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Creativity -- a New Vocabulary / / Vlad Petre Glaveanu, Lene Tanggaard, and Charlotte Wegener, editors
Creativity -- a New Vocabulary / / Vlad Petre Glaveanu, Lene Tanggaard, and Charlotte Wegener, editors
Edizione [Second edition.]
Pubbl/distr/stampa Cham, Switzerland : , : Macmillan Palgrave, Palgrave Macmillan, , [2016]
Descrizione fisica 1 online resource (303 pages)
Disciplina 153.3/5
Collana Palgrave Studies in Creativity and Culture Series
Soggetto topico Creative ability
Philosophy
ISBN 3-031-41907-3
Formato Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione eng
Nota di contenuto Intro -- Contents -- Notes on Contributors -- List of Figures -- Chapter 1: Why Do We Need a Newer Vocabulary for Creativity? -- The Second Edition -- On Creativity and Breaks -- Things We Do with Words -- Consolidation -- Creative Limitation -- Can We Move Beyond Consolidation and Creative Limitation? -- A Few Notes on Concepts and Categories -- Reading This Book -- References -- Chapter 2: Affordance -- Affordances, a Debated Concept -- Beyond Conventional Uses of Objects -- Creativity (Re)Defined -- References -- Chapter 3: Body -- Opening the Black Box of the Body -- Sketching the [Creative] Body -- Hands for Handling -- Legs for Locomotion -- Senses for Sensitizing -- Heart for Hope and Affection -- Gut for Guessing -- Towards an Embodied Future -- References -- Chapter 4: Business as Usual -- Towards Business as Usual -- The Managers' Perspective -- A Horizontal View on Creating Something New -- A Vertical View on Creating Something New -- Too Much Like Business as Usual -- Epilogue -- References -- Chapter 5: Craft -- From Creativity in Craft to Creativity as Craft -- What About Routines and Mindless Repetition? -- From Creative Thinking to Creative Making -- References -- Chapter 6: Difference -- Difference Between Self and Other -- Difference Between Sign and Object -- Difference Between What Was, Is, and Will Be -- Difference Between the Possible and Impossible -- Difference Between Would and Should -- What Difference Makes a Difference for Creativity? -- References -- Chapter 7: Digital -- Introduction -- Revisiting the Classic Four-P Model of Creativity -- Person -- Process -- Press -- Product -- Toward a Sociotechnical Understanding of Creativity -- References -- Chapter 8: Fear -- Imagination, Signs and Self-Regulation -- Fear, Imagination and Creativity: Some Examples -- Conclusion -- References -- Chapter 9: Language.
The Language of Creativity -- Creativity at the Origin of Language -- Language at the Origin of Creativity -- Dialogue at the Root of Language and Creativity -- Order and Spontaneity, in Dialogue -- References -- Chapter 10: Lostness -- Prologue -- Lost -- Knot-Working and Not-Knowing -- Why am I Here? -- Concluding Remarks on the Epistemological Struggle -- References -- Chapter 11: Memory -- The Street Artist: Delinquent or Creative Genius? -- The Creative Memories of a Revolution -- Creativity and Memory, Reunited -- References -- Chapter 12: Mess -- On Why We Might Have Ignored Mess -- What Is Mess, and What Is Its Relationship with Creativity? -- So Why Use Methods? -- Conclusion -- References -- Chapter 13: No -- The Culture of Yes -- The Creativity of No -- The Power of No -- Concluding Theoretical Postscript -- References -- Chapter 14: Pathways -- Pathways as a Term -- The Methodology of Creative Pathways -- Reflecting Pathways: Where to Go Next? -- Conclusion -- References -- Chapter 15: Perspective -- Perspectives and Positions -- Moving Between Perspectives: The Creative Meta-Position -- Perspectives We Take, Perspectives We Silence -- References -- Chapter 16: Power -- The Two Faces of Power: Suppressive and Productive -- The Relation Between Power and Creativity -- Power and the Unstable Hierarchies of Modern Organisations -- Surrender Your Power-and Increase Your Power in the Process -- Implications for Organisational Theory and Practice -- References -- Chapter 17: Reflexivity -- 'Je suis Charlie' -- Reflecting on Charlie -- After Charlie -- References -- Chapter 18: Rhythm -- Regularity -- The Manners of Tasting Matcha Tea -- Uniqueness -- Emergence -- From Rhythm to Style -- References -- Chapter 19: Rules -- The Intricate Relationship Between Rules and Creativity.
