persone) |
GrantBarry Keith <1947->
SloniowskiJeannette |
| Collana | Contemporary approaches to film and media series |
| Soggetto topico | Documentary films - History and criticism |
| ISBN | 0-8143-3972-7 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | The filmmaker as hunter : Robert Flaherty's Nanook of the north / William Rothman -- "Peace between man and machine" : Dziga Vertov's Man with a movie camera / Seth Feldman -- Paradise regained : Sergei Eisenstein's Que viva Mexico! as ethnography / Joanne Hershfield -- Synthetic vision : the dialectical imperative of Luis Buñuel's Las hurdes / Vivian Sobchack -- The art of national projection : Basil Wright's Song of Ceylon / William Guynn -- The mass psychology of fascist cinema : Leni Riefenstahl's Triumph of the will / Frank P. Tomasulo -- American documentary finds its voice : persuasion and expression in The plow that broke the plains and the city / Charlie Keil -- "Men cannot act before the camera in the presence of death" : Joris Ivens's The Spanish earth / Thomas Waugh -- The poetics of propaganda : Humphrey Jennings and Listen to Britain / Jim Leach -- "It was an atrocious film" : Georges Franju's Blood of the beasts / Jeannette Sloniowski -- The "dialogic imagination" of Jean Rouch : covert conversations in Les maîtres fous / Diane Scheinman -- Documenting the ineffable : terror and memory in Alain Resnais's Night and fog / Sandy Flitterman-Lewis -- Making the past present : Peter Watkins's Culloden / John R. Cook -- "Don't you ever just watch?" : American cinema verite and Dont look back / Jeanne Hall -- "Ethnography in the first person" : Frederick Wiseman's Titicut follies / Barry Keith Grant -- The two avant-gardes : Solanas and Getino's The hour of the furnaces / Robert Stam -- Seeing with experimental eyes : Stan Brakhage's The act of seeing with one's own eyes / Bart Testa -- "A bastard union of several forms" : style and narrative in An American family / Jeffrey K. Ruoff -- The documentary of displaced persona : Michael Rubbo's Daisy, the story of a facelift / Joan Nicks -- Gender, power, and a cucumber : satirizing masculinity in This is spinal tap / Carl Plantinga -- Documentary film and the discourse of hysterical/historical narrative : Ross McElwee's Sherman's march / Lucy Fischer -- Subjectivity lost and found : Bill Viola's I do not know what it is I am like / Catherine Russell -- Mirrors without memories : truth, history, and The thin blue line / Linda Williams -- Documentaphobia and mixed modes : Michael Moore's Roger & me / Matthew Bernstein -- Silence and its opposite : expressions of race in Tongues untied / Sheila Petty -- Containing fire : performance in Paris is burning / Caryl Flinn -- Contested territory : Camille Billops and James Hatch's Finding Christa / Julia Lesage -- Spike Lee's 4 little girls : the politics of the documentary interview / Paula J. Massood -- The gleaners and "us" : the radical modesty of Agnes Varda's Les glaneurs et la glaneuse / Virginia Bonner -- "You must never listen to this" : lessons on sound, cinema, and mortality from Werner Herzog's Grizzly man / David T. Johnson -- Cultural learnings of Borat for make benefit glorious study of documentary / Leshu Torchin. |
| Record Nr. | UNINA-9910806188703321 |
| Detroit, MI : , : Wayne State University Press, , [2014] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The dread of difference : gender and the horror film / / edited by Barry Keith Grant
| The dread of difference : gender and the horror film / / edited by Barry Keith Grant |
| Edizione | [Second edition.] |
| Pubbl/distr/stampa | Austin, Texas : , : University of Texas Press, , 2015 |
| Descrizione fisica | 1 online resource (558 p.) |
| Disciplina | 791.43/6164 |
| Collana | Texas Film and Media Studies Series |
| Soggetto topico |
Horror films - History and criticism
