The Edinburgh companion to Samuel Beckett and the arts / / edited by S. E. Gontarski |
Pubbl/distr/stampa | Edinburgh, Scotland : , : Edinburgh University Press, , 2014 |
Descrizione fisica | 1 online resource (521 p.) |
Disciplina | 828.91209 |
Soggetto topico | Arts, Modern - 20th century |
ISBN |
1-78402-538-0
0-7486-7570-1 |
Classificazione | IH 15721 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Contents; Introduction: Towards a Minoritarian Criticism - The Questions We Ask; Part 1: Art and Aesthetics; 1: 'Deux Besoins': Samuel Beckett and the Aesthetic Dilemma; Plate Section; 2: 'Siege Laid Again': Arikha's Gaze, Beckett's Painted Stage; 3: Convulsive Aesthetics: Beckett, Chaplin and Charcot; 4: Pain Degree Zero; Part 2: Fictions; 5: Sexual Indifference in the Three Novels; 6: A Neuropolitics of Subjectivity in Samuel Beckett's Three Novels; 7: Evening, Night and Other Shades of Dark: Beckett's Short Prose; Part 3: A European Context
8: French Beckett and French Literary Politics 1945-529: Beckett/Sade: texts for nothing; 10: Beckett's Masson: From Abstraction to Non-relation; 11: Beckett, Duthuit and Ongoing Dialogue; 12: Gloria SMH and Beckett's Linguistic Encryptions; 13: 'I am Writing a Manifesto Because I have nothing to say' (Soupault): Samuel Beckett and the Interwar Avant-Garde; 14: Beckett and Contemporary French Literature; Part 4: An Irish Context; 15: The 'Irish' Translation of Samuel Beckett's En Attendant Godot; 16: Odds, Ends, Beginnings: Samuel Beckett and Theatre Cultures in 1930s Dublin 17: 'Bid us sigh on from day to day': Beckett and the Irish Big HousePart 5: Film, Radio and Television; 18: A Womb with a View: FIlm as Regression Fantasy; 19: 'The Sound is Enough': Beckett's Radio Plays; Part 6: Language/Writing; 20: 'Was that a point?': Beckett's Punctuation; 21: Beckett's Unpublished Canon; 22: Textual Scars: Beckett, Genetic Criticism and Textual Scholarship; 23: Beckett's Ill Seen Ill Said: Reading the Subject, Subject to Reading; Part 7: Philosophies; 24: Beckett and Philosophy; 25: 'Ruse a by': Watt, the Rupture of the Everyday and Transcendental Empiricism 26: Beckett, Modernism and ChristianityPart 8: Theatre and Performance; 27: 'Oh Lovely Art': Beckett and Music; 28: Victimised Actors and Despotic Directors: Clichés of Theatre at Stake in Beckett's Catastrophe; 29: Staging the Modernist Monologue as Capable Negativity: Beckett's 'A Piece of Monologue' Between and Beyond Eliot and Joyce; 30: Designing Beckett: Jocelyn Herbert's Contribution to Samuel Beckett's Theatrical Aesthetics; 31: Dianoetic Laughter in Tragedy: Accepting Finitude - Beckett's Endgame; 32: Performing the Formless; Part 9: Global Beckett 33: 'Facing Other WIndows': Beckett in Brazil34: Beckett in Belgrade; 35: 'Struggling with a Dead Language': Language of Others in All That Fall and the Japanese Avant-Garde Theatre in the 1960s; List of Contributors; Index |
Record Nr. | UNINA-9910787995403321 |
Edinburgh, Scotland : , : Edinburgh University Press, , 2014 | ||
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Lo trovi qui: Univ. Federico II | ||
|
The Edinburgh companion to Samuel Beckett and the arts / / edited by S. E. Gontarski |
Pubbl/distr/stampa | Edinburgh, Scotland : , : Edinburgh University Press, , 2014 |
Descrizione fisica | 1 online resource (521 p.) |
Disciplina | 828.91209 |
Soggetto topico | Arts, Modern - 20th century |
ISBN |
1-78402-538-0
0-7486-7570-1 |
Classificazione | IH 15721 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Contents; Introduction: Towards a Minoritarian Criticism - The Questions We Ask; Part 1: Art and Aesthetics; 1: 'Deux Besoins': Samuel Beckett and the Aesthetic Dilemma; Plate Section; 2: 'Siege Laid Again': Arikha's Gaze, Beckett's Painted Stage; 3: Convulsive Aesthetics: Beckett, Chaplin and Charcot; 4: Pain Degree Zero; Part 2: Fictions; 5: Sexual Indifference in the Three Novels; 6: A Neuropolitics of Subjectivity in Samuel Beckett's Three Novels; 7: Evening, Night and Other Shades of Dark: Beckett's Short Prose; Part 3: A European Context
