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Rembrandt : studies in his varied approaches to Italian art / / Amy Golahny
| Rembrandt : studies in his varied approaches to Italian art / / Amy Golahny |
| Autore | Golahny Amy |
| Pubbl/distr/stampa | Leiden ; ; Boston : , : Brill, , [2020] |
| Descrizione fisica | 1 online resource |
| Disciplina | 759.9492 |
| Collana | Brill's Studies in Intellectual History |
| Soggetto topico | Art, Dutch - Italian influences |
| ISBN | 90-04-43194-2 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Preface -- Acknowledgements -- List of Illustrations -- 1 Prologue: Setting the Stage -- 1 Who Did, or Did Not, Travel to Italy -- 2 Dutch Artists Who Painted Italy at Second Hand -- 3 Jacob van Swanenburg and Pieter Lastman in Italy -- 4 Advice about Travel -- 5 On the Road in Italy: Nicholas Stone Jr. -- 6 The Material Evidence: Collecting Italian Art in Holland -- 7 Van Mander’s Account of Remarkable Italian Paintings in Dutch Collections -- 8 A Sampling of Amsterdam Collections: 1630–1660 -- 9 Rembrandt at the Art Market -- 10 A Contrast in Collecting: Joachim von Sandrart in Amsterdam and Bavaria -- 2 Attitudes: Critical, Admiring, and Curious toward Rembrandt -- 1 Rembrandt’s Acquaintances Condemn His Disregard for Italian Values: Huygens, Sandrart and De Lairesse -- 2 Pels, De Decker, and De Geest: Polarizing Attitudes -- 3 Rembrandt’s Singular Manner: Houbraken -- 4 Rembrandt’s Naturalism in Stefano della Bella’s Model Books -- 5 Rembrandt’s Goal in Art -- 3 Rembrandt’s Collection and How He Used It: the Canonical and the Unusual -- 1 Drawing from the Original: Mantegna, Leonardo, Raphael, Titian -- 2 Reminiscences and Variations -- 3 Life Study Fused with Art -- 4 Sculpture as Substitute for Life Study -- 4 Pragmatic Solutions -- 1 Borrowed Plumes Easily Disguised -- 2 The Supper at Emmaus of c. 1629 -- 3 Rembrandt and the Madonna of the Rosary: Structuring the Stage -- 4 Judas Returning the 30 Pieces of Silver: Caravaggio and Leonardo da Vinci -- 5 Two People in One Frame -- 5 Appropriating for Commentary: Rembrandt’s Critique of Titian, Raphael, and Leonardo -- 1 Christ Driving the Money Changers from the Temple: the 1626 Painting and the 1635 Etching -- 2 The Hundred Guilder Print: Exploiting Raphael, Michelangelo, Leonardo -- 6 Appropriation and Deviation: Responding for Alternatives -- 1 Diana and Actaeon with Callisto and Nymphs: Referencing the Italians -- 2 The Flute Player and Flower Girl: an Alternative to Titian -- 3 The Female Nude -- 7 Rembrandt Perceived by the Italians: Castiglione, the Ruffo Collection, and La Maniera Gagliarda -- 1 Giovanni Benedetto Castiglione: Inspired Improvisations -- 2 Rembrandt’s Ruffo Series -- 3 Abraham Brueghel’s Intermediary Role in the Ruffo Commissions -- 4 Guercino: Business-like, Efficient, and Respectful -- 5 Preti: Grudging Accommodation -- 6 Salvator Rosa: Independent, Arrogant, and Uncooperative -- 7 Brandi: Eager to Please -- 8 La Maniera Gagliarda -- 9 Baciccio: the Last Word -- Bibliography. |
| Record Nr. | UNINA-9910794147903321 |
Golahny Amy
|
||
| Leiden ; ; Boston : , : Brill, , [2020] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Rembrandt : studies in his varied approaches to Italian art / / Amy Golahny
