Making and unmaking in early modern English drama : spectators, aesthetics and incompletion / / Chloe Porter |
Autore | Porter Chloe |
Pubbl/distr/stampa | Manchester, UK : , : Manchester University Press, , 2015 |
Descrizione fisica | 1 online resource (viii, 230 pages) : illustrations; digital, PDF file(s) |
Disciplina | 822.309 |
Collana | Manchester Shakespeare collection |
Soggetto topico |
English drama - Early modern and Elizabethan, 1500-1600 - History and criticism
English drama - 17th century - History and criticism Art and literature - England - History - 16th century Art and literature - England - History - 17th century Material culture in literature - History - 16th century Material culture in literature - History - 17th century Visual perception in literature Art in literature Unfinished works of art Iconoclasm in literature Literature and literary studies Literature: history and criticism / Literary studies: plays and playwrights LITERARY CRITICISM - Drama Biography, Literature & Literary studies - Literary studies: plays & playwrights |
Soggetto non controllato |
literature
plays and playwrights Apelles Brazen head Early Modern English Early modern period England Iconoclasm Visual arts Visual culture William Shakespeare |
ISBN |
1-5261-0328-1
1-5261-0327-3 1-84779-891-8 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Early modern English drama and visual culture -- 'In the keeping of Paulina': the unknowable image in The Winter's tale -- 'But begun for others to end': the ends of incompletion -- 'The brazen head lies broken': divine destruction in Friar Bacon and Friar Bungay -- Going unseen: invisibility and erasure in The Two merry milkmaids. |
Record Nr. | UNISA-996543166103316 |
Porter Chloe | ||
Manchester, UK : , : Manchester University Press, , 2015 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. di Salerno | ||
|
Making and unmaking in early modern English drama : spectators, aesthetics and incompletion / / Chloe Porter |
Autore | Porter Chloe |
Pubbl/distr/stampa | Manchester, UK : , : Manchester University Press, , 2015 |
Descrizione fisica | 1 online resource (viii, 230 pages) : illustrations; digital, PDF file(s) |
Disciplina | 822.309 |
Collana | Manchester Shakespeare collection |
Soggetto topico |
English drama - Early modern and Elizabethan, 1500-1600 - History and criticism
English drama - 17th century - History and criticism Art and literature - England - History - 16th century Art and literature - England - History - 17th century Material culture in literature - History - 16th century Material culture in literature - History - 17th century Visual perception in literature Art in literature Unfinished works of art Iconoclasm in literature Literature and literary studies Literature: history and criticism / Literary studies: plays and playwrights LITERARY CRITICISM - Drama Biography, Literature & Literary studies - Literary studies: plays & playwrights |
Soggetto non controllato |
literature
plays and playwrights Apelles Brazen head Early Modern English Early modern period England Iconoclasm Visual arts Visual culture William Shakespeare |
ISBN |
1-5261-0328-1
1-5261-0327-3 1-84779-891-8 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Early modern English drama and visual culture -- 'In the keeping of Paulina': the unknowable image in The Winter's tale -- 'But begun for others to end': the ends of incompletion -- 'The brazen head lies broken': divine destruction in Friar Bacon and Friar Bungay -- Going unseen: invisibility and erasure in The Two merry milkmaids. |
Record Nr. | UNINA-9910132510403321 |
Porter Chloe | ||
Manchester, UK : , : Manchester University Press, , 2015 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
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