Sex role in motion pictures Women in motion pictures |
| Soggetto genere / forma | Electronic books. |
| ISBN | 1-4773-0241-7 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
""Acknowledgments""; ""Part One""; ""1. When the Woman Looks (Linda Williams)""; ""2. Horror and the Monstrous-Feminine: An Imaginary Abjection (Barbara Creed)""; ""3. Her Body, Himself: Gender in the Slasher Film (Carol J. Clover)""; ""4. The Monster and the Homosexual (Harry M. Benshoff)""; ""Part Two""; ""5. "It Will Thrill You, It May Shock You, It Might Even Horrify You": Gender, Reception, and Classic Horror Cinema (Rhona J. Berenstein)""; ""6. Bringing It All Back Home: Family Economy and Generic Exchange (Vivian Sobchack)""
""7. Trying to Survive on the Darker Side: 1980's Family Horror (Tony Williams)""""8. Genre, Gender, and the Aliens Trilogy (Thomas Doherty)""; ""9. Taking Back the Night of the Living Dead: George Romero, Feminism, and the Horror Film (Barry Keith Grant)""; ""10. Gender, Genre, Argento (Adam Knee)""; ""11. "Beyond the Veil of the Flesh": Cronenberg and the Disembodiment of Horror (Lianne McLarty)""; ""12. The Horror Film in Neoconservative Culture (Christopher Sharrett)""; ""Torture Porn and Uneasy Feminisms: Rethinking (Wo)men in Eli Roth's Hostel Films Maisha Wester""; ""Part Three"" ""14. Horror, Femininity, and Carrie's Monstrous Puberty (Shelley Stamp)""""15. The Monster as Woman: Two Generations of Cat People (Karen Hollinger)""; ""16. Here Comes the Bride: Wedding Gender and Race in Bride of Frankenstein (Elizabeth Young)""; ""17. Burying the Undead: The Use and Obsolescence of Count Dracula (Robin Wood)""; ""18. Old Times in Werewolf of London (Robert Spadoni)""; ""19. Daughters of Darkness: The Lesbian Vampire on Film (Bonnie Zimmerman)""; ""20. Birth Traumas: Parturition and Horror in Rosemary's Baby (Lucy Fischer)"" ""21. The Place of Passion: Reflections on Fatal Attraction (James Conlon)"" ""22. Feminine Horror: The Embodied Surrealism of In My Skin (Adam Lowenstein)""; ""23. Uncanny Horrors: Male Rape in Twenty-nine Palms (Lisa Coulthard)""; ""Selected Bibliography""; ""Notes on Contributors""; ""Index"" |
| Record Nr. | UNINA-9910460502403321 |
| Austin, Texas : , : University of Texas Press, , 2015 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The dread of difference : gender and the horror film / / edited by Barry Keith Grant
| The dread of difference : gender and the horror film / / edited by Barry Keith Grant |
| Edizione | [Second edition.] |
| Pubbl/distr/stampa | Austin, Texas : , : University of Texas Press, , 2015 |
| Descrizione fisica | 1 online resource (558 p.) |
| Disciplina | 791.43/6164 |
| Collana | Texas Film and Media Studies Series |
| Soggetto topico |
Horror films - History and criticism
Sex role in motion pictures Women in motion pictures |
| ISBN | 1-4773-0241-7 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
""Acknowledgments""; ""Part One""; ""1. When the Woman Looks (Linda Williams)""; ""2. Horror and the Monstrous-Feminine: An Imaginary Abjection (Barbara Creed)""; ""3. Her Body, Himself: Gender in the Slasher Film (Carol J. Clover)""; ""4. The Monster and the Homosexual (Harry M. Benshoff)""; ""Part Two""; ""5. "It Will Thrill You, It May Shock You, It Might Even Horrify You": Gender, Reception, and Classic Horror Cinema (Rhona J. Berenstein)""; ""6. Bringing It All Back Home: Family Economy and Generic Exchange (Vivian Sobchack)""