| Rembrandt : studies in his varied approaches to Italian art / / Amy Golahny |
| Autore | Golahny Amy |
| Pubbl/distr/stampa | Leiden ; ; Boston : , : Brill, , [2020] |
| Descrizione fisica | 1 online resource |
| Disciplina | 759.9492 |
| Collana | Brill's Studies in Intellectual History |
| Soggetto topico | Art, Dutch - Italian influences |
| ISBN | 90-04-43194-2 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Preface -- Acknowledgements -- List of Illustrations -- 1 Prologue: Setting the Stage -- 1 Who Did, or Did Not, Travel to Italy -- 2 Dutch Artists Who Painted Italy at Second Hand -- 3 Jacob van Swanenburg and Pieter Lastman in Italy -- 4 Advice about Travel -- 5 On the Road in Italy: Nicholas Stone Jr. -- 6 The Material Evidence: Collecting Italian Art in Holland -- 7 Van Mander’s Account of Remarkable Italian Paintings in Dutch Collections -- 8 A Sampling of Amsterdam Collections: 1630–1660 -- 9 Rembrandt at the Art Market -- 10 A Contrast in Collecting: Joachim von Sandrart in Amsterdam and Bavaria -- 2 Attitudes: Critical, Admiring, and Curious toward Rembrandt -- 1 Rembrandt’s Acquaintances Condemn His Disregard for Italian Values: Huygens, Sandrart and De Lairesse -- 2 Pels, De Decker, and De Geest: Polarizing Attitudes -- 3 Rembrandt’s Singular Manner: Houbraken -- 4 Rembrandt’s Naturalism in Stefano della Bella’s Model Books -- 5 Rembrandt’s Goal in Art -- 3 Rembrandt’s Collection and How He Used It: the Canonical and the Unusual -- 1 Drawing from the Original: Mantegna, Leonardo, Raphael, Titian -- 2 Reminiscences and Variations -- 3 Life Study Fused with Art -- 4 Sculpture as Substitute for Life Study -- 4 Pragmatic Solutions -- 1 Borrowed Plumes Easily Disguised -- 2 The Supper at Emmaus of c. 1629 -- 3 Rembrandt and the Madonna of the Rosary: Structuring the Stage -- 4 Judas Returning the 30 Pieces of Silver: Caravaggio and Leonardo da Vinci -- 5 Two People in One Frame -- 5 Appropriating for Commentary: Rembrandt’s Critique of Titian, Raphael, and Leonardo -- 1 Christ Driving the Money Changers from the Temple: the 1626 Painting and the 1635 Etching -- 2 The Hundred Guilder Print: Exploiting Raphael, Michelangelo, Leonardo -- 6 Appropriation and Deviation: Responding for Alternatives -- 1 Diana and Actaeon with Callisto and Nymphs: Referencing the Italians -- 2 The Flute Player and Flower Girl: an Alternative to Titian -- 3 The Female Nude -- 7 Rembrandt Perceived by the Italians: Castiglione, the Ruffo Collection, and La Maniera Gagliarda -- 1 Giovanni Benedetto Castiglione: Inspired Improvisations -- 2 Rembrandt’s Ruffo Series -- 3 Abraham Brueghel’s Intermediary Role in the Ruffo Commissions -- 4 Guercino: Business-like, Efficient, and Respectful -- 5 Preti: Grudging Accommodation -- 6 Salvator Rosa: Independent, Arrogant, and Uncooperative -- 7 Brandi: Eager to Please -- 8 La Maniera Gagliarda -- 9 Baciccio: the Last Word -- Bibliography. |
| Record Nr. | UNINA-9910828199803321 |
|
Golahny Amy
|
||
| Leiden ; ; Boston : , : Brill, , [2020] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Rembrandt's reading [[electronic resource] ] : the artist's bookshelf of ancient poetry and history / / Amy Golahny
| Rembrandt's reading [[electronic resource] ] : the artist's bookshelf of ancient poetry and history / / Amy Golahny |