8: French Beckett and French Literary Politics 1945-529: Beckett/Sade: texts for nothing; 10: Beckett's Masson: From Abstraction to Non-relation; 11: Beckett, Duthuit and Ongoing Dialogue; 12: Gloria SMH and Beckett's Linguistic Encryptions; 13: 'I am Writing a Manifesto Because I have nothing to say' (Soupault): Samuel Beckett and the Interwar Avant-Garde; 14: Beckett and Contemporary French Literature; Part 4: An Irish Context; 15: The 'Irish' Translation of Samuel Beckett's En Attendant Godot; 16: Odds, Ends, Beginnings: Samuel Beckett and Theatre Cultures in 1930s Dublin 17: 'Bid us sigh on from day to day': Beckett and the Irish Big HousePart 5: Film, Radio and Television; 18: A Womb with a View: FIlm as Regression Fantasy; 19: 'The Sound is Enough': Beckett's Radio Plays; Part 6: Language/Writing; 20: 'Was that a point?': Beckett's Punctuation; 21: Beckett's Unpublished Canon; 22: Textual Scars: Beckett, Genetic Criticism and Textual Scholarship; 23: Beckett's Ill Seen Ill Said: Reading the Subject, Subject to Reading; Part 7: Philosophies; 24: Beckett and Philosophy; 25: 'Ruse a by': Watt, the Rupture of the Everyday and Transcendental Empiricism 26: Beckett, Modernism and ChristianityPart 8: Theatre and Performance; 27: 'Oh Lovely Art': Beckett and Music; 28: Victimised Actors and Despotic Directors: Clichés of Theatre at Stake in Beckett's Catastrophe; 29: Staging the Modernist Monologue as Capable Negativity: Beckett's 'A Piece of Monologue' Between and Beyond Eliot and Joyce; 30: Designing Beckett: Jocelyn Herbert's Contribution to Samuel Beckett's Theatrical Aesthetics; 31: Dianoetic Laughter in Tragedy: Accepting Finitude - Beckett's Endgame; 32: Performing the Formless; Part 9: Global Beckett 33: 'Facing Other WIndows': Beckett in Brazil34: Beckett in Belgrade; 35: 'Struggling with a Dead Language': Language of Others in All That Fall and the Japanese Avant-Garde Theatre in the 1960s; List of Contributors; Index |
Record Nr. | UNINA-9910825140103321 |
Edinburgh, Scotland : , : Edinburgh University Press, , 2014 | ||
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Lo trovi qui: Univ. Federico II | ||
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On Beckett : essays and criticism / / edited and with an introduction by S.E. Gontarski [[electronic resource]] |
Pubbl/distr/stampa | London : , : Anthem Press, , 2012 |
Descrizione fisica | 1 online resource (xxix, 320 pages) : digital, PDF file(s) |
Disciplina | 848/.91409 |
Collana | Anthem Studies in Theatre and Performance |
ISBN |
1-283-97626-9
0-85728-580-7 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | The essential Beckett : a preface to the second edition / S.E. Gontarksi -- A Beckett chronology -- Critics and criticism : getting known / S.E. Gontarksi -- Beckett and Merlin / Richard W. Seaver -- Samuel Beckett and the visual arts : the embarrassment of allegory / Dougald McMillan -- When is the end not the end? : the idea of fiction in Beckett / Wolfgang Iser -- Murphy and the uses of repetition / Rubin Rabinovitz -- Watt / Lawrence E. Harvey -- Mercier and Camier : narration, Dante and the couple / Eric P. Levy -- Molloy's silence / Georges Bataille -- Where now? who now? / Maurice Blanchot -- The voice and its words : how it is / J.E Dearlove -- The unnameable's first voice? / Chris Ackerley -- Between verse and prose : Beckett and the new poetry / Marjorie Perloff -- Westward ho / Dougald McMillan -- MacGowran on Beckett / interview by Richard Toscan -- Blin on Beckett / interview by Tom Bishop -- Working with Beckett / Alan Schneider -- Notes from the underground : Waiting for Godot and Endgame / Herbert Blau -- Beckett directs Godot / Walter