""7. Trying to Survive on the Darker Side: 1980's Family Horror (Tony Williams)""""8. Genre, Gender, and the Aliens Trilogy (Thomas Doherty)""; ""9. Taking Back the Night of the Living Dead: George Romero, Feminism, and the Horror Film (Barry Keith Grant)""; ""10. Gender, Genre, Argento (Adam Knee)""; ""11. "Beyond the Veil of the Flesh": Cronenberg and the Disembodiment of Horror (Lianne McLarty)""; ""12. The Horror Film in Neoconservative Culture (Christopher Sharrett)""; ""Torture Porn and Uneasy Feminisms: Rethinking (Wo)men in Eli Roth's Hostel Films Maisha Wester""; ""Part Three"" ""14. Horror, Femininity, and Carrie's Monstrous Puberty (Shelley Stamp)""""15. The Monster as Woman: Two Generations of Cat People (Karen Hollinger)""; ""16. Here Comes the Bride: Wedding Gender and Race in Bride of Frankenstein (Elizabeth Young)""; ""17. Burying the Undead: The Use and Obsolescence of Count Dracula (Robin Wood)""; ""18. Old Times in Werewolf of London (Robert Spadoni)""; ""19. Daughters of Darkness: The Lesbian Vampire on Film (Bonnie Zimmerman)""; ""20. Birth Traumas: Parturition and Horror in Rosemary's Baby (Lucy Fischer)"" ""21. The Place of Passion: Reflections on Fatal Attraction (James Conlon)"" ""22. Feminine Horror: The Embodied Surrealism of In My Skin (Adam Lowenstein)""; ""23. Uncanny Horrors: Male Rape in Twenty-nine Palms (Lisa Coulthard)""; ""Selected Bibliography""; ""Notes on Contributors""; ""Index"" |
| Record Nr. | UNINA-9910787447503321 |
| Austin, Texas : , : University of Texas Press, , 2015 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The dread of difference : gender and the horror film / / edited by Barry Keith Grant
| The dread of difference : gender and the horror film / / edited by Barry Keith Grant |
| Edizione | [Second edition.] |
| Pubbl/distr/stampa | Austin, Texas : , : University of Texas Press, , 2015 |
| Descrizione fisica | 1 online resource (558 p.) |
| Disciplina | 791.43/6164 |
| Collana | Texas Film and Media Studies Series |
| Soggetto topico |
Horror films - History and criticism
Sex role in motion pictures Women in motion pictures |
| ISBN | 1-4773-0241-7 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
""Acknowledgments""; ""Part One""; ""1. When the Woman Looks (Linda Williams)""; ""2. Horror and the Monstrous-Feminine: An Imaginary Abjection (Barbara Creed)""; ""3. Her Body, Himself: Gender in the Slasher Film (Carol J. Clover)""; ""4. The Monster and the Homosexual (Harry M. Benshoff)""; ""Part Two""; ""5. "It Will Thrill You, It May Shock You, It Might Even Horrify You": Gender, Reception, and Classic Horror Cinema (Rhona J. Berenstein)""; ""6. Bringing It All Back Home: Family Economy and Generic Exchange (Vivian Sobchack)""
""7. Trying to Survive on the Darker Side: 1980's Family Horror (Tony Williams)""""8. Genre, Gender, and the Aliens Trilogy (Thomas Doherty)""; ""9. Taking Back the Night of the Living Dead: George Romero, Feminism, and the Horror Film (Barry Keith Grant)""; ""10. Gender, Genre, Argento (Adam Knee)""; ""11. "Beyond the Veil of the Flesh": Cronenberg and the Disembodiment of Horror (Lianne McLarty)""; ""12. The Horror Film in Neoconservative Culture (Christopher Sharrett)""; ""Torture Porn and Uneasy Feminisms: Rethinking (Wo)men in Eli Roth's Hostel Films Maisha Wester""; ""Part Three"" ""14. Horror, Femininity, and Carrie's Monstrous Puberty (Shelley Stamp)""""15. The Monster as Woman: Two Generations of Cat People (Karen Hollinger)""; ""16. Here Comes the Bride: Wedding Gender and Race in Bride of Frankenstein (Elizabeth Young)""; ""17. Burying the Undead: The Use and Obsolescence of Count Dracula (Robin Wood)""; ""18. Old Times in Werewolf of London (Robert Spadoni)""; ""19. Daughters of Darkness: The Lesbian Vampire on Film (Bonnie Zimmerman)""; ""20. Birth Traumas: Parturition and Horror in Rosemary's Baby (Lucy Fischer)"" ""21. The Place of Passion: Reflections on Fatal Attraction (James Conlon)"" ""22. Feminine Horror: The Embodied Surrealism of In My Skin (Adam Lowenstein)""; ""23. Uncanny Horrors: Male Rape in Twenty-nine Palms (Lisa Coulthard)""; ""Selected Bibliography""; ""Notes on Contributors""; ""Index"" |
| Record Nr. | UNINA-9910814435203321 |
| Austin, Texas : , : University of Texas Press, , 2015 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