Time to Be Playful and Serious: The Delicate Balance Between Freedom and Structure -- Socio-Materiality, Rules, and Creativity Research: A Triadic Interplay -- Picking Up the Camera: A Nostalgic Return to the Analogue Era -- Playing By or Breaking the Rules of Photography -- Dogmas, Chastity Vows, and Obstructions -- The Master of Clay -- Conclusion -- References -- Chapter 20: Silence -- Silence Is Ambiguous -- 'There Is No Such Thing As Silence' -- Towards Negative Decibels -- The Longing for Silence -- A Silence As Never Before, Spring 2020 -- A Vibrant Silence -- References -- Chapter 21: Space -- Filling the Void with Meaning -- Poem on the Wall -- Extended Mind and Dwelling in the World of Poems and Plastic Jars -- The Staatsbibliothek Experiment -- Creative Spaces and Their Discontents -- References -- Chapter 22: Stumbling -- How Can We Stumble Creatively? -- Conclusion -- References -- Chapter 23: Things -- The Thing Itself -- Objects and Conventions -- The Openness of Artefacts -- Materiality and Creativity -- References -- Chapter 24: Translation -- Translating Words -- Translating Images -- 'Pierre Menard, Author of the Quixote' -- References -- Chapter 25: Upcycling -- A Three-Course Dinner at the Auto Repair Garage -- From Cradle to Cradle and 'Designing for Abundance' -- Socio-Material Upcycling -- Ideas as Modules -- Conclusion -- References -- Chapter 26: World-Making -- World-Making -- Celebrating -- Meandering -- Betraying -- Translating -- Concluding -- References -- Index.
Record Nr. UNINA-9910799206603321
Cham, Switzerland : , : Macmillan Palgrave, Palgrave Macmillan, , [2016]
Materiale a stampa
Lo trovi qui: Univ. Federico II
Opac: Controlla la disponibilità qui
The Palgrave Encyclopedia of the Possible / / edited by Vlad Petre Glăveanu
The Palgrave Encyclopedia of the Possible / / edited by Vlad Petre Glăveanu
Edizione [1st ed. 2022.]
Pubbl/distr/stampa Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2022
Descrizione fisica 1 online resource (1812 pages)
Disciplina 158
121.2
Soggetto topico Psychology
Psychology, Industrial
Philosophy and social sciences
Art - Study and teaching
Cognitive psychology
Behavioral Sciences and Psychology
Work and Organizational Psychology
Philosophy of the Social Sciences
Creativity and Arts Education
Cognitive Psychology
Possibilitat
Teoria del coneixement
Soggetto genere / forma Llibres electrònics
ISBN 9783030909130
9783030909123
Formato Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione eng
Nota di contenuto Abnormal -- Absent -- Actual -- Aesthetics -- Awe -- Anticipation -- Anticipation studies -- Artificial intelligence -- As-if thinking -- Bakhtin, Mikhail -- Bergson, Henri -- Bruner, Jerome -- Creativity -- Counterfactual thinking -- Culture -- Curiosity -- Dewey, John -- Divergent thinking -- Dystopia Emergence -- Empathy -- Ethics -- Fantasy -- Fiction -- Free will -- Freud, Sigmund -- Future -- Future studies -- Games -- Heidegger, Martin -- Here and now -- History of the possible -- Hope -- Imagination -- Impossible -- Mead, George Herbert -- Nietzsche, Friedrich -- Perspective taking -- Piaget, Jean -- Play / Pretend play -- Poetry -- Polyphony -- Possibility thinking -- Potential -- Probabilistic thinking -- Real -- Reality -- Resistance -- Sartre, Jean Paul -- Science fiction -- Social change -- Symbolic function -- Symbols -- Opportunity -- Technology -- The possible in anthropology.
Record Nr. UNINA-9910647398503321
Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2022
Materiale a stampa
Lo trovi qui: Univ. Federico II
Opac: Controlla la disponibilità qui