D. Asmus -- Beckett directs : Endgame and Krapp's Last Tape / Ruby Cohn -- Literary allusions in Happy Days / S.E. Gontarski -- Counterpoint, absence, and the medium in Beckett's Not I / Paul Lawley -- Rehearsal notes for the German premiere of Beckett's That Time and Footfalls / Wakter D. Asmus -- Footfalls / James Knowlson -- Samuel Beckett and the art of radio / Martin Esslin -- Light, sound, movement, and action in Beckett's Rockaby / Enoch Brater -- Beckett's Ohio Impromptu : a view from the Isle of Swans / Piere Astiaer -- Quad and Catastrophe / S.E. Gontarski -- Burroughs with Beckett in Berlin / edited by Victor Bockris. |
Record Nr. | UNINA-9910463144803321 |
London : , : Anthem Press, , 2012 | ||
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Lo trovi qui: Univ. Federico II | ||
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Understanding Bergson, understanding modernism / / edited by Paul Ardoin, S.E. Gontarski, and Laci Mattison |
Pubbl/distr/stampa | New York : , : Bloomsbury, , 2013 |
Descrizione fisica | 1 online resource (361 p.) |
Disciplina | 143 |
Soggetto topico | Modernism (Literature) - History and criticism |
Soggetto genere / forma | Electronic books. |
ISBN |
1-4725-4414-5
1-283-97177-1 1-4411-8837-1 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Foreword / Suzanne Guerlac -- Abbreviations -- Contributors -- Introduction / Paul Ardoin, S. E. Gontarski, and Laci Mattison -- Part 1. Conceptualizing Bergson. 1. (Re)Reading Time and Free Will : (Re)Discovering Bergson for the Twenty-First Century, Mary Ann Gillies ; 2. Bergson's Matter and Memory : From Time to Space, David Addyman ; 3. Comedies of Errors: Bergson's Laughter in Modernist Contexts, Jan Walsh Hokenson ; 4. Sub Specie Durationis, or the Free Necessity of Life's Creativeness in Bergson's Creative Evolution, David Scott ; 5. A Reading of Two Sources of Morality and Religion, or Bergsonian Wisdom, Emotion, and Integrity, Michael R. Kelly ; 6. The Inclination of Philosophy: The Creative Mind and the Articulation of a Bergsonian Method, Paul Atkinson -- Part 2. Bergson and Aesthetics. 7. Bergson, Vitalism, and Modernist Literature, Paul Douglass ; 8. Perception Sickness: Bergsonian Sensitivity and Modernist Paralysis, Paul Ardoin ; 9. " Blast ... Bergson? " Wyndham Lewis's " Guilty Fire of Friction ", Charlotte de Mille ; 10. Bergson and Proust: A Question of Influence, Pete A. Y. Gunter ; 11. Joyce's Matter and Memory: Perception and Memory-Events in Finnegans Wake, Dustin Anderson ; 12. Minds Meeting: Bergson, Joyce, Nabokov, and the Aesthetics of the Subliminal, Leona Toker ; 13. Modernist Energeia: Henri Bergson and the Romantic Idea of Language, Sarah Posman ; 14. H.D.'s Intuitional Imagism: Memory, Desire, and the Image in Process, Laci Mattison ; 15. Bergson and the Comedy of Horrors, John Mullarkey ; 16. Time and Free Will: Bergson, Modernism, Superheroes, and Watchmen, Eric Berlatsky ; 17. The Joys of Atavism, Claire Colebrook -- Part 3. Glossary -- Index. |
Record Nr. | UNINA-9910511386303321 |
New York : , : Bloomsbury, , 2013 | ||
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Lo trovi qui: Univ. Federico II | ||
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Understanding Bergson, understanding modernism / / edited by Paul Ardoin, S.E. Gontarski, and Laci Mattison |
Pubbl/distr/stampa | New York : , : Bloomsbury, , 2013 |
Descrizione fisica | 1 online resource (361 p.) |
Disciplina | 143 |
Soggetto topico | Modernism (Literature) - History and criticism |
ISBN |
1-4725-4414-5
