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British Women's Writing from Brontë to Bloomsbury, Volume 1 : 1840s and 1850s / / edited by Adrienne E. Gavin, Carolyn W. de la L. Oulton
British Women's Writing from Brontë to Bloomsbury, Volume 1 : 1840s and 1850s / / edited by Adrienne E. Gavin, Carolyn W. de la L. Oulton
Edizione [1st ed. 2018.]
Pubbl/distr/stampa Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2018
Descrizione fisica 1 online resource (293 pages)
Disciplina 820.99287
Collana British Women’s Writing from Brontë to Bloomsbury, 1840-1940
Soggetto topico Literature, Modern—19th century
Fiction
Poetry
British literature
Nineteenth-Century Literature
Poetry and Poetics
British and Irish Literature
ISBN 3-319-78226-6
Formato Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione eng
Nota di contenuto 1. Introduction: Adrienne E. Gavin and Carolyn W. de la L. Oulton -- 2. ‘Pleasant, easy work, -& not useless, I hope’: Harriet Martineau as a Children’s Writer of the 1840s: Valerie Sanders -- 3. ‘Powerful beyond all question’: Catherine Crowe’s Novels of the 1840s: Ruth Heholt -- 4. Women in Service: Private Lives and Labour in Mary Howitt’s Work and Wages: Erin D. Chamberlain -- 5. Confronting the 1840s: Christian Johnstone in Criticism and Fiction: Joanne Wilkes -- 6. Jane Eyre, Orphan Governess: Narrating Victorian Vulnerability and Social Change: Tamara S. Wagner -- 7. ‘I was in the condition of mind to be shocked at nothing’: Losing the Plot in Wuthering Heights: Carolyn W. de la L. Oulton -- 8. Anne Brontë: An Unlikely Subversive: Kristin A. Le Veness -- 9. The Female Voice and Industrial Fiction: Elizabeth Gaskell’s Mary Barton: Carolyn Lambert -- 10. The Age of the Female Novelist: Single Women as Writers of Fiction: Sharon Connor -- 11. ‘Excluded from a woman’s natural destiny’: Disability and Femininity in Dinah Mulock’s Olive and Charlotte M. Yonge’s The Daisy Chain: Clare Walker Gore -- 12. ‘The eatables were of the slightest description’: Consumption and Consumerism in Cranford: Anne Longmuir -- 13.‘There never was a mistress whose rule was milder’: Sadomasochism and Female Identity in Charlotte Brontë’s Villette: Abigail Boucher -- 14. Cultivating King Arthur: Women Writers and Arthurian Romance in the 1850s: Katie Garner -- 15. ‘[T]he work of a she-devil’: Sensation Fiction, Crime Writing, and Caroline Clive’s Paul Ferroll: Adrienne E. Gavin -- 16. ‘[Your novel] quite gives me a pain in the stomach’: How Paternal Disapproval Ended Julia Wedgwood’s Promising Career as a Novelist: Sue Brown -- 17. Adam Bede and ‘the green trash of the railway stall’: George Eliot and the Lady Novelists of 1859: Gail Marshall.
Record Nr. UNINA-9910300030403321
Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2018
Materiale a stampa
Lo trovi qui: Univ. Federico II
Opac: Controlla la disponibilità qui
British Women's Writing from Brontë to Bloomsbury, Volume 2 : 1860s and 1870s / / edited by Adrienne E. Gavin, Carolyn W. de la L. Oulton
British Women's Writing from Brontë to Bloomsbury, Volume 2 : 1860s and 1870s / / edited by Adrienne E. Gavin, Carolyn W. de la L. Oulton
Edizione [1st ed. 2020.]
Pubbl/distr/stampa Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2020
Descrizione fisica 1 online resource (307 pages)
Disciplina 823.809
809.41
Collana British Women’s Writing from Brontë to Bloomsbury, 1840-1940
Soggetto topico Literature, Modern—19th century
Fiction
British literature
Nineteenth-Century Literature
British and Irish Literature
ISBN 3-030-38528-0
Formato Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione eng
Nota di contenuto 1.Introduction; Adrienne E. Gavin and Carolyn W. de la L. Oulton -- 2. A Decade of Experiment: George Eliot in the 1860s; Margaret Harris -- 3. ‘Duck him!’: Private Feelings, Public Interests, and Ellen Wood’s East Lynne; Tara MacDonald -- 4. [Tr]ains of Circumstantial Evidence: Railway ‘Monomania’ and Investigations of Gender in Lady Audley’s Secret; Andrew F. Humphries -- 5. ‘There is great need for forgiveness in this world': The Call for Reconciliation in Elizabeth Gaskell’s Sylvia’s Lovers and A Dark Night’s Work; Elizabeth Ludlow -- 6. ‘The plain duties which are set before me’: Charity, Agency, and Women’s Work in the 1860s; Kristine Moruzi -- 7.‘[S]mothered under rose-leaves’: Violent Sensation and the Location of the Feminine in Eliza Lynn Linton’s Sowing the Wind; Carolyn W. de la L. Oulton -- 8. ‘Fleshly Inclinations’: The Nature of Female Desire in Rhoda Broughton’s Early Fiction; Tamar Heller -- 9. Crumbs from the Table: Matilda Betham-Edwards’ Comic Writing in Punch; Clare Horrocks and Nickianne Moody -- 10. Transcending Prudence: Charlotte Riddell’s ‘City Women’; Silvana Colella -- 11. ‘[M]ute orations, mute rhapsodies, mute discussions’: Silence in George Eliot’s Last Decade; Fionnuala Dillane -- 12.‘His eyes commanded me to come to him’: Desire and Mesmerism in Rhoda Broughton’s ‘The Man with the Nose’; Melissa Purdue -- 13. ‘[E]mphatically un-literary and middle-classʼ: Undressing Middle-Class Anxieties in Ellen Wood’s Johnny Ludlow Stories; Alyson Hunt -- 14. ‘Sinecures which could be held by girls’: Margaret Oliphant and Women’s Labour; Danielle Charette -- 15. ‘More like a woman stuck into boy’s clothes’: Transcendent Femininity in Florence Marryat’s Her Father’s Name; Catherine Pope -- 16. ‘I am writing the life of a horse’: Anna Sewell’s Black Beauty in the 1870s; Adrienne E. Gavin -- 17. Forging a New Path: Fraud and White-Collar Crime in Mary Elizabeth Braddon’s 1870s Fiction; Janine Hatter. .
Record Nr. UNINA-9910483685803321
Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2020
Materiale a stampa
Lo trovi qui: Univ. Federico II
Opac: Controlla la disponibilità qui