| Autore | Golahny Amy |
| Pubbl/distr/stampa | Amsterdam, : Amsterdam University Press |
| Descrizione fisica | 1 online resource (292 p.) |
| Disciplina | 759.9492 |
| Collana | Rembrandt |
| Soggetto topico |
History in art
Art and history |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-280-95890-1
9786610958900 90-485-0521-6 1-4237-8516-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- TABLE OF CONTENTS -- ACKNOWLEDGMENTS -- PREFACE -- CHAPTER 1. BOOK CULTURE -- CHAPTER 2. REMBRANDT'S TRAINING -- CHAPTER 3. REMBRANDT'S BOOKSHELF PART I -- CHAPTER 4. REMBRANDT'S BOOKSHELF PART II -- CHAPTER 5. REMBRANDT'S BOOKSHELF PART III -- CHAPTER 6. REMBRANDT'S LATER IMAGERY -- CHAPTER 7. ARTIST'S LIBRARIES -- NOTES -- BIBLIOGRAPHY -- ILLUSTRATION ACKNOWLEDGMENTS -- INDEX |
| Record Nr. | UNINA-9910451916003321 |
|
Golahny Amy
|
||
| Amsterdam, : Amsterdam University Press | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Rembrandt's reading [[electronic resource] ] : the artist's bookshelf of ancient poetry and history / / Amy Golahny
| Rembrandt's reading [[electronic resource] ] : the artist's bookshelf of ancient poetry and history / / Amy Golahny |
| Autore | Golahny Amy |
| Pubbl/distr/stampa | Amsterdam, : Amsterdam University Press |
| Descrizione fisica | 1 online resource (292 p.) |
| Disciplina | 759.9492 |
| Collana | Rembrandt |
| Soggetto topico |
History in art
Art and history |
| ISBN |
1-280-95890-1
9786610958900 90-485-0521-6 1-4237-8516-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- TABLE OF CONTENTS -- ACKNOWLEDGMENTS -- PREFACE -- CHAPTER 1. BOOK CULTURE -- CHAPTER 2. REMBRANDT'S TRAINING -- CHAPTER 3. REMBRANDT'S BOOKSHELF PART I -- CHAPTER 4. REMBRANDT'S BOOKSHELF PART II -- CHAPTER 5. REMBRANDT'S BOOKSHELF PART III -- CHAPTER 6. REMBRANDT'S LATER IMAGERY -- CHAPTER 7. ARTIST'S LIBRARIES -- NOTES -- BIBLIOGRAPHY -- ILLUSTRATION ACKNOWLEDGMENTS -- INDEX |
| Record Nr. | UNINA-9910777517503321 |
|
Golahny Amy
|
||
| Amsterdam, : Amsterdam University Press | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Rembrandt's reading : the artist's bookshelf of ancient poetry and history / / Amy Golahny
| Rembrandt's reading : the artist's bookshelf of ancient poetry and history / / Amy Golahny |
| Autore | Golahny Amy |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Amsterdam, : Amsterdam University Press |
| Descrizione fisica | 1 online resource (292 p.) |
| Disciplina | 759.9492 |
| Collana | Rembrandt |
| Soggetto topico |
History in art
Art and history |
| ISBN |
1-280-95890-1
9786610958900 90-485-0521-6 1-4237-8516-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front matter -- TABLE OF CONTENTS -- ACKNOWLEDGMENTS -- PREFACE -- CHAPTER 1. BOOK CULTURE -- CHAPTER 2. REMBRANDT'S TRAINING -- CHAPTER 3. REMBRANDT'S BOOKSHELF PART I -- CHAPTER 4. REMBRANDT'S BOOKSHELF PART II -- CHAPTER 5. REMBRANDT'S BOOKSHELF PART III -- CHAPTER 6. REMBRANDT'S LATER IMAGERY -- CHAPTER 7. ARTIST'S LIBRARIES -- NOTES -- BIBLIOGRAPHY -- ILLUSTRATION ACKNOWLEDGMENTS -- INDEX |
| Record Nr. | UNINA-9910827733103321 |
|
Golahny Amy
|
||
| Amsterdam, : Amsterdam University Press | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||