1-283-97177-1 1-4411-8837-1 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Foreword / Suzanne Guerlac -- Abbreviations -- Contributors -- Introduction / Paul Ardoin, S. E. Gontarski, and Laci Mattison -- Part 1. Conceptualizing Bergson. 1. (Re)Reading Time and Free Will : (Re)Discovering Bergson for the Twenty-First Century, Mary Ann Gillies ; 2. Bergson's Matter and Memory : From Time to Space, David Addyman ; 3. Comedies of Errors: Bergson's Laughter in Modernist Contexts, Jan Walsh Hokenson ; 4. Sub Specie Durationis, or the Free Necessity of Life's Creativeness in Bergson's Creative Evolution, David Scott ; 5. A Reading of Two Sources of Morality and Religion, or Bergsonian Wisdom, Emotion, and Integrity, Michael R. Kelly ; 6. The Inclination of Philosophy: The Creative Mind and the Articulation of a Bergsonian Method, Paul Atkinson -- Part 2. Bergson and Aesthetics. 7. Bergson, Vitalism, and Modernist Literature, Paul Douglass ; 8. Perception Sickness: Bergsonian Sensitivity and Modernist Paralysis, Paul Ardoin ; 9. " Blast ... Bergson? " Wyndham Lewis's " Guilty Fire of Friction ", Charlotte de Mille ; 10. Bergson and Proust: A Question of Influence, Pete A. Y. Gunter ; 11. Joyce's Matter and Memory: Perception and Memory-Events in Finnegans Wake, Dustin Anderson ; 12. Minds Meeting: Bergson, Joyce, Nabokov, and the Aesthetics of the Subliminal, Leona Toker ; 13. Modernist Energeia: Henri Bergson and the Romantic Idea of Language, Sarah Posman ; 14. H.D.'s Intuitional Imagism: Memory, Desire, and the Image in Process, Laci Mattison ; 15. Bergson and the Comedy of Horrors, John Mullarkey ; 16. Time and Free Will: Bergson, Modernism, Superheroes, and Watchmen, Eric Berlatsky ; 17. The Joys of Atavism, Claire Colebrook -- Part 3. Glossary -- Index. |
Record Nr. | UNINA-9910786042403321 |
New York : , : Bloomsbury, , 2013 | ||
![]() | ||
Lo trovi qui: Univ. Federico II | ||
|
Understanding Bergson, understanding modernism / / edited by Paul Ardoin, S.E. Gontarski, and Laci Mattison |
Pubbl/distr/stampa | New York : , : Bloomsbury, , 2013 |
Descrizione fisica | 1 online resource (361 p.) |
Disciplina | 143 |
Soggetto topico | Modernism (Literature) - History and criticism |
ISBN |
1-4725-4414-5
1-283-97177-1 1-4411-8837-1 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Foreword / Suzanne Guerlac -- Abbreviations -- Contributors -- Introduction / Paul Ardoin, S. E. Gontarski, and Laci Mattison -- Part 1. Conceptualizing Bergson. 1. (Re)Reading Time and Free Will : (Re)Discovering Bergson for the Twenty-First Century, Mary Ann Gillies ; 2. Bergson's Matter and Memory : From Time to Space, David Addyman ; 3. Comedies of Errors: Bergson's Laughter in Modernist Contexts, Jan Walsh Hokenson ; 4. Sub Specie Durationis, or the Free Necessity of Life's Creativeness in Bergson's Creative Evolution, David Scott ; 5. A Reading of Two Sources of Morality and Religion, or Bergsonian Wisdom, Emotion, and Integrity, Michael R. Kelly ; 6. The Inclination of Philosophy: The Creative Mind and the Articulation of a Bergsonian Method, Paul Atkinson -- Part 2. Bergson and Aesthetics. 7. Bergson, Vitalism, and Modernist Literature, Paul Douglass ; 8. Perception Sickness: Bergsonian Sensitivity and Modernist Paralysis, Paul Ardoin ; 9. " Blast ... Bergson? " Wyndham Lewis's " Guilty Fire of Friction ", Charlotte de Mille ; 10. Bergson and Proust: A Question of Influence, Pete A. Y. Gunter ; 11. Joyce's Matter and Memory: Perception and Memory-Events in Finnegans Wake, Dustin Anderson ; 12. Minds Meeting: Bergson, Joyce, Nabokov, and the Aesthetics of the Subliminal, Leona Toker ; 13. Modernist Energeia: Henri Bergson and the Romantic Idea of Language, Sarah Posman ; 14. H.D.'s Intuitional Imagism: Memory, Desire, and the Image in Process, Laci Mattison ; 15. Bergson and the Comedy of Horrors, John Mullarkey ; 16. Time and Free Will: Bergson, Modernism, Superheroes, and Watchmen, Eric Berlatsky ; 17. The Joys of Atavism, Claire Colebrook -- Part 3. Glossary -- Index. |
Record Nr. | UNINA-9910806120403321 |
New York : , : Bloomsbury, , 2013 | ||
![]() | ||
Lo trovi qui: Univ. Federico II